good story, very bingeworthy
Shi Jian (homonymous with "time") revisits 10 years into her past while in a coma from a serious accident, in a set up similar to another drama, Legally Romance (a show I enjoyed very much), although this drama has a more serious tone.At first I felt the FL was rather annoying & I was trying to decide whether to drop the show after the first 5 episodes, but the story then became an interesting exploration of how things happen & when, & how much control does one really have over fate. Realizing she has a 2nd chance, ShiJian initially tries to force desired outcomes while preventing undesired ones, Not until an epiphanal moment with her best friend does she learn that outcomes, in terms of the choices people make, are a result of the experiences they went through which influence any particular moment. The FL became a more sympathetic character as the story progressed. Unfortunately for ShiJian, the changes she makes to try to improve her future life ultimately sets in motion an absolute catastrophe.
I saw Tiffany Tang & Shawn Dou as main leads in the Legend of Xiao Chuo and was curious to see them again as the leads in a modern drama. They work well together and maintain the same chemistry in both genres. See You Again is a captivating story in spite of the well worn time-travel-while-in-a-coma setting but, as mentioned, the process to that known outcome is what's important. The story telling made this drama bingeworthy.
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when a bright sun becomes a black hole; Yang Zi's most challenging role yet
This is a story of 6 childhood friends, growing up together until university & career scatters them all for the next decade. An impending marriage prompts a reunion, setting the stage for the rest of the drama. The story centres around Huang YingZi, played by Yang Zi, who is tasked with finding and bringing everyone back to their home town for the wedding of one who is marrying outside of the group. Frequent flashbacks gradually tie past & present together as each member of the group tries to come to terms with the problems in their lives, where they've been & where they need to go. Which is putting it lightly. The themes of domestic/sexual violence & familial neglect eventually bring the story down to the darkest depths of depression, culminating in an horrific trauma rocking the entire group at a time when most teens experience their highest hopes. The primary arc involves YingZi & her relationship with her closest friend & unrealized long love JiangYi. A significant secondary arc is the friendship between adult YingZi & her literary idol, Ding Ye, a once famous but now struggling author who shares a similar past trauma.Somewhere between Ashes of Love and Immortal Samsara, YZ's acting matured very impressively and I was looking forward to seeing her in this drama. In a recent news article YZ is said to have had reservations about playing an 18 yr old & didn't want to be seen as "overacting" the part. Unfortunately, "overacting" is exactly the first word that jumped into my mind early on. Teenage YingZi is not only the centre of the story, she acts like the centre of the group: loud, in-your-face, commanding all the attention & telling everyone what to do. When switching to 30 y/o YingZi, YZ plays her much more subdued even though the character maintains the central status, & YZ appears more comfortable in the older role.
I didn't realize Yang Zi is already 31 years old. And I don't know why, but age & representation are becoming a big issue with me these days. Because the story jumps back & forth between past & present so frequently, & due to the large cast, using the same actors for both time periods makes sense. But the problem here is there's a 10 year age span between the oldest & youngest actor portraying this cohort. YZ is finally in an age appropriate role, but has to act opposite people who weren't even born yet when this fictional group first formed at age 6, & there's an 8 yr gap between her & her ML. Lack of maturity results in lack of depth. With the exception of YingZi, the group all experience severe abandonment & emotional abuse throughout their lives & portraying how that affects someone at age 30 is not something actors in their early 20's can pull off. Adult YingZi has matured to being better able to understand the issues her friends struggle with, & works to bring her friends together to help each other resolve them. However, some of the younger cast succeed only at giving downcast looks & being helpless. This just sets up YingZi to the rescue because, of course, she's the centre.
While the drama starts with the awkward overacting, it then follows a conventional line with the main leads dancing around each other, dodging possible love triangles along the way. YingZi became more sympathetic as YZ's handling of the transition of the leads' relationship was funny & spot on. And her character's in-your-face-edness is actually brought back to her as a criticism. The rest of the group go through workplace & marital/relationship problems of their own. The strength of the writing came through as I became more interested in the outcomes of all of the group member's challenges by the 2/3 mark of the show.
Unfortunately, not until the final 1/4 of the show comes a shocking twist, catalyzed by the character of Ding Ye. Instead of being the bright sun which all around her orbited, it becomes clear YingZi had actually been a black hole for 10 yrs, sucking up all of her friends' & family's energies into her own problem. I then realized the drama all along has been as focused on YingZi as she is on herself. Only her birthday is shown being celebrated with a big show of her receiving gifts from the others. They all bend to her whims. She's the only one with 2 stable & caring parents. She's done very little for her friends in comparison to what her friends have been doing to preserve her fragile psyche in her own fantasy world, in the aftermath of the severe trauma that affected them all. It's narcissism in the extreme. However, YingZi does come to realize her behavior with the help of ever patient & all forgiving JiangYi, & all her self-centredness comes crashing down on her. Nevermind whether this situation is even realistic or not, I'm not qualified to say, but this rollercoaster was exhausting to watch.
So... not knowing anything about the story beforehand, I found this drama very compelling & surprising that it tackled such heavy themes. What I found wanting was a deeper exploration of each member of the group, more of their own perspective & individual response. Whether the narcissistic focus on YingZi was intentional or not, it's too much to have viewers also get sucked into that black hole. The character of JiangYi could've served as an anchor & should've been given much more weight. Finally, I wonder about the overly aggressive product placement of Stefanie Sun at the end. This caters to a specific audience & only serves as a time waster. At any rate, it was nice to see YZ playing her age. This role is very challenging & I give her credit for being brave enough to try. I hope she continues to challenge herself in this way & I'll continue to watch her shows with interest.
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flat-lined performances & writing ruin a potentially good story
Another medical/research drama, with the leads meeting in a fictional French speaking, developing country run by warlords. Su Wei'An is a young woman from China, ekking out a living by buying & selling goods, with the country's military leader as one of her primary customers. When she runs into a visiting Chinese neurosurgeon, Gu YunZheng, at the largest local hospital, their shared past, & her dark secret, is revealed. On return to China, the setting changes from humanitarian work to the cut-throat world of medical research & a race for the cure of a rare disease.There's a lot of French dialogue in the beginning & the dubbing is absolutely terrible. I can't tell if the actors are mouthing the actual French words or not as many scenes are so obviously out of sync. And as with so many C-dramas involving medical people & hospitals, I learn to ignore bascially all of the details. Just pretend that the single looped surgery scene represents all of the surgeries performed.
Given Luo YunXi's impressive string of hit shows, both modern & costume, this drama is far below the standard he's set for himself (and did he actually lose weight during the filming? he's skeletal thin). Zhang RuoNan is no newcomer but this is my first time seeing her & her performance can't match the strength of Su Wei'An. ZRN's portrayal of a young person facing a life threatening illness is stiff & expressionless, not at all reflective of a character who is passionate about protecting others while personally in despair.
The romance arcs are formulaic, trope heavy, & the story takes a long time to get off the ground. It does pick up by the halfway mark when the leads return to China, but quickly descends into a toxic hell-bucket of backstabbing, cheating, & relentless bullying. Are seasoned medical researchers all stuck at the maturity level of middle schoolers? Maybe some are but who wants to watch that? ZRN's wooden expressions get very annoying & the chemistry of the leads is weak. The 2nd couple's arc is actually more lively but unfortunately gets neglected as the show progresses. I watched to the end only because I was actually curious about the outcome of the character's race to cure her own fatal disease. Thus the story itself was interesting & could have been a deeper exploration of what it means to live in the face of death. But it never got beyond the playground politics to properly prepare for the conclusion. The acting, production, & writing couldn't raise this story to the level it deserved.
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Engaging story, solid but boxed performance from Xu Kai
From the director of The Untamed and The Legends, no less! My expectations suddenly skyrocket, especially after last seeing Xu Kai in the rather disappointing She and Her Perfect Husband.The Chinese title, LeYouYuan, is also the title of a Tang dynasty poem envisioning a beautiful but fleeting world (my rough interpretation). Translated as Wonderland Plains in the show, it represents both a physical and mental refuge and happy place. WoL is a tale of erupting power struggles in the wake of a coup. Li Ni (XK) is one of the last surviving members of a royal lineage in a kingdom usurped by a rebel traitor. Three major parties then vie for control of the land and resources: Li Ni's ShenXi army (loyal to his murdered grandfather, the former emperor), the independent and very powerful Cui Family army, and the self-declared new Commander-in-Chief Sun Jing. However, Sun's brutal reign forces an uneasy alliance between the ShenXi and Cui armies. Li Ni meets the sharp and cunning Cui Captain He (Jing Tian), and begins negotiating not only joint trade and conquest, but also love.
I've been following XK's work since Ancient Love Poetry. I saw hints in ALP (as well as The Legends) that he could be a very good dramatic actor but, so far that I've seen, he seemed to be playing the same type of character in most of his shows: ie. the boyish, cocky but likeable hero type, always cool, understated, and at the top of his game. I keep watching him to see if he can break out of this box, and unfortunately WoL doesn't stretch his range.
WoL starts off as a light formula romance, against a big backdrop of war and politics. By Ep20 the drama turns more serious as Li Ni learns Capt He's true identity and factors it into his political strategy. In fact, they both don't hesitate to use each other. Things then get far more interesting as he tries to balance his goals for the country against those for himself, which triggers direct conflict with Capt He's own vision for country, self, and themselves as a couple. The course of their relationship through treacherous terrain makes their characters more sympathetic as their belief systems start to clash. Circumstances push them to the brink in an horrific (and excruciatingly long) battle scene. Will either of them sacrifice their core tenets for the other? At this point the strengths of XK's and JT's performances come further through a crushingly sad wedding scene. Toward what seems will be a tragic ending, XK pushes to his best performance (but doesn't break the box), before the story winds down with a conventional ending.
The story is strictly wuxia and what makes it dense are the fluid shifts of alliances between the 3 groups as they manage not only dealings with each other but also challenges from within their own ranks. The most dangerous foes come from your own family. This results in a fairly large cast of characters, and the ensemble cast is competent, with many familiar faces.
All in all, this was a very enjoyable drama with decent performances and an engaging storyline. XK fans will be pleased with this work.
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well written + well acted = highly entertaining
If you're tired of the giant, mediocre celebrity machine, Ripe Town (or Under the Prosperous City) is a breath of fresh air. Qu Sangeng is a bailiff in the very early 1600's whose revered master is murdered as the start of a chain, leading him to re-investigate a 20 year old buried case of a mass murder of an entire wealthy family. With only a handful of trusted friends close to him, he battles not only gang leaders and hostile witnesses, but also hostile superiors and his own fellow bailiffs, in his discovery of shocking truths. The concept of justice gets blurred in a world of revenge, where very few have come by their successes honestly. Sangeng is smart and bold, but too naive to recognize what he's not able to control.Comparisons to A League of Noblemen came to mind as I started watching, but Ripe Town is more down to earth. It's only 12 eps long so there's no wasted time. However, many characters were introduced quickly, and flashbacks often were presented without warning, so it was hard to connect people and events until much later in the show. This isn't necessarily a bad thing; it made me pay closer attention to keep pace, and by the end it all comes together. I'm not familiar with the classical reference, Analects of Confucius, which is a major focus of the hunt for the serial killer, so I won't comment on its role in the story. But, I am one for whom a music score greatly affects my engagement with a show, and this show had interesting drum rhythms similar to that of A League of Nobleman (which featured an intriguing drum solo for its entire opening theme). It perfectly complemented an exciting chase scene as the Hunter Squad takes down a monkey demon thief on the run.
The acting was very good and I was especially impressed with the performance of 16 year old Yu Yao. Yu's role is listed as a support role, but so much time is spent on his character's backstory that he should be considered the 2nd lead. He was able to portray someone of high intelligence, and cunning, with surprising maturity. All of the young teenage characters are subdued, which adds to the ominous atmosphere of the story. Yu is definitely one to watch for in the future.
The story is not a bromance, which seems to be the going popular theme, but is still very male-centric. There was even a poke at the trope of females disguising themselves as males by simply wearing male attire. While this inexplicably works in too many shows, it's flat out rejected in Ripe Town in an amusing scene.
I wish more shows would have this level of writing, that challenge your assumptions of who is good or bad, your expectations of a main character as hero, as well as your ability to predict what will happen next. The scenes were beautifully shot, no sloppy editing, and the 12 ep length made for a nice, tight story. Overall, it was one of the more entertaining shows I've seen this year.
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a perfect marriage of history & drama
This review is only for Part 1 (Ep 1-10)Having grown up in North America, I know next to nothing of Chinese & Asian history. This K-period drama has sparked my curiosity about ancient China's profound economic, political, & cultural influence on Korean history. The show balances interwoven love triangles, set against the tumultuous backdrop of the 1637 Qing invasion by a transitioning China. Korea is caught in the crossfire between two Chinese dynasties, the declining Ming & rising Qing.
The central character is a young noblewoman, Yu Gil Chae, who lives in a college town filled with scholarly noble families. She, along with her peers, is concerned only with finding the right husband. Problem is, she loves her best friend's betrothed who doesn't return the affection. As the spectre of a devastating war looms, a mysterious nobleman, Lee Jang Hyun, comes into town to do business, who seems completely noncommital & almost contemptuous in both personal relationships as well as politics. He justifiably criticizes a weak and paranoid king. However, willingly or not, he becomes a key player in the fate of the townspeople, the country, & Gil Chae's destiny.
The romance portion starts off light in tone, whereas the war is given a very stark & brutal picture. The barbarian coalition of Manchus, Mongols, & Chinese forces are literally blood thirsty. Interestingly, the Manchu language, which is now in danger of extinction, is preserved in this drama with the actors actually having had to learn & speak lines of it. For the first half, it seemed like this show would be a more serious war drama with a light romance on the side which didn't really seem to fit. There's the usual trope of the bad start relationship, & Gil Chae's devotion to her unrequited love interest got rather annoying.
However, in the 2nd half of Season 1, the war ends with the subjugation of the Joseon king, & the relationship between Gil Chae & Jang Hyun, as well as the rest of the characters, gets really interesting. The war divides Joseon into 2 types of people: those who place counry & duty above all else & those who don't. This is oversimplification but it's the basis of all the interpersonal conflicts. I liked Ahn Eun Jin's amazing portrayal of Gil Chae's growth from a naive girl into a self determined woman. I was completely sucked in watching the push & pull of Gil Chae & Jang Hyun's relationship as they try to figure out what they want from each other & for themselves. The emotional level is on par with The Red Sleeve. Gil Chae makes a gut wrenching but true-to-self decision at the end & this is the lead in to Season 2. Definitely must watch to the finish!
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masterful performances & strong start but couldn't fill up all 39 eps
I didn't know what to expect from this show but it quickly became a delight after the first couple of episodes.Shen Li is the demon Azure Sky King, who flees from a forced marriage down to the mortal realm. There, while injured & helpless in her original bird form, she meets XingYun, a ginseng farmer living alone in near poverty, and who happens to also be the mortal manifestation of a sleeping ancient god XingZhi.
"I'm not stupid!" proclaims ShenLi at one point & indeed, she is not. She is a demon military commander who is revered not only by her army but also the citizenry she protects. She's also no-nonsense to a fault, empathetic only to those closest to her. However, the irreverent XingYun unbalances her as the first man she has ever had to depend upon with her life, & as a sickly weak mortal at that. She's drawn to him in spite of him always teasing her & never actually inviting her closer. The back & forth between the two is subtle & handled so skillfully by the veteran leads that you don't recognize the trope until it's already done. And it's very funny.
I've only seen Zhao Li Ying in The Story of Xing Fu which was a fantastic show. Her maturity lends to her strength & consistency in her performance & she's become someone I look forward to watching. Lin GengXin as XingYun/XingZhi was remarkable in maintaining a core personality between 2 different manifestations of the same character. He Yu as Lord FuRong, ShenLi's original betrothed, took a few episodes to find his footing in the role, but as the show progressed he turned into one of the funnier characters, even becoming likeable, alongside the ever entertaining Jackie Li.
All of this made for such a strong first half of the show that I was ready to give it one of my highest ratings. However, past Ep20, the pacing suddenly lagged & the story meandered for 6 or7 eps. Then came the backstory of ShenLi's origins & the late introduction of a new character, ShenLi's father. However, their reunion was puzzlingly brief & they didn't even hold a satisfactory conversation together. After such smart dialogue in the first half of the show, it made no sense that ShenLi couldn't say one word to her father when this was such a huge development. It seemed illogical with her character to not even make herself known to him when he was right in front of her, & he had to find out who she was from someone else.
The climactic battle to suppress a superdemonic foe & stabilize the universe was a cliched, long CGI light show. In fact, a lot of detail & effort was put into visually creating the fantastical realms but the heart of the characters, dialogue & story were significantly diminished. By that time I had no interest in the good vs evil routine. I just wanted to see what outcome ShenLi & XingZhi's relationship would face. Their fate ultimately held no surprises, secondary character arcs were left dangling (would've liked to see more FuRong/YouLan), & the story really ends with Ep38. Ep39 ran like someone forgot there was 1 ep left to go & had to slap together whatever story was left at the top of their head, which wasn't much. Why didn't the show just save some money & skip it? It could've been a 30 ep show with what story was presented.
After such a strong start it seemed this would be a very different kind of drama but the 2nd half unfortunately face-planted into a puddle of mediocre. So wildly inconsistent I truly can't decide whether I liked this show or not. I loved the first half; second half not so much.
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Lost steam from Part 1, but still a worthy watch
After a heart-breaking finish to Season 1, the story turns once again to the Qing invasion and the atrocities committed in the aftermath on a chaotic, fractured, and helpless Joseon. Only the efforts of officials and people on the ground like Jang Hyun, working with the hostage Crown Prince, are tenuously holding the country together. Despite the horrific suffering of Joseon prisoners of war, Gil Chae manages to rebuild some of the comfortable lifestyle she was accustomed to but is shockingly reminded that class is meaningless in an oppressed state. There are also stark reminders of how women are truly expendible victims. I was waiting to see what choices the characters made when pushed to extremes and this season had some of the most riveting scenes. The tone was lightened at times with romantic tropes (pretending to be sick to get attention) which seemed out of place in a drama of this caliber.At around Ep15 I suddenly remembered the opening scene of Ep1 which takes place more than 20 years after the 1637 invasion. It was worth a re-watch to find hints at a very tragic conclusion for our heroes. The announcement of an extension came after Ep8 aired and I wondered if there would be a hopeful epilogue. Unfortuately, after Ep20 the Ep1 opening sequence was not yet reached in the story and I was left wondering if the extension had already been inserted. There was no added value to Eps 19&20 and they could easily have been combined into one. Ep1 is recapped in the finale, Ep21.
At times throughout the drama I kept feeling a disconnect between Gil Chae and Jang Hyun's relationship and their surroundings, like I was watching 2 separate shows. Political events deeply affected each of them separately and this was infused into how they dealt with each other during Part 1. However, that influence seemed less evident in Part 2 even though the political pressures never went away. They lived and worked separately for so long that there wasn't much that they actually did for/with each other. It was as if Eps19/20 were there just to make up for their separation, more couple less story, and I felt the show lost momentum at this point as all the other characters got moved to the sidelines. However, the finale felt right once more as loose ends got tied up.
All in all, the acting was among the strongest I've seen in any show (I still think The Red Sleeve's demented king was an acting masterclass). Although Part 2 seemed to run out of steam in the 2nd half, the strong production, story telling, and deep dives into the human psyche makes this show worth watching.
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a gem of a show, if you have the patience
I almost dropped this show after 6 eps, not because it was bad, but because the pacing was so slow I didn't think I was in the mood. There's a strong 1930's feel in the whole production. The mostly static camera work makes it feel like watching a stage play or an old black & white movie. The music score and the slightly over-the-top Classical Hollywood style acting all combine to produce a complete 1930's vibe. This old-movie style isn't to my taste, but eventually I appreciated the strong performances from all the cast. I recognized many cast that were also in Arsenal Military Academy & Court Lady, & I feel some of the musical score was reused in all 3 shows; it all sounded so similar. In fact, these 3 shows share the same directors.Shang Xi Rui is an opera singer specializing in dan (femaie) roles. He's a naive & eccentric prima dona. But when the troupe hits hard times, he pulls through to lead with compassion, humility, & sincerity (in between the prima dona tantrums). He remains true to his art & his genius as he inspires & motivates his troupe to become the leading opera troupe in Beiping. I'm sure the singing is dubbed but Yin Zheng's mannerisms while in full opera costume are very impressive & he very deftly portrays SXR's growth & setbacks as he encouters new hardships without losing his core values.
2nd Master Cheng FengTai becomes SXR's friend & benefactor after SXR's performance awakens a hidden passion for opera. No idle aristocrat, he actively runs a distribution business (including weapons) & organizes culteral preservation projects. He tries to maintain his marriage by never arguing with his unacknowledged wife, which only feeds her insecurity. Ultimately, she comes through as the backbone of the family. The Cheng household is a busy one with many extended family members connecting 2nd Master to a huge network of government & military officials. This network provides the infrastructure for the complex interplay of family, politics, art, & war throughout the drama. Also, many characters aren't what they seem.
Since watching Lost You Forever S1 I've become a Tan JianCi fan & he was actually the reason I started this show (I didn't realize he was also in Court Lady!). But if you watch just for him, he won't show until Ep11 & is present in fewer than 10 eps. His role may have been very small, but his acting talent is equal to the rest.
Although this show isn't completely my cup of tea, what kept me watching was the character of SXR: intelligent, self-centred but with a heart of gold at the same time, how he could push through the strict boundaries of his art & be successful. The cast was very good at portraying multi-dimensional characters. I also liked the glimpse into the world of Beijing opera & I'm now curious about the stories & what makes a good performance. However, the pacing was either slow or slower, with loose ends left at the end in spite of all the time it took to get there.
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surprisingly engaging story in a timeworn genre
I was half expecting a silly high school teen idol story & was half prepared to drop this show. I was only curious to see Byeon Woo Seok again after seeing him in Strong Girl Namsoon & thought I would just check out the 1st episode or two. My goodness what a pleasant surprise this turned out to be. It's along the same level of pleasant surprise as Legally Romance, another story about a woman returning to the past to change her fate. It's actually not a teen story because it's told from an adult perspective.Kim Hye Yoon plays Im Sol, a 30 y/o woman who travels back 15 yrs in time to try to prevent a trajedy from happening to her first love Ryu Seon Jae, played by BWS. As things don't quite turn out the way she hopes the first time, she figures out a way to travel back & forth for further attemtps to affect different outcomes. In the course of storytelling, I find the more times this happens, the more muddled things get & too many questions arise about just what the heck is going on. Some characters seem to retain memories you wouldn't expect them to if the time travel didn't involve them. Did Sol return to the past at a point before or after she told certain people certain things? I couldn't keep track. Sol also gains new memories from her new timelines, but the editing made it a bit confusing to follow. Finally comes the question of whether fate is strong enough that if things don't happen one day, will it happen on another day, in another way? And wouldn't that apply to all events, including trajedy?
You'd think the theme of going back in time is so worn out; how can it possibly be retold & still be entertaining? The strength of this drama, I realize, is in the skill of weaving in the developing relationship between Sol & Seon Jae. Sol drives the teen relationship with her 30 y/o maturity, & what she doesn't realize is SJ's own maturity which was far beyond her clueless younger self. Equally impressive was the steady & consistent performance of KHY, who could convey so much of Sol's conflict & hesitation without saying a word. I've read that KHY is not receiving as much attention for this drama as her co-star, which is itself very sad to see as she is the true star of the show. (Addendum: as of Aug 2024 it's reported that she has won an award for this performance).
I'll just add a short comment on the depiction of disability, which I've yet to see portrayed as anything other than worse than death in an Asian drama. Seeing Sol's independence while in a wheelchair, but being denied job opportunities because of inaccessibility which is no fault of her own, it might've been an opportunity to make some sort of statement by having Sol advocate for accessibility, especially since she ends up working at the place that initially rejected her. I was actually excited at the thought of a show featuring a disabled lead character, but alas the show was not up to that level & I decided to let this one go for now.
One of the co-writers of this show also wrote for True Beauty, a show I was far less impressed with. This show was quite entertaining overall, and with good performances. I've rated it higher than I might normally with this type of fluff piece, but only because it was nicely shot, had more than a few truly funny moments, and raised interesting questions about fate. If I had to compare, though, I'd say Legally Romance is a better show.
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Like watching a video game
I'm not sure what I was expecting when I started this show, but given Yang Yang's performances lately (Fireworks of My Heart was too painful), I see that shows with little emotional depth & campy acting are what actually suit YY best. I've not read the book so my impressions are just from watching it as a show.In Immortal Ascension, YY plays Han Li, a poor boy from a low level cultivating family who manages to work his way up the ascension ladder through some audacity & luck. He faces many obstacles on the way, of course, but each obstacle proves to be a bridge on the road to ascension.
Han Li's first mentor suggests to him that he should not give up on his humanity on his journey to immortality. So I was searching for the human story in this show, but Han Li's interactions with other characters are superficial. I kept looking for any deep connections he might form with others, but finding none I ended up simply following his progression through the stages, exactly like watching someone play a video game.
Han Li is more selfish & immature than I was expecting. When he discovers how to make a rare & highly prized herbal pill for cultivators, instead of sharing it with the sect that generously took him in, he scarfs down an entire handful, Wukong style, all at once for himself. Han Li takes chances & is reckless for his own gain, but stands aside, hesitant to jump to others' aid. He never fights until he's either called out or forced by his own guilt. The tone of the show also carries a very juvenile video game feel & yet the very adult themes of sexual assault & one night stands are presented with all the understanding & sensitivity of a toxic man baby.
Entering the final 1/3 of the drama we see Han Li's growth into an adult catching up to these themes, but his relationships with his close colleagues don't seem to mature at the same time, particularly those with whom he goes through life & death trials. He doesn't seem to get to know anyone very well, & there's no insight into whatever inner demon is preventing him from connecting with others. There's no shortage of female characters throwing themselves at him, & yet he gives nothing in return but youth & beauty pills as gifts which shows his lack of understanding of any of them as individuals. His emotional emptiness is puzzling, & the best friend by his side is just the puppet body of the only person closest to being a friend in his life. He's a lone wolf who's self serving motives make him unsympathetic.
I realized by the end that this series is only the first season when it was apparent the story was not concluding during the painfully slow final episode. In fact, Han Li's stunted emotional development made more sense given the story was not yet finished. His journey became more interesting as a result. It's unfortunate that the pacing was so uneven. I got the sense that the source material must be more deep & meaningful than the way it was presented on screen, as occasionally a character would ask a thoughtful life question, but only very occasionally. For the moment, however, I can only take this show as a step by step manual on how to ascend, just as a point of interest. The story pacing confused me & the acting barely passable. It could've been a fantastic show with better writing but I am curious to watch the second season just the same.
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Entertaining & intelligent story
The opening scenes don't do this show justice. The cast of 20-something idols clearly struggle with playing 40 year old characters, & the mismatch was so jarring I was actually ready to drop the show before even finishing the 1st episode. Honestly, why couldn't the producers cast age appropriate actors to play the 40 y/o main characters? If an audience is sharp enough to keep up with the story, surely they can differentiate between actors. But luckily those scenes didn't last long & I stuck it out.What follows is a complex & weaving tale of 2 people given 20 years of their lives back to start over from an horrifically destructive end. They retain their memories & manage to redefine their relationship with each other & reshape their destinies. While this is a simplistic overview, the journey the story takes is exciting & fascinating with enough plot twists to keep your attention. Even though you expect a triumphant outcome at least for the leads, you don't quite know what to expect for all characters involved until the very end, and a satisfying ending it is.
This is only the 2nd time I have seen Zhao Jin Mai, who has already been quite active in the business. My first time seeing her was in the very disappointing Admist a Snowstorm of Love in which she was cast in a very limited & poorly defined role that was a complete waste of her talent. In Princess Royal she takes the role of Li Rong with commanding ease. I noticed a few alumni cast from Joy of Life, all accomplished & skilled actors who enhanced this production.
All in all, Princess Royal was a very entertaining & intelligent story.
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Outlandish family antics makes a cringeworthy watch
I felt that by watching this show I would give Xu Kai & Yang Zi one more chance before I give up on using them as the primary reason to watch any of their shows. And how lucky that I can watch them both in one show before making my decision. I have enjoyed past shows starring each of them, but the enjoyment was due more to the power of the story & production, rather than their performances.Best Choice Ever is another rich/poor CEO/employee set up in Shanghai. Yang Zi plays 29 year old Mai Chenghuan, a senior employee in the sales department of a luxury hotel. Xu Kai plays Yao Zhiming, the newly arrived, foreign educated, CEO of said hotel, of course. MCH is already in a tenuous 3 yr relationship with the son of a large design company, & of course gets off to a bad start with her new boss.
MCH's engagement to the future successor to a large business partner of the hotel she works at poses the ultimate conflict of interest as both businesses seek to use the upcoming marriage as leverage for their financial deals. The conflicts of interest don't just stop there. The drama presents a lawyer representing his girlfriend, & using work resources for personal issues while proclaiming not to be doing that, as being ok when it involves the main characters.
There's an interesting contrast between modern & traditional Shanghai. Rich families embody the modern, spacious lifestyle, while MCH lives with her 4-member family in a tiny, old apartment so cramped her younger brother has to sleep on a cot in the living/dining room. This living condition is what they can afford & allows them proximity to the business district, where the children can pursue career opportunities & still come home to a cooked meal. This is the commitment of MCH's working class parents.
Trope after trope follows, but the emerging themes are what role should marriage play in a woman's life, & how do you maintain professional integrity when personal conflicts of interest are constantly thrust upon you. It's a dismal world of pure transaction, where someone's interest in you is only as far as what they can get from you. That transaction can often apply to your own family, which drives children to spend their lives slavishly trying to appease their parents' regrets. And, as usual, success only comes with luck & circumstance, rather than how hard you actually work.
Unfortunately, as the drama progresses, the events that unfold become more & more bizarre. It also becomes apparent the story isn't really about MCH & YZM, but rather MCH & her mother. The dialogue is contrived & stiff. Lines are delivered in long, preachy sentences which is very unnatural. Plus, the lengths that the mother goes to in order to force what she wants from MCH was so outlandishly immoral & embarrassing it was painful to watch. Like throwing a surprise lavish engagement party just to publicly force MCH into marriage, or loudly barging in on MCH while she's literally heading a staff meeting just to order her to go eat lunch, would make you cover your eyes faster than the scariest horror movie. Such fodder would've been much better presented as comedy; instead, MCH's mother has to be the most irritating character I've seen in any drama. Does the screenwriter (or author) have an unresolved issue with their own mother to create such a distorted character? Towards the end of the show, the mother is firmly planted in the viewers' faces (as if you didn't have enough yet) by becoming the focus of the final 4 episodes, spiraling downward & taking everyone with her. Was she supposed to be the main character after all? And what is the "choice" referred to in the show's title? Is MCH choosing her mother? She has no choice but to deal with her.
Yao Zhiming turns out to be MCH's step-cousin by marriage, & they connect through their (step)grandmother, but their relationship is hugely overshadowed by the theatrical hysteria of all the other arcs in the show. YZM's character basically stands on the sidelines & clearly takes a back seat to MCH who puts in a gargantuan focus on her mother. He supports her just so she can support her mother, with the consequence being that they still remain unmarried at the end.
YZ seems to be caught in a loop of goody two shoes roles while XK has not changed from the muted, boyish & cocky rascal. This show has simply mixed the two together but nothing new has come out. All in all, Best Choice Ever is over the top & confuses who the viewer is supposed to sympathize with. Mother/daughter relationships are always hard but this show is next level cringe when you see how a mother can ruin a daughter's life.
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if inner beauty is the message, why are cosmetics front & center
A middle schooler, Im Ju Gyeong, is relentlessly bullied for her "ugly" looks until she discovers the power of cosmetics, changes schools, and enters a whole new world of social acceptance.While everyone loves a makeover, this drama brings to light the questions of the value of appearance and how far one will go to be on top of the social pedestal. As the mother of a teen girl, my interest lay in exactly what message this drama would convey and how.
IJG's family is ignorant of her suffering at school. Her mother is most worried about her grades, her younger brother mocks her for being "pancaked" and he himself falls for Han Go Woon, a girl who looks similar to his sister's natural self. HGW is an interesting character in that she represents an alternate version of IJG, similarly afflicted in appearance & bullied for it, but stronger in her self-confidence & clearer in her view of the role of beauty standards in society. She's a talented singer and accepts cosmetics only for the stage which is purely performative, and remains her natural self in daily life at school.
IJG, however, views her cosmetics as life saving medication as it hides her true self from her new classmates & friends. She fears the unbearable abuse of her former school will return if her new school discovers her secret. IJG's family watches her fluctuate between her two extreme realities but do little to address her problems. The drama became more of a comedy of double identities, along with the best friend love triangle, teen edition.
I wondered if the drama will end with IJG making a choice of how she wants to appear, or does she actually progress beyond that. Can this drama really make a statement about beauty standards when it's cast with idols? How about casting a FL who is more realistically plain-looking without exaggerating a leprotic skin condition? The makeover would actually be more dramatic. And her inability to stand up for herself then sets up the character's need for a man to save her. There's a line in the show which says if you have beauty then the only talent you need is kindness. All of the characters around IJG have some sort of talent regardless of their appearance, but all IJG seems to have is kindness. Perhaps that's what attracts the school "god" since he seems to have everything but kindness in his life. But this just means IJG only exists to fulfill another's need.
I fear a deeper message will be that cosmetics are the answer to every middle school girl's problems (and we know it's now hitting girls much younger). One of IJG's victories over her former tormentor is to beat her at her own game in an Instagram beauty contest. Instagram is now known for being a highly toxic medium for teen girls, but this isn't recognized in the show. IJG's obsession with makeup becomes her career aspiration. I'm trying not to think of that as a bad thing, but for IJG, cosmetics are a lifeline, rather than an art. Will IJG progress to becoming an artist? Will she own the cosmetics, or will the cosmetics continue to own her?
However, toward the end of the drama, most of these disturbing questions do get addressed. IJG makes a choice, but rather than being in a place of fear, she chooses from a place of confidence. Here's also where the adults she most depends on come through, and she also gains clarity in who her true friends are. Unfortunately, this transition lasts for only one episode and the character's personality remains rather flat. IJG isn't involved in any sports, clubs, or community service; is having a boyfriend the only solution to lack of opportunities?
Overall, this drama is very bingeable as I really wanted to see how things turned out for the main character. The early bullying scenes were quite cringeworthy but I waited to see what phoenix would arise from that mess. Unfortunately there were no surprises. Perhaps just rising up to "normal" is enough, but how does that give any inspiration? In the end, her highest achievement is to just be present for her friends but I don't think the story generated as much sympathy for her character as it could've.
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entertaining, but confusing ending
Park Yeon Woo is a Joseon woman who finds herself suddenly in modern day Seoul after a botched murder attempt sends her through a time portal. The first person she meets is Kang Tae Ha, a young executive of a large retail corporation. Tae Ha not only looks exactly like the husband she had just married in Joseon & who passed away on their wedding night, he also carries the same name but doesn't recognize Yeon Woo. Gradually, she meets others in Tae Ha's circle who also look exactly like those who were around her in Joseon, including the vengeful mother-in-law.The story then falls, as the title suggests, into the contract marriage trope in a tale of repeating fates as Yeon Woo's "new Joseon" adventure parallels her previous Joseon life, including finding a profitable high end market for her embroidery & dressmaking skills. Past secrets gradually get revealed in a sordid tale of family betrayal all in the name of social status & greed.
In spite of the dark undertones the show was light & funny with a few LOL moments, but as the ending approached it got rather confusing . Yeon Woo is given a chance to change the course of her family history but her behavior didn't seem consistent with what I thought her character might do with a 2nd chance with her past love. The last episode also felt very glossed over, after a dragging previous episode which was basically an hour long good-bye scene, & a longer epilogue would've been nice. One important character, the mysterious spirit who catalyses Yeon Woo's time travel, is never really fully explained.
Finally, Lee Se Young as Yeon Woo showed more spunk & comic flare than she did in the early eps of Red Sleeve & remained strong throughout. Bae In Hyuk as Kang Tae Ha, is obviously more inexperienced with his performance. Veteran Jin Kyung as the mother-in-law deserves special mention with her portrayal of one of the more complex characters in the show.
Overall, an entertaining watch but too bad the ending fizzled out.
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