This review may contain spoilers
Good Boy – Crime Thriller? More Like Emotional Dumpster Fire in Uniform
Good Boy walks into the K-drama arena dressed like a gritty crime thriller — medals, action, justice, and the promise of patriotism. But peel off that surface, and you’re left with nothing but the same recycled melodrama, populated by a team of loser ex-athletes who are now loser cops that apparently can’t catch a single criminal.
Let’s get one thing straight: the male lead (ML) isn’t a “good boy” — he’s a pathetic boy. He can’t win at work, can’t command respect, and certainly doesn’t hold an ounce of authority in his so-called romantic relationship. He’s like a golden retriever chasing the female lead (FL) around, hoping for scraps of attention while she looks at him like he’s a mildly annoying side character. There’s no charm, no growth, just the same pitiful loop of him being sidelined, ignored, and used.
Meanwhile, the FL is emotionally incapable, wearing trauma like a badge and mistaking coldness for strength. Apparently, her one bad relationship erased her ability to feel — not just love, but anything remotely human. She’s all bark and no bite, a "tough" exterior that crumbles the moment something emotional happens. Cue the tears, cue the trauma flashbacks, cue the exhausted sigh from the viewer.
And then there’s the second male lead (SML) — who, let’s be honest, looks, acts, and feels more like the main lead than the actual ML ever will. He’s composed, competent, and doesn't have to beg for affection like a child asking for candy.
The drama tries to sell itself as a crime-action thriller, but that’s just camouflage. The real story is another sad, sorry tale of a weak ML trying to prove his worth to an emotionally frozen FL who treats vulnerability as a disease. The “missions” and “cases” are just filler — there’s no real tension, no stakes, and certainly no satisfaction.
Final Take:
If you came for suspense and redemption, you’ll get neither. Good Boy is just another emotionally hollow, trend-chasing drama where everyone’s pretending to be tough, but really they’re just crying messes with identity issues. It’s not a crime thriller — it’s a romantic tragedy about a man who can’t win and a woman who can’t feel.
Let’s get one thing straight: the male lead (ML) isn’t a “good boy” — he’s a pathetic boy. He can’t win at work, can’t command respect, and certainly doesn’t hold an ounce of authority in his so-called romantic relationship. He’s like a golden retriever chasing the female lead (FL) around, hoping for scraps of attention while she looks at him like he’s a mildly annoying side character. There’s no charm, no growth, just the same pitiful loop of him being sidelined, ignored, and used.
Meanwhile, the FL is emotionally incapable, wearing trauma like a badge and mistaking coldness for strength. Apparently, her one bad relationship erased her ability to feel — not just love, but anything remotely human. She’s all bark and no bite, a "tough" exterior that crumbles the moment something emotional happens. Cue the tears, cue the trauma flashbacks, cue the exhausted sigh from the viewer.
And then there’s the second male lead (SML) — who, let’s be honest, looks, acts, and feels more like the main lead than the actual ML ever will. He’s composed, competent, and doesn't have to beg for affection like a child asking for candy.
The drama tries to sell itself as a crime-action thriller, but that’s just camouflage. The real story is another sad, sorry tale of a weak ML trying to prove his worth to an emotionally frozen FL who treats vulnerability as a disease. The “missions” and “cases” are just filler — there’s no real tension, no stakes, and certainly no satisfaction.
Final Take:
If you came for suspense and redemption, you’ll get neither. Good Boy is just another emotionally hollow, trend-chasing drama where everyone’s pretending to be tough, but really they’re just crying messes with identity issues. It’s not a crime thriller — it’s a romantic tragedy about a man who can’t win and a woman who can’t feel.
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