How I loved Switch On, let me count the ways!
Let's start with all of the awesome things.First, I'm a sucker for gaming stories. I grew up watching "Tron" and then "Tron Legacy," so yeah, I love stories where people disappear into or out of games. Is it an original idea now? No, but that doesn't matter, because for me, it's a favorite plot. So all of the VR glasses and the moving between the game world and the real world was awesome. I also love the concept of AI becoming sentient (thanks Terminator), so having Akin reach a level of AI sentience where he can no longer be manipulated by anyone in the game or outside it is brilliant.
Second, his name is Gee and he plays Akin. Yes, please, and thank you. Gee has such a dynamic and expressive acting style. He sold every single experience his character(s) are going through, and by the second episode, I was completely invested in his side of the story. He also managed to wring chemistry out of his female lead, Aom. They were outstanding together, really just sold the relationship elements, and I suspect she wouldn't have given such a strong performance if she'd had a different male lead.
Third, and randomly, but I can't get the soundtrack out of my head which means it's a winner. Love that. If anyone knows the name of the song, please let me know in a comment.
Fourth, Michael, I mean, Peter Tuinstra who plays Michael. That guy is pretty dynamite. He truly knows the language which lent his acting a whole lot of credibility.
Now on to the not-so-great.
First, yes, there is a "twist" ending. But I saw it coming so I wasn't bothered by it, and it kinda made sense, but at the same time, the drama would have probably been stronger without it. Oh well, just skip the last 3 minutes of the series and you'll be fine.
Second, the secondary cast, almost all of them are extremely stiff and wooden, except for Phukhao who plays Leo who I liked. But everyone else, there were times when I felt like they were just reading their lines. This is a shame because I think with a stronger secondary cast the show would have shined more.
Third, yep, we've got some production issues, not so much in the filming itself, but in the fight scenes, doctor scenes, etc. I'm sorry, but I watch a lot of Japanese dramas where they know their martial arts to such a degree that they literally come without a hairs' breadth of connecting with their opponent. It feels real. This did not feel real, so that was disappointing. Gee needs more martial arts lessons if he's going to continue to do these types of dramas.
So there you have it. Even with the flaws, I am personally still rating "Switch On" 9 stars because I love it that much. I know there are complaints from people that it's a "rip-off" or "copy" of a Korean drama. That's fine. Let it be a remake. I love Thai dramas, and so I'm not supporting folks who are going "oh, but the K drama is so much better." That's your opinion and it's fine that you have it, but stop trying to influence folks to not even try "Switch On." If you like Thai dramas and enjoy sci-fi/gaming stories, then go for it. Maybe you'll love "Switch On" as much as I did. One can hope.
Coming up soon will be me watching "Let's Fight, Ghost" with SaintSup, and I am extremely stoked for that one. I actually did watch the original Kdrama "Bring It On, Ghost" and liked it a lot, but since I'm completely in favor of a Thai remake, like I said, I'm stoked. I'm sure Saint will blow all of my expectations out of the water. Because that's just what he does.
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all the feels!
If you like any sort of illness story (terminal or otherwise) then you're probably going to love Hatsukoi Loss Time, just like me. It's a beautiful little movie, so sweet and charming. It has that gorgeously slow pacing of really good Japanese films that just take their time to tell the story.Of course, viewers are doubly blessed with Mizuki Itagaki in a male lead role. That happens far too rarely for my taste since he is 100% ML material and his role of Kouji is absolutely precious. He's great as a warm or nice male lead, although I'm sure he can be darn scary if he wants to be. Newcomer Sakura Kiryu as Tokine is fabulous. Considering she was, what 14 at the time? Maybe 15 during filming, she gave such an incredible performance. There's a 3 1/2 year age gap between her and Mizuki but you would never know it. I appreciate that they were clearly aware of her age, though, and were careful with her scenes and how they interacted. You can tell that she was being looked after well.
And for those who want to know, yes, there is a happy ending. Sorry, that might be a little bit of a spoiler, but some viewers won't watch one of these types of dramas unless there's a happy ending, and Hatsukoi Loss Time deserves more viewers. It's precious like One Week Friends, and even gives me some of the same feels, although not the angst and grief, as He Won't Kill, She Won't Die. It's just a beautiful, well-acted film that I could pretty much watch on repeat.
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The show overall, in terms of episodic plots, is pretty good. Episodes 7-9 nearly lost me with the whole yakuza thing, probably because I would never fall in love with a yakuza, especially not one played by that actor. But the rest of the episodes, I thought were very compelling. The issue still stands of casting Kamenashi in a role without giving him a lot to do other than stand around silently supporting the female lead. That's not enough, imo. In terms of giving him more to do, Red Eyes is a better choice.
What I can say is that the drama was well-performed, very intense, and for those who don't mind the revenge-filled female psyche, would probably be an awesome choice. Sometimes I totally get characters like her and other times, not at all, as in this case. But that doesn't mean the drama wasn't worth my time. I just know that I'll never rewatch it.
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While this movie is not earth-shatteringly different, and I didn't cry which surprised me, I do love that Kaori is a strong female lead who knows her own mind and does what she wants to do no matter what anyone else might think. She's attractive that way, sort of sparkling, and so I can see why Kousei fell for her. Kento has a tendency to be so marvelously emotive so I was pleased with his performance. I love it when he smiles, so it was nice to see lots and lots of smiles here, along with the tears. But in the end, Taishi sort of stole the show a bit as the best friend, Watari. He's just so ridiculously delightful.
It's a beautiful film, very moving, but not as deep as I was expecting. It didn't gut me like "He Won't Kill, She Won't Die" or "Sky of Love." But it was still a lovely film that fits several of the tags that I find appealing.
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This was such a peaceful, heartwarming drama to watch. It's now in my top 10 dramas of all time, and while I admit my drama list isn't very long yet, I don't imagine anything can bump it from its standing. I feel more whole as a person than I did before I watched "Bokura wa Kiseki de Dekite Iru" which might not make a lot of sense, but is absolutely how I feel.
The only thing I would have changed is casting Honoka Yahagi. Her lip pursing drove me crazy in "Itazura na Kiss" and 5 years later she still had the same annoying habit. Anyone else would have been a better choice, but that is just my preference. Every other actor was spot-on.
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Kamenashi got to show off some of his mad athletic skills and speak some English (something I've never really heard him speak before other than a few words, never whole sentences), and he got to spend a little bit of time making out with Kyoko Fukada. I wonder which was made first, "Joker Game" or "Second Love?" I hope it was fun for them to work on two different projects together.
The costume designer for Kamenashi was brilliant. I can now die a happy woman after seeing him in 1940s suits and fedoras. Such a handsome man anyway, made even more so in classic Hollywood clothing.
The overall story is extremely simple. A black notebook with schematics for a bomb has gone missing and Kamenashi, as a spy for Japan, has been tasked to find it and beat out everybody else, including the Americans and the British. It's not a difficult plot to follow which isn't always the case with spy stories. I've never read the comic that this is based on so I have no idea how accurate it is, but I do know that the larger-than-life escapades and action scenes were definitely filmed anime style, which was fine. Not to the point of distraction, but the anime-inspired style is definitely there.
"Joker Game" is just a fun romp. It doesn't take itself too seriously, like, at all, and is super pretty to watch. Having been a long-standing fan of "Mission Impossible" and some "James Bond," this one was right up my alley. I just wish they'd made more. It would have been the perfect venue for Kamenashi to do a film trilogy!
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I'm not sure the hype about Suda's performance is deserved. He feels impassive to me, unapproachable and distant. There isn't much to work with. He had more life in "Drowning Love," to be honest, and is far more engaging in "Todome no Kiss" or "My Little Monster." The praise for him in "The Backwater" is probably more due to the depressing nature of the film itself, the fact that he was willing to go naked (although they're still careful about his nudity), and that he was so young to take on such a mature role. He didn't really have to do much acting, just curl up into a depressed ball, run through the streets in the rain, and strip naked when called upon.
On the flipside, Suda's love of independent films clearly started here. Do with that what you will, good, bad, or indifferent.
"The Backwater" isn't a film I would never watch again, like his "Love at Least," but I don't regret watching it once. I just came out of it with a somewhat numb sensation. Never before has such a sexually explicit film been so very ugly.
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cute and endearing
Having seen both series now, I'm glad that the Thai "version" isn't actually a remake. It has its own story to tell with its own set of unique characters. The only thing really similar is that you have a science nerd and a creative falling in love. It's so fun seeing Gu Wei Yi from the 2019 Chinese drama as a cameo appearance here, as Pupaa's science idol.I'm not a huge fan of the story for either drama, honestly, but it is light-hearted and cute overall. My biggest issue is that I didn't feel a whole lot of romantic attraction between the leads, but their romance is less "set the world on fire" and more "let's stroll through the park hand in hand." So once I realized that, I was fine with it. People can be in love without intense visual passion.
The second leads in Ta and Wawa were particularly fun. I ended up liking Ta best of all the major players, which is funny because I didn't like him much at first. But he did some growing and some maturing and overall was just a fun, quirky sort of character. Time, the Thai pop star, was okay. I have a trend in what I like as pop stars *cough, Saint, cough* and he doesn't quite fit it, but that's okay. He added the necessary drama to the story and I ended up feeling bad for him when he didn't get the girl. That's not a spoiler, btw, I'm sure everyone already figured out that Prapai and Pupaa end up together.
It did take longer to finish than I anticipated. I got bored at about episode 12 so put it on hold for a few months and then picked it up again to finish the Thai Watch Challenge 2022. If I hadn't had a challenge pushing me to finish it, I'm honestly not sure I'd have gotten it done. So, yes, it's cute and endearing, but I, myself, preferred Voice in the Rain much more. It's not that anything is inherently wrong with Put Your Head on My Shoulder, it's just that maybe it feels a bit too much like a K or C drama for my liking. Which is why, just like the 2019 C drama series, I'll probably never watch it again. Saying that, I think audiences who primarily watch K and C romance dramas will love it.
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This review may contain spoilers
a lovely Lakorn
Everything made sense to me, start to finish. Rarin realized she needed to discover who she was before she could give her all in a relationship. She'd spent so much time relying on the voice that she didn't even really know herself or how to take steps without Tan there. So the last two episodes made 100% perfect sense to me, regardless of the viewers who didn't like the last 2 episodes. I wouldn't have changed a thing. It still has a happy ending, the voice comes back, Mind and Porsche end up together, Rung wakes up, Kan gets his comeuppance although I felt sorry for him a little bit, and all is well that ends well. Tan and Rin are a lovely couple, ideally matched, they just had to grow apart for a season. It's a beautiful Thai Lakorn, a new favorite, and it deserves more acclaim and a much higher rating than it has.Was this review helpful to you?
a kinda cute hot mess
Yuu's father deserves a sound thrashing. The entire craziness that is this movie is because of him. If he hadn't told Yuu that nice boys are actually bad choices for her then maybe she would have had more self-confidence. And if Rin hadn't taken daddio's word as gospel, well, maybe he would have the flirtatious and teasing kind of cute instead of the bullying and master manipulator that he spent 90% of the movie being.Loved Sho Hirano as Rin (even when I wanted to throttle him) and Kentaro Ito as Saeki. I had SML syndrome for awhile, but I think in the end that Saeki and Yuu's best friend might actually be a good match. They were kinda cute.
In the end, I don't really know what I think. But when two people are messed up, well, what are you going to do about it? I didn't hate it, and the end had me smiling, but it was a long journey of annoyance, frustration, and pent-up anger. And because I hate being manipulated, I really hate girls who allow boys to manipulate them. I spent almost 20 years being manipulated by my former best friend, and yeah, it's not a fun feeling. Since Rin actually doesn't seem to be that person at heart, I hated that he ended up acting the bully for what I think is no good reason.
It just occurred to me where I've seen this done better. "Yamato Nadeshiko Shichi Henge" has the message of self-improvement down pat, has a heroine that actually can stand on her own two feet, a boy who bullies but only goes so far, and a happy ending that makes sense based on their individual personalities. Plus the ML isn't the one who conditioned the FL in this drama. She was a serious mess before he ever met her, and because they met, he actually helps to develop her confidence rather than shrink it. Does the girl really need to change? At the end of the day, not really, the important thing is that she learns to love herself and the ML learns to love her the way she is too. It's fun without being abusive. Oh my gosh, I forgot how much I love Sunako-chan and Kyohei-kun!
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Naze Shoujo wa Kioku wo Ushinawanakereba Naranakatta no ka?
1 people found this review helpful
The plot doesn't go in the direction you originally think it will, although I'm naturally suspicious so I was already wondering if my suspicions were right, and they were. But it's not an obvious plot twist, so it will probably catch most folks off guard.
Despite being a huge Yamapi fan there are still so many of his dramas I haven't seen yet, so I'd never seen him play opposite a child actor before where they both have leading roles. Their chemistry was spot on! This little girl was absolutely remarkable, and she and Yamapi connected strongly in their characters, making the relationship of psychologist and patient very real and empathetic. It was never creepy, just always in a protective, parental type of way, which is what I was hoping for, and what it gave me.
Psychology, the study of the human mind and its motivations, always intrigues me. So for me, this special is a solid 8 because of the story it told and because of the solid performances by all the actors, every last one, not just Yamapi.
On a totally random note, Yamapi wasn't as bulked up here as I've gotten used to seeing him. So that was kinda nice. Not that I don't love him muscled and everything, but he was definitely slimmer here.
It might not have a high rewatch value for most folks, but I've rewatched "Criminal Minds" countless times, so I know that I'll rewatch this. It's just the way my brain works. I wish I could get my hands on a subbed copy of the parent story! I've got the raw downloaded, but no subtitles anywhere. I dread the thought of doing it myself, but we'll see.
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Mischievous Kiss the Movie: High School
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The leads were both young enough to make the characters of Kotoko and Naoki work. Their chemistry was cute, nothing over the top, and I really liked Reina Asaki's slightly more restrained approach to her portrayal of Kotoko. Kanta Sato is a warmer Naoki in that he can actually emote and the audience sees him being more expressive when Kotoko isn't looking. It makes him much more relatable.
I've developed a serious dislike of the tsundere ML, so I wasn't expecting much from this film. So to come out of it even remotely neutral, let alone with a positive impression of the story and the characters, was a real surprise. I've never read the manga so I have no idea how accurate it is. And since I have no intention of reading the manga, accuracy really doesn't matter to me. All I know is that the performances by Kanta Sato and Reina Asaki were much more to my tastes than Yuuki Furukawa and Honoka Yahagi in the "Itazura na Kiss" drama franchise. The only actor I wish that I could have switched out in the film was Kinn-chan. I adored Yuki Yamada in the drama series and so the Kinn-chan in the film felt bland. But that's probably more me being a Yuki Yamada fan than anything else.
The casting choices for Naoki and Kotoko's families were excellent. I love the dads, and I did love them in the drama series too. Their friendship is just very fun. Naoki's mother had less time to annoy me in the film than in the drama series, so go her. Plus, she seems less affected in the movie than she was in the drama. I do wish we'd had a chance to see Kotoko's father's restaurant since that's sort of a big thing. Maybe in the next film, which I will be watching asap.
I'd say that if you're not keen on the drama series, but would like to find a version of the story that works for you, then maybe try the movies. They're still utterly ridiculous, but in a good way, the way you're expecting. And the fact that I came out of the film not hating Naoki means that Kanta Sato did his job well. And thank goodness Reina Asaki's Kotoko wasn't so stupidly absurd. It's definitely on my rewatch list, like "One Week Friends," "My Little Monster," and "High School Debut." There's just enough sparkle to make "Mischievous Kiss The Movie: High School" something cute and memorable.
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This review may contain spoilers
I appreciate the glimpse into the working habits and styles of the Japanese. How they can and do overwork themselves because they feel that it's a requirement. I love that Yui stood against that flow, but at the same time, also had to yield to pressure at the end because of decisions made outside her control. Watching the work ebb and flow and see her have to compromise when she didn't want to was very true to real life. Yoshitaka Yuriko did a terrific job as Yui and is one of my favorite Japanese female leads to date. Now to what I didn't care for, the romantic manipulations that were thrown in just for "drama." I mean, yes, we're watching dramas, but that was unnecessary. I liked Takumi. A lot. He was a lovely man with a generous and giving nature, so I can't picture him cheating on Yui and I can't picture their lives falling apart like that. He would have been the type to understand and be supportive of her while her work life is crazy busy, not cheat on her. But, Yui's and Takumi's relationship needed to fracture in order for her to be with Kotaro. It was really just a manipulative ploy that I didn't care for because while the rest of the drama felt almost true to life, that part was very contrived. It didn't matter to me that Yui and Kotaro had been together before. She was good with Takumi so I resent that the writers felt the need to reunite her with Kotaro. It was unnecessary and made me knock a couple of points off an otherwise excellent drama.
I'm a KAT-TUN fan so it was fun seeing my first drama with Nakamaru Yuichi. Even though he ended up on the losing side. Mukai Osamu was likable as Kotaro. And I truly loved the rest of the cast, particularly Shishido Kavka as Mitani-san. She is AMAZING and I have to watch more of her dramas. This is the first time since "Good Morning Call" that I've liked Sakurada Dori. He surprised me since I've disliked the last 3 dramas I either watched or skimmed through with him in them. I didn't think I could like him in a role anymore, but I think I liked Shu apart from him if that makes sense. Sakurada Dori usually plays skeezes now and that is not Shu's character. Dori didn't do the role a disservice so I was able to accept him as the emotionally damaged and distraught younger brother.
The drama is super clean, no skinship whatsoever really unless Takumi and Yui are teasing are each other when they're still engaged which is awfully cute. They were comfortable together so they poke and touch each other a little bit and it worked for the characters as a couple.
It's a drama about many important and touchy subjects in Japan, like women working after they become mothers, like feeling obligated to work overtime, like not being able to voice concerns to upper management and actually have them listen to you, etc. For all of these reasons, I feel it's important to watch. Even though I didn't agree with the romantic ploys, it was still an excellent drama.
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