strawgal

Ohm I have always found the parts he played that his whole role was to look good and not say much, in this he is allowed to be the befuddled comic straight man and he looks far more relaxed.

My husband enjoyed more than me, I found it a bit flat in the depiction of the story, but the fight sequences are very good.
Its a bit like a Jason Statham movie, you know exactly what you are getting.

You are going to need something to give you strength for TOL season 2, somehow it manages to be worse, but with less charm, not that it had much of that. Its like they set out to make something very bad just for clicks.

Once there was an idea, and it was lost in poor writing and direction. I find neither characters appealing in any way, and what ever connexion they have really is just a performance, they could be stripping wallpaper off wall and it would be more interesting and engaging. I would rather have some stupid hot mess, than something this cold and unappealing.
I flick through it, not as bad as Tide of Love, but close. Both seem to be made by people who do not have a clue what they are doing.

The director of this, Kla" Nathawat Piyanonpong has just managed to something that is very rare, make seduction not look like smut, and comes organically out of the script and not something that fills time.
In a lot of drama, it just so badly done, because its treated as just a plot point, a time filler and no gives sign of the emotions that lead to it, so it loses any dramatic weight.
In this it also manages to be subtly funny, and tells you even more about the characters,

Can someone put this out of its misery?

Like almost everyone has said the first 4-5 eps are the hook, and then it goes somewhere else.
It could be a very compelling discussion as when is a fake not a fake, especially, when multinational companies source part products in bulk from overseas them assemble them in the brands home country and pass them off in made in that country, with obviously a huge brand mark up.
You could say that most brand or people in the public eye are fake, their image carefully curated with the use of bots so you only see information to that enhances a 'good' image.
I think where is lost it's power is by making every character a detached outside watcher where the consequences of the fakery where hidden, and the none liner story telling didn't help the viewer connect.
Of course Shin Haesun was outstanding as usual, I just she was given more normal people to play, it is like she has cornered the market dysfunctional characters.

How about Kelvin gets a brain injury when Vier tries to escape, and wakes up with a completely personality, they get married and Vier gets all his money?
All that blood, they over did the blood, on the floor is more indicative of a scalp injury, injuries to the brain tend to bleed through the nose and ears, so unless he has a depressed skull fracture the man is still alive. To have that much blood pumped out the heart has to working.

Yep. I can not wait to see how the writer solves what seems a plot that only seems to have one inevitable conclusion.

Well this has been a find, if you like your drama raw and real.

Well, I do not know how any one is goin g to come out of this tangled mess in one piece.
It reminds me a bit of the John Fowles book The Collector

After the 2nd attempt I have had to drop this, its so sweet, has so little plot and relies too much on the actors make up for my taste.

Good script, great acting, and direction.
The use of side characters that actually add the the depth to the script makes it stand out.

I like this season more because it shows some of their personalties. Like in all relationships you eventually stop trying to be perfect, but at the same time the 'real' you may be not what the other person wanted, or expected.

I think what this show explains well is weight and perhaps dread, when you have waited so long for something, had a mental picture of how it could be but are afraid of the reality being being failure.
As kids you get over things quickly, as adults there is so much more to lose and the threat of memories becoming tainted. They have both had a vision in their mind of how it would be, its making those expectations fit together.
Its just managed to capture something heartfelt in a very unshowy way.

I couldn't rate it higher, the direction and overall look was just too much of a formula, and didn't come even close to looking like a real life, too clean and tidy. The last episode was perhaps the only one that gave a real feel of danger.
The leads did what they do best really well, if had been a straight forward rom com I think it would have worked better. They are both just too cute.
Chimon, was the stand out for me, and Pahn was truly creepy and she made the end scenes.

I have given in and dropped. The way the FL voice and delivery of lines for me is like nails on a black board, and both leads characters are just not attractive. The sort of people that you hear across the room at a social event and avoid.

TBH is annoys me the amount it costs for policing which the clubs may pay for locally, but the antisocial behaviour that you see on the way to the match that spreads out, so often they need to be contained is just not seen a other mass sporting events, like horse racing. You get a lot of drunks but the crowds demographic on band nights are virtually the same now but the fights are usually women bitching in the toilets.
You get about 20, 000 people over four hours, there are perhaps is a police presence on site but the medical centre is used more.

There is a theory that some of the cost is used for tax evasion/money laundering or they are losing local tax breaks. Even Hollywood projects costs are often bloated and they use associated companies to take out money from a project. The film Iron Lung cost 3million to make, because it was self funded, and has already taken 80 million because the writer producer managed to reduce most of the normal costs of production.
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The fashion industry is a bit like acting in the use of 'free' labour for projects. My daughter was an intern for a major international label, they are used for a project to cut costs, and then when the project is completed let go. You only thing you get from it is a credit on your CV.
My daughter has also worked for people whose parents fund them, she makes the patterns and samples, then the bulk of the garments are produced in China, but even with family money and support they never manage to develop a brand. So is some of it vanity credit/ employment.
I supposed not matter how bad the drama is there must be a base amount of money they can generate from platforms like YouTube.
Some of the drama that go straight to Youtube from small production companies are often better written than this one, which obviously did not spend a lot on sets.

If you follow football the fans are often the harshest critics, and it's not always done with love,and they are pretty blunt with the expression of their dissatisfaction, and I can only imagine how Wenger felt when the fans were chanting against him.