Recommendations

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

Both are 2019 Korean horror films exploring faith, evil cults, and supernatural battles between good and darkness.

Kusaka Haru, a girl with no dreams or goals, finds herself inexplicably drawn to Fujiwara Rio, a customer she meets at her part-time job. Acting on impulse, she visits the share house where he lives and tells him she wants to move in. Rio agrees, but with one condition: “Don’t fall in love with me as a man.” Even as Haru grows increasingly aware of her deepening feelings for him, she resolves to keep them hidden in order to stay by his side. But the two share an ambiguous yet strangely comfortable bond — and it’s about to quietly begin to shift.

2 real and entertaining stories questioning sex life and coupling in Korea.
Far from the usual taboos the 2 dramas offer modern points of view with lot of humour.

• ML is a doctor, ex doc in SOM
• FL is gentle, cute and grows to be a better version.
• Both feel good kindof drama, incredibly sweet and warm. Very Healing.
• SOM is workplace romance- ML mentors(kindof) FL, he's her boss.
• In LM,LMV- ML is considered a senior in industry, famous and supports the FL along way.
• No Angst, conflict at all (especially LM,LMV)
• LM, LMV also have an incredible cast of supporting characters each with their own romantic storyline, a very love in the air vibe, and our main characters are shipping a lot of ppl together!
• SOM is focused majorly on main characters.

Two brothers work together to take revenge on the person who killed the person who raised them in the children's home.

2 Korean movies with tensions and thrills.
Both deal with the question of how much we share about ourselves on social media, CCTV and how it can put ourselves in danger.