Morningdews

If he is neither extrovert nor J then he is INTP?

You are right. An ENFJ would not bite her neck when she explicitly asked to be bitten on the hand. He is so skilled at strategizing; why does no one predict that he is a T-type? Biting her neck is much more consistent with a dominant or auxiliary Te user. If he is an extrovert, then he is an ENTJ; if he is an introvert, he is an INTJ.

An ENFJ would not bite her neck when she explicitly asked to be bitten on the hand. He is so skilled at strategizing; why does no one predict that he is a T-type? Biting her neck is much more consistent with a dominant or auxiliary Te user. If he is an extrovert, then he is an ENTJ; if he is an introvert, he is an INTJ.

So we have to see whether he is the structured type who likes to jump to conclusions (J) or likes to adapt to circumstances and leave everything open (P), is more in tune with other people's feelings (ENFJ) or values his own feelings (ENFP), Is he driven by a single vision (ENFJ) or by endless possibilities (ENFP)?

Thank you for your answer. We have same prediction about He Si Mu's MBTI

It's a shame that due to the busyness of the real world, some viewers have to watch in fast mode. If any of you are MBTI experts, would you mind analyzing He Si Mu and Duan Xu's MBTI so we can understand them better? I don't just mean being an expert in differentiating I vs E, N vs S, F vs T, and J vs P but understanding the difference between Ne vs Ni, Se vs Si, Fe vs Fi, Te vs Ti and knowing the dominant function, auxiliary function, tertiary function, and inferior function. Thank you in advance for being willing to analyze and share.

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You're right. Love and Redemption is also very good. The female lead is Dilraba's college friend from Shanghai Theater Academy. The female protagonist in Love and Redemption also loses five senses and together with her friend searches for a magic mirror shard that will restore her senses and slowly she discovers her true identity and powers.

Do you feel this drama is still not romantic enough?

Even Dilraba herself once played the role of a 30,000 year old goddess who had a 400,000 year old god husband, and they never love anyone else. Even if they become someone else, they will only love each other again. It seems that you and I have the same view about love, that we value love like this. The 400 years old that Dilraba plays in this drama is just like the age of a toddler in other dramas played by Dilraba. It's quite funny when connected

Commenting on the post, Dilraba has done this before with her other co-stars. She's also done modern versions of her drama with other co-stars. Meanwhile, posting the collaborative Douyin video was definitely Chen Feiyu's initiative, as that's been Chen Feiyu's long-standing style of promoting his dramas with his co-stars.

Come on, people criticize the acting perhaps because it’s their first time seeing an actor perform that way, while they already have their own standards of 'good acting' in their minds. Today's audience watches many different actors, and you cannot expect everyone to offer nothing but praise. Someone who is brave enough to accept praise must also not be afraid to accept criticism. Isn't that necessary for their own growth?

If you feel the criticism is valid regarding what is seen on screen (for instance, if an actor habitually tilts their head to the right or constantly smiles with only one side of their mouth), then do not counter-attack that person. Instead, if you understand the intention, help them see the reasoning behind the actor's performance. We are all just fellow viewers; it is not right to fight. It is better to help each other enhance the viewing experience. Only push back if the criticism is completely fabricated; otherwise, do not judge others' opinions, as human judgment will always be subjective.

Furthermore, if someone criticizes the main character because they don't meet an 'ideal standard' of good behavior, do not be immediately defensive. Perhaps they are genuinely concerned because the moral decline in society today often stems from people easily tolerating behavioral flaws seen repeatedly in what they watch.

When I read the novel, I felt like humans were the ones who were greedy, as their original intention was to enslave the creatures from the underground. How will the drama handle this? Some of the reasons I postponed it were this, and also because I didn't agree with some of NJL's decisions such as her decision to kill the enemy to free Jiang which actually brought more danger for her group, and also her decisions to come to the enemy's place (then the fire broke out the place). And also dating is not something that would cross my mind when I'm in survival mode, maybe I've been that kind of person from the start, which makes me have a biased judgment for this drama, where I hope they just become lovers after everything is over. It doesn't mean that I forbid them from being friends, for me they should be friends and share meaningful conversations (maybe a conversation that strengthens when one of them gives up), Maybe from the start, I was the one who was too idealistic.

I don't know if it's just me because I often watch dramas with faster paces, but I think this drama has a slow main plot. In my opinion, the idea of cutting out meaningful action scenes or investigation scenes and replacing them with too many staring scenes is a flawed strategy, because from the start, the mystery of this drama is about the earth owl, not about the relationship between the two main characters. Including romance is fine, but there should be meaningful progress to the main plot in each episode. And it would be better if the main plot progress was the result of the main cast's work instead of the other cast (I hope this drama doesn't make the same mistake as other dramas)