The White Olive Tree (2025)

Flawed Storytelling, Redeemed by Amazing Performances

The White Olive Tree is one of those dramas that I watched purely for its talented cast and the themes it aimed to explore. If I’m completely honest, the writing left a lot to be desired—it was riddled with bad dialogue and forced situations, often making me roll my eyes. The English dialogue felt tedious; if a drama intends to incorporate a good amount of a foreign language, it would be worthwhile to invest in someone who can ensure its proper use.

However, despite the weak storytelling, there were also highlights, including the romance, the acting, and the OST.

The love story between the two leads was surprisingly engaging, even if some viewers found it too teenage-like. Their initial awkwardness and shy interactions might not be for everyone, but I personally found them endearing. There’s something incredibly sweet about watching two people slowly navigate their feelings, especially when their chemistry is palpable. When they finally got together, it made all the waiting worthwhile.

Another standout element was the acting. Both leads delivered strong performances, and their emotional depth helped elevate the often lackluster script. Chen Zhe Yuan, in particular, was a scene-stealer—not just because of his strong acting but also because he excelled in the most intense, tearful moments. His ability to convey raw emotions made the heavier aspects of the story more compelling.

Liang Jie also delivered a noteworthy performance, providing the perfect balance to Chen Zhe Yuan with her natural charm. While he carried much of the show’s intensity, her portrayal brought a richness that added depth to both her character and the story. Their effortless chemistry made their relationship even more engaging to watch.

Beyond the leads, there were side characters who managed to captivate the audience. Wang Tian Chen as Benjamin and Gu Zi Cheng as Sasin were particularly noteworthy, earning their own dedicated fanbase. They not only complemented their co-stars but also left a lasting impression of their own. Their scenes together provided much-needed moments of levity, which helped balance the drama’s heavier themes. At the same time, their story had many poignant and meaningful moments that brought tears to my eyes.

Speaking of heaviness, The White Olive Tree delves into war and its aftermath, particularly PTSD. The drama focuses on the psychological toll endured by those affected, offering glimpses into the scars and struggles of its characters. While these themes add weight to the story, the execution sometimes feels uneven. Even though there were moments of genuine depth, the storytelling felt superficial, as though the drama was merely skimming the surface of complex issues rather than fully exploring their intricacy and nuance.

Fortunately, the strength of the actors helped bridge this gap. Through their performances, they conveyed the struggles of trauma survivors in a way that the script failed to achieve. Their heartfelt delivery brought authenticity to the characters' pain, making their journeys feel more compelling.

The OST was well-chosen and played a crucial role in enhancing the mood of the scenes, adding an extra layer of emotional depth and immersing the audience further into the story.

Watching this drama was quite a journey—one filled with emotional highs, frustrating lows, and countless tear-jerking moments—but ultimately, it was a rewarding experience. Despite its flaws, the performances and romance kept me invested until the very end. The conclusion was not a fairytale ending, but I was not disappointed. It struck a balance between realism and hope, aligning with my cautiously optimistic wish for the main couple’s fate. It provided enough closure to feel satisfying without being overly idealistic. In a story that explored trauma, love, and resilience, this ending felt appropriate.

Even though the show may not be for everyone, it will likely appeal to those who appreciate excellent performances and its earnest attempt to delve into the lasting repercussions of war. In the end, there was much in the show that I found deeply moving.

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A Young Actor Gave Men with Combat & POW PTSD a Real Voice!

All hail Chen Zhe Yuan as Li Zan! This has been one of my most anticipated dramas since it was filming. I knew it was going to be heavy and deep given the subject matter of PTSD and survivor's guilt. Though the writing was off here and there, his and everyone else's acting more than made up for that. Be cautious however when watching for anyone with PTSD, anxiety, depression or anything else in that sector as you may have your triggers activated.

Pros: I'm in awe of CZY as LZ; this performance deserves an award, recognition of some sort. I have never seen an actor and a young one to boot with zero experience with PTSD and survivor's guilt play one so convincingly that it would send shivers through me. I'm a person who suffers from PTSD among other things though not from combat and it's not something one can just do like acting being angry or sad. PTSD is a complex disorder that has everything from flashbacks to intrusive thoughts to light sensitivity and being unable to eat or sleep without nightmares of the trauma. There are many others but I won't list them here as we saw them on screen being portrayed so realistically by this young man. He gave men with combat and POW (Prisoner of War) PTSD a real voice! Couple that with survivors guilt and by the end of the show a once proud, smiling man was reduced to having basically the mindset for the most part of a small child. And CZY was able to do it all; first time PTSD and survivor's guilt that had just started to get slightly better only to be thrust into a gut churning nightmare from which only by disappearing from everything and everyone to live a quiet life in the countryside, could they be as happy as this new existence afforded them a way from anything that would trigger him.

SR played by Liang Jie was also phenomenally done (the entire cast, let's just give it up to them, awesome acting), though writers diagnosed her with depression right away, she too had PTSD after the first trauma. Later it warped into depression but she played her part right. She was shy but very strong when it came to things and people she believed in. Especially her love at first sight with LZ. She was determined to stand by him until the very end and live out the rest of her life quietly.

The chemistry between the two was on point and probably would have been stronger had they told each other the truth about their health issues earlier; no relationship can be solid when there are secrets swirling around especially health related ones. They were all imperfect, flawed characters, which made things even more realistic. But their love transcended everything else which made it iron strong.

I'll talk about my thoughts on the ending and other things here. As most people know, I never read the source material so I don't really care unless it's an HE that was flipped to an SE for no reason. We've seen that happen too much recently. Here it was obvious that they got traditionally married and then on their wedding night decided to elope just as they spoke about a few times within the series because as their voiceovers spoke to each other about what they wanted to do in their next life and she said to live somewhere peacefully, safely, quietly and he said "why can't we do that in this life?" And that is what they did. She left a note to her mom and his dad to not worry about them and to give the manuscript to the publishers. She didn't want them to be a burden to anyone especially their parents. The sparkly montage at the end is more of perhaps his father's dream of them being healthy watching the trees because there was a wooden carving of them two on the hood of the car which was by his dad's house too. Furthermore, after the credits rolled, the two of them were standing by the olive trees, no longer sparkling but corporeal. And as they closed out characters, JY got another postcard from LZ saying he was on a mission and the postcard was voiced over by LZ. So to me it was a bittersweet/happy ending because of who they lost and if they had not delayed their leaving eastern country by a mere two days to be there for the opening of the orphanage, they wouldn't have been kidnapped and his life changed forever. Ben would still be alive as well. 48 hours changed everything. Just to bring things back into perspective, how precious life is. The story never dragged unless it was the merry-go-round of lying to each other regarding everything being just fine when it wasn't. It was a rollercoaster of emotions that literally had you hanging on for dear life.

The supporting cast was awesome as well so though I won't go into them all, I will mention the ones that were important. JL was such a great brother and WZC played him very well. We lost him far too soon. SB originally was the spoiled little rich girl who wanted LZ but she grew up quick after the deaths and explosion that claimed JL's life and sent LZ on his first PTSD spiral. I wonder if she blamed herself on getting SR and LZ to stay those two days for the opening when they were supposed to leave while she herself left. She could have sent them a picture. But you definitely knew whose side she was on by the mid point which was a good thing.

Ben and Sa Xin were your typical enemies to brothers story; they had a lot of screen time but as both were ultimately soldiers, they had to build that relationship as many veterans always say "you have to be able to trust the person in the foxhole next to you with your life." And you can't do that when you're barely speaking to each other. As Ben said to LZ in their last normal moments together, "You, Song, and Sa Xin are my family"; coming from an orphan that meant a lot. Both he and Sa Xin made a strong connection around LZ and SR as did JL while still alive. Brothers and sister in combat regardless of the role. They were the perfect addition to showcase the leads. Dr. Pei should have been given more time with Ben and in general. Mr. L as I called him was the best sounding board for LZ with the first trauma. I was very glad that when LZ bottled everything up, he at least had this one friend he opened up to. Lastly, mom of SR and dad of LZ were wonderful. Mom was a bit problematic at first but she evolved. Especially when she challenged SR on why she didn't ask LZ what was going on and by than even SR knew her ridiculous excuse of "I didn't want to pressure him" was just that, a ridiculous excuse. But both parents were 100% supportive of their kids especially at the end when things were so dire.

Give it up for the crew who essentially built an entire "country" on a plot of land. The set was beautiful and intricate and I believe it is still standing there as a tourist attraction. The OSTs were all beautiful though "Ignite Me On Fire" was my favorite as it was the rock anthem of hope the story needed.

Cons: Every issue I had was with the writing and directing of this series; if you're doing a series on PTSD or any illness for that matter make sure your actors playing doctors know what they are talking about. SR had PTSD to start and it warped into MDD or Major Depressive Disorder later. Her immediate diagnosis of depression was incorrect. Furthermore, what doctor in their right mind would give a clean bill of health to someone with PTSD though stable to go back to the place he received that trauma in the first place? That's a malpractice lawsuit right there plus absolute negligence. After a combat mission goes wrong and a soldier or a volunteer is diagnosed with PTSD plus survivor's guilt, they are discharged honorably and returned to inactive duty so they can resume a stable normal life. Stability is meant for a normal life not to return to hell and have something even worse happen. They may require inpatient care at first but once they stabilize, their family needs to be extra vigilant and they themselves need to be given hope, something meaningful to do to help others perhaps in other ways. Plus regular outpatient therapy and medication. That's how most combat PTSD patients live out their lives. At least the doctor admitted her mistake though not before saying that he should be confined to a prehistoric mental hospital. We're in the 21st century with a lot of treatments for this condition at our disposal and even though she was correct that LZ could pose a danger to himself or others, there were ways to treat that so throwing your hands into the air and just locking him up isn't the answer. Maybe in the early 20th century people did that but not now unless the person really did pose a threat. And even then it was to a temporary inpatient hospital for stabilization. Very outdated thinking and poor research on the part of production.

At the end of the series when LZ has an attack at the hospital, where were the doctors and nurses? They were encircled by bystanders as SR kept crying and pleading. Where was security? It looked like a shopping mall with people coming and gawking instead of doctors running to assist; so weird that it didn't seem like a proper hospital setting or how one was operated.

It was very hard to read the subtitles when you had the OSTs going, people speaking, plus voice overs by the characters. You didn't know what to read first. So a lot of pausing and rewinding had to be done. Wish this was all separated. The hiding the truth about their own health issues I think took way too much time. That was the only thing that was dragged for what seemed like forever. Even though to his credit he did try to tell her several times but she always inadvertently thwarted it and than he'd lose his nerve. But I wish it was out in the open sooner as opposed to right before they had the most traumatic situation. She could have helped him so much, just like she did in that tunnel. So writing was shaky there at best.

Ben, oh Ben my dude! You're not Superman; how do you go charging into a place with many rebels to save LZ without anyone as backup? One man against like 10, come on now. When you had a whole platoon that took those rebels out when they actually saved LZ. Screenwriter & director: if you had to kill him off, you could have done it in a way that was convincing! This made zero sense. For a realistic story, this was very poorly written. And where did the whole Abu revenge plot come from? That he remembered LZ and went after him but could go only as far as getting some kid to stab him and then get knocked out by LZ yet again and we never see him actually die. Meanwhile the other bad guys capture LZ through SR with the whole he can make bombs for us and yet they torture him until he's almost dead. How's he supposed to make bombs for you if he's nearly dead? Again suspension of disbelief engaged. And they had to know the special forces guys would find him eventually. It was all very strange and all over the place. Writing could have been way better and cohesive.

Lastly, the smorgasbord of actors as soldiers, rebels, journalists, nurses, etc could have spent more time practicing their English. I gave up reading the subtitles as those never matched up. We know Eastern Country is fictional but it depicts a lot of what has happened in wars past and present so keeping things cohesive is paramount to an otherwise very realistic story.

Would I recommend it? I absolutely would. Every actor did a great job especially CZY as LZ and it's his best role to date. The White Olive Tree represents hope and that's what we got with the leads living their solitary lives in a place of hope and a better tomorrow. I'm super proud of CZY for this role! He went above and beyond and even though it was hard for me at times to watch it, this is my favorite role of his to date! Again thank you for giving us a voice! Bravo!

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