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This review may contain spoilers
Ep 8 review - I HAVE a lot to say ?️
I don’t usually write reviews, but I think I’ll start now- please be kind, it’s my first one. This episode left me absolutely speechless. First off, even with its nearly two-hour runtime, the pacing never dragged. The story flowed beautifully, and the way it was delivered kept me hooked the entire time.
- KengNamping NC Scene
This has officially become my favorite DMD nc scene ever (and perhaps even one of my all-time favorites). I felt every single emotion. Seeing P’Peem completely naked felt like the ultimate act of vulnerability: as though he were saying, “I am giving myself to you without any mask or veil, both physically and emotionally.” What we witnessed was a man who had been holding himself back for years finally allowing release (again: both literal and symbolic).
The acting was extraordinary. The performances were so convincing that I almost felt like an intruder, a third wheel in their intimacy, yet I couldn’t look away. The framing and composition of each shot mesmerized me; every detail carried weight, every angle intentional.
From Khemjira’s perspective, there was a palpable mix of excitement and apprehension, as this was his first real experience with physical intimacy. His character has longed to be “normal,” but has carried the weight of the curse his entire life, leaving little to no room for romance, even if he longed for it. What this scene captured was two people experiencing different kinds of “firsts,” both stripping themselves bare of everything that shielded them in their own ways.
And the sound design? Brilliant. I deeply appreciated that the sequence was underscored by a delicate, almost ethereal score that set the emotional, reflective tone. At selected moments, the faint, distant sounds of breath (mostly from Peem) were woven in just enough to remind us of the raw, human carnal passion beneath it all. Yet these physical expressions were deliberately subdued, reinforcing that the scene’s true core was emotional intimacy. It was the peak of closeness: two individuals merging into one presence, even without going all the way.
- Direction
I have to praise the director. Every detail, every frame, feels so intentional. The way the story is visually told with the gazes, the pauses, the framing, never fails to amaze me. Every little detail is thought before hand, everything has a reason to be somewhere specific.
- Storylines
I really appreciated finally getting some backstory on Rampueng’s vengeful feelings. I suspect she’s behind Yai Si’s illness, though I’m not entirely sure yet. I love how this central plot remains consistently present, while still balanced against the romantic arcs and nuanced character development.
- Charn and Jet
Their relationship unfolds in such a different way than Peem and Khem’s. They first surrender to passion, acknowledge their feelings but then take a step back, deciding to build something carefully, with all the uncertainty that entails. I love the contrast with PK's relationship building as it makes each story feel unique.
- Phor Kru / Peem’s Arc
I don’t think Peem’s confession and openness came too quickly at all. If anything, it felt like the natural breaking point after years of holding everything in. When he asks Khem to call him just P/Peem it’s clear he’s tired of the constant restraint that comes with being Phor Kru. He just wants to exist as himself for Khem, yes, but also for his own peace. That hit me hard, his yearning to shed the constant control demanded by his role. For once, he can exist freel, not as a 'spiritual-teacher' (wouldn't really know how else to describe it lol) bound by duty, but as himself. This moment of liberation felt essential both for his relationship and his own self-acceptance. (And side note: the haircut this episode? Perfection. I couldn't stop screaming everytime he was on screen- And major points to DMD for finally giving us realistic tattoos!)
- Acting
Namping absolutely floored me. The way he cries is just beautiful, it feels so genuine. And I especially admired how well he played a character who’s bad at lying. That’s harder than it looks, because you have to “act badly” on purpose, while still keeping it believable. He delivered it flawlessly.
- KengNamping NC Scene
This has officially become my favorite DMD nc scene ever (and perhaps even one of my all-time favorites). I felt every single emotion. Seeing P’Peem completely naked felt like the ultimate act of vulnerability: as though he were saying, “I am giving myself to you without any mask or veil, both physically and emotionally.” What we witnessed was a man who had been holding himself back for years finally allowing release (again: both literal and symbolic).
The acting was extraordinary. The performances were so convincing that I almost felt like an intruder, a third wheel in their intimacy, yet I couldn’t look away. The framing and composition of each shot mesmerized me; every detail carried weight, every angle intentional.
From Khemjira’s perspective, there was a palpable mix of excitement and apprehension, as this was his first real experience with physical intimacy. His character has longed to be “normal,” but has carried the weight of the curse his entire life, leaving little to no room for romance, even if he longed for it. What this scene captured was two people experiencing different kinds of “firsts,” both stripping themselves bare of everything that shielded them in their own ways.
And the sound design? Brilliant. I deeply appreciated that the sequence was underscored by a delicate, almost ethereal score that set the emotional, reflective tone. At selected moments, the faint, distant sounds of breath (mostly from Peem) were woven in just enough to remind us of the raw, human carnal passion beneath it all. Yet these physical expressions were deliberately subdued, reinforcing that the scene’s true core was emotional intimacy. It was the peak of closeness: two individuals merging into one presence, even without going all the way.
- Direction
I have to praise the director. Every detail, every frame, feels so intentional. The way the story is visually told with the gazes, the pauses, the framing, never fails to amaze me. Every little detail is thought before hand, everything has a reason to be somewhere specific.
- Storylines
I really appreciated finally getting some backstory on Rampueng’s vengeful feelings. I suspect she’s behind Yai Si’s illness, though I’m not entirely sure yet. I love how this central plot remains consistently present, while still balanced against the romantic arcs and nuanced character development.
- Charn and Jet
Their relationship unfolds in such a different way than Peem and Khem’s. They first surrender to passion, acknowledge their feelings but then take a step back, deciding to build something carefully, with all the uncertainty that entails. I love the contrast with PK's relationship building as it makes each story feel unique.
- Phor Kru / Peem’s Arc
I don’t think Peem’s confession and openness came too quickly at all. If anything, it felt like the natural breaking point after years of holding everything in. When he asks Khem to call him just P/Peem it’s clear he’s tired of the constant restraint that comes with being Phor Kru. He just wants to exist as himself for Khem, yes, but also for his own peace. That hit me hard, his yearning to shed the constant control demanded by his role. For once, he can exist freel, not as a 'spiritual-teacher' (wouldn't really know how else to describe it lol) bound by duty, but as himself. This moment of liberation felt essential both for his relationship and his own self-acceptance. (And side note: the haircut this episode? Perfection. I couldn't stop screaming everytime he was on screen- And major points to DMD for finally giving us realistic tattoos!)
- Acting
Namping absolutely floored me. The way he cries is just beautiful, it feels so genuine. And I especially admired how well he played a character who’s bad at lying. That’s harder than it looks, because you have to “act badly” on purpose, while still keeping it believable. He delivered it flawlessly.
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