Both have the topic of suicide .. as atleast one of the main characters have thought about it, be ause of problems they face in their life.
All of the heroes face their thoughts of suicide of a strange way and never speak a medical help for the suicide tendencies..
But both shows deals with..how they try to resolve the problems which drive them to consider the suicide.
All of the heroes face their thoughts of suicide of a strange way and never speak a medical help for the suicide tendencies..
But both shows deals with..how they try to resolve the problems which drive them to consider the suicide.
All the gods will be leaving before the last rain of doomsday. However, an ordinary human girl unexpectedly puts a dent in their plans to retreat thus causing the world to move towards the unknown. Based on the animistic mythology of the Amis tribe, the gods are no longer willing to bless the land that is plagued with environmental issues. One by one, the gods depart the world they once loved. A human girl discovers that the opportunity to reverse her destiny lies within herself and her guardian. Before the final day of judgment, a love story between human and god unfolds.
If you are drawn to the premise of red string of destiny and reincarnation, then Until We Meet Again and Tomorrow do have something in common, even though both are shows from different genres. Both shows are dealing with suicide, destiny and reincarnation, also showing flashes of past lives as memories or dreams, but have different approach to showing how suicide affects the connections with the loved one's in the next lives.
One day, Morikawa Natsumi suffers an accident. Unable to be seen or speak to anyone, she becomes a ghost wandering the streets. She's shocked when she finally manages to make eye contact with a young man -- Ichijo Ryouei, a handsome heir and fellow ghost also drifting through the city. This is the prequel to the "Memory Arc" and "Love Arc", depicting the irreplaceable days Natsumi and Ryouei spent together after their first fateful meeting in the afterlife, along with the relentless pursuit of the Grim Reaper chasing them. This is an original story not found in the webtoon.
- Both deal with the afterlife
- Tomorrow deals more with trying to save suicidal people while FNOS deals with sending people who have already died to the afterlife peacefully.
- Both are fantasy dramas
- Tomorrow deals with grim reapers, FNOS has more focus on ghosts
- FNOS has more romance but both shows have the past lovers trope :)
- Tomorrow deals more with trying to save suicidal people while FNOS deals with sending people who have already died to the afterlife peacefully.
- Both are fantasy dramas
- Tomorrow deals with grim reapers, FNOS has more focus on ghosts
- FNOS has more romance but both shows have the past lovers trope :)
These 2 dramas are on opposite ends.
In "Tomorrow" it‘s all about suicide prevention and they get a message on their phone when someone is suicidal.
In the drama special "Death Deliverer" he gets a notification when people order death (suicide) and delivers a kit.
The kit only works on that specific person who wants to die.
However they do help some people as well to not die.
There are a lot of similarities down to the ML actually being in a coma.
In "Tomorrow" it‘s all about suicide prevention and they get a message on their phone when someone is suicidal.
In the drama special "Death Deliverer" he gets a notification when people order death (suicide) and delivers a kit.
The kit only works on that specific person who wants to die.
However they do help some people as well to not die.
There are a lot of similarities down to the ML actually being in a coma.
At first glance, it couldn't be more clear that these two dramas are quite different. Beyond Evil maintains a gritty, almost noir look at a quiet, small everyone-knows-everyone town and how a murder undoes it. Tomorrow, meanwhile, gives a more dimensional and intensely emotional take on suicide.
However, Tomorrow embodies the very intense, psychological thrills that Beyond Evil has been praised for. On a closer look, these dramas are quite similar in taste.
- Both dramas are play on morals at the core of the multiple protagonists. With no character, little or large in the screen time, going without an in-depth characterisation that adds meaning to the plot. This is only exacerbated by the close-knit setting of the main characters, whom, being grouped together like this (Tomorrow with how they work together and Beyond Evil in how everyone lives in the same town) pushes more emotional, human and brilliant mysteries at the core of the audience's thoughts.
- Both dramas gather plentiful praise for the dialogue and interactions between characters. The dynamic entails a cleverly dissected mystery that sustains itself across 16 episodes. Our characters are decadent and haunted, spirited on by sensitive themes like mental breakdowns, death and morally and ethically ambiguous behaviour, which neither show shies away from. Instead, these dramas embody it carefully into each character, thus creating the perfect dynamic of being flawed, knowing you're flawed, embracing it and then dealing with the aftermath.
- Death is at the centre of these dramas, but used in different ways, as such, showing the flexibility and range of plot to play with but also the expansion of these mini pocket universes whereby the dramas acknowledge the setting and challenge it (be it in a small-town or in heaven). In Tomorrow, death is embodied through the Reapers and the suicides. It is central to the understanding of the agenda of the main characters, who are marred by the balance of living and dying. In Beyond Evil, death is concentrated within murder, thus creating the balance of the killer and the victim, thereby blurring the lines between this by challenging the morals of the main character and in the same way Tomorrow gives justification and beautiful explanation behind the act of suicide, Beyond Evil focuses on how a murderer is decided.
However, Tomorrow embodies the very intense, psychological thrills that Beyond Evil has been praised for. On a closer look, these dramas are quite similar in taste.
- Both dramas are play on morals at the core of the multiple protagonists. With no character, little or large in the screen time, going without an in-depth characterisation that adds meaning to the plot. This is only exacerbated by the close-knit setting of the main characters, whom, being grouped together like this (Tomorrow with how they work together and Beyond Evil in how everyone lives in the same town) pushes more emotional, human and brilliant mysteries at the core of the audience's thoughts.
- Both dramas gather plentiful praise for the dialogue and interactions between characters. The dynamic entails a cleverly dissected mystery that sustains itself across 16 episodes. Our characters are decadent and haunted, spirited on by sensitive themes like mental breakdowns, death and morally and ethically ambiguous behaviour, which neither show shies away from. Instead, these dramas embody it carefully into each character, thus creating the perfect dynamic of being flawed, knowing you're flawed, embracing it and then dealing with the aftermath.
- Death is at the centre of these dramas, but used in different ways, as such, showing the flexibility and range of plot to play with but also the expansion of these mini pocket universes whereby the dramas acknowledge the setting and challenge it (be it in a small-town or in heaven). In Tomorrow, death is embodied through the Reapers and the suicides. It is central to the understanding of the agenda of the main characters, who are marred by the balance of living and dying. In Beyond Evil, death is concentrated within murder, thus creating the balance of the killer and the victim, thereby blurring the lines between this by challenging the morals of the main character and in the same way Tomorrow gives justification and beautiful explanation behind the act of suicide, Beyond Evil focuses on how a murderer is decided.
