What accent is being used in this show, especially by characters like Choi Min Soo's Ahn Oh Joo, and also in all the flashbacks? It sounds so different from 'Korean'.
Does the fl always chase after the ml? Like I know he chased after her first but then does she chase after him…
She momentarily pines for him during a semi-separation. Due to the quick and sudden, uh, acquisition in episode 6, there isn't much chasing. Technically he engages in years and years of 'chasing' (preparation / stalking).
Episode 6 contains a complete clusterfuck of "things you can't do in a drama".After that, many episodes end with…
It's ridiculous timing to introduce a romantic / sexual relationship, it happens in a way that no on-screen or real person would ever engage in, and very little screen time is given to it for exposure: to explain / justify. The way it's filmed looks like they drafted three unrelated scenes and just cut them together randomly.
Afterwards, the ML & FL interact like they are back to being strangers at work, suddenly have a beach date, and return to being hands-off. Perhaps these couple scenes were written to appear hours later in the plot and suddenly moved forwards, making everything else appear disjointed?
Episode 6 contains a complete clusterfuck of "things you can't do in a drama".
After that, many episodes end with 'teaser trailer'-ish scenes of main characters speaking monologues into the camera (to the audience) about what is to come next. These are really bad and should not be used outside of advertising, but they end almost every episode afterwards.
From around ep 6 on, the unfunny comic relief group is expanded and more prominently used too. It's almost like a different writer took over.
I am rewatching business proposal just to appreciate how good it is compared to king the land.
There's a comment above how King the Land steals some scenes from other dramas, but the kind of shoplifting Business Proposal engages in is more straight up cloning..
Maybe your comment gave me too much hope. I didn't think it had those qualities. Functionally you still have one…
The FL keeps not telling the ML that she is just working with him to get acting practice, not because her career failed and she wants to be a full time law practitioner. The show gives really silly reasons for that ("keep her casting a secret"), and they're as paper-thin as how the FL must work 'exactly' three months as agreed. She could easily work more or less (or any other duration).
The ML does not tell the FL that her manager ordered the breakup.
On Netflix, the only obviously missing content were a few seconds of the often-mentioned classic movie that the leads watch together in a cinema. A few teddy bears are regularly blurred out, and once or so this affects the cover of the before-mentioned movie disc.
(Didn't notice anything like the usual karaoke scenes, and the music seemed to be intact on Netflix.)
Maybe your comment gave me too much hope. I didn't think it had those qualities. Functionally you still have one…
Namely the """mother in law""" ordering a breakup with a bit of a time skip too. And the person executing it thus engaging in "making life decisions for someone else". Before that, we additionally have "keeping secrets from the other one for no good reason".
This drama is refreshing...why?....because it lacks the obligatory SFL, that is a shrew and does anything to get…
Maybe your comment gave me too much hope. I didn't think it had those qualities. Functionally you still have one of those 'obligatory' elements, with all the downsides of the trope.
Choi Min Soo's Ahn Oh Joo, and also in all the flashbacks? It sounds so different from 'Korean'.
Technically he engages in years and years of 'chasing' (preparation / stalking).
The way it's filmed looks like they drafted three unrelated scenes and just cut them together randomly.
Afterwards, the ML & FL interact like they are back to being strangers at work, suddenly have a beach date, and return to being hands-off. Perhaps these couple scenes were written to appear hours later in the plot and suddenly moved forwards, making everything else appear disjointed?
After that, many episodes end with 'teaser trailer'-ish scenes of main characters speaking monologues into the camera (to the audience) about what is to come next. These are really bad and should not be used outside of advertising, but they end almost every episode afterwards.
From around ep 6 on, the unfunny comic relief group is expanded and more prominently used too. It's almost like a different writer took over.
- Unresolved really. Magical handwaving. All subplots are like that.
- It's a very incomplete one.
The ML does not tell the FL that her manager ordered the breakup.
There's no English subs, right?
A few teddy bears are regularly blurred out, and once or so this affects the cover of the before-mentioned movie disc.
(Didn't notice anything like the usual karaoke scenes, and the music seemed to be intact on Netflix.)