Fagara

Love the sismance, hate the dad.

One thing for sure - the dad in this movie will not win the award for the best father. While the sismance between the three sisters was amazing, I kept getting slightly frustrated every time they mentioned the dad, and how little reaction everyone had with the fact he had basically 3 different families in 3 different countries.

Hsia Ru Shu? A saint. The way she just took everything in, did not really complain much, never freaked out or yelled at anyone - is this emotionally detached reaction even possible in real life? It’s not that she did not care, just just accepted everything, as if it’s normal. Maybe it just shows her attitude towards her father at the beginning of the movie - she had such little expectations, even a big news like that did nothing to faze her.

That said, I did love her interaction and bond with the other two sisters. I loved how fast they clicked, and more realistic and emotional reactions from any of them would make it far less enjoyable. As long as I did not try to dive deep into their current situation, and just enjoyed what was happening on screen - it’s quite a well paced and moving journey.

The one thing I disliked about the show were the countless excuses made for the dad. I had no issue with him being a questionable parent, my issue was the fact they tried to make him look like a good, but misunderstood one - which was not true. The framing matters, and I hated it here.

One of the best parts of the movie? How visually beautiful it was. I am one that appreciates nice shots a lot. I’m willing to watch a bad movie, as long as it’s beautifully done. This had both good writing and amazing filming.

Performance wise, I especially enjoyed Sammi Cheng and Megan Lai. Their emotional delivery, even though quite different, just worked so well with who the characters they were playing are.

Overall, I would definitely recommend it. There is not much plot, and the whole movie focuses on forming relationships, grieving, reconnecting with people in your life and letting go of past misunderstandings and regrets.

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"We're all waiting for that someone to forgive us"

Heiward Mak directed Fagara, a story about three half-sisters who meet at their father’s funeral. The three women have different mothers from Hong Kong, Taiwan, and China. Having dealt with a largely absentee father, the three have wounds to heal as they get to know each other.

In Hong Kong, Acacia receives a call saying that her estranged father is in the hospital. He dies before she arrives. When she charges his phone, she discovers a secret, actually two, she has a sister in Taiwan and one in China. She invites both of them to the funeral where they awkwardly meet. Branch is a professional pool player while Cherry is a wannabe influencer in China. Acacia has to decide what to do with her father’s hot pot restaurant as there is another year on the lease. She discovers that her father did most of the work and is exhausted attempting to keep it open. The staff call in her sisters to help. The three grow closer as they search for the hot pot broth’s secret recipe, which might turn out to be a bit of a family scrapbook.

I enjoyed the sisters learning about each other and supporting each other. They all shared unfulfilling relationships with their parents, especially their dad. Through taking over the hot pot restaurant they worked through their feelings about him and others in their lives. I liked that none of the three relied on men to tell them what to do or to support them. They were independent, making choices that best served them in their lives. And they made a loving sisterly family where none had existed before. All three actresses created three very different characters that felt real---Sammi Cheng as the sullen, hurt Hong Kong daughter, Megan Lai as the pool player with a secret love life, and Li Xiao Feng as the effervescent influencer who adored her grandmother. It was fun to see Wu Yan Shu (Meet Yourself) play Cherry’s feisty grandmother. Liu Shui Chi looked like she could have been Branch’s mother in real life. The women's stories and relationships were heartfelt without plunging headfirst into melodrama.

What didn’t work for me---The dad was portrayed as a great guy, misunderstood, but always willing to give people a chance and helpful advice. He was still a man who created three children with three different women and wasn’t a real father to any of them. He withheld the words and time his daughters needed. Acacia and Branch felt rejected and tended to emotionally isolate themselves. Cherry quipped she had never been anyone’s choice. Her mother had moved with her to Canada, calling her a niece and not a daughter. Eventually, she ended up with her grandmother in China. All three dealt with resentments and feelings of rejection that were too often smoothed over or seen as overreaction. The film kept circling around trying to make the dad out to not have been a deadbeat and worthy of great respect, but I never made it to that point. That all three needed to come to terms with him and make peace with a flawed parent was understandable. Painting him to be better than he was caused me to drop my score. While I’m ranting, Andy Lau’s character mansplaining men to Acacia was grating. No Andy, “want to be with you” and “can be with you” don’t mean the same thing. Get a dictionary and a clue.

Aside from the writers trying to make the father out to be better than he was and expecting the women to accept the crumbs he gave them as better than they were, I really enjoyed this film about sisters coming together and healing through love and food. And I loved that Acacia not only learned how to drive, but learned when to drive away and when to drive toward something she wanted.

9 September 2025

I used the names given in the movie version I watched: Acacia Ha=Hsia Ru Shu; Branch/Blanche Ha=Hsia Ru Zhi; Cherry Ha=Hsia Ru Guo

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