formula romance with good performance from Elaine Zhong
I get very skeptical watching C-dramas involving hospitals. It's rather jarring to see rich patients pay for what amounts to hotel service, in a hospital. Or getting an IV drip for a cold. Or getting an invasive diagnostic procedure just because. Or blatant violations of informed consent. Anyway, I now try to put all these things aside and try to enjoy the show.Qin YunSheng, a young but soon to be widowed cardiothoracic surgeon, commisions a glass house on the beach from up-and-coming designer, Su Ying. The house is an oceanside refuge for YunSheng and his terminally ill fiancee to spend her last days. However, the controversial glass design proves unstable in build and, 6 years after his fiancee's passing, YunSheng and Ying are re-united in a bid to fix the deteriorating structure.
The show then follows the developing relationship between the grieving doctor and the designer who helps him fulfill his deceased fiancee's final bucket list wish, and move onto a new start for himself. The story progresses rather smoothly (and blandly) without any serious challenge until Ep16 when personal and professional issues come to a nasty mix. Then we get trope stew with sabatoging ex's (including an ex you didn't know you had), backstabbing colleagues, and misunderstandings piled on so thick you're actually glad to see the formulaic break up scene. Never was a ML given a more satisfying lambasting.
By the usual separation scene, however, I found myself more sympathetic to the characters and I realized this was due to the subtle and consistent performance of Elaine Zhong as Su Ying. Writing-wise, it was nice to have female characters that don't speak with high pitched baby voices, are assertive at work, and who get food delivered to their office desk by the boyfriend instead of the other way around. Ying is also surrounded by her competent staff working perfectly in sync. Even though the show barely passes the Bechdel test with some of the office scenes, Ying pulls through that final crushing mess with a quiet strength that doesn't waver.
A major attraction of the show for me was the tropical paradise backdrop of Haikou City on Hainan Island. Bright sandy beaches, winding seaside highways, beautiful modern view apartments and all the ammenities of a modern city, all to the tune of a catchy cha-cha-cha theme song. I kept watching just for the scenery and lifestyle. Although the actual location of the story was kept fictional, there were frequent shots of the landmark Haikou Century Bridge. I just Google image searched; please correct me in the comments if I'm wrong.
This show is otherwise a mildly dramatic romance with gorgeous scenic views, ending with the signature house that started it all. A nice fluff piece if you don't get too annoyed with the tropes.
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light and entertaining
Past and present collide in this rom-com about a city lawyer with a mysterious ancient curse and a civil servant with whom he shares an "unseverable destiny". If you are undecided on whether to watch a modern or costume drama, this show will deliver both.While there are all the usual ingredients of a rom-com, this show is more entertaining than average. There wasn't the usual shy, denial of feelings, but rather a full on "Sorry - Not Sorry!" head first dive into love. Shin Yu believes he is under a love spell cast by Hong Jo and struggles to fight it. "You're not pretty, but you are to me!" It's a funny internal battle between a newly awakened heart and a seasoned analytical brain. A few scenes were too slow but, before you get too bored, the story manages to move along with hints into previous lives, dark magic, murder and suspense. However, the draggy scenes were during the modern portion of the show and I felt more time could've been spent on the historical back story. Rowoon and Jo Bo Ah change pace smoothly and maintain their chemistry between the two settings.
The overall cast is very funny and work well with each other. However, it was almost uncomfortable seeing Park Kyung Hye being very over the top; she has had better roles. The comic timing between the 2 ML's as they compete against each other in 1 of 2 intersected triangles is spot on. It's also nice to see two decidedly unglamorous people in their own romantic story arc; it counters the expectation that only young and beautiful people can fall in love. Rowoon, noticeably freakishly tall (his height is mentioned several times), is good at comic scenes and his fans won't be disappointed. He is maturing into a decent dramatic actor as well.
If you're not looking for anything too profound, this show is light and entertaining to watch.
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wild ride
Merchant's daughter & general's son climb the social ranks into the Imperial Palace. Crazy amazing Tang dynasty costuming with the most impressive wedding dress I've ever seen (ep 34). Starts light & silly but then turns into a dark & sordid speeding train with a full buffet of back stabbing politics, debauchery & revenge, peppered with moments of pure LOL camp, only to run over the cliff with half the characters being killed off. Main reason to slog through the last 10 eps is finding the answer to the question: will the ML/FL end up together? I like Xu Kai but he doesn't get much screen time in the 2nd half.Was this review helpful to you?
a silly ride through good vs evil land
I have not seen Strong Woman Do Bong Soon so I'm reviewing this show on it's own. This is the 2nd installment (which ends with a setup for a 3rd) about a genetic line of females with superhuman strength. Nam Soon is a 3rd generation strong woman in her family. She's separated from her father by accident while on a trip to Mongolia at age 5 and is raised for the next 20 years, a la Superman, by a loving, childless Mongolian couple on their isolated farm. On return to Korea she instantly attracts attention and is reunited with her mother with the help of a young police officer. Nam Soon soon teams up with the officer to join her mother's secret crusade against a powerful, international illicit drug trader.The show has a comicbook feel with jerky and awkward action sequences and bionic woman sound effects. Nam Soon's mother is like a self-made Bruce Wayne, a trillionaire vigilante who funds all her own toys, including a BatMobile, black leather cat suit, and live-in personal assistant (a younger, female version of Alfred). However, unlike Bruce Wayne, she is surrounded by family: her mother, brother, 2 adult children & ex-husband. The vibe never gets very serious despite the deadly danger they face. As Nam Soon and her mother carry out their covert operations, one has to suspend all logic in how they get anything done.
The characters are more like caricatures and the show lacks depth. The arc of Nam Soon's obese twin brother, Nam In, features him delivering 90% of his lines with his mouth full of food, and is a joke stretched way beyond funny. None of the men have any super powers, even those born to strong women, and they struggle to find their place in the family. Not until Ep7 do the implications of power imbalance get explored when Nam In decides to move out, and his father is ruthlessly pranked at his own birthday party. The strong women aim to use their strength to "do good" in the world, which only means stamping out crime in comicbook style while neglecting their own family, until it's too late, when the crime reaches them, too. And even then, do things really change?
Lee You Mi takes quite a turn from her stunning role in Squid Game, but the strength of her talent isn't enough to pull the exaggerated naivety of Nam Soon past being a cartoon character. Park Bo Young makes a cameo appearance as (Strong Woman) Do Bong Soon, as the only reference to the 2019 series.
This drama runs largely on the novelty of seeing women beat up men, although the final showdown isn't what you'd expect from a superhero story. There is some pleasure, though, in seeing a 60-something year old grandmother driving a Lambo, dressed in incredible fashion & living carefree as she pleases. The show could've made a more meaningful exploration of gender and power, or even given a satisfactory arc of redemption, but it gave only a superficial and silly ride through good vs evil land.
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masterclass performances
What Comes After Love is based on a 2005 novel co-written by Korean & Japanese authors, Gong Ji-young & Tsuji Hitonari. Likewise this short, 6 episode drama series is a K/J joint project, filmed in both countries with K/J leads & spoken in 2 languages as the settings alternate.I've seen Lee SeYoung in a few shows now & she is absolutely amazing. Lee has impressively mastered her character's fluency in Japanese, showing no sign of awkwardness in delivering her lines, & allowing the emotion of her character to fully flow through. I'm less familiar with J-dramas but Sakaguchi Kentaro easily matched intensity with his portrayal. These two basically gave a masterclass & their performances carried the entire show.
The drama weaves back & forth through time but never feels choppy. It very smoothly tells the very simple story of Hong & Jungo in a relaxed pace, revealing events as they lead to the main conflict which is their reunion, 5 years after a very difficult break up. Do they come to a reconciliation? I couldn't really guess what would happen, so I only hoped it would end satisfactorily either way, and it does so as Jungo learns to run by Hong's side, both figuratively and literally, & they each come to understand one another.
The show is also beautifully shot, with the spring blossoms & stark winter cold perfectly setting the stage of the characters' relationship at different times. Each scene is a work of art.
One final detail which I can't ignore because I'm a pet owner - I still find it disturbing that Asian dramas treat house pets as decorations & portray them in situations bordering on neglect. A dog confined to an outdoor courtyard, alone, & in near freezing temperatures is not humane. There are no scenes of anyone in the household providing any care for the animal or interacting with it in any meaningful way. As Hong is an avid runner, why not take the dog running with her?
Doggy aside, the show was otherwise a delight to watch because of the two powerful performances.
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binge-worthy but lacking depth
Moon in the Day combines historical & modern settings in an intriguing story of a tragic couple that reunites after 1500 years.Kang Young Hwa is a present day fire fighter who has been shadowed her entire life by the lost soul of a 6th century army general & nobleman. The shadow finally comes to light when Young Hwa crosses paths with Han Joon Oh, a feckless entertainment idol whose star power is on the decline, & who becomes the new vessel for the dark & vengeful spirit Kim Do Ha. Although Young Hwa is the 19th incarnation of Han Ri Ta, an enemy general's daughter, she is the first incarnation to regain Ri Ta's memories.
Young Hwa & Joon Oh/Do Ha's relationship becomes infused with past resentments as their previous lives come into greater focus. The historical background is of two people so lacking in control of their lives as to be completely indifferent to life & death, until they meet each other. Han Ri Ta lost her entire family at the hands of Do Ha, who is a puppet of his adoptive father, a court minister, & used only as a killing machine in order to maintain his father's political power. Although Ri Ta's vengeance brings them together, they begin to understand they are both caught in the same web. They give each other reasons to stay alive, only to end their relationship in a desperate betrayal.
Questions arise as to how much responsibility does one bear for an ancestor's actions? What obligation do you have to fulfill another's promise? And is the release of one's suffering only dependent on the sacrifice of another? Are Young Hwa & Do Ha able to cut the web that has ensnared them for 1500 years?
I liked Kim Young Dae in Forbidden Marriage but his performance in Moon in the Day wasn't as strong. His modern day character was not unlike his role in Shooting Stars, so he wasn't challenged much playing the two roles of Jooh Oh/Do Ha. Pyo Ye Jin was good in Taxi Driver & seems to hold her own in the lead dual role as Young Hwa/Ri Ta, but she & KYD had little chemistry & were quite stiff together. One sympathizes with the characters' relationship due to their circumstances & the story, rather than how well they actually understood each other. This could also be the fault of the writing which stagnated quite badly in the last few episodes. The ending was satisfactory, but that's due to the strength of the story itself. There were no stand out performances from the rest of the cast.
Overall, the show fell short of fantastic because the writing & acting lacked sufficient depth. However, the story itself was engaging enough to make it a bingeworthy watch.
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So many holes; this story doesn't fly
A timid and insecure young employee of Incheon Airport who was transferred from dept to dept because of her mishaps, finally lands in Passenger Services where she meets a coworker with a mysterious prosthetic arm, and with whom she shares a previously unknown past connection.I discovered this show from following Rowoon (Destined With You) and Lee Je Hoon (Taxi Driver). This is an earlier work from 2018 and is the 2nd show I've seen with LJH. The real star of the show appears to be the Skytrax 5-star rated Incheon Airport and its complex inner workings. The story is otherwise a standard office drama with many staff members having dark, connected past histories that slowly come to light. While I enjoyed LJH in Taxi Driver, he doesn't have much range in Where Stars Land, and thus his character seems less interesting. "My human rights are not at your service" Ep6. The FL character grows from a hapless and apologetic screw up, into someone who finds her voice and the confidence to stand up for herself against abusive customers. However, the long, helpless deer-in-the-headlights shots as she struggles with decision making get tiresome.
The writing is not very strong and the story is pieced together roughly. A lot of flashbacks are short on detail. Past relationships between different characters are hinted at but take a long time getting explained, if they get explained at all, so you see that there's a lot of trauma going around but you're left with so many questions. The most exciting parts of the show are the Security Team taking down customs violators. It's rather easy to lose interest, but the story picks up a lot by Ep19 as the ML's secret starts getting (literally) out of hand. Darker elements such as organized crime ensnaring executive management within the airport authority also come bubbling to the surface.
As the lead couple's relationship develops, questions arise as to how to address a permanent disability from a devastating motor vehicle collision. "The gift you were given is not yours." Is having a super strength worth it if you can hurt a stranger, or if it means you can't live very long? On the other hand, is being in a wheelchair so hopeless that after 11 years you still can't accept yourself? I don't know what accessibility is actually like in modern cities in South Korea, but this show sends a poor message to the disabled.
So many questions, so few answers in all the characters arcs. And one of the most bizarre final scenes I've seen in any show: LJH is shown only from behind with his face hidden from camera. Why? The show is so aired with mystery that it's too full of holes and makes an unsatisfactory watch.
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