6
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Fun little drama but the concept became stale mid way through with some skits weren't as good as the earlier ones. It would make a great comedy movie with some refinements or at least cut it down to 6-8 episodes while removing the boring bits and this would be a solid package. The music bits were decent. On another note, whenever they use CGI it doesn't blind well especially the shot of the main building they keep using.Was this review helpful to you?
The Queen for 7 Minutes
Realistically, the drama was mostly about the backstory, the queen for 7 days turned out to be the queen for 7 minutes. The spoiler/teaser introduction and that first episode in general left a bad taste in my mouth. There was no need to show moments from 18 episodes later this early, if their intent was to try to hook the viewers by showing spoilers then they failed. And don't even get me started on that loathsome love triangle that seemed to stain the entire drama. The pacing was all over the place—slow moments that dragged on forever and irrelevant sidetracking. The whole sibling rivalry angle was given a generic development. The not so good brother tried to justify himself but the writer didn't put an ounce of effort into that. Really frustrating writing towards the end.Was this review helpful to you?
Had a chance....
I liked the wide camera angle shots but this is where the long list of things I liked about the drama ends. The drama tried to juggle too many genres at once that each one ended up lacking in one regard or another. I didn't find the loud aggressive comedy to be appealing in this particular case. The romance being carried solely by a few kissing scenes didn't hold its own weight. That's just physical affection. The same can be said about gen-z playing politics.Was this review helpful to you?
Just Another Husband
Whip out your makjang bingo card (easy misunderstandings, cut short scenes/dialogues, holding back when scolded, wrongfully convicted, extremely incompetent police, extremely capable characters with pulling any string, eavesdropping at the right moment like a superpower, triple birth secret, pseudo incest, comeback as rich, fake death, too many crimes with little to no punishment... ) honestly you could fill a stack of bingo cards. Given its length there was obvious planning issues, the drama hit a major road block at episode 66 and had to hard press the reset button, setting everything back 20 steps. That wasn't enough as the drama, once again, soft hit the reset button at episode 105 and one more time at episode 114 to buy more time. This drama wasn't different from the ones alike it at all but there was a serious drop in overall quality in the second half. It got seriously sloppy and lacked the slightest attention to details. One example is how important scenes are empty, such as the company's 30th celebration had a couple of tables and only the family was there, yet they were delivering a speech as if it was a major event for the entire company. Another one with the investors voting where they showed only one investor. There were many other examples were the drama needed to hire a few random extras to fill some gaps. On a side note, where did Bae Dal Bong disappear? Per usual, character stop showing up suddenly with no explanation has become a normal occurrence with modern daily makjangs. I could go on forever but everything can be boiled down to the fact that if the drama kept its consistency from the first half it wouldn't have been as bad. One final thing, while Uhm Hyun Kyung is mostly fine but she lacked a tiny bit of oomph to better sell the revenge story here.Was this review helpful to you?
Inconsistencies Hell
Amazing first episode that was masterfully crafted to kick start the story and prepare it to venture in all kinds of directions. There was a slight decline in the writing moving forward but it kept holding its own weight for awhile. That prison warden was quite the character. The OST was pretty decent. There was also some glaring inconsistencies like the alcoholic father suddenly becoming sober just to get to the next point in the story. However, the drama hit a major unsalvageable road block. Specifically at the beginning of the last 1/3 of the drama. It turned the drama into cheap vapid melodrama diminishing any merits it previously established for the past 8 episodes. The ending was questionable at best, it didn't really allow for real conversations to be had. It's really unfortunate after it had a very solid run before flipping the switch.Was this review helpful to you?
Loveless Love
The drama presented itself as a lamentable example of melodramatic flop, failing to connect the trappings of its genre to deliver an engaging narrative. While the premise held promise, the drama often leaned heavily on dirt cheap emotional manipulation to spawn the dumbest and laziest old melo tropes with no rhyme or reason to their existence. The drama was the equivalent of a nothingburger, it's so dry and bland that they had to slap the most generic random displays of a terminal illness element just to fill some of its runtime. The first most important step for anything in this drama to work was to actually prove how deep their love was, which the drama absolutely didn't attempt to do. The characters' writing was generally bad, especially the female lead, not a single character had something substantial to offer. To top it all off, the writer was clueless and made whatever events for its climax.Was this review helpful to you?
Who Thought A "Main Character Syndrome" Drama Is A Good Idea?
The female lead is probably one of the most insufferable characters you might encounter in a drama. Despicable and repulsive through and through. Props to the actress for putting in the effort to sell it as such. The drama was destined to fail with how they adapted it. It suffered from the same problems most long-running webtoons suffer from, by over bloating the material with events, abandoning plotlines and threads along the way and lacking coherent structure as it progresses. Unfortunately, they forgot to accommodate to what a live action format might mandate. The leads, Joo Da and her love interest, were an example, they were used to kick start the series of events just to be worth less than a background white noise later on, despite their core involvement in the concept early on. The concept had a lot of potentials but the end product barely serviced a story, let alone, something watchable.Was this review helpful to you?
Heat Death of The Universe
Well, the drama certainly failed to cheer me up. The entire show was manufactured to be a spectacular disaster. There was no one major issue that held it back but rather a complete systematic failure. Starting from the top of the pyramid, about 80% of the cast members were barely surviving to remain functional. In equal terms, about 80% of the characters were generic youth NPCs from a modern lens. Speaking of characters, how did the writer think that writing the female lead this way was appealing in the slightest? It's baffling! That's also applicable to her cheap copy-cat, Joo Sun Ja, sharing the same revolting DNA. Moving on to relationships, pairs, ex-lovers, triangles, and squares, all of which can be tagged as insufferable spectacles. The reason why the drama added the mystery side plot is because it was unbelievably dry and was in desperate need for something supplementary to help creating the illusion that something is actually happening. It wouldn't have been bad if it served a functional purpose with the overarching narrative. Now, this is a drama about cheering and dancing but this had the worst moves I've ever seen in this context. It was nothing more than choreographed performances by PE teacher for elementary kids. It's seriously bad and embarrassing! Especially when it's coming from Kpop-land. Obviously, there were a lot more to be said but these were some of the highlights. The writer worked on both V.I.P (2019) and this drama, a solid bad track record so far, should be very cautious with future projects.Was this review helpful to you?
Nutjobs
Not enough alien juice! Another Netflix slop with no soul, rhyme or rhythm. Actually, this is a good example for having an interesting big idea but don't have a clue what to do with it. The first 2 episodes were interesting with a good build up, however, everything that followed up was a let down. After garnering enough attention in the initial episodes, it just wanted to get to the finish line quickly regardless of how it does it. All Netflix is good for is adding scenes of characters smoking, that's the typical Netflix-tax for you. On the bright side, at least the leads brought a decent performance.Was this review helpful to you?
A Bitter Aftertaste
It wouldn't have been a culinary piece without pulling the classic "like my mother used to make it" move with the nostalgia hit like Ratatouille. Cooking extravaganza, orgasm by taste, sabotaging rats, exotic ingredients, old rivals, and lvl 99 hidden chefs, they're all here as you would expect from such a theme. However, I wish it stuck to its culinary theme more tightly. There were a few detours here and there that didn't fit well. The butcher arc, specifically the first 2 rounds, was an example of the drama shifting away from the main characters and cooking. The drama also added a little bit of "supposed" romance but it was one of the driest displays of romance ever, they even turned it into a quick love square for one episode. The brothers rivalry was meh, I didn't like its progression nor its resolution. Aside from everything else, the one thing that pushed me to the limits was the inclusion of the deplorable trope of excessive constant interrupts. More often than not, cutting scenes and conversations short. This deplorable trope left such a nasty sour taste that I couldn't shake it off. It ruined what I might have liked about the drama.Was this review helpful to you?
Hyena and The City
Sex and the City is trashy in its own right, and this Korean spin on it was even worse. Their interpretation of Sex and the City was done mostly through raising the content rating and adding mature scenes here and there (mostly in the first half). There were a handful of stories split between each character, each one developed poorly and ended prematurely for the sake of ending it. Most of the cast members were fine despite being involved in this unfortunate project. On the other hand, Kim Min Jong proving once again that he is a dislikable main character and filling this slot remains an impossible task for him.Was this review helpful to you?
Season 5 in first place
God's Quiz in general was more mystery/thriller/investigation than medical. The main lead, who's a medical examiner, was doing more field detective work and following suspects than the real detectives. I didn't like how they setup the main lead character, he's genius because of a drug experiment in his childhood and this led to all kinds of made up scenarios stemming from his condition across different seasons. Every season, they twisted it in a different way which took away from having a consistent character. It's the eternal problem of any unplanned sequel seasons in a series. Which imposes an impossible task for any multi-seasons writers.Production: Seasons 1 to 4 were molded under the same OCN early days template, which all shared the same level of underwhelming production value. Soundtracks during season 1 & 2 were super generic stock background noise, only with season 3 they started to include music. Although season 3 was filmed better but had a much worse audio production in general. Season 4 was a noticeable improvement in production but it still wasn't quite there yet. This is all in comparison to regular shows that were released around early 2010s. On the other hand, season 5 brought with it a proper production and other improvements.
Characters: The dynamic and chemistry of the entire group during season 1 was abysmal, overacting from everyone, forced unnatural interactions and none of them clicked. Season 2 somewhat got better in that regard, you can notice that they got more relaxed but still not quite there yet. The ending scene of season 2 while the ML is kissing, his lips were shivering like crazy. It must have been super awkward to the point that they couldn't afford to have another take. Season 3 took a step backward with its changed cast. Detective Bae Tae Shik brought an awful dynamic to the table. Him and main lead didn't click together and created a bad on screen combination. It's probably why the writer didn't write him in for later seasons. The same can be said about other characters associated with Bae Tae Shik. The relationship and attempted romance between ML and Kyung Hee during season 1 & 2 was plain awful to watch. Only in season 4 it got reasonably better and season 5 fixed this issue completely by dropping the childish romantic tension and having them behave like adults. I liked seeing Kim Jae Won as a flashy villain in season 5, it was fun watching a different type of role from him.
Story: The structure of every season consisted of having a few cases then dedicate the last 3 episodes to the final case which had a personal connection with the characters. These last cases in every season were quite problematic for a variety of reasons, only season 5 had a better implementation despite its weak climax. More highlight across the seasons, the last episode of season 3 was the worst out of the entire series. The cloning plot in season 4 was super trashy and tacky, despite having an obvious playing room to take it into very interesting directions. The ending of season 4 featured another super weird and awkward kiss. The entire thing about AI in season 5 was really janky and a big stretch for the viewers to accept. In general, the cases were a mixed bag in every season, some were decent and interesting while others were boring, flawed or being stretched thin. However, season 3 featured mostly bad cases in addition to the handful of other problems which made season 3 to be the worst one in general.
The series as a whole was alright with a lot of ups and downs. It had a good concept with a varied degrees of execution. Although season 5 is the best one but it wouldn't have been that good as a stand alone drama without the accumulation of these characters journey. The ending of season 5 with both leads walking outside was very nicely done. On an unrelated note, it was impossible to not notice the ML's height.
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Incomplete by design!
As per usual, such dramas start with abroad locations and a big budget just to serve us with whatever later on. While the drama had action later on but it wasn't on the same level of its earlier episodes. The plot itself couldn't compensate for that. There was a certain level of carelessness and ridiculousness in a non-comical setting from the director that's impossible to explain other than being intentional to maintain the dumb action vibes like a B grade action flick. It got progressively challenging to tolerate regardless of its "supposed" entertainment value. After what they had done in this 16-episodes runtime, they had the audacity to keep all threads as open as possible for a direct sequel, which will never happen! Was it some kind of a practical joke? Other than some of the action scenes and a handful of selected moments, I can't see much value in this drama.Was this review helpful to you?
Sexless Tea Party
You'd think there was room for this deep dive into human desires and the messiness of relationships, but the drama just stumbled into this predictable mess of melodrama and characters you could barely see through. The characters were supposedly torn apart by the whole moral dilemma of their sneaky affairs but they did the bare minimum in that regard. Even the romantic tension felt too forced, superficial and lacking. The drama would've benefited from focusing on the main infidelity only. In comparison, all the previous points also applies to the KR version except that they were less drastic and detached than this one.Was this review helpful to you?
Now, I'm Breaking Up With This Drama!
There was something to be said along the lines of "it's about the journey not the destination" but there was no journey or destination to speak of here. At first, it seemed to be a worse version of Encounter (2018) but it turned out to be much worse than that with a stinky trashy tag engraved to its title. Usually Song Hye Kyo doesn't step this low but this proved to be otherwise, it was undeniably her worst project ever. The genius writer shamelessly adapted the deplorable trope of constant interruptions with any hints of a real conversation or dialogue at sight. I have no respect for creators who pull such moves. The drama was filled with the type of dialogue and cheesy one-liners that you would read in a fanfic, it was even filmed from the point of view of a one. Anyway, the drama was an unwatchable junk from a modern lens.Was this review helpful to you?
