danisdiary

Sweet and tender

Hidden Love it’s a beautiful love story about love, overcoming grief, guilt and building a family. The acting is really good and the OST fun. I don’t know where scriptwriter Shen Fei Xian has been for the past 7 years but, God, I am so glad she’s back!

This drama had two MVPs: Sang Yan for opening his home and always being a good friend and brother, and Qian Fei for helping Jian Xu figure out his love life. Where would our leads be without them? Probably still pining for each other.

Zhao Lusi and Chen Zheyuan carry the drama with ease and sizzling chemistry. It was a joy to see their characters fall in love and dealing with everything that came their way as a team with a deep understanding of each other. They made an effort to communicate and this made them stronger and smarter as couple. Wonderful.

If you enjoyed this drama, you might want to check out Love O2O. Shen Fei Xian was also the scriptwriter responsible for that adaptation to the screen and she clearly very talented. And if you have already seen both dramas, then good news: she’s already working on her next project!

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Letting go of expectations and embracing flexibility

Do you know Ashtanga is a hit with me. It delivers everything you want from a young adult story: it's funny, sexy and has some really well done classic rom-com moments.

Nara, our leading lady, is best described as a complainer. She's at a point of her life where things seem to have stuck: her personal and work life are not good, she compares herself to others and and even judges them.

I really appreciate a drama special centering around a young woman, in her thirties, still trying to figure out things. After quitting a well paid job and following her passion, Nara is not even close to have an answers about life and has to deal with her own insecurities, which are mostly what's holding her back, and that feels true to life. Nara goes through a journey of accepting life as it is and learning to change what she doesn't like about it. Letting go of her expectations might be the hardest part, especially when society has programmed you to be a certain way and have certain things, at certain age.

To say she's at a low point emotionally it's an understatement. That's when she experiences an adorable meet-cute with Tae-joon, the son of the wealthy family from whom Nara rents the studio where she teaches yoga.

Tae-joon likes Nara immediately, thinking of her as the perfect combination of cute and cool. He is polite, nerdy, eager to help and respectful. His attraction to Nara is based on the fact he likes how she holds herself trough life... he might be one of the greenest flags I have seen in Dramaland.

He also deals with his own insecurities about his economic status, being self-conscious about people seeing him as a spoiled rich guy having grown up with a family that it's rather snobby and not a fan of his views on life. For example, his mother berates him for collecting items to donate for the needy and insist for him to start wearing luxury brands instead of buying clothes at the smaller shops at the neighbourhood. It's clear people have misjudged him before because of his money.

The story might be full of tropes but is in the performances where this story shines. Both leads deliver their lines with such an easy chemistry, dry humor and comedic timing that's impossible not to smile at every interaction they share. The story is so well written that it feels well rounded and the world lived in, the characters full of colour.

I absolutely recommend this sweet and fun rom-com that might give you some food for thought.

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It's good.

I think fans who have been watching kdramas for a while will be able to find familiar elements in what makes Destined with You: Candy female lead, Chaebol male lead, aloof but cool second lead, unhinged girlfriend, past lives and spells. It honestly feels like describing a kdrama from the 2010s, like My Girlfriend is a Gumiho.

My issue is the script. The way the story is structured makes the situations feel repetitive, with no proper development in some of the gaps within the logic of the kdrama.

The kdrama mostly works because of the undeniable chemistry between Jo Bo Ah and Rowoon. They both give really good performances, full of charm and heartfelt moments. I have been following both actors since the star of their respective careers and I am delighted to see them grow in their craft.

The secondary characters were entertaining enough but, honestly, forgetful. Yura and Ha Joon being the standouts, along side some veteran actors that overstayed their welcome in my opinion.

The production quality of Destined with You is solid, and it really shows when it "flashbacks" to the Joseon period, the transitions between dream, reality and memory it's amazing and so pretty to look at.

Overall, I think this is an entertaining watch with some issues that can be ignored if you are looking to have a good time with a fantasy rom-com.

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Learning to love

The Early Spring is perhaps one of the most interesting cdramas this year. The leads, Luan Nian and Shang Zhitao, are flawed, sometimes frustrating, occasionally selfish, and often spectacularly bad at communicating. And honestly? That is precisely what makes this drama work.

What I appreciated most is how The Early Spring uses their relationship to explore some very contemporary issues in China: the pressure of succeeding in an increasingly competitive urban environment, workplace hierarchies, ambition, emotional isolation, mental health, and the changing expectations surrounding relationships. Beijing isn't simply a backdrop here. The professional world these characters inhabit shapes how they behave, what they fear, and even how they understand intimacy.

The drama is particularly interesting in the way it approaches mental health. Emotional wounds aren't treated as convenient nor reduces its characters to diagnoses or trauma. Their past experiences influence their reactions, insecurities and coping mechanisms, but they are still responsible for their choices. That's an important distinction, and one the drama generally handles well. Neither Luan Nian nor Zhitao gets a free pass.

Luan Nian can be arrogant, controlling, jealous and downright cruel with his words. His instinct is often to protect rather than communicate, and he has a tendency to decide what is best for Zhitao instead of actually asking her what she wants. His position as her superior also makes some of his decisions considerably more complicated than the drama's romantic framing might initially suggest. He can genuinely care for her and still behave badly. The show doesn't always make that contradiction comfortable, but it does make it interesting.

Zhitao isn't simply the innocent victim of his personality either. Her own decisions repeatedly create problems. She hides things, refuses help, tries to handle difficult situations alone and sometimes mistakes silence for independence. Her desire to protect the people she loves can become another form of self-sabotage. She is sympathetic, but she isn't always right.
And this is where I think The Early Spring is at its best: it understands that intention and impact aren't the same thing.

The leads frequently do things because they believe they are protecting each other, only to cause more damage in the process. They make sacrifices without explaining them. They keep secrets because they think the truth will hurt. They try to spare each other difficult conversations and then become resentful when the other person doesn't magically understand. Their relationship isn't destroyed by a lack of love; it's damaged by two people who repeatedly fail to understand what the other person actually needs.

The character development therefore isn't about suddenly turning toxic people into perfect romantic partners. It's about watching them gradually become more self-aware. Luan Nian has to learn that caring for someone doesn't give you the right to make decisions for them. Zhitao has to learn that independence doesn't mean refusing to rely on anyone. Both have to confront the difference between loving someone and actually knowing how to be in a healthy relationship with them.

I also liked the drama's willingness to let its characters make morally and emotionally ambiguous decisions. There are moments when you can understand exactly why someone does something while simultaneously thinking, “That was a terrible decision". That's much closer to how real relationships work than the usual cdrama dynamic where one character is obviously right and the other simply needs to apologize.

The performances help enormously. Jing Boran makes Luan Nian's unpleasant edges believable without stripping away his vulnerability, while Sun Qian gives Zhitao a quieter but increasingly assured emotional arc. Her character's evolution is particularly satisfying because she doesn't suddenly become a different person; she gradually becomes more confident in understanding herself and what she wants.

The biggest weakness for me is that the drama sometimes takes too long to articulate lessons it has already demonstrated, and the final stretch feels somewhat compressed compared with the amount of time spent establishing the relationship and its problems. Even some of the more important emotional realizations could have benefited from additional breathing room.
Still, I found the messiness more compelling than frustrating overall.

The Early Spring isn't really asking whether Luan Nian and Zhitao love each other. That's obvious almost from the beginning. The more interesting question is whether two imperfect people can recognize the ways they hurt each other, take responsibility for them, and actually change.

And, thankfully, the answer isn't “love fixes everything.” They have to do the work themselves. That's what makes the eventual improvement feel earned. They don't become better people because the plot demands a happy ending. They become better because, eventually, they understand that loving someone isn't enough if you don't also learn how to listen to them, respect their agency, communicate honestly, and take responsibility for your own emotional baggage. Messy, frustrating, sometimes toxic, but ultimately much more thoughtful than the standard workplace romance.

Perhaps the most contemporary thing about The Early Spring is that it doesn't present adulthood, ambition, mental health or relationships as problems with easy solutions. Sometimes growing up simply means realizing that being hurt doesn't automatically make you right, and having good intentions doesn't automatically make your actions good.

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Camp romance galore!

You might think this is your typical Cinderella love story but you would be wrong. As a matter of fact, nothing about this fairy tale turns out to be like our heroine (and us) expect it.

I freaking loved this drama and I really enjoyed spending time with these characters, which I find to be some of the most likable this year with their camp attitude and sizzling chemistry that puts other romances to shame. It was also refreshing to see a drama couple that truly felt like equals. They actually talk to each other and at the same level all the time, but they also know how to have fun with each other, openly flirting in a way that that feels candid and sexy.

Pyo Yejin and Lee Jun Young are going to be tough act to follow.

Most of it is thanks to the writing, which is solid, coherent, smart and fun. The writer, Yoo Ja, knew exactly what they were doing. BRAVO!

Dreaming of a Freaking Fairy Tale is more than a drama about a Candy heroine meeting Chaebol. This story is a love letter to self-love. In a very simple and fresh way, we are thrown into the world of these characters and see them grow into becoming even more amazing people.

Our heroine, insecurities are really well rooted and subsequently developed. We see how growing up in poverty has affected her self-worth but also how her mother's abandonment affected her dynamics with the new family his father formed. This is another point that I loved about this show: Step-mom and the two step-sisters are actually kind and cool people and the entire problem the family faces is a lack of proper communication. There's plenty of love between them.

Our hero's personal story is also rooted on a family conflict but in many ways it hasn't cripple him emotionally. Sure, he has his ups and downs but most of the time I personally believe he is thriving because he's open to new people and experiences. This is a man that it's not afraid to "follow his joy". He is a really good listener, doesn't talk down to people as someone with more money than them, and he’s also not patronizing as a man. Prince Charming? I THINK SO!!

So far, I am yet to see better than this drama when it comes to the romance/comedy genre and it's definitely one of favourites I have seen this year. Likely to make it to my TOP 10 list.

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Waiting for Rain does not deliver

Despite the amount of talent gathered, Waiting for Rain does not deliver. A story about loneliness and nostalgia, it leaves much to be desired when the flashbacks to the past, in which the entire premise of the film is based on, don't really grip at your heart in order to break once you understand the present. I have seen this done before and much better in recent years (e.g.: 20th Century Girl).

The script and directing of this film is weak and mild, it manages to deliver what I can only describe as Kang Ha Neul's most mediocre performances to date. He's still good because he's Kang Ha Nuel, but his best efforts could not save this story. Same goes for Kang Sora, Chun Woo-hee and the rest.

The editing is a mess, trying to play it cool and smart but only manages to mix the timelines and confuse the viewers. I can't...

Don't waste your time.

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Living my Zhu Yu era

There's so much attention to detail in this cdrama.
Did you notice the Pursuit Of Jade logo has a hidden pig and butcher knife as strokes in its original Chinese design?

I was already a fan of Director Zeng Qing Jie and screenwriter Zou Rue, whom were responsible for Blossom and Love like the Galaxy, respectively, in the past. I have also being following the career of the lead actress, Tian Xiwei, so I was always going to watch the cdrama and most likely enjoy it. But what I found was so much more than what I expected.

I’m genuinely impressed by Pursuit of Jade. This cdrama is a beautiful example of what happens when every creative element works in harmony.

First, the script is incredibly well crafted. The storytelling feels thoughtful and layered, balancing emotional depth with engaging plot development. Every episode reveals something meaningful about the characters, and the dialogue feels natural and purposeful rather than forced.

The cinematography is another standout. Each scene is framed with care, using lighting, composition, and color to create an atmosphere that enhances the story and characters' actions. Whether it’s sweeping landscape shots or quiet, intimate moments between characters, the visuals consistently elevate the drama and make it feel cinematic.

The direction deserves a lot of praise. The pacing is confident, allowing emotional scenes to breathe while still keeping the narrative moving forward. The director clearly understands how to build tension, highlight character relationships, and guide the audience through the story in a way that feels immersive and satisfying. Yes, by the end, there's a couple of weak points but ultimately they feel irrelevant when you take a step back and see the entire picture that was presented.

And of course, the entire cast delivers fantastic performances. Every actor brings sincerity and depth to their role, making the characters feel authentic and relatable. The chemistry between the cast members is especially strong, which makes the emotional moments land even harder.

Tian Xiwei carried this story with ease, warmth and power. I knew she had it in her and I am so glad this particular project, this team, gave her the chance to shine like the absolute badass she is. From being a small town girl to a soldier defeating seasoned generals with a butcher knife, and finally a first rank official, her journey was incredible to witness. The character of Changyu was the beating heart bringing everything she touched alive.

Zhang Linghe is growing as an actor with each new performance and I feel he did a really good job portraying the dualities and nuances of a character like Zheng. From aloof and cold, he slowly peeled each layer to show his true heart. Which was full of love for Changyu, his friends and even his very complex family. Through everything Zheng was steadfast, an agent of chaos and order.

Tian and Zhang had great chemistry through the entire run of the cdrama and delivered one of the best romances I have seen in a while. Their characters complemented and see each other for whom they are. Zheng was always proud of Changyu, whatever she was a butcher girl or a mighty general, and in return she was always a source of support for him. If they had fights, they would openly communicate with each other and grow from those experiences, so they could be a better and even stronger team. They always had a tacit understanding of who they were as a couple and it made their love unconditional and true.

I must comment on screenwriter Zou Ye, once again, on this point. Particularly because all the characters were properly developed, not just the leads. This script is so tight, by the end of the cdrama, you understand everyone's motivations, desires and fears. Every character had their time in the spotlight, no matter how small their role, and it eventually lead to a bigger effect in the story, culminating into all the key players meeting in the same place to finally reveal harsh truths, find justice and peace.

The enemies are fascinating and nuanced. Life for many of these characters was like war and they behaved as if they were fighting a great evil trying to destroy their loved ones. Ultimately, all they did was destroy themselves. And the way the Director Zeng and screenwriter Zou present this point, with visual storytelling and dialogue, it's truly beautiful because you can see and understand the parallels between heroes and the so-called villains. All of these details, makes Zhu Yu my early call as the best drama of 2026.

Overall, Pursuit of Jade is a beautifully made cdrama with strong writing, stunning visuals, thoughtful direction, and a talented cast that truly brings the story to life. Definitely worth watching.

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Promising young woman.

I don't use the word "perfect" lightly when it comes to dramas because, it's my opinion, there's always room for improvement. But the team behind Reborn were on a superior state of being when they created this story, something many filmmakers, producers and scriptwriters dream to achieve. This is truly a perfect drama, from beginning to end, and I am so glad I was able to experience it.

When I first started to watch it, I didn't mention it on social media because I wanted to see where the Reborn team were taking a story that handles so many sensitive issues for contemporary China. It could easily turn into an over the top melodrama, with one dimensional characters, instead of serious study on how society and family dynamics can destroy the life of a young woman.

The social commentary alone is enough to consider this the best drama of the year. Period. It's not usual for a youth cdrama to so openly call out China's ugly face regarding women's marginalization and discrimination. To show in the exact way they are thought and treated as less than, a family's internalized misogyny and its consequences. All while waving into the main story other issues such as AIDS, debt, sexual harassment, domestic abuse and the clash between generations.

This might sound like too heavy of a drama and I admit it has it's moments where, as a viewer, you want to reach through the screen and burn an entire house (and then some) but the story manages to balance the difficult subjects with the more light moments of budding romance, newfound friendships, and normal growing pains. These lasts elements are crucial for our lead as she learns to stand up for herself, her sister and, even, her mother. At the same time, the family unit also learns from our lead as they slowly but surely break free from a toxic filial obligation in a way that feels both real and satisfying.

I had my eye on this Reborn because Zhang Jingyi and Zhou Yiran, whom I believe have impeccable taste when choosing a script and with this drama they have proven me right (once more). They are the stars of the show as Qingyu and Ming Sheng, two lonely teens learning that life and humans' relationships, particularly with our parents, are far more complex and nuanced than we first thought so. They come together at the perfect bad timing in order to help each other grow and heal.

But the heart of Reborn are Wu You and Liu Dan as Qing's older sister and mother, respectively. They had a lot of silent, steady work to do, as our lead discovers a family secret buried deep. Liu Dan, particularly, should be nominated for every single award under the sun for the incredible character building and development she put into Qing's mother. Everyone in the cast, to be honest, brought their A+++ game and will get something, some emotion, positive or negative, from the viewer as the story unfolds and more of this family secret is revealed.

I already like the actors cast in this drama but I have a newfound respect for them. Because they chose to involve themselves in a story that's it's a screaming denunciation told through the female gaze. Yes, the entire team behind the camera -from the producer, director and writer- are women. Only women could tell this story and do it justice.

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Not fully fleshed out.

When Si Jin was first announced, I was really excited and I am not going to deny it was because Jing Tian and Zhang Wanyi are two of my favourite chinese actors working today. They were, for the most part, the best of this drama but that's to be expected considering they are the leads and need to carry a heavy storyline of family and court politics, and outsmarting not only our main villain but every pawn she puts in their way. On this, Si Jin was satisfying. The rest of the supporting cast was also really good with what they were given to work with.

But from the beginning Si Jin had some storytelling issues. It could be ignore at first but as the story progressed and revelations started, it started to look messy. I struggled to put my finger on it for a while, why wasn't Si Jin working as it should when it had all the right elements? I have narrowed it down to the combination of small and big things.

For starters, Si Jin's script is not exactly tight and coherent the whole time. As a consequence, for example, the main villain comes of as one-dimensional; so when she argues her talents were always were overlooked because of her gender or that she was in marriage without love, it simply leaves the viewer wondering "Am I supposed to feel bad for her?". Because I spent 39 episodes watching her murder indiscriminately, with the first point never being developed and the latter where it's clear as day she actually forced the man to marry her. Another key point, is that the mystery surrounding one of the leads' connection to another nation was put in the back burner for way too long, in favour of repetitive family conflicts.

All of this gets more obvious when you realize one of the drama's weakest points, its editing. There are harsh cuts and inconsistencies in the sequence of the story, so much so, that makes me think a studio suit (or censor?) put their hands on the show, cutting in order to achieve a certain amount of episodes, avoid some of the points the show was trying to make or the story it was trying to tell.

I googled the people responsible for this drama, behind the scenes, and while they are experienced, looking at their filmography makes me think perhaps this story was too big of a project to develop for them. Which it can be a reality that affected the drama's final cut.

Overall, Si Jin feels like the skeleton of what could have been a really great drama have they had the opportunity to be fully fleshed out. I still enjoyed it, tho, and it didn't drag at any minute. It's a solid 7 out of 10 stars.

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A good mystery that gets a little lost in its own plot.

Coroner's Diary has a solid story at its core, with enough mystery, intrigue, and investigative twists to keep things interesting. The main plot is compelling, and the drama has a good foundation to build on. Unfortunately, the pacing isn't always as sharp as it could be.

The biggest issue for me was the collection of side quests before the main characters finally arrived in the Capital. While these detours added cases and gave the story more room to develop, they also made the journey feel longer than necessary.

For a plot that starts off so promisingly, the way everything eventually comes together feels unnecessarily convoluted. There are so many threads, twists, and explanations competing for attention that the overall payoff loses some of its impact. A little more clarity and tighter storytelling would have made the conclusion much more satisfying.

Still, there's a good drama underneath all the detours and tangled plotting. Coroner's Diary has an engaging premise and a story worth following; it just needed a more disciplined approach to pacing and a less complicated way of tying everything together.

Good story, uneven pacing, and a finale that works harder than it needs to.

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Messy reality

If Only You Weren’t the One is a short yet emotionally gripping romance that explores the complicated pull of past relationships. The story follows a woman whose life is disrupted when a former forbidden lover reappears, forcing her to confront unresolved feelings and difficult choices.

What makes the drama engaging is its mature approach to romance. Instead of idealizing love, it focuses on messy emotions, temptation, and the lingering impact of past decisions. The performances feel natural and intimate, which helps the emotional tension land despite the series’ short runtime.

Overall, it’s a quick but compelling watch. Perfect for viewers who enjoy romantic stories that are a little more bittersweet and realistic than the typical love drama.

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Unmasked, unnerving

I wasn't planning to watch Unmasked but people in social media were adamant I was missing out, so I gave it a try. I admit, they were right. This kdrama is a really good production, Kim Hye-soo simply doesn't miss. Another factor I liked was that every case presented to the viewers was actually based on a real life crimes that were highly covered by the media. To be clear, the stories presented in the drama are no dramatisation of these real life events, which touch on very sensitive issues.

It's almost like a serial, following each story for one or two episodes. and each case helping the viewers get to know the main characters as they position themselves morally and ethically as journalist having to tell this really difficult stories. There is, however, a bigger case following through the entire run that I wish it would have been more of the main story. I think the drama spend too much time with certain aspects that it didn't serve for the overall development of the kdrama.

This is where I have to warn you; because some of Unmasked's episodes can be really grotesque and triggering. Having watched the whole drama, I can't say this is something I would recommend to everybody and Disney+ was smart to not make this a drama to binge-watch because I don't think this is something most people could sit through without pausing, taking a break. It's not really as bad as I am making it sound but there are episodes dealing with animal abuse, SA, chid and elderly endangerment.

On technical aspects, I think this drama is really well done. Director Yoo Seon-dong knew what he was doing. The cast had impeccable chemistry and everyone delivered really amazing and compelling performances, from the main actors to the guest roles. The standouts for me being Choo Ja hyun and Choi Dae Hoon, whom played siblings and every scene they shared was incredible. A very well deserved shoutout to teen actor Moon Woojin who delivered a bone-chilling performance. And also Ahn Suk-hwan, he was unrecognisable on this production.

Very well done!

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Stay in school

Study Group is likely to be remember as one of the best dramas that South Korea release in 2025. I am not kidding. The entire premise and the situations these kids face in school it's outlandish but the narrative it's told in such a fun way, the viewer gets hooked immediately.

Our lead, Gamin, is a nice person. He doesn't have problems at home, he doesn't struggle financially and it's, overall, a happy and healthy teen. His only problem is that he sucks at studying and needs help ASAP because no matter how hard he tries, he never achieves his goal of going up in the school's ranks. This is obviously an issue because he dreams of going to University. He has always dreamt of creating a Study Group. A community of peers with his same goal to better themselves and grow as people, and that's what he sets out to do in high school. If only it was that easy.... Gamin and his friends have to fight tooth and nail in order to study.

This kdrama is all heart and style, which I love. The story is compelling, the script cohesive and coherent, putting an emphasis on the the characters' development as teens learning to be good people as they grow into adults. The viewer gets to see the kids go through growing pains, laugh and cry with them.

The camera work and special effects are outstanding, creating some of the best action scenes you will see this year, and going on hand with the incredible performances delivered by the cast. Nothing is amiss in this production, and I would go as far as to put it among other great kdramas like MOVING and Weak Hero Class 1.

My one, tiny complain would be that I wish we would have find out more about our main antagonist and another mysterious character, but the ending of this kdrama leaves room for a possible second season. So, considering the big hit this kdrama has become domestically and internationally, I would not be surprised if that's exactly why there wasn't more information about them. Either way, I had a really good time with Study Group and I highly recommend it.

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Spicy love affair!

Taiwan makes a strong bet, in the rom-com genre, with Let’s Talk About Chu; a heartfelt drama about how people connect with love, sex and themselves.

Centered around the different stages and dynamics of human relationships between family members, lovers and friends. The script develops each story in a fun and relatable way, always backed my human emotions. The drama doesn’t judge the characters for the situations they put themselves in, it mostly presents each situation and lets the characters figure it out on their own if its really the best.

The story doesn’t rely on the difficulties of each character to bring out the emotions from the audience and does a really good job in balancing how life is both, comedy and drama. It takes a lot of elements that could be one-dimensional but humanize it with well-rounded and nuance performances from the cast.

The first episode might be all about sex but as you keep watching, you realize that’s just something to get you started talking about love, the importance of affection, intimacy and communication.

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Not talentless at all.

I think this drama has a lot to say about corporate culture and the differences between generations.

Our lead, Takano, may be branded as “talentless” by her co-workers because she doesn’t know, well, anything but this doesn’t mean she is useless and integral for the well-being of the team.

In contrast, her peer Hiwada is incredibly competent but often overlooked by his appearance and demeanour. Not to mention he suffers from diarrhoea induced by anxiety, mostly because he is trying to fit in the corporate world like all past generations.

It’s when these two start working together that someone sees the importance in Takano’s presence and the competence of Hiwada’s work. And they do it in their Gen Z style, not the other way around.

Takano’s personality and speeches are usually misunderstood as genius in the the most absurd and hilarious ways. The viewers know better, creating a complicity between Hiwada, her and us.

The rest of their co-workers are mostly Gen X and Boomers, with their own dynamics and issues. They can’t figure out the enigma Takano is to them. On the other hand, Milennials are represented as quirky types, exiled to a basement office so they don’t have to deal with others and viceversa. All of the characters are good people but very set in their ways and it’s fun to see their interactions.

The script follows the typical formulaic approach of most Japanese dramas, with a new problem in each episode that by the end it’s resolved, leaving the characters with a new life lesson to learn if they wish to.

The cast was perfectly chosen for each role, particularly Nanao as Takano. Her part could have easily be written off as stupid and make fun at her expenses but she brings such a easy going and earnest energy to the character, it’s impossible to do so.

I think what the drama it’s trying to say under the disguise of a light hearted comedy it’s that, at the end of the day, some people are not meant to change but to change you and how you view the world. So, don’t get too comfortable in your ways. Don’t stop growing, take risks. Always try to be the better version of yourself and move forward.

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