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By mistake, film director Ham Chun Su arrives in Suwon a day early. With time to kill before his lecture the next day, Chun Su stops by a restored, old palace and meets an artist named Yoon Hee Jung. Together, they go to Hee Jung's workshop to look at her paintings, have Sushi with Soju for dinner, and get close. Later, they go to another cafe and have more drinks with Hee Jung's acquaintances. When asked if he is married, Chun Su is forced to reveal the fact that he is, and Hee Jung gets deeply disappointed... In the second part of the film, a similar story of meeting and parting unfolds. Here, the woman's voice seems intimidated and her body crouched. The man and the woman go about to the same places, but this time the man strips himself and whatnot. (Source: KoBiz) Edit Translation
- English
- Русский
- Español
- magyar / magyar nyelv
- Native Title: 지금은맞고그때는틀리다
- Also Known As: Jigeumeunmatgogeuddaeneunteullida
- Screenwriter & Director: Hong Sang Soo
- Genres: Romance, Life, Drama
Where to Watch Right Now, Wrong Then
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Cast & Credits
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![Jung Jae Young in Right Now, Wrong Then Korean Movie]( "Jung Jae Young in Right Now, Wrong Then Korean Movie")
Jung Jae Young Main Role -
![Kim Min Hee in Right Now, Wrong Then Korean Movie]( "Kim Min Hee in Right Now, Wrong Then Korean Movie")
Kim Min Hee Main Role -
![Youn Yuh Jung in Right Now, Wrong Then Korean Movie]( "Youn Yuh Jung in Right Now, Wrong Then Korean Movie")
Youn Yuh JungKang Deok SooSupport Role -
![Ki Ju Bong in Right Now, Wrong Then Korean Movie]( "Ki Ju Bong in Right Now, Wrong Then Korean Movie")
Ki Ju BongKim Won HoSupport Role -
![Seo Young Hwa in Right Now, Wrong Then Korean Movie]( "Seo Young Hwa in Right Now, Wrong Then Korean Movie")
Seo Young HwaJoo Young SilSupport Role -
![Go Ah Sung in Right Now, Wrong Then Korean Movie]( "Go Ah Sung in Right Now, Wrong Then Korean Movie")
Go Ah SungYeom Bo RaSupport Role
Reviews
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Quiet, unhurried movie. It seems to have two halves, two sides of the same story. In the first - good now, bad later; in the second - vice versa: bad now, good later. The locations are the same, the places are the same, but the conversations and words seem to be put on a different frequency.The first half is the complete opposite of the second. Communication there is not soulful, not honest, not sincere. And that's what makes that heaviness at the end. And in the second half, everything changes: dialogues become deeper, more honest, sincere - and this makes her feel especially soulful.
The key point is the scene at the lecture, when the director says that words do not matter. At that moment, he finally seems to understand: what matters is not how beautifully you speak, but how real you are. It seems to me that this is the main message of the film: true intimacy is born not from the right phrases, but from sincerity - even if it causes pain.
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