Creepy exorcisms among South Korean graves.
Exhuma recklessly throws a bunch of disjointed horror genres into one pot and somehow manages to cook up a deliciously creepy thriller with a lot to say.
Choi Min Sik (Oldboy) leads us down a dark and macabre path through South Korea’s complicated history. A team of paranormal experts accidentally unleash terrifying forces after excavating a sinister grave of a wealthy family. Whoops! What follows is a strange and unpredictable journey about all the ghosts left behind by Korea’s traumatic relationship with Japan.
Director Jang Jae Hyun packs Exhuma with every kind of horror imaginable. It shouldn’t hold together as well as it does, but somehow the film is fresher and more powerful than expected. All the worldbuilding, all the rituals, and all the supernatural mysteries are held together by the cultural and historical context. Trauma is certainly nothing new to horror films, but Exhuma cuts deeper than most.
Choi Min Sik as the leader of the group is, of course, gripping and really sells the suspense when it becomes clear that they have taken on darker and more powerful forces than they thought. But it is still Kim Go Eun who steals the film thanks to a startling sequence early on that loudly proclaims the film’s formal intentions. The rest of the film doesn’t quite manage to reach that level, but comes close several times.
The opening is strong and loaded with eerie atmosphere and mystery, all the conventional genre tropes are in top form. But with a running time of 134 minutes, the film is a bit too long and would have benefited from a stronger middle point. A few more scissors in the editing room would have helped, because once the tension escalates we get a sensational finale where Jae Hyun has once again saved a surprise for the audience. Nothing can prepare you for where Exhuma goes, but no spoilers here!
Exhuma is an ambitious and exciting excavation of Korea’s past. The cinematography is as impressive as it is terrifying, the entire ensemble cast gives it their all, and the script never stops expanding the scope. At the same time, there is a fascinating thematic thread that lifts the film a step above its competitors.
Choi Min Sik (Oldboy) leads us down a dark and macabre path through South Korea’s complicated history. A team of paranormal experts accidentally unleash terrifying forces after excavating a sinister grave of a wealthy family. Whoops! What follows is a strange and unpredictable journey about all the ghosts left behind by Korea’s traumatic relationship with Japan.
Director Jang Jae Hyun packs Exhuma with every kind of horror imaginable. It shouldn’t hold together as well as it does, but somehow the film is fresher and more powerful than expected. All the worldbuilding, all the rituals, and all the supernatural mysteries are held together by the cultural and historical context. Trauma is certainly nothing new to horror films, but Exhuma cuts deeper than most.
Choi Min Sik as the leader of the group is, of course, gripping and really sells the suspense when it becomes clear that they have taken on darker and more powerful forces than they thought. But it is still Kim Go Eun who steals the film thanks to a startling sequence early on that loudly proclaims the film’s formal intentions. The rest of the film doesn’t quite manage to reach that level, but comes close several times.
The opening is strong and loaded with eerie atmosphere and mystery, all the conventional genre tropes are in top form. But with a running time of 134 minutes, the film is a bit too long and would have benefited from a stronger middle point. A few more scissors in the editing room would have helped, because once the tension escalates we get a sensational finale where Jae Hyun has once again saved a surprise for the audience. Nothing can prepare you for where Exhuma goes, but no spoilers here!
Exhuma is an ambitious and exciting excavation of Korea’s past. The cinematography is as impressive as it is terrifying, the entire ensemble cast gives it their all, and the script never stops expanding the scope. At the same time, there is a fascinating thematic thread that lifts the film a step above its competitors.
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