ChineseDramaFan

Inspiring & Heart-Warming

This story reminds me of the story of Malala Yousafzai, a 15 year old Pakistani girl who was shot in the head by the Talibans in 2012 because she was advocating education for all girls. Not that Malala has disguised herself as a boy and gone to school as in this drama, but the stories are similar whereby girls are deprived of the equal opportunity to learn and to work since ancient times to today's world. This drama also reminisces the legendary Butterfly Lovers but without its tragic ending.

Wen Xi (played by Ju Jing Yi), a very intelligent girl from an impoverished family, disguises as a boy by adopting her brother’s name Wen Bin and works as a commissioned writer to make a living for her family. Not out of her choice, she’s accidentally enrolled into the most prestigious academy of the land where such graduates would generally enter the palace and work as high-ranking officials for the Emperor. In the academy, she has to navigate precariously so that her feminine identity would not be discovered as girls are banned from attending school especially when such prestigious academy is only meant for aristocrats’ sons. Breaking the law is punishable by death. The drama revolves mainly around school life, not unlike modern day dramas about youth and school, but with ancient wisdom and philosophies.

Wen Bin is upstanding, kind, chivalrous, determined and courageous. For that, she’s very popular and becomes best friends with 2 roommates from renown aristocratic families. Together with another boy, they form the gang of four which is the pride of the academy. One of the boys is Feng Cheng Jun (played by Song Wei Long) whom she’s very fond of and later he falls in love with her as well. As Wen Bin is petite and seemingly weakly, the boys, unconsciously, rush to her assistance in the first instant.

Ju Jing Yi’s performance as Wen Bin is fabulous. Despite her petiteness, she commands an air of authority which the boys obey to without questions, at the same time, she can be girly to get their compassion, hence her way. I really enjoy watching how the boys love her as a comrade and her determination to do just as good, if not better, as the boys. Ju Jing Yi’s portrayal is so believable. The Feng Cheng Jun character is a studious and uncompromising person. Song Wei Long’s portrayal is amazing as the actor has a natural bookwormish face and a slow-in-realization expression. Such characteristics make Song Wei Long a perfect Feng Cheng Jun. Wen Bin is always the bridge between Feng Cheng Jun and Lei Ze Xin whereas Yu Le Xuan the conduit for all of them. The dynamics between the four friends are precious. Though constantly arguing, they’re inseparable from each other. To show her small size, the production team has even chosen 3 exceptionally tall actors to play the roles of her 3 best friends and I find their choices perfect.

The plot seems to be rather trivial in today’s standard – changing the policies so that all deserving scholars including girls and the poor receive education and serve the Emperor’s court. But it's a taboo in those days as the aristocrats fear losing power and wealth, and in the drama, there are indeed deaths for advocating such ideology and for preventing it.

Though their relationship is cordial and natural from the beginning, Feng Cheng Jun doesn’t find out about Wen Bin being a girl until episode 31. Therefore, before this when he begins to have feelings for her, he’s thinking himself a gay and his reactions are hilarious. Despite there’s not much romance per se, I find all the scenes they have together very romantic and heart-warming.

There’re some minor plot holes here and there and I find the story slightly off script towards the end. I'd have loved to see that Wen Bin fights for her right and equality for all, which has been her father's legacy, but unfortunately she seems to be weak on this and loses her appeal towards the end; all she wants is to live happily ever after with her man. I'm also not very impressed that she transfers her credentials to her brother who becomes a high ranking government official eventually. To me, this is like hiring someone to take your SAT (you know what I mean, wink, wink). As with most Chinese dramas' ending, the brilliant female character becomes common/weak. Nonetheless, I have enjoyed this drama, not so much on the plot but on the comradeship in a learning environment and the humors that come with it. The characters are lovable and their dynamics are adorable. The underlying message is inspiring -- creating oneself in the image for the eyes of others is not being strong, but facing oneself of what one is, is.

A rather enjoyable drama.

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Love, Compassion, Inspiring Characters | Best Costume Drama of All Time

To enjoy watching this drama, one has to watch it without any preconception. Discard your logic. Just watch it as it is. Accept the events as they are playing out. Watch out for the beautiful relationships between the leads and beyond. Close your eyes and listen to the beautiful music. Take in the visual of the 2 main leads.

I normally shy away from dramas that are tagged "Bromance", but somehow, I clicked on this one. Since I didn't have a high expectation, my initial impression was like, "Urgh! Another bad Chinese zombies drama" which was in the beginning scene. But to my surprise, it didn't take me very long to get into the hang of the story; I find the story super interesting and the actors super hot. In fact, the good look of the actors makes this drama feel like a manga/manhua; it's surreal, it's beautiful.

I was so hooked to the story that I binge watched all the aired episodes in one sitting. It is really good. Immediately I was acquainted with the main leads, in particular, Wei Wu Xian, who is the untamed one. He is playful, care-free, upstanding and has a heart of gold. Despite all the pain and false accusations he has to endure, Wei Wu Xian remains cheerful, humorous and kind. It is this magnanimous quality that brings tears to our eyes for his misfortune and makes us love him.

Wang YiBo, a very talented dancer, plays the Lan Wang Ji character. Whether on-screen or off-screen, Wang YiBo has that same cold look and therefore making him a perfect fit for the role. His coldness and outrageous good look provide a dream-like visual in the world of cultivation.

The bantering between Wei Wu Xian and the other men/boys is hilarious and cute, which we normally see in romances between a girl and a boy. But in this drama, the bantering doesn't feel distasteful or bad; it gives the impression of true friendship and brotherhood.

Many of the actors, especially the male actors, are so good looking that I find myself attracted to them. All of them are young and talented, and executed their roles very well. The visual of Wei Wu Xian and Lan Zhan is so beautiful - one in white holding the sword and the other in black blowing the flute. I love to watch the flow of their long hair and clothing in the air when they fight. It's simply out of this world.

Though I have not read the novel nor watched the related anime, I find the portrayal of the 2 main characters so amazing - everything about them is opposite to each other. Wei Wu Xian is always warm, talkative and playful, whereas Lan Wang Ji is always cold, solemn and rigid. It is interesting to note that the actual personalities of the actors are reversed off screen. Lan Wang Ji and Wei Wu Xian make a perfect pair.

For me, it's the 'soulmate' relationship that is truly awesome. Wei Wu Xian and Lan Wang Ji know exactly what each other is thinking and feeling by just looking into each other's eyes. They can read each other's mind. It's better than many boy-girl romances where there are tons of misunderstanding, frustrating the viewers. Despite being always expressionless, Wang YiBo brilliantly expresses his emotions without words in Lan Wang Ji. And for Xiao Zhan, he is so brilliant playing the Wei Wu Xian character as if it is written for him.

Their admiration for each other is never explicit, but the look on each face tells a million words. Wei Wu Xian has never imposed on Lan Wang Ji; he lets him make his own choices. For Lan Wang Ji, he is tormented. What is in his heart is totally against what he's been taught in his whole life. He has lived a very strict life with no friends nor any form of entertainment, until Wei Wu Xian appears in his life. Only Wei Wu Xian understands how he feels.

As far as I'm concerned, there is nothing 'gay' about this drama. It's just pure BFF (best-friend-forever) like we have with our own BFF. It is the great companionship one finds in another. The few comedic scenes added to lighten up the whole story are adorable and funny, helping the viewers to take a breather from the zombies and evil spirits.

All the sound tracks are so beautiful either sung or instrumental, each telling a story of a character or a scene. I love visualization the scene when Wu Xian picks up his flute and blows, and Lan Wang Ji playing the guqin. I can just close my eyes and listen to the beautiful tune. The visual is simply so beautiful that no words can describe.

The ending tears my eyes. The sacrifices Wei Wu Xian makes to save others, and in return Lan Wang Ji does the same for him. It's moving and touching. Sweetness comes and I ask for the story to continue.

Many viewers who have read the novel may be disappointed watching this drama that has not portrayed the gayness as it is written in the novel. On the other hand, many viewers shy away from this drama because they do not want to watch "gay" scenes. For me, this drama is beautifully and tastefully done, especially the visual aspect. If you refrain from watching for any of these reasons, you may be missing a lot of the fun. This is a drama that is well worth it.

I strongly recommend this drama to anyone who is still hesitating.

Two thumbs up!

An Update:

After watching this drama during its airing, I re-watched it multiple times, each time picking up certain details I've missed during the first watching. I realized there are many subtleties in this drama that can be missed or not understood in the first viewing. Then I also started watching the anime, and reading the novel. The drama does pretty well in sticking closed to the original story but then, there are also differences and hence provides totally different experiences to the viewers.

Like I said before, I'm normally not a "bromance" fan. But after watching this drama, something touches me. I don't know what, but I love this drama so much that I can't put it down. Even though initially when watching this drama, I felt the relationship was more of a soulmate friendship, but after reading some parts of the novel and watching the anime, I realize it is more than just a soulmate relationship. But this drama has cleverly and carefully tweaked the story to avoid that censorship threshold and yet not losing its heart-warming love relationship appeal. That's what makes this drama so loved and unforgettable. The two main male leads are so good together as if they are made for each other. Since this drama, I realize the misconception I have always on such relationship (bromance) due to our social norms and religious intolerance. I also realize only with an open mind, I can see further and feel more of the things around me.

Despite all the holes and flaws here and there, poor acting by some peripheral actors, hard-to-understand certain parts of the story and logic, substandard editing etc, this drama is phenomenal in terms of its visual appeal and music composition. One really has to sit in, watch it and listen to it, to appreciate it.

This drama has the best OSTs I have ever heard, be they vocal or instrumental, they are so beautiful. The character songs describe each character appropriately. From these songs, I even managed to understand some characters better whom I initially disliked, such as Xue Yang. The lyrics and music in the Yi Nan Ping (Jiang Yanli's character song) is the one that makes me very emotional whenever I listen to it because it is Wei Ying's memory of his shijie (Jiang Yanli); it's so heart-wrenching. The Qing Xin Yin (Clear Heart Tune or Cleansing) with the Luan Po Chao (Muddle Soul) interlude is so perfectly done, that by itself, it is already a master piece. I later also found out that this song is an adaptation from the original song called "You don't understand my heart". Lan Zhan plays this tune consistently for Wei Ying for healing when he is in coma or when he's wounded. The lyrics in that song are so fitting for Lan Zhan expressing his love for Wei Ying silently. The WuJI song, purportedly composed by Lan Zhan for Wei Ying, describes perfectly what happens between them - it is their song, their story. Another song that strikes me most, among others, is the Lotus Cove song. Whenever I hear it, I can feel Wei Ying's fond memories of his growing up life living in the Lotus Cove, so carefree and happy, loved and adored by all, especially his shijie. I can't help but cry for him when he loses all that means most to him.

I have never thought I'd enjoy a drama that shows two male leads in a loving relationship as much as I love this one. At this point, I don't think the label we want to use on this drama important anymore. The most important thing is, most viewers like me have enjoyed it tremendously.

This is a MUST WATCH drama!

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Part Fictional Part Historical Story

Despite the really vile and annoying antagonists, this drama has done quite an incredible job by incorporating a romance fiction into the actual historical characters and events during the period of Emperor Taizong (626 – 649) and later Emperor Gaozong (649 - 683) of Tang Dynasty. This is the love story of Kudi Liu Li (Gulnazar aka Guli Nazha/Gülnezer Bextiyar) and Pei Xingjian (Xu Wei Zhou aka Timmy Xu) who was an actual historical figure.

The story is adapted from the well-loved novel “The Bright Moon of Great Tang”. According to readers, like many other adaptations, the original characters and plots have been relentlessly butchered, rendering the final production with incoherent logic and badly modified characters that could cause viewers to spew blood. They claim the screen writers have made the Liu Li character stupid, impulsive and annoying. The screen writers have also given unlimited power to the seemingly unimportant head of the palace seamstress shop, making the Zhuo Jin Niang (Li Xin Yi) character vile and despicable, which to many, is bizarre and a total hogwash. They have also made the Cao Wang (Prince of Cao) character extremely dislikable, turning him into a nincompoop who does not receive equal retribution for his heinous acts, like trying to murder the Crown Prince, umpteen times. Many viewers also criticize the acting of the main leads for being mediocre and unbelievable.

The Characters and Acting
Kudi Liu Li (Gulnazar) is the daughter of the world number one best embroiderer and seamstress who is framed and executed in the palace. Little Liu Li escapes execution and has been disguised as a boy living in the palace. Inherited her talents from her mother, Liu Li becomes a gifted embroiderer/seamstress for the Emperor. I really love the beautiful little girl who portrays the juvenile Liu Li. Her acting is wonderful and believable. Many viewers dislike the grown-up Liu Li character and complain about Gulnazar’s acting. I can see why viewers are frustrated because Liu Li has the tendency in running into trouble because she is too impulsive and naïve. However, in times of trouble Liu Li can analyze her situations quickly and come out with good solutions, hence saving herself and those she cares. According to actual historical record, Pei Xingjian’s second wife was of Turkic ethnicity. Gulnazar’s Uyghur background appropriately fits her role as Liu Li. For me, Gulnazar’s acting is not totally a flop; I quite like her as Liu Li, even as the disguised Xiao Douzi, she is rather cute and believable.

Pei Xingjian (Timmy Xu) is a super intelligent person, well verse academically as well as an incredible fighter. He later becomes a good friend and the bodyguard of the Crown Prince Li Zhi, saving him from all kinds of danger and near-death situations. Timmy Xu is very good looking with a wonderful physique. However, I wish he were more relax in his acting with more natural movements and facial expressions. As Pei Xingjian, he does make the character very lovable and enjoyable.

My verdict
Apart from Pei Xingjian, this drama makes references to many real historical figures including Wu Zetian (the famous/infamous female Emperor), Li Shimin (Emperor Taizong of Tang), Li Zhi (Emperor Gaozong of Tang), among others. As expected, many of the events in the drama are fictional, including the exaggerated wickedness of the antagonists and their blatantly heinous schemes and crimes. Many viewers feel such acts are overdone and illogical. Some viewers even claim, rightly or not, the plotline and characters are copied from the Korean drama "Jewel in the Palace" (2003). Whatever it may be, don’t let the low ratings mislead you. From the perspective as an entertainment, the story is indeed entertaining with clear line between love and hate, black and white, right and wrong; there's simply nothing in between.

For me, I find the fiction ties in very well with the actual history, romanticizing historical figures and events, giving the viewers a part fictional and part historical story. I love the beautiful Tang era dresses worn by the ladies, the street scenes, the palaces and the overall settings – all carefully done and shot. The embroidery, especially the double-sided embroidery, one of China's pride, talents and legacies, is exquisite and breathtaking.

Until the final few episodes, the writers still continue to add on more outrageous antagonists and twists at whims. I believe they really enjoy watching viewers being disgusted.

Enjoy the ride!

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青出于蓝 (Qīngchūyúlán) – Gaming The Teacher

I have mixed feelings about this drama. I enjoy the scheming parts, where everything is “shi, ye bu shi”(是,也不是), a phrase constantly used by the ingenious one. Anything can be true or not true, leaving an ambiguous connotation where the line is not clear cut. However, at times, I find his schemes not so brilliant but rather frustrating as they defy logic. I also find the romance taking up too much screen time, rushing the unfolding of the supposedly epic events that led up to the finale; many of those scenes are just by-passing in conversations.

For me, The Ingenious One is probably more appropriately called the King of Deception. Unlike the Mei Changsu character in “Nirvana in Fire” who is genuinely the ingenious one, Yun Xiang (Chen Xiao) schemes and deceives with no bottom line; he is more like an antagonist. Like Mei Changsu, Yun Xiang cannot fight but is brilliant in escaping, which is really funny to watch especially when he manages to run away from those great martial arts antagonists, causing them to scratch their heads. Both (Yun Xiang and Mei Changsu) have talented martial art friends/followers to hang around and protect them.

Similar sequence structure as most wuxia stories, Yun Xiang leaves his mountain where he has lived for 15 years and learned his craft, and then goes for a mission set down by his master. He takes the opportunity for an adventure in search of the ones responsible for the massacre of his entire village. He meets interesting people and makes friends that could be trusted and help him in his plots. He even falls quickly in love with a girl who is a brilliant martial art fighter but with a background he cannot find. While his newfound friends treat him sincerely, he uses them to achieve his own goals, usually causing huge damages to his friends only to be mitigated later through the completion of his schemes. He is the one who digs the hole, leads the plot and fills the hole later. He can stoop as low as he needs to achieve his goals.

The whole cast is well selected. Every character is being performed optimally and convincingly. Chen Xiao’s performance is great but he looks tired, and at times, his expressions confuse me. This is probably due to the Yun Xiang character being a complex one who is ambiguous, as he says, “shi, ye bu shi” (yes, or no).

Many viewers criticize Mao Xiaotong (plays Shu Yanan) mainly on how her face looks, puffy, bread face etc, which I feel totally irrelevant. She exudes a sharp charisma with good acting, and her chemistry with Chen Xiao appropriate. As a talented martial art fighter, she is believable with beautiful fight choreography, and her emotional turmoil shows clearly on her body language when she finds herself falling for a man she can’t love.

The other side characters and side couples are lovely. I regret the deaths of a couple of my favorite characters and wish they have not been written off just like that as their deaths are unnecessary. I have also enjoyed the official soundtracks. The ballads are melodious and memorable.

My Verdict

I love the subtle color palette of the drama with toned down garments and accessories. Though started as a wuxia in Jianghu story, it eventually leads to palace politics and power struggle. From the beginning until towards the end when such politics become apparent, viewers are only shown Yun Xiang’s mysterious master as an invisible character which is almost like that of the Wizard of Oz. The prolonged lovelorn suffered by Yun Xiang is rather boring because romance should not have been the focus in the first place. I also find the missed opportunity in the development of a potentially great character, Qian Rong (Huang Haibing), the housekeeper of the Su Family. The second half of the drama is less compelling and lacks luster compared to the first half as the logic becomes uncalled for. Imagine the mastermind spends 30 years scheming and controlling two powerful century-old organizations, 15 years cultivating his best disciple, only to have all these crumble within the last 30 minutes of the story. I am speechless. And by the way, where is the antagonist Nan Gong Fang (Ran Xu)?

Nonetheless, a rather fun watch for wuxia lovers! Recommended!

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Secretive Intense Fast-moving

I’m intrigued by the background setting of this story. Adapted from a popular novel by Ma Bo Yong, the same author for Longest Day in Chang’an and Secret of Three Kingdoms, this story is set towards the end of the first female emperor’s, Wu Zetian’s, rule around 703 – 705 in Luoyang. Like the other earlier dramas, this drama is fast paced and heart-poundingly intense. The nail-biting story is abound with mysteries, conspiracies and hidden villains, layers after layers with multiple meanings for interpretation.

The author brilliantly mixes fiction and non-fiction together creating a fascinating story. The plots and sub-plots may be fictional, but many of the people and places, with probably the exception of the main characters, are real historically. Having said that, the names of the main characters could have been adopted from real people during the era but unrelated to the events (for example, Wu Siyue has rather similar homophones to Wu Zetian’s father’s name, Wu Shiyue).

It would be a fascinating watch if viewers are equipped with some understanding of the background setting so that all the elements in the drama, big and small, including dialogues and events, become interesting clues as the story unfolds. As it goes, the background becomes pivotal for the enjoyment of the viewers and I’d like to provide a brief explanation here.

After the death of her husband, Emperor Gaozong/Li Zhi, Wu Zetian maneuvered swiftly, created her own dynasty, Zhou, and soon proclaimed herself the emperor, basically taking over the throne from the Li family despite her own sons who were still the rightful heirs to the throne under the Li lineage. These have created various factions, with conflicts between the loyalties to the Li lineage and Wu’s family and followers. In the drama, we see these two factions at each other’s throat, jumping at any opportunities to put their opponent to death, for example, the King of Jin, Wu Shenxing (NingWentong), constantly pits against the Crown Prince Li Dun, and he him. The politics and infighting were enormous and deadly, which are captured vividly. It is under this setting that the story becomes captivating and rich. The hidden undercurrents propel the plot: who is the ultimate villain? Is it the Li’s trying to wrangle back power from the hands of Wu, or is it the Wu’s clan trying to legitimize their claim to the throne and pass on to their future generation, or is it someone else?

The story begins with the whistleblowers, who are historically real, risking their lives to try to send a secretive message to the Emperor. Before Wu Zetian came to power, the informant system was in existence to gather information on opposing forces to the throne. The use of secret boxes for the informants to submit information is rather similar to today’s suggestion boxes. Ironically, the inventor of the secret box was eventually executed as he was accused of his involvement in a rebellion through the system he had invented. This is rather similar to the case of Louis XVI, the last King of France, who was decapitated by the guillotine that he had invented.

The first episode where the three main leads are introduced is rather haphazard with fast moving events, sometimes in slow motion and camera work flying everywhere causing confusion and head spinning (at least for me). However, thereafter, such haphazardness almost evaporates and is replaced by seriousness and absorbing story telling.

Though romance is not the focus here, it does brush on light romance with Baili Hongyi (Wang Yibo) who initially opposes to a marriage arranged by his father, but gradually falling in love with his wife, and Gao Bingzhu (Huang Xuan) and Wu Siyue (Song Qian/Victoria Song) developing mutual admirations and love for each other.

Huang Xuan is a veteran actor and his acting skills are solid. He brings out the turmoil of his character, in his avenge for his buddies and the woman who has helped him countless times. Huang Xuan is convincing in all his roles, as a low life or as an investigative spy in the secret service. I like Song Qian’s acting too. As Wu Siyue, she is righteous, trusted by the Emperor and the Crown Prince, and abides to the book, Song Qian gives the viewers a wonderful performance here. Behind the scene, Wang Yibo is well known for being rather quiet with a cold look which fits the Bali Hongyi character very well and his acting captures the essence of the character, giving the viewers a lovable performance.

My Verdict

Luoyang is the ancient capital of China's thirteen dynasties. With such a location, this is an intriguing watch. Exciting and nail-biting. Starts with a head spinning fast pace in episode one, each episode is laced with danger and hidden conspiracies, one twist after another. This is a big budget production with not only great actors, the attention to details is immaculate, from costumes to headgears, everything is said to be as close to the real thing as possible. Accordingly, the production has prepared, among others, more than 5,000 sets of costumes with accessories, and more than 15,000 sets of props, striving to show the prosperous scene of Luoyang in the heyday of Tang Dynasty.

This drama has a great start. Unfortunately, like most Chinese dramas, it dwindles towards the ending. In fact, the ultimate villain seems to be rather haphazard and illogical to the overall plotting.

It is still a great watch for me, but with a giant plot mismatch ending, I'm afraid it's not a perfect one.

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Confusing and Disappointing

I was initially attracted to this drama because of its director who had also directed The Untamed. It has quite similar cinematography for some scenes, and the styling of some actors is also similar. I was very excited and thought it’s going to be another great drama just like The Untamed. I was pretty disappointed with how it turns out to be.

This is a rather confusing drama with lots of plot holes and flaws. There are many tropes. The editing is choppy and disjointed. I cannot even tell if the acting of the female lead is fine or bad because I’m not even sure if her acting is intended or simply just bad acting. Frequently the situations and the emotions of the actors are totally out of synchronization. The logic is inconsistent and befuddling at times, so are the inconsistency of the characters. The dialogues are simple and shallow. There’s hardly a plot, or rather the plot is so simplistic that the writing has made it confusing to try to give it some layers. It fails miserably. It begins to drag a lot half-way through the drama. I’ve almost given it up had I not wanted to know who Feng Wu (Yang Chao Yue) actually is.

I have to admit there are some really good scenes here with beautiful actors, in particular, Wang Hao Xuan. I love his styling and portrayal of the mischievous Yu Ming Ye, and his relationship with Jun Lin Yuan (Xu Kai Cheng). In fact, I find him to have more chemistry with Feng Wu than Jun Lin Yuan has with her. I also enjoy watching the second couple. And I really love the visual of Mu Jiu Chuan (Li Chuan) who is Feng Wu’s shifu, but unfortunately he doesn’t have many scenes. I also love the dynamics of the 3 childhood friends, and the funs they have together overthinking trivial matters, giving simplistic reasoning that leads to jumping into wrong conclusions. These are rather fun watch. The ending is not sad nor happy. It’s just it, and I've never found out who Feng Wu is and where she has come from.

Overall, I’m not at all impressed by this drama.

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Sizzling Hot

After watching The Romance of a Twin Flower, I find myself watching seemingly yet another twin flower drama with Love of Replica. The latter drama is full of suspense, mysteries, hot romance, and action. Both the main male and female actors are good looking with good acting skills, and their chemistry sizzling hot. With only 16 episodes, all the episodes are packed with clues and action that eventually lead to the unfolding of all the mysteries.

Lu Jinyan’s (Tsao Yuning’s) father was involved in an accident and is now lying in a coma. He suspects his father’s accident is malicious and related to Xu Yongyu (Li Yatian), a despicable ultra wealthy tycoon surrounded by bodyguards, who would do anything to get what he wants. To investigate, Lu Jinyan gets himself hired by Xu Yongyu as a bodyguard for his beloved daughter, Xu Xixi (Yilia Yu). Lu Jinyan doesn’t like Xu Xixi because she is mean and nasty, typical of a spoiled brat as a “da xiao jie” (大小姐). But Xu Xixi is sick with an incurable disease and her father goes all out to find a cure for her.

On that fateful day, Xu Xixi gets into a car accident. The car she travels in plunges into the sea. Lu Jinyan risks his life and saves her. When Xu Xixi wakes up, she appears to have lost her memory. She doesn’t recognize anyone in her household including her bodyguard and her father. Her total change of personalities puzzles everyone, but Lu Jinyan immediately realizes this is not the actual Xu Xixi.

Lu Jinyan used to be in the military, so his bare hand combat skill is second to none. He is intelligent and calm, thinks fast, and doesn’t talk a lot. He later learns that the rescued Xu Xixi is actually An Yue, a woman who looks exactly the same as Xu Xixi. Assuming she is Xu Xixi’s twin, Lu Jinyan finds out Xu Xixi’s father tries to capture An Yue and his intention is not friendly. No one understands why Xu Yongyu loves a sickly daughter and yet wants to hurt another daughter who is in perfect health. Fearing harm for An Yue, Lu Jinyan and friends protect her from the father.

An Yue’s personality is totally different from that of Xu Xixi’s. An Yue is nice, kind and very lovable. Quickly Lu Jinyan falls in love with her. His love is passionate, at the same time he’s tormented because he knows he has broken his code as a bodyguard. He protects her with his life and always stays close to her wherever she goes. An Yue can’t help but falls in love with him at first sight because he saves and cares for her; he is also very attractive and oozing with male hormones. At this point, the plot thickens: who is An Yue? Why is she here? How is Lu Jinyan’s father involved in this? Each character holds a secret.

I have never watched Tsao Yuning’s and Yilia Yu’s work. Tsao Yuning’s portrayal of the cool and hunky Lu Jinyan is very believable; many viewers salivate over him. Yilia Yu has a mature woman look. Beautiful and sexy with large, soul-hooking eyes, she plays Xu Xixi and An Yue very well with distinctive different personalities. Without knowing, like Lu Jinyan, viewers can discern which character Yilia Yu is playing at a particular moment because she successfully exudes the qualities of each character. The other cast members are just as good, portraying their respective characters convincingly. In particular, the side couple with a love triangle is lovely and interesting.

This drama has nothing to do with a previous drama, Mysterious Love (2021), acted by the same main couple. It (the previous drama) is not a pre-requisite to watch this drama.

Love of Replica also produces a number of very good and memorable love songs, each played at the appropriate moments to accentuate the romance and love of the all the couples in the story.

My Verdict

This is an unexpectedly enjoyable drama to watch. Full of suspense, mysteries, and action, with a romance that is heart-pounding and suggestive. There is a lot of skinship for the main couple that whets the viewers’ appetite for more. Yes, this is a drama with the formula of mystery, action, and sex. Great story.

Enjoyable watch! Don’t miss it!

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Touching, Humorous, Thought Provoking, Calming. Philosophical, Scenic, Idyllic

The Chinese title for “Meet Yourself” is “Going to a Place Where there is Wind”. Wind is a very important concept in the Chinese culture. It is the source of life, a flow of air and energy; without wind, a place is like a pool of dead water. This story is set in a fictional Shangri-la called Yun Miao Village, a sleepy hamlet. The drama is shot at Feng Yang Yi, an actual village near Dali in Yunan Province where many of the Bai people, one of the many minority ethnic groups, live.

To my delight, the drama is directed, and screen written by the same director and screen writers for “Go Ahead” and “Find Yourself”. The first episode makes me cry, empathizing with the characters of their misfortune and loss, but this is not a heart-wrenching story. Indeed, it is a story about normal life of normal people with normal experiences, embellished with humor.

In today’s world, most working people are just like Xu Hongdou (Liu Yifei aka Crystal Liu), mindlessly working like a robot, in pursuit of materialistic rewards. Xu Hongdou wants to buy a car and an apartment in Beijing which is ever so unreachable with her paycheck. Just like most people would, a shattering life event can change the outlook of life for a person, and it does for Xu Hongdou in the untimely death her best friend, Chen Nanxing (Wu Qian aka Janice Wu); she’s abruptly awoken, finding herself lost. She begins to question the meaning of life and what she wants in life herself. She has no answers.

Xu Hongdou quits her job and leaves Beijing. She flies all the way to a tranquil and idyllic village in Yunan and rents a room for several months in a cozy cottage. There, she meets a struggling web novel writer, a failed entrepreneur, a fallen livestream singer and a down-and-out musician. All these people have come here to lick their wounds, to reflect and to recharge; each has a story. They become good friends, help, learn from each other and grow. But most of all, Xu Hongdou meets the man of her life, a successful investor who has returned to his village with a vision and a noble mission.

Almost all 40 episodes of the story have taken place in the little Yun Miao village and its surroundings such as the ancient old city and Erhai (a giant lake that is called a sea). Some impatient viewers may find it slow and boring, but the overall plot is about life, and how to look at life philosophically, and how our characters grow against all odds. It is more like a travel journal, documenting all the people Xu Hongdou meets, all the things she eats, does and sees, including the birth of a colt from start to finish. It focuses on the village, the inhabitants’ traditions, culture, and family relationships. Most of the elderly women don in traditional costumes, some sell their handicrafts and food products in the marketplace.

The romance is mature and slow burning, not unlike how real people would have experienced. Xie Zhiyao (Li Xian) doesn’t confess his love for Xu Hongdou until Episode 26 and tells her to go have a life she is searching for by letting her return to Beijing. That confession is moving. Their official romance starts only in Episode 31 when they kiss, and for the rest of the drama, they are like bee and honey, sweet and lovely. The director and screenwriters have given the romance buffs some very heartwarming loving scenes of the lovebirds till the end - almost 9 episodes of solid sweet romance.

Liu Yifei is amazing as Xu Hongdou. She is beautiful, elegant and natural with no visible makeup. She speaks softly, gently and poetically. Li Xian’s performance is just as good as the handsome, affable and warmhearted Xie Zhiyao. The whole cast is wonderful with very convincing performances by the older actors as grannies, and the juvenile actors as village kids. Like Wu Qian, Zeng Shunxi’s appearance as a lowkey bookstore investor/strategist is very brief. There are no nasty characters, no ex-boyfriends nor ex-girlfriends, and no love triangles. The settings are idyllic and comforting, rich with heritage and culture of a minority group. The efforts to bring prosperity to the village and at the same time, balancing conservation and preservation of the traditional way of life of the inhabitants, are challenging and inspiring.

The official soundtracks are lovely, consisting of several English songs, most accompanied by acoustic instruments. A few of the songs used are from the previous drama Go Ahead. I particularly love the lullaby which is repeatedly played and sung throughout the drama; it is endearing and gives a sense of nostalgia and homeliness.

My Verdict

If you love China and its beautiful people, you'll love this drama. If you love travel and to live an idyllic lifestyle, you will love this drama. If you have fallen and are hurting, you would love this rejuvenating story and its background setting. If you're an urbanite and would like to get away from your dreary life as an armchair traveler, this is your drama. If you're a dreamer and love a layback lifestyle that allows you to dream your dreams away, you’ll find inspirations here. If you're none of the above, simply just want an authentic beautiful drama to watch, you'd love this drama.

Some critics find this drama a promotional tourism project. Indeed, after the airing of the drama, tourism picks up by almost 2,000% in the once sleepy Shangri-la. Visitors jam the few cafes and restaurants, and walk the historical Tea Horse Ancient Path (茶马古道). Many take pictures with the cottage Xu Hongdou once stayed. That said, I have enjoyed the great breath-taking views and the message of the drama.

As it goes, “Time never stops, happiness is never limited. Sometimes there are dark clouds, but there is always wind.”

Realistic! Beautiful. Great watch! Highly recommended!

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A Satire of the Ming Dynasty Society

Watching this drama from a satirical perspective of the society during the Ming Dynasty, when Confucianism was practiced at its utmost height, decorum and protocols were strict, harsh and repressive especially for the women, makes it a very enjoyable watch for me. Seemingly unlikely, we get a couple of very strong female characters in particular a know-it-all Mary Sue who always saves the day. All the characters and their relationships have realistically captured life in that orthodox and conservative society, and that can even be relevant in today’s world.

This story takes a bold look into the Ming dynasty society, its orthodoxy and conservatism, its inequality, protocol, manners, expectations, and consequences, with the hidden criticisms that all these had led to the slow decline of the society and the ending of the dynasty.

Accordingly, the drama draws its inspirations from the great classical “Dream of the Red Chamber” with several of the characters deriving their names in a combination of words from the classic novel. The whole story revolves around the high status, wealthy and powerful Sun (pronounced Soon) family, narrated from the perspective of the youngest son, Sun Yulou (Wang Yizhe) who has a high powered father, a doting mother, three brothers and four sisters, each has a story to tell.

Like in the classical “Dream of the Red Chamber”, this story also hints at “truth becomes fiction when the fiction’s true; real becomes not-real where the unreal’s real” by the use of a puppet show in telling the story. Cleverly constructed, there are hints and cross-references to hidden (and obvious) meanings throughout. Truth and falsity, reality and illusion are constant displays.

Undoubtedly marriages by the order of the parents tend to be the most painful experiences for almost every couple even in a society where filial piety is held as the highest order of all. In the high society, statuses and face are always the forefront consideration of any marriages which are used to advance the careers of family members, usually at the expense of daughters, though some sons don’t fare too well either. The consequences are expected: extra marital affair, adultery, love triangle, elope, rebellion - all brilliantly captured in the story.

Sun Yulou rebels against his stern father and the social barriers of the time. He and Lin Shaochun (Bai Lu) pursue individual freedom, gender equality and to marry the partner of one’s choice. This couple has an initial sense of democracy, a rebellious spirit and courageous pursuit of love. Though well-read with traditional books of morals and ethics, Lin Shaochun toes the line from time to time. She convinces Sun Yulou to pass the Imperial exam so that he could become a government official and ask for her hand in marriage.

This is the first drama for Wang Yizhe as the main male lead. Many viewers don't feel he deserves such a role. For me, I would like to give him a chance without looking at him through tinted lenses. I feel his acting has brilliantly brought out the youthfulness of the character. He can look serious when he needs to, but in front of the family, especially his wife, he's just a big sunny boy that can be silly and Wang Yizhe delivers. Despite this being a main lead, it feels more like a supporting role because of how the character is being written, shot and edited.

Many viewers feel the main couple don't have the chemistry. Though they are both of the same age at 18, Lin Shaochun is more mature compared with Sun Yulou, and he always lets her have the final say. With that, it does feel that Sun Yulou a little brother who depends heavily on Lin Shaochun the big sister. For me, the lacking perhaps lies more on Bai Lu as she seems to be less enthusiastic and doesn’t share the same adoration and affection towards her supposedly husband as he has on her.

My Verdict
Despite some flaws here and there, this is a very enjoyable story with a series of side stories which are very well developed and in fact more interesting than the lead couple’s story. It consists a blend of realism and romance, psychological motivation and fate, and daily life with a grand plot hidden and span across multi side storyline. It can be hilarious at times, yet, bitter and resigned when it comes to the fate of some characters. The first episode is comedic and funny. I thought it's going to be light and laughable, but by episode 8, it becomes heavy and bitter.

This is a satire about misogyny, hypocrisy, class system, conservatism, inequality, all told in a very humorous way. Some parts are so funny that I laugh so hard.

The final narrative about how people make choices that determine their eventual endings: take kindness one ends well, take hatred one loses everything, seems to be a just decoy for the deeper meaning of the overall story – a silent criticism of the paternalistic system of the country.

Great story telling. Don’t miss it!

BRAVO!

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Witty, Humorous, Philosophical, Fluffy Romance

For me, dining together with loved ones at home is my most enjoyable time of the day. This drama, Dine with Love, conveys the message that I most value. Home cooked meals need not be elaborate; a simple dish such as a tomato omelet, is suffice to whet appetite and satiate hungry stomachs. This drama emphasizes on the importance of sharing time as a family. What is better than sharing a meal?

Chinese people like to ask each other casually when they meet, “Have you eaten?” That’s because meals are so important, particularly in the Chinese culture. Sharing a meal, one can discover the background of new friends, and have better understanding of the people around us. Like music and visual arts, culinary art is a means of communication of love and happiness.

With only 16 episodes, this drama is easy to watch. The plot is straight forward: girl meets nasty boss and falls in love with him. Nasty boss gets attracted to girl because of her talents and wisdom. Both characters have flaws and they grow together to become better persons.

Yu Hao (Gao Hanyu) is an entrepreneur and a slave driver. He is a workaholic and to him, every minute is precious, and he would not waste time doing unproductive things including cooking a meal, so he thinks. He is aloof, unfriendly and fires anyone outright who doesn’t meet up to his standard. Everyone is frightened of him and calls him a demon head. Comes Su Kelan (Jade Cheng) who is one of the workers in public relation. She uses her wit and plays along with Yu Hao’s logic and feeds him his own poison. After spending some time with him, Su Kelan realizes Yu Hao is actually a very sweet and kind person; just that he doesn’t know how to communicate without hurting people. She falls in love with him. And with Su Kelan, Yu Hao is amazed by her wisdom and talents and soon falls for her too.

This is a great story writing. The author explains how one can convey a different concept to someone who normally doesn’t see or accept the view because no one has ever convinced him/her. Time and time again, the author uses the analogy of a bitter gourd, which can be so bitter that not many people appreciate its value. However, with imagination, a good cook can turn the bitter gourds into various delicious and nutritious dishes. I love how Su Kelan gently nudges Yu Hao along and uses his logic in a different scenario to help him see the picture. The interaction is hilarious and adorable, and Yu Hao is sold every time; the bitter gourd in him slowly becomes less bitter and more tasty.

The first time I watched Gao Hanyu was in Love is Sweet. I found him more charismatic than the main lead, Luo Yunxi (sorry fans), in that drama. Gao Hanyu has a face that makes him look cold, serious and mean, fitting the Yu Hao character perfectly. Therefore, having such a face, it is difficult for viewers to associate him with blunders, and when it (blunder) happens, it makes him so adorable as he stumbles time and time again. Gao Hanyu’s acting is amazing and very believable. I cannot have enough of him on screen. Jade Cheng is soft and beautiful, and her acting is convincing as the gentle Su Kelan. She has incredible CP chemistry with Gao Hanyu.

There are two gorgeous side couples. One pair tries to get Su Kelan and Yu Hao together, and the other pair tries to split them up as they each has love interest with our main couple. The outcome is hilarious.

My Verdict

Watching this drama is like seeping a cup of hot afternoon tea, soothing and enjoyable. The story hits a note with me because it shares a very simple principle - life philosophy through food. What seemingly a very simple dish such as the tomato omelet, is also a dish that can help the dinners bring back memories of home and warmth. There is no one right way in making the omelet, but each recipe brings back the memories of belonging as taste is the unforgettable memory. Mealtime can help reconcile relationships, putting down the past and bringing forth the future. It is the most important time of the day when family members and friends get together after a whole day of work and school, and enjoy their food.

Apart from the food philosophy, this drama also tries to convey the message of different point of views. When a value seems insignificant to one person, it can be of utmost important to another, and vice versa. Yu Hao feels it is important for him to be successful in his business so that he can take care of his family. He finds it hard to understand why Su Kelan thinks differently. He finally realizes why his father had worked so hard and neglected him and his mother when he was little, and the tragedy. He doesn’t want to make the same mistake as his father did. Su Kelan thinks she has to be perfect and to shoulder all the burdens. She learns that shouldering all the burdens herself is not what people want of her; people want to share her burden and it’s fine if she’s not perfect.

Rewatch? Absolutely! There's a lot of simple recipes for ordinary home cooked meals. This time round (rewatching), I would note down all the recipes and their simple steps, together with the philosophy behind each dish. I want to be able to use the author’s words to explain to my family so that they would appreciate the food on the table.

A reword of Hippocrates’s words: "Let food be thy happy memories and happy memories be thy food"

A great watch! Don’t miss it!


Spoiler: For romance buff, the main couple does separate for about 2 years before they come back together again.

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Humorous, Lovable Characters, Coherent Storyline

Delicacies Destiny is my third drama on culinary arts in a row. This drama is rather similar to Royal Feast which finished airing recently. Both dramas are set in the period of Ming Dynasty, hence similar costumes and decorum. But most of all, one of the supporting actors in the earlier drama is now the main lead (He Ruixian) in this drama. Though both dramas involve romance and cuisines, there is a marked difference in the characters and mood.

Based on fictional characters, the storyline is rather straight forward. A talented chef (He Ruixian) gets herself recruited to the palace to cook for the picky Crown Prince (Wang Xingyue). Then the prince falls in love with her and wants her to be his crown prince consort. But she is given an ultimatum by the Emperor: if she wants to be the Crown Prince Consort, she has to give up her passion as a chef; or she can continue to be a chef but she has to stay away from the Crown Prince. Either decision tears her apart.

He Ruixian’s acting, demeanor and styling in this drama is almost exactly the same as she was in Royal Feast. But I like her character Ling Xiaoxiao here a lot better than the previous one. I have no complain with He Ruixian’s acting and find her quite convincing. Wang Xingyue’s great acting here as the Crown Prince Zhu Shoukui is commendable. At only 20, this young actor continues to surprise me with his fine acting. He has captured his character very well: the character’s happiness when he is in love, his disappointment when he doesn’t get his way, and his despair when he’s being rejected – every minute emotion is well acted without overacting.

My Verdict

This is a delightful drama with only 16 episodes. It starts out as a slapstick comedy. There are no villains, no complicated plot, no outrageous twists, no love triangles, no tiring romance. In fact, the romance is rather cute. Compared with Royal Feast, Delicacies Destiny’s costumes are not as exquisite and its cuisine arts not as elaborate, but its characters are a lot more lovable and the logic of the story is better. A lot of the jokes seem unintentional, making the story flow very naturally. It is unusual to see an Empress that allows her son to marry his cook as she (the Empress) places his (the son's) happiness above everything; she even allows him to abdicate himself as the Crown Prince so that he can pursue his love (rather unthinkable, but anyway …). There’s only one kissing scene towards the end which is quite well done with actual kissing.

Despite the easy and light watching, the last 2 episodes did draw some tears from me seeing the struggle of the characters. After the final episode 16, there is an epilogue which is an alternative ending. Make sure you don’t miss it.

There are times we need to make very hard choices in life. From the story, our FL character needs to choose between love or passion, likewise for our ML character who has to choose between love or duty. Either choice, the consequence is very different. This drama shows us the possibility of each choice, and ends with a note that, if we compromise slightly, maybe we can get the best out of all choices. How would you choose? Love, passion or duty?

Fun watch! Great for in-between releases of new episodes for other dramas.

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Who Is the Third Person?

This is a story fictionalizing and romanticizing the actual historical events and characters of the late Tang Dynasty during the reign of Emperor Wuzong (r. 840 – 846). Apart from a few actual historical characters such as Emperor Li Yan (Wuzong) himself and the eunuch Qiu Shiliang, most of the other characters and events are fictional, though certain events are inspired by actual account based on historical records. Adapted from a novel, the overall story is fascinating and nail-biting, at the same time heart-wrenching when it comes to the fate of the Emperor and his romance with the only woman he loves and trusts.

Probably in order to pass censorship, the names of the characters have been slightly altered: Tang Dynasty has been changed to the fictional Xing Kingdom, the Emperor’s name from Li Yan to Qi Yan, and the eunuch’s name Qiu Shiliang to Qiu Ziliang. Such changes unfortunately have not been totally incorporated in the initial few episodes where the names Qi Yan and Li Yan are used interchangeably, bagging the suspicion that they were done haphazardly in the last minutes. Nonetheless, by episode 9, everything finally settles down and the names straightened up.

The Story

In a fictional setting mirroring the reign of Wenzong towards the end of the Tang Dynasty when the eunuchs have gained full control of the palace, the Xing Emperor and his ministers attempt to dispose of the evil head eunuch Qiu Ziliang (He Chengming aka Mickey He) to regain control, but the scheme fails. Prime minister Wang Ya and his whole family are executed. His two young granddaughters escape death and are separated. The younger girl loses memory and is adopted by Cheng Xi (Xi Xue) of the Ziyi (Purple Robe) Bureau and renamed Cheng Ruoyu (Zhang Yuxi). She’s being trained as a sword fighter. Her older sister vows revenge, changes her name to Qiu Yanzhi (Xuan Lu aka Lulu Xuan) and becomes Qiu Ziliang's adopted daughter, waiting for her time to pounce. After the death of Emperor Wenzong, his younger brother, Qi Yan (Cheng Yi) is installed by the eunuch to the throne and Cheng Ruoyu is assigned the duty to protect the Emperor. Since then, Qi Yan has been a puppet emperor with no power as all the military power is in the hand of the evil eunuch. Here, the two sisters cross path in opposing camps without recognizing each other, but somehow they have an unexplained liking and bonding to each other. They join hands secretly and overcome many deadly schemes by the eunuch. Qiu Yanzhi finally finds out Cheng Ruoyu’s real identity in episode 34.

Throughout the drama, one question arises repeatedly: Who is the third person? It feels as if there’s a hidden force, planning the grand scheme of things and playing everyone like a pawn. Viewers are left guessing and the mysterious figure propels the story along.

The Acting

In the actual historical record, it is said that “Li Yan was silent, intelligent, and decisive, not showing his emotions easily”. Who is better to take up this role than Cheng Yi? He fits this description to the dot. I have to applaud the production team in selecting Cheng Yi for the Qi Yan character. As I get to know this actor better, Cheng Yi is really the perfect choice for this miserable role as the puppet emperor. Like in his previous dramas, Cheng Yi has the quality and ability in bringing out the helplessness and hopelessness his characters are facing, making them authentic and believable. With a suave look most viewers would squeal, and walks swaying side to side in his emperor robe, Cheng Yi evokes Qi Yan’s resignation and sickly health that digs deep into the viewers’ hearts. His acting is remarkable with every facial expression and sad look in his eyes, capturing all the subtle emotions hidden within Qi Yan. As a royalty, Qi Yan is arrogant but at the same time suspicious of everyone around him. Though surrounded by people, he is lonely. Most of all, like in all Cheng Yi’s other dramas, he brings out the best suppressed emotions no others can; no one can replace Cheng Yi in acting as this complex and yet miserable character.

As a lonely person at the top perceived by many as a villain, Qi Yan finds a soulmate in Cheng Ruoyu. I’m not that familiar with Zhang Yuxi’s acting but here, she is convincing as a talented sword fighter who has a pure heart. It is this pure heart that Qi Yan has fallen in love with.

I have always enjoyed Hang Dong' s acting. Here as Prince Guang, he is authentic and believable. According to historical record, Prince Guang later became the emperor after Li Yan died. Three quarter of the way in, viewers still don’t know if Prince Guang a protagonist or an antagonist because Hang Dong is that good in hiding his emotions without betraying his role in the drama, leaving viewers continue guessing.

Last but now least, I’m impressed by He Chengming’s acting as Qiu Ziliang. The blinking of his eyes when he is suspicious and furious, the cunningness showing in his eyes, his every move, bring up fear and hatred of the character for the viewers.

Official Sound Tracks (OSTs)

As usual in most Chinese historical dramas, the OSTs are beautiful with touching lyrics, reminiscing the longing, love, resignations, and hope for the kingdom.

My Verdict

This is a wuxia romance story of Tang Wuzong with a little comedy. There are intrigues and mysteries at every turn. When one thinks everything is revealed and that’s that, things change and assumptions all out of the window. There’s always this mysterious “third person or party” lurking behind the scene. No one knows who he/she is, friend or foe. Every character has his or her own agenda and most motives spur on with revenge. Subtle comedies are dotted lightly here and there to balance the intensity of the plot, giving viewers a much needed breath of air.

According to some viewers, many scenes have been edited out. This could explain why there are some plot holes and logical flaws. Nonetheless, the story overall is still intact and rather well-told. Don’t miss it.

TWO THUMBS UP! Bravo!

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卧虎藏龙 Crouching Tigers and Hidden Dragons – Witty, Humorous, Philosophical

I love this story. It is inundated with hidden talents that are unexpected, mysterious, interesting, complex and contrasting. Each character has distinct characteristics and is unforgettable. Adapted from a very popular web novel by the talented script writer Wang Juan who has also written for Joy of Life and Young Blood, this drama has a very similar vibe as Joy of Life which was also played by Zhang Ruo Yun as the main lead. Together with Hu Jun, this drama gives the viewers an unusual wuxia story with modern vibes.

Within the first episode, my interest was piqued: Why is the heir to the King (Lord) of Bei Liang displaced? He is like a beggar, dirty in rags, stealing food. Why are there assassination attempts on his life? In fact, seemingly insignificant, how would anyone know he’s the heir and track his whereabout? Why does his old hag of a horse servant run faster than him but not fending him when they are being chased? Why does he want everyone to think that he’s a good-for-nothing idiot? Why is his fearsome father so fearful of him? All these questions, and more, pop up in my head and urge me to continue.

Xu Fengnian (played by Zhang Ruoyun) is well known to be the number one useless playboy in the world. That’s what he wants others to think. Those who know him, including his own father, know he’s the most compassionate, intelligent and strategic person around. For Xu Fengnian, his philosophy of 不取舍, 不妥协 (Bù qǔshě, bù tuǒxié) -- never abandon (as in sacrificing), and never compromise -- brings him a fortunate stroke of serendipity with friends and followers that vow to protect him with their lives. It is this uncompromising conviction that his father, the fearsome General Xu Xiao (played by Hu Jun), thinks his son too naïve and need to be exposed to the reality and darkness of life. During Xu Fengnian’s quest, his father exposes his track to his enemies, at the same time, sends diehard top warriors to protect him. The actions are both ironic and hilarious.

Xu Xiao perhaps can be considered as an ideal father for any child: ruthless and fearsome for others but doting on, even to the extent of submissive to, his own children. He is like a tiger when facing his enemies, but immediately morphs into a little mouse when facing his own children. Unlike most ancient Chinese parents who demand absolute obedience, Xu Xiao doesn’t. In fact, seemingly letting Xu Fengnian having his own way, constantly Xu Xiao teaches him without the youngster even realizing it until very much later when things finally fall into place and reveal themselves. As a great chess player, Xu Xiao is always multiple steps ahead of everyone. Though disagree with the way his father handles things, Xu Fengnian comes to realize and respect his father for his foresightedness.

As romance is not the central theme to the story, as of season one anyway, nonetheless viewers do get a peek at Xu Fengnian’s possible love interest. As a princess of a by-gone kingdom which is conquered by Xu Xiao, Jiang Ni (played by Li Gengxi/Teresa Li) has a love-hate relationship with his family. On one hand, she understands that Xu Xiao has saved her, on the other, she is upset that Xu Xiao has taken her country and destroyed her family. She takes her torments out on Xu Fengnian by repeatedly assassinating him. Despite her continued laments that she is now a maid for Xu Fengnian, she is happy to dry his books for him under the sun.

Perhaps the most pitiful character is our antagonist, Zhao Kai (played by Liu Duanduan). His one-track mindedness to kill Xu Fengnian is both funny and pathetic.

Xu Fengnian’s relationship with all the characters has been very well developed, and from here, viewers can clearly see his values and baseline. He loves all his siblings and constantly want to protect them. He cares for all his people, including his maids and servants, and treat them like his own family.

Hu Jun has a commanding look. One look at him would conjure up images of ruthlessness, and in wrath, he could order to kill everyone that comes in his way. And yet, at a click of the fingers, Hu Jun can become the most affable grandfather any kids would love to cuddle up with. Hu Jun is simply amazing and has captured his character with flying colors. Zhang Ruoyun’s acting here is rather similar to that of Joy of Life with an apathetic look. His chemistry with Hu Jun is so great that most viewers do not have enough of their scenes together. Most of the criticism of choice of actors has perhaps fallen on Li Gengxi, who comparatively, is less attractive than the others and has less experience in acting. However, I find her acting acceptable and she has brought out the Jiang Ni character rather convincingly. Her chemistry with Zhang Ruoyun is good too.

My Verdict

This is not your normal kind of wuxia story. Every character has its story and each may carry a big mystery behind it. What each character says is not necessarily what it (the character) means, and its action not necessarily the actual motive. Everything is not what it seems and it is hard to fathom until the treacherous events brought forth to light.

Some of the actions can be illogical, and the logic can be so simple that it becomes illogical and unusual, making the whole thing hilarious. The use of analogies, double or hidden meaning in each sentence which consists of blunders layered on top of each other, making the dialogues extremely amusing. Every move and word from the characters is out of expectation. Though speaking with dialogues in ancient poetic verses, they are infused with modern vibes. The humors have come from the conflicting ideas and situations, in the satirical of human weaknesses. When it exaggerates, it doubles down. It is all these that make the whole story intriguing and captivating.

A lot of the criticism has come from viewers dissatisfy with the slow motion of martial art actions. Perhaps some viewers are expecting the type of martial art fighting scenes of the Hong Kong style of the old days when many of such actors were indeed martial art masters themselves. For me, I would have preferred the current style, as the director attempts very well to show the viewers the beauty of the fighters’ choreography and stance with hair flying and robes floating in the air. The current style of shooting emphasizes more on aesthetic values rather than the actual fighting itself. Therefore, this is a matter of taste, and should not be used to judge the quality of the drama.

Unlike the cliff hanger ending for Joy of Life, and despite the unresolved mysteries in this story, the ending here for season one is at a very appropriate point. This is a drama that makes you smile and feel warm from within.

Great drama! Recommended! Two thumbs up!

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Wonderful Engaging Production

This is a through and through wuxia drama like in the old days with a mixture of seriousness and playfulness. Some scenes and dialogues are hilarious with simple, childish logic but I have thoroughly enjoyed the series. Being only 24 episodes long, every scene is a clue and every sentence can be a cue. The pace is perfect without any fillers. The scenes and dialogues are funny but without crassness. It has an Agatha Christie vibe, like gatherings of people who have all become suspects of a murder, and the case is solved by the process of elimination. 

The names of the characters are so funny and oxymoron - Jian Buzhi literally means "don't know a thing" but he's the brain; Zhao Wohuan literally means "I'll pay for everything" but he doesn't have a dime; Sima Dang literally means "take it as a dead horse" but he's the fastest person on earth; and there are many more names as such. The introduction of the Ming Yue (Miranda Ma) character was somber but then it starts to play the Beethoven Moonlight sonata for the background music because Ming Yue literally means "bright moon", and I laughed till I cried; it's just so hilarious and I love it.

There are many combatant sword fighting scenes with beautiful wuxia acrobatic moves, "qing gong", "nei gong" (inner energy), flying daggers and secret weapons. After each case is being solved, another different group of people re-gather and another mystery begins. All the mysteries and murders eventually tie to the bigger scheme of the overall mystery which is eventually revealed in the final episode.

The costumes of the characters are pretty basic except for Jian Buzhi who wears the most beautiful ropes with vibrant colors and patterns, and furs. His costumes make him stands out in the crowd of people whom he is constantly being surrounded by, and that's a very clever use of the costumes.

I love the bromance (if you want to call that) and romance in this drama; the bromance is good but the romance is greater. In fact, there are two main romantic couples in this story. Character development and the acting cast are fabulous. Everyone's acting is indeed very good, especially by Wang Yan Yang who portrays Zhao Wohuan. In fact, he's my favorite character. Despite physically well developed, he has a very innocent pure mind and always stands up for the weak. Wang Yan Yang's portrayal is absolutely amazing.

I also love how each episode ends. The editing is remarkable with the episodes cleverly end just before the revelation of the murderers or the next secrets, keeping the viewers suspended and hooked on to the story for the next episode. Just when you think all the mysteries are solved and the ending is nigh, an unexpected twist comes and blows my mind off. It's so wonderfully done and sets the expectation for a next season.

Yes, strongly recommended. A drama well done in every sense. TWO THUMBS UP!

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Ultimate level of 勾心鬥角

Love of Nirvana captivates with its realistic portrayal of modern geopolitics. A small nation, ethnically distinct, is caught between two superpowers, both exploiting its vulnerable people for their gain. This narrative resonates deeply with today’s global conflicts, fitting seamlessly into the dynamics of many contemporary war-torn regions. The way each party's narratives echo current geopolitical rhetoric is striking. As history often teaches us, it repeats itself.

Storyline
The plot is compelling. Though viewers receive numerous hints about the villain’s identity, the uncertainty lingers—no one, including the main characters, can be sure. The villain masks his malice with an appearance of benevolence. Amid the political intrigues, a love triangle unfolds, but the female lead quickly discerns her true love. True to the nature of palace historical dramas, the story brims with scheming, deception, danger, and a love that transcends adversity.

Characters
The three main characters deliver standout performances: Wei Zhao (Ren Jia Lun), Jiang Ci (Landy Li), and Pei Yan (Jeremy Tsui). Wei Zhao, who initially tries to kill Jiang Ci multiple times, gradually falls in love with her. Despite the harm he inflicts, Jiang Ci finds herself irresistibly drawn to him. Pei Yan, hopelessly in love with Jiang Ci, is willing to sacrifice everything for her—except his family honor, which continually holds him back. Their respective sidekicks add depth, highlighting the honor and loyalty the male leads inspire among their followers.

Performances
The main cast consists of seasoned actors. Wei Zhao is a deeply conflicted character, torn between consuming hatred and a hidden sense of compassion and duty. Ren Jia Lun portrays Wei Zhao’s cold and brutal exterior with a perpetually stern, frowning expression, making the character wholly believable. As in many of Ren Jia Lun’s dramas, there are no overtly intimate scenes. Still, the subtle storytelling conveys the deep intimacy between Wei Zhao and Jiang Ci.

Landy Li excels as Jiang Ci, effortlessly transitioning from innocence and playfulness to moments of courage and vulnerability. She nails every emotional scene. Jeremy Tsui’s sly smile and sharp features make it difficult to discern Pei Yan’s true motives, yet the actions of his sidekicks provide insight into his character’s internal struggles. Wen Zheng Rong delivers a powerful performance as Rong Yu Die (Pei Yan’s mother), transforming from a ruthless, ambitious figure to a resigned, defeated one. Ryan Zhu (An Cheng) and Zhao Hua Wei (Yi Fei) also shine as the loyal sidekicks of Pei Yan and Wei Zhao, respectively, evoking deep emotional investment from the audience.

Dialogue
The script is well-crafted, with cohesive and engaging dialogue. Given the heavy tone of the drama, comedic moments are sparse. However, the narrative effectively reiterates Wei Zhao’s quest to clear his father’s name, Pei Yan’s ambition for the prime ministership, Rong Yu Die’s obsession with placing her son on the throne, and Jiang Ci’s lighthearted pursuit of tasting the world’s best food and meeting up with her "shifu".

Music
The official soundtrack is phenomenal. Each piece evokes vivid memories of the drama’s key scenes—whether battles, romantic moments, or thinking of homeland. Even without watching the series, the music alone conveys the essence of the story.

Ending and Final Thoughts
The ending is predictable, with subtle clues dropped throughout, yet it still delivers an emotional punch. It’s heart-wrenching that the lovers are kept apart by circumstances, though they remain united in spirit. Personally, I would have preferred seeing them perform the marriage ritual together rather than separately. Perhaps the ending suggests that love transcends physical presence, uniting them spiritually instead.

If you can handle a fast-paced, emotionally intense drama with a bittersweet ending, Love of Nirvana is a must-watch.

TWO THUMBS UP!

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