luckz

It's not the 10/10 never-ending bromance like in Descendants of the Sun, but there's still a good lot. It's not always overtly expressed.

You're correct in those.
re 1) we saw that him going to the past affects the future afterwards, with the future people consciously aware of 'receiving a new memory', so the only explanation here could have been "she would have chosen that name anyway", but then why show us that silly scene?

re 2), the really interesting ending wrap-up would be how the future setting is changed when suddenly FL has a functional childhood together with SML. the producers probably couldn't come up with a satisfying way to show this without even more story complaints from viewers.

This is the kind of drama where suspenseful reveals are usually obvious at least a few minutes before they happen.

He's a bit better here than in Heirs (where almost the entire cast was chosen for looks rather than acting skills) or Rugal.

I found it EXTREMELY poorly explained how the dispelling of evil spirits supposedly works, but why do you want him punished for what another entity did in control of his body? He doesn't even know anything about it. From what I understand, he hits his future wife with the car, and after that he's just on standby/snooze.

Like you said, the "let's not see each other" ending is so dumb, and even more so here considering it's two characters that need to be around each other. But then she somehow grows into an independent spirit, while he can't really live without her. Not convincing at all.

For me PBY's acting was great 90% of the time, but there were definitely sore moments where (thanks to the script?) she was basically the wrong character. Like when she first stops being timid, or when the ghost starts having feelings, it's like they're swapped.

FL has a life-long crush on ML; the ghost does the active pursuing.

No, the 'scary ghosts' only appear very rarely and aren't the focus at all. It's more like "friendly lovable ghost girl" 95% of the time.

He has a non-clingy best friend role. His only story impact is giving ML a speech not to abandon FL.

The character development is very hand-waved and random (IMO), she becomes more outgoing/confident or rather more like the ghost at certain points.

Since they're not actually competing 99% of the time, it's very different from the typical 'triangle' shows.
There's other people interested in ML & FL, but it doesn't get uncomfortable.

She acquires or even surpasses her cooking skills later on.

(She already has cooking skills in the beginning as shown by her food blog etc, but no confidence to show them in public. She undergoes tons of training.)

(you might want to delete this shorter double post)

Seong Jae serves as antagonist, not "monkey".
Shin Sun Ae had feelings for him when alive, and he's married to ML's sister.

Yes, the ghost left midway through, but then the real Bong-Sun wasn't prepared / confident enough to continue it.

The last 1.5 episodes I spent more time shaking my head than not.

The music is so cray, I can't stop shaking my head erry episode.

(Like it was set in the 1920s to 1950s.)

((In some later episodes, they run out of weird music and supply regular K-drama fare.))

Okay, so a ghost can't be seen on photographs/video, but can be seen on the camera's viewfinder.
Wouldn't that only be logically possible for optical viewfinders as used with "real cameras"? In this show, they usually show electronic (smartphone) viewfinders, so it's already a digital rendition of what the lense sees, and the ghost shouldn't be visible at all.
(basically: it's already "video" even if you don't press the record button)

In one scene, they even show face recognition AI software identifying the ghost as.. a person.

Makes no sense.

What is the meaning of Yoo Jin Oh / Shin Yool becoming visible in the photograph after he apparently seals himself in the pages of the novel? The photograph is placed right on top of the paper stack, so does he use "ghost magic" to affect it? He can't just stop being a ghost.
How does the photograph enter the 'novel reality' with him?


When Ryu Soo Hyun shoots Sophia on an open street in the end (of the '30s storyline), who is her "taxi driver"? A random anonymous un-caught resistance member?


The eponymous Chicago Typewriter: It seems the resistance have at least two tommy guns with drum magazines (you only ever see one at a time, but two are used and discarded after firing). However, they don't use them before their resistance is largely crushed. For example the party assassination or subsequent getaway would be much easier, even if it's more difficult to get a big weapon to the premises. The same goes for earlier street fights. It feels almost like the writers/producers forgot to use the weapon and had to shove those scenes into the last episodes.

Some open questions / things I didn't understand / things I find illogical:

Which one?