danisdiary

An enjoyable ending

The review is based only on the events of the film. I feel the responsibility to point this out because the manga is on going, which means the story might take a turn to any possible direction in the future.

I finally got the chance to watch this film this week, a very nice and neat conclusion to the world of competitive karuta. For those who need a little reminding, the story follows Chihaya and her friends as a team trying to win the national high school competition and, for some of them, even dream of becoming professionals. But the films also tells us about their personal struggles, sometimes on actual lines of dialogue and, other times, through out the poems been read in the karuta competitions.

The film choose to make a time jump between the second film and the third, putting the last installment of the trilogy on Chihaya’s senior year of high school. She’s only have one goal in her life: becoming the Queen of karuta but now teachers and even friends are taking different routes in life, choosing professions and paths in which they won’t be able to talk together as the tight-knit group they become, so she needs to start thinking what else lays beyond karuta.

On this point, I feel the story failed and achieved something at the same time. It was nice to see Chihaya think of things beyond her karuta bubble with the film didn’t developed properly. I like she kept her goal of becoming Queen until the very end, because at her core that’s who she truly is, but at the same time I didn’t get to see her spend enough time thinking of life outside the sport.

Other professional karuta players are shown to have their own personal and professional lives outside the competitions, so I guess I would have like to see Chihaya be a little more motivated or explicit on what other thing she might want to pursue. Whatever it tis, I’m sure it would have been with the same savage passion she has for everything she loves.

Meanwhile, Taichi finally reached a boiling point. I guess it’s fair to say Taichi has been competing his entire life: against Arata but most importantly against his own insecurities. Taichi’s biggest roadblock has always been himself, by putting others before him to a point of whatever he wants becomes irrelevant in his own life. When he first started playing karuta again, in freshman year of high school, he didn’t do it for himself. He did it for Chihaya, and unlike her his development about what he wishes to do in the future beyond the world of competitive karuta was properly developed.

Taichi finally loses to the pressure and feels forced to leave the karuta team. It’s a nice call back as to the same reasons why Arata quitted karuta in the first film. Back then, Arata lost all motivation when his grandfather had died. He was the reason why Arata started and continue to play the game and with him home he needed two films to find a reason to do it for himself.

The same thing can be said about Chihayara. She’s always played for her, a point the film makes perfectly, and because of that she’s able to support her teammates, show respect to her opponents and inspire her juniors.

If you ask me, the third film in this trilogy is Taichi’s film. It’s the conclusion to his journey and the answer his been looking for since day one. The card choice at the end, where he’s putting all his feelings out in the open, is him finally stepping forward and withholding nothing.

As for the love triangle, I would rather concentrate on the personal story of our three main characters. I believe this story is so popular because of the everyday and common struggles the characters go through that resonate with people, and not because of a love triangle.

Chihaya’s answer remained true to herself, as mentioned before, because she’s never really thought of anything beyond the karuta world. Of course, Arata put himself out there, in all the ways possible, because Arata never doubts himself once he has set his eyes on the prize. And, of course Taichi is the last man standing next to Chihaya because that’s also part of who he is.

That said, of course, I have a team I’m rooting for and personally I believe the story told in this film serve for the benefit of one team rather the other. But to get a real and final answer about Chihaya’s feelings, we will have to keep on reading the manga.

Kudos, to the amazing supporting cast who it’s as wonderful as always. Making the smallest moments incredibly funny and heart warming, even sometimes stealing the entire show from the leads. Thank you!

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Wonderful!

Flying Colors is one of my all favorite japanese films that has been released in the last few years. I don’t understand why it didn’t have more repercussion, maybe they thought it wasn’t a good enough film because it deals with what we can categorize with “first world problems”, but they are still problems. And I found the story compelling, relatable and endearing.

Let me point out that this film is based in a book that at the same time is based on the true story about a teacher and one of his students who decided on her last year of secondary school to apply for Keio University. Let me tell you, Keio is no small feat. This academic institution ranks 9th in the world in the Times Higher Education’s Alma Mater Index and the Academic Ranking of World Universities ranks it at 37 in Asia.

Whatever our leading lady made it into one of the best universities in the world or not is irrelevant. What it really matters is the incredible grit she showed through a year of hard work, the amazing mother who supported her and the teacher that made all the difference.

We usually talk or read about inspiring teachers who achieved life changing moments in their students lives. These students usually come from impoverish neighborhoods and difficult family situations, to those teachers and students who made it through and become more than anyone ever expected of them, I applaud them. They are making all the difference.

But not all “trouble” students come from a bad social-economic situation at home, and I believe that’s mostly the case in Japan. As wonderful as countries like Japan are, they also have their problems. People who are different, express themselves in a way that’s not the norm and show a certain proclivity for individuality don’t always have a good time in this kind of societies where the thought process has more weight in the collective. And if they don’t find a support system (friends, family, anything really) they ended up not finding their place in society (hikikomori, anyone?). Now, this is only my opinion and you are more than welcome to comment on it.

Kudo Sayaka is a middle class girl with a carefree lifestyle. Sayaka has never faced difficulties, hunger nor poverty but she has been treated and called trash to her face by her professors for not behaving in a “correct” way. She’s lucky to have a good group of friends who support her and a mother who is willing to go beyond for her to be happy. Sayaka’s father needs some work, since he puts all his hopes (and money) on her little brother and completely ignoring his two other daughters.

Sayaka is on her junior year when she’s suspended for an indefinite time. Her mother, always wishing the best for her, talks her into going to a preparatory school so she won’t miss classes. Is in this academy where Sayaka meets teacher extraordinaire Tsubota Yoshitaka, who manages to grab the attention of all students by connecting their personal likings and hobbies with their studies of history, english, math and so on. With this method, Tsubota manages to make the students take an interest in school and apply themselves to learn and do better, even dream to become students of universities like Keio.

I thought this film was not only good storytelling but also relatable because the problems the characters go through have a root in real life problems. The way Sayaka, the other students and Tsubota sensei built up their confidence and find a new sense of self worth is wonderful.

Sayaka is an amazing leading lady, she is strong-willed, independent and outspoken. She’s never afraid to ask questions, no matter how silly they seem and other people’s comment only fuel her inner fire. Do this comments affect her? Of course. There’s a limit to the verbal abuse you are willing to fight and some cut deeper than others, especially when they come from people we love.

I really recommend this movie. It made me laugh, cry, yell and cheer for all the characters to become better, to achieve their goals and prove themselves to be everything they ever dreamed.

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I will never understand why Netflix doesn’t promote their original productions that are actually good. Are they hoping for the word to mouth will help users find quality series and films? If yes, then here I am doing that. If not, their loss in my win because I get to talk about Call Me Chihiro without any filter from the streaming service.

The story follows a young and charming woman named Chihiro. We know from the beginning she used to be a sex worker but now lives in a small seaside city, selling bento (Japanese lunch boxes). Her outgoing personality and easy smile is infectious but it’s clear she also has a rich inner life. Chihiro goes around town making friends. A collection of lost souls, each with their own issues, brought together by her. Her life experience allows her to read a room and people with ease, and she’s mainly a listener but when he shares her thoughts you soon can see she’s wise beyond her age and is able to help others.

Despite her constant kindness towards others, Chihiro’s existence is stray-like and detached. She doesn’t shy away from relationships with others but she doesn’t exactly share herself fully. There’s a loneliness and resignation about her. She knows she is not leading a happy life but more like a collection of happy moments and that’s fine with her.

Call Me Chihiro is a fairly quiet little movie, about every day life and the people who make up our world. This isn’t a grand epic, with huge scenes of spectacle, it is very much a calm, occasionally sedate story from start to finish. At times its rhythm reminded to the waves of the ocean, constantly and endlessly reaching the shore. Sometimes calm and peaceful, others more harsh. On this, Call me Chihiro is the quintessential Japanese film about shading appreciating the small gestures and accepting everyone, no matter how poor or rich their background because in the end none of that matters. It’s your actions that speak volumes about the kind of person you are.

Arimura Kasumi remains, to me, one of the most interesting and talented Japanese actress working today. She certainly knows how to carry a story but also when to let others shine. The character of Chihiro could have easily end up being a rather flat but thanks to Arimura’s performances we easily accept her and are willing to go with her on this journey of self discovery and worth. By the final scene of the movie, we understand Chihiro’s decisions and loneliness. Most importantly why, by the end, she is ready to start anew.

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Sweet and endearing!

The Love You Give Me is a fun, endearing and sweet story about second chances.

Wang Yuwen and Wang Ziqi reunite, after working in their hit drama Once We Get Married, and prove they still got it. Their easy going and sizzling chemistry remains top notch and carries the entire show effortlessly.

If casting directors want to reunite them for a third time in a drama, they have my blessing. Please and thank you. Watching these two work together is a joy and pleasure.

My one complaint about this drama is that it could have been a few episodes shorter; the antagonist storyline ran too long. But overall this is a solid and entertaining watch you can simply sit back and enjoy. Maybe get mildly frustrated with one or two characters.

The opening and ending song are good as well.

I recommend it!

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Warm and fun

Following the structure of Love Actually but using quintessential korean elements, A Year End Medley follows a group of people learning to live through heartbreak and disappointment, first love and second chances, and figuring out the best way to support your friends.

This film knows what it is and doesn't try to be anything else. The director fully understand what needs to be done to get the viewer invested in every storyline. That's a difficult task when you have a cast as big and star-studded as this one, where everyone is bringing their A+ game. Even the random 30 second cameos that you don't expect are really fun to watch.

The music is fun and catchy, making you feel at ease and immediately in the happy holidays mood.

I really liked this film. It left me a big smile and a feel good warmth when it ended. I recommend it.

⭐️⭐️⭐️⭐️

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Entertaining but a missed opportunity

This drama has all of the right elements: a solid cast that delivers, good directing and an interesting subject matter. The story started strong, I was even on board with the murder mystery but, in the third part of the drama, the script started to loose its footing. No longer able to figure out what story were they telling.

In many ways, I feel there were several missed opportunity. Crash Course in Romance could have told a good and solid story commenting on society’s prejudices on what a family should be or look like. There was also plenty of room for a proper storyline about the mental health of students going trough an incredible amount of stress and how they coped. How the competitive mothers are willing to bully, adults and children alike, in order for their kids to get into university and their impossible expectations that directly impacted in every aspect of the kids’s well being. By the end of the last episode, male lead doesn’t see anything wrong about kids pushing themselves this hard, except when they collapse, which in my book that means very little character development. Male lead also suffers from half of the story of a eating disorder and we are supposed to just, what?, let it go? There’s never a proper follow up on it or how it was connected to the murder mystery that the drama concentrated most of its time with. A mystery that was resolved in one scene alone, rushed and swiftly under the rug. Almost like we didn’t spend fifteen of sixteen episodes trying to figure out what was happening with this particular storyline.

We only got proper real development and resolution about the issues regarding the kids and mothers, on the last episode, in a epilogue like montage showing us where each character was. The character growth, throughout the run of the drama, came there was came from the teens and the leads. Everything else was almost like an afterthought.

None of this means this is a bad or frustrating drama. On the contrary, despite its shortcomings, is a really fun story with lovable characters. I can recommend it for that alone: entertaining value.

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Nothing new under the sun

A saying goes “there’s nothing new under the sun” and sadly this is the case with the korean drama Let Me Be Your Knight.

It’s not that it’s a bad drama, it’s simply too predictable and cliché ridden, bringing nothing new to the genre or stories surrounding a candy heroine and a group of haughty musicians in desperate need to learn how to be a real band.

The chemistry between Tae-in and Yoon-ju, the two leads, was decent enough and the development of their feelings was coherent, but it lacked the factor that makes you want to cheer for them at all times. I found myself more than okay if they didn’t end up together.

The rest of the characters are charming, quirky, annoying and cute enough for me to not be bothered. I found Shin’s storyline with the actress the most compelling, but it conclude in a lukewarm way. Basically destroying everything that happened before.

I suppose my biggest issue is the script. It honestly feels like the screenwriter wanted to add all the storylines and formulas we have seen before because they didn’t know what this drama is actually about or where they were going with the characters.

Let Me Be Your Knight is a simple and stress free drama. The acting is decent enough to enjoy as a binge-watch over a weekend, if you have nothing else to do.

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Good acting and technology but...

I finished watching The Unclouded Soul last night and while I think the cast, make up and technology are really good, the story didn’t grasp my attention as I thought it would. I think, ultimately, it’s a script problem because it uses all the tropes but not in a fun or fresh way.

Long time cdrama watchers will understand when I say this was wasted potential because, sadly, we have seen this story before over and over again. But new cdrama fans might want to give it a try and figure out if xianxia is for them, this is a good option if you haven't seen any before.

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Seo Dong-jae's long con

Dong-jae, the Good or the Bastard is an outstanding first chapter about the journey of redemption of one of tvN’s favourite and most loveable, crafty characters.

Spinoffs can be a tricky business, especially when it’s centred around one character and all the others that you got to know and love don’t appear in the new show. But this kdrama it’s not only a great continuation but also an excellent stand alone, thanks a smart and dynamic script. The script writer also makes it a point to expand the world we all got to know in the first season of tvN’s Stranger, build conflicts and opportunities for character development, all with incredible resolution.

On the technical aspect, the score is fun and dark. A mix of genres with a milonga as Dong-jae’s life soundtrack: dramatic, hilarious, uplifting.

The cinematography it’s one of the best and most beautiful I have seen all year. From the choice of lenses to camera work, lighting and framing. Top notch from beginning to end.

Overall, I am incredibly happy with the quality production of this kdrama and, if you have the chance, I would absolutely recommend you watch it.

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Frustrating and boring (very little spoilers ahead to make a point)

To be honest, I found this drama to be mild. It's main problem is the script, trying to find problems where there are none and taking way too long for things to happen. I don't mind a long burn but when absolutely nothing happens on a personal level and, most of the time, the characters are in corporate meetings talking about chips, it's a bore.

On the other hand, there are very real problems, with lots of potential, that take the entire drama to be resolved and it's done badly. Example: leading lady has to constantly deal with a nasty and jealous co-worker who slanders her and even physically hurts her at one point. When the boss can no longer avoid the issue, leading lady's personal life is brought up and questioned. Excuse me? Her relationship it's nobody's business and furthermore why are y'all weaponizing it against her when it hasn't affected her work or the work place in the fist place? Seems to me you are all dealing with a terrible case of sexism among women and a change of attitude would have been nice. But, no, nasty co-worker doesn't even get fired. She's transferred and choses to quit altogether as if she was trying to save some face. Bitch, please. This particular storyline was frustrating.

There are other two couples, apart from the leads, that we spent a good amount of time following, only for them to completely disappear from once they respectively find happiness. No follow up, nothing, until the last scene of the drama.

The one saving grace is the cast, which is flawless in the respective roles they were given and had good chemistry (at times).

It honestly seems like a waste of a good cast on a mediocre story. A shame.

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A Virtuous Watch!

When I first started watching A Virtuous Business, I had a hard time connecting to the story but I don’t like to give up on kdramas right away because they usually take from two to four episodes until the viewer can start to see the bigger picture of the story. And this was absolutely the case for this particular kdrama.

I also think there’s an added issue with the way it was promoted, mainly because the team behind this kdrama didn’t want to give the story away and it worked a little too well.

A Virtuous Business it’s so much more than a story about four women empowering themselves. I don’t think this kdrama is given enough credit for how progressive it actually it’s when you take into consideration the time and country it takes place, or the cultural impact the reinterpretation of Confucianism had in South Korean values, believes and relationships.

This kdrama might be set in a particular time and of course things have changed, but I think it’s fair to say there’s still some relevance in the experiences of these characters. There are very specific scenes that come to mind about this issues but I would hate it to spoil it for anybody.

The story also has a secondary subplot about a very dark and heartbreaking part of contemporary korean history, and that many people are still reckoning with to this day. This part is well balanced with the main story and the comedy, so it never takes too much (which easily could) and instead only gives the kdrama more gravitas.

The relationships are at the heart of this story, with the four female leads front and center but the other women, kids and men around them get their chance to shine and make this world feel lived-in, their dynamics real and development earned. The story ask some hard questions about women’s issues, it questions the definition of what is a “good family man”, the best way to connect with your partner and how to raise children.

I highly recommend giving A Virtuous Business a chance, I think you might be pleasantly surprised!

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A feel good romance!

King the Land follows the traditional troupe of classic contemporary romances involving a Chaebol and Candy leads but this drama gives it a new life and breath to the story by making the characters (all of them) well rounded, with background stories, and agency.

Won is a great leading man. At first he comes across like any other chaebol character but quickly you realize he's nothing like it. He's confident, not cocky, has good manners and treats everything fair and square. Those who cross him had it coming tbh and even then he doesn't resent them for what they did. He simply puts them in their place.

Sarang comes from a working class family, and her parents passed away, but she never feels inferior to anyone and treats people with sincerity. She's also an independent, fun and lovely young woman who likes to go dancing with her friends, date and hanging out with her grandma. Sarang it's not, under any circumstances, the typical Candy heroine shouldering a hard, pitiful life. Sarang's life is full of color, warmth and joy.

Pyung Hwa, Da-eul, Ro-woon and Sang-sik complete the found family group of friends and they are equally enjoyable to watch. They all have strong, nuance personalities and have to deal with their own issues. They are not just background decoration for the leads to rely on when something happens.

The story is solid, angst free and really fun to watch. It's nothing new but, at the same time, the characters make it feel fresh. I particularly enjoyed the soundtrack, which I found to be perfectly placed at all the right moments. The cinematography it's also good, editing and directing wise there's no complains.

Overall, I recommend this drama to fans of rom-coms looking for a quality watch!

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The best kdrama of 2024

I don’t use the word “masterpiece” easily because it’s no easy to create a film or tv show that’s literally perfect but that’s the only way to describe Disney+ kdrama Light Shop.

Actor turned director Kim Hee Won makes a perfect directorial debut with this very human and heartfelt Korean gothic ghost story.

Light Shop is a masterfully crafted production, every detail full of significance and important to understand the story as it progresses. No character is unimportant, all playing a key role in the lives of each other; and the performances of each actor nuance. Never giving away too much but managing to connect with the audience at the same time.

The technical aspects, such as cinematography, lighting and special effects, are simply some of the best you will ever find in a Korean drama.

This is the kind of kdrama you want to watch without knowing anything beforehand, but you should know the first four episodes are key for the world building and then, it twist and turns in order to take you on one of the most beautifully made ride.

Perfect.

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