Jojo

When it rains, it pours , washing away doubts but leaving behind a storm of desire!

At the heart of this drama is an exploration of longing, love and the complex emotions that arise when loyalty is questioned. The story is an emotional journey of Hagiwara and Nakarai who navigate their changing feelings towards each other while each being in a complicated relationship where neglect and denial have the front seat. In 7 episodes it somehow manages to explore the grey areas where desires conflict with rationality and norms and also focuses on the delicate balance between self-preservation and vulnerability in the right place, to the right people.

The drama in its portrayal of cheating doesn't simply just present it as a plot twist or spicy storytelling tool, but it digs into deeper emotional undercurrents that pushed the characters to take those drastic actions.
Here, it was an expression of emotional turbulence and crisis that stemmed from being disregarded for too long. It felt like a cry for recognition, for understanding.

There is something beautifully tragic in how one person seeks solace in the arms of another, not out of malice, but out of a desperate need to be seen, to feel valued in a world that seems to disregard their worth.

Character Description :

Nakarai Sei was a walking emotional paradox. His character was a mix of emotional detachment and the tragic yearning for something more, something he can't quite grasp but desperately craves. He feels all this stuff brewing inside but he’s also scared of it, building walls to protect himself from emotions he can’t fully understand or accept. He hides behind logic and rationalization, using it like armor to push away the chaos within but it is obvious that the storm inside was only getting bigger. His ability to express conflict without words makes his character all the more compelling.

Hagiwara Kazuaki had a certain duality to him, assertive yet gentle, a man caught between his deepening feelings for Nakarai and the hesitation driven by his own fears. His care goes beyond mere tenderness, it was a constant awareness of how delicate their bond is, as though even the slightest hint of force could break it.
There’s a quiet vulnerability in him, an openness that stands in stark contrast to Nakarai’s guarded demeanor, offering a softness that Nakarai sometimes didn't know how to embrace.

The chemistry between them was both subtle and had a palpable intensity crackling beneath the surface. They had this unspoken tension between them that grew with every glance that lingered a little too long. Hagiwara’s tenderness met Nakarai’s emotional walls, creating this push and pull that felt almost magnetic, yet painfully distant. Their connection is raw, real and messy in the best way, as they tiptoe around what they both want but can’t fully reach.

The side characters Kaori & Fujisawa just didn’t click for me. There wasn’t enough time spent on them to really understand who they were or why they did what they did. It felt like they were just there to move the plot along, not adding any real depth to the character. I didn’t feel any emotional connection to them, like I didn’t like or dislike them, they were just there. They came off more like a plot device than an actual character and honestly, this lack of emotional investment left me pretty indifferent overall. They did give reasons but it was a little too late for me.

The pace was a bit too fast for my liking but I have watched now too many J-dramas to know this is how it is considering the run time.
Also, the last episode felt bit underwhelming but the drama was too entertaining for me to rate it lower!

The performances of both leads brought an emotional battle to life. I can nitpick but overall they served! Cinematography was beautiful and felt very gentle and poetic! It has that perfect J-drama vibe to it , rain serving as main progatanist !

Overall, I would definitely recommend this drama for its emotional depth and its exploration of complex emotions. While this definitely has flaws, the overall story is very gripping, engaging and thought-provoking, with an intensity that lingers long after every episodes end. If nuanced character and emotional turmoil are what you are looking for, this drama is worth your time.

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Guilty or Not Guilty !?

The main plot of this drama centres around Euthanasia. Euthanasia becomes the unsettling heart of a moral dilemma that challenges both of the characters Kan and Wasan's values. What begins as a search for answers soon turns into a personal battle as Wasan, a police officer is introduced to confront the reality of mercy killings and whether or not they can be justified. His growing closeness with Dr. Kan adds an intriguing layer of complexity, blurring the lines between love, duty and the harsh realities of death.

For me, this drama wasn't about uncovering the truth or catching the killer but about exploring the human cost of decisions that challenge life itself!

Tor and JJ delivered flawless performances. Tor's portrayal as Dr. Kantaphat was PERFECT! He brought a compassionate yet a chilling presence, the enigmatic doctor whose motives and choices remain shrouded in the mystery. At the same time, JJ as Wasan was subtle yet powerful. The turmoil and inner conflicts of a man torn between his duty and his feelings for Kan were delivered beautifully by him.
Both of them navigated the complexity of their roles really well making the ethical questions feel personal and real. The acting in the last episode was FLAWLESS especially Tor's.
The chemistry between them was so palpable! The tension, those gazes, the unspoken desire!! Their love story was not the main focus, I like how it was kept minimal but enough! The pace does bother me a bit, but considering the 8 episode run time, it can be managed.

While the emotional depth and acting were undeniably strong, it isn't without flaws. There were moments where characters just decided to overlook logic and reasons. And also I felt lapses in the police investigations distracting me from an otherwise gripping narrative. While as a viewer I understand it is to push the plot forward, but those unnecessary blind spots in the investigation sort of bothered me.

Overall, the balance between love, guilt and moral dilemmas makes this a good watch from start to finish despite its minor flaws. Recommended if you liked medical thrillers ( I would categorise it as thriller xD) and a bit of moral complexity, this is worth checking out.

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Disappointing Sunset with No Vibes!

There was absolutely nothing in the show that worked for me except Sam and Yoh the side couple who appeared for only 2-3 minutes in each 1+ hour episode.

The trailer promised a fantasy element, but except for a few brief moments, I did not get that. What was presented was so anti-climatic that I would have preferred if they had stuck with Office Romance as the genre.

I had hoped Lin and Sun's chemistry would be the saving grace of this series, but unfortunately, I cringed at almost all their scenes together. Mos and Bank have more believable offscreen chemistry in their YouTube videos than in this whole series. That much-hyped and anticipated painting scene was meant to be iconic but it was a disaster. I am all here for artistic expression but this didn't feel like it was necessary at all.
Also, that necklace (you know what I am talking about) was UGLY.

Sam and Yoh were the only reason I kept watching this but they were also far from perfect. The screentime was very less to make their love story believable. I am still wondering how Yoh fell for Sam. But again , this was the only silver lining.
The other couples except Sam and Yoh looked forced and literally contributed nothing of value to the plot.

The dialogues were so poorly written that they felt like Chatgpt wrote them. A special mention to 'Khun Dad' !! Because NO.

Overall, I would NOT recommend this and hope the actors choose a better script next time.

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Almost a slam dunk!

At first glance, this drama may seem like another campus romance, but there is a surprising amount of depth and freshness in how characters were written and how they behaved compared to your typical University BLs.

The story follows Han Ji Won, a retired gymnast, as he steps away from the limelight and tries to adjust to a more ordinary life at university.
He may seem timid , socially a bit awkward and reversed. Zooming in, it may look like he hesitates a lot but he also reflects on his actions and reactions, and then acts on it. I agree that he is emotionally guarded but I feel he was very kind and thoughtful!

His decisions may be seen as cowardly and frustrating at times but considering his star background and how he would have endured both admiration and harsh judgment, it's understandable he sees through the world with caution. Deep down, he fears not only getting hurt but hurting others, especially those who grow close to him. Once I look at his decisions from that point of view, I do understand where he is coming from. I like how the drama handled this.

Coming to Kwon Jeong woo, initially he comes across as the classic campus heartthrob who is confident, well-liked and effortlessly charming. But rather than playing into expected tropes, his presence balanced the story. His openness, both in acknowledging his feelings and expressing them so clearly was really refreshing!

It's rare in BL drama to see a lead who is so self aware about his emotions and doesn't go into "panic" mode and mess with others 'emotions. I really liked how Jeong woo came out so casually in front of his friends. I like how less dramatized this was and how respectfully everyone handled that. This was definitely a stand out aspect for me.

The chemistry between them was strong and from the get-go! It was our "timeless opposites attract" setup. The little glances... The accidental touches here and there... Their personalities did clash but in the right way. It never felt forced. They had these small genuine moments that build up to something meaningful and intense with an actual emotional weight.
Also, the kisses were done so tastefully. I felt like I was intruding on them by just staring at the screen! Lol. Again a surprise!

The supporting cast also did a great job though there weren't many of them. I enjoyed the dynamics between Jeong woo's friends with him and with Jiwon. They definitely brought a dose of light heartedness but the support they showed made their presence more endearing.

Also, even though they never actually showed the two friends in a relationship, the subtle "I like them" moments totally got me. I just know they liked each other, it was really cute.

I do wish the drama would have been slightly longer so that the story and characters could have breathed more. The pacing was decent overall but in some moments things moved a bit too quickly. And I am also not a fan of leaving conflict resolution to the last episodes. But considering the standard 8 episode KBLs , I am very happy with what was presented.

Acting wise, I did the actors did a great job. I hope to see more of them in future. Production also seemed quite decent! But what bothered me a bit is the background music. Sometimes it was too distracting.

I didn't think I would vibe with it, this much but here we are. It's very binge-able and genuinely adorable. Yes it does lean into some of the overused tropes we have all seen before, but the way it’s done is well. Maybe I do see things through rose-colored glasses, but compared to a lot of other BLs in the same lane, this one actually felt like a fresh take.
I would definitely recommend it!

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A short but soft flame that stayed lit!

It honestly feels like China has cracked the cheat code on how to deliver BLs and they have been quietly doing a good job at it.

Trapped in Osaka is a bite-sized series, just four episodes, each around 10 minutes. Super short but very digestible.

The plot is as straightforward as it gets: a debt collector ends up falling for the guy he is collecting from and somehow, they end up living together. It hints at a lot of backstories and possible subplots, but never dives deep considering the run time. Strangely enough though, it still works. You just get what is happening, both on screen and between the lines.

It sure does lean into cliches but I don’t mind a cliché when it’s done well. And this one is.

The two leads were a total visual treat.
Their acting felt really natural, nothing over-the-top, just smooth and very believable. The chemistry between them was from the get go. It did all the heavy lighting when plot ran thin.

There was this constant lingering tension in the air like something was always about to happen...Even when they were just standing, it felt like something is gonna snap but somehow it does and doesn't at the same time! No dramatic or big moments, just this lowkey connection that kept building.
It works without making a big deal out of itself and honestly, that is what makes this good.

The production is clearly low-budget, but it never really feels lacking. In fact, some of the beach shots were genuinely pretty.

I know giving it an 8.5 might seem kinda generous, but it earned it. It's not at all flawless and there are number of things that could have been fleshed out more. But for something so short and low-budget, it had a surprising amount of heart. You can tell they really tried and honestly, that effort landed. It didn’t need to be perfect to be good.

Definitely worth checking out. And it’s so short, even if you end up not liking it, it’s really not much of a loss.

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It was never about getting back at them but more about getting yourself back!

This drama didn't scream for my attention, but it somehow had me hooked from start to finish. It follows the journey of Kanbe Misa, who has always been that person in the background who is a little too kind, selfless and trusts people too easily and ended up paying the price. But when life gave Misa the lemons, she knew how to make lemonade. The story starts as a second-chance revenge plan becomes something a lot deeper for her. It was about prioritising herself and finally choosing to live for her own sake.

This version doesn't lean into over-the-top twists or too much melodrama compared to the OG version and that is what worked for me. It had the classic Japanese introspective touch where the focus was on Misa, her fears and how she navigated and reclaimed her new life with hesitation and silent strength.

Coming to romance, it is definitely underplayed here but that doesn't take away how awkwardly sweet Misa and Suzuki were together. They were not intense or passion-filled but I felt it was the kind of chemistry that builds slowly, and it felt refreshing to me.
Considering they had 10 episodes to cover 16 episodes of content, it was excusable for me and didn't hinder my enjoyment but I wouldn't have minded a few more soft, emotional moments between them.

Moving to Antagonists, Reina really shone here. She was deceiving, unnervingly real and manipulative. All her actions stemmed from very humane emotions, from jealousy to entitlement to be treated better to insecurity. What I liked was that she didn't just exist to ruin things but she genuinely believed she was owed something and that entitlement colored everything red. She was the total opposite of Misa. Misa thrived on healing and growth, Reina on control and resentment throughout her life.
In the initial episodes, I felt they toned down her character compared to OG, but she brought the flair back.

As for SML Tomoya, he was hit and miss for me. Most of the time, he felt very airheaded and his presence was more of an unintentional comedic relief though there was nothing funny about him.

The antagonists and their issues were humane and while the drama acknowledged that, it didn't try to gloss it over with redemption! Sometimes when you don't change your ways, you learn the hard lesson of what goes around comes around!

Another thing that worked for me was the visuals. The cinematography and the colour palette of the whole drama were so pretty. Everything felt so calm and pleasing to the eyes. All the wide nature shots were beautiful. And of course, there was an umbrella moment. Lol, we needed that Korean touch.

Acting across the board was solid. Koshiba Fuka as Misa carried the drama effortlessly. She didn't overreact but every little shift in emotions was translated on the screen. Satoh Takeru as Wataru Suzuki was charming. We need him in more of those rich CEO roles in suits and those glasses. Though at times he felt a bit stiff, I felt that was how his character was. The rest of the supporting cast also brought good things to the table.

Overall, this was a really good and engaging watch. The pacing felt intentional, and the message of putting oneself forward and healing came through nicely. Though romance isn't the main focus here, it would definitely give you butterflies or two.
I would 100% recommend it.

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Watching this drama was like chasing a mirage, the closer I got, the more it faded into nothing!

If I had to retitle this story, it would be "ChanYoung and his love story in Class 2...featuring Heesu" because that's honestly what it felt like most of the time. The supposed main characters were treated like glorified side characters, popping in and out of the plot as if the writers themselves forgot they existed.

Speaking of the writers, they seemed just as confused as Heesu about what direction the story should take!
It was as if they started with a vague idea of the story but halfway through completely forgot what they were trying to say. Every episode felt like a shot in the dark with no clear progression, no deep character development, just a lot of floating from scene to scene without any real progress.

The biggest flaw for me without a doubt, was the pacing. It was almost painful to watch at times. The story kept stumbling between focusing on the main couple ( Heesu and Seung Won) and pushing them into the background. Although I haven't read the original source material, which is a BL, it was still clear that Heesu and Seung Won were meant to be the heart of the story. Yet their relationship felt so underdeveloped and sidelined that it almost seemed like a subplot.

Every time there was a heart-fluttering moment or a genuinely sweet interaction between them, the drama in the next episode would abruptly cut away to the other couple. It often felt like the show was too hesitant to fully commit to its main romance, offering just a few crumbs of real connection before quickly retreating into safer territory.

That said, when Heesu and Seung won did finally grace the screen together, they were adorable. Their chemistry was natural, their little interactions genuinely sweet and both actors gave performances that deserved a much stronger script. You could tell they poured sincerity into their roles even when the writing gave them little to work with. It’s almost tragic how much potential was wasted.

Coming to the second couple Ju Chan Yeong and Choi Ji Yu, they were your average couple with their own meet cute moments here and there. I wish they were just friends with the main characters and not   a couple because I wasn't sold on their chemistry till the very end!

While the love stories here didn't work for me, the small little details did. Like I really liked how they incorporated astronomy into the story. The references to the Big Bang, asteroids and the star gazing scenes were all elements I truly enjoyed. It added almost a poetic layer to the narrative, especially in the way they tied cosmic events to the Heesu' s emotions.
Also, I also found Heesu’s bond with his sister fun to watch, even though it wasn’t explored as much as it could have been.

The OSTs were beautiful and complimented the drama well. Props to the team for intro too. I loved the animation!

Overall this was like a beautifully wrapped gift, the one that promised so much but left me standing there with nothing but disappointment. The pacing dragged, the main relationship was sidelined and the emotional payoff I waited for never truly arrived.

Was it disappointing? Without question.
Was it occasionally endearing enough to make you hope for more? Frustratingly, yes.

In the end, it was a hot mess desperately trying to sparkle, but only managing to flicker and fade away.
I would not recommend this!

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Legally Yours!

This was a delightful cocktail of drama and comedy wrapped in a refreshing narrative that defies the usual tropes (not a university BL). It is fun and uplifting, offering a refreshing escape with a balance of lighthearted moments and meaningful connections.

Ryoma was an interesting character. He is a passionate lawyer with a very peculiar relationship with his succulents. He has that classic tsundere energy but deep down is such a softie. On the other hand, Haruto is charming yet mysterious, hiding his secrets until the last few episodes. Even though it was pretty obvious that Haruto had ulterior motives when he first contacted Ryoma, I couldn’t help but side with him. The suspense added intrigue, but I do feel like they revealed his secrets a bit too late, and what followed after , felt rushed.

The chemistry between the leads Ryoma and Haruto was so palpable and cute!
Their relationship was beautiful. The way Ryoma risked everything for Haruto and trusted him despite all odds against them was touching. It shows how pure and strong their love is. And Haruto, who initially approached Ryoma for his own reasons, ends up staying and going to great lengths for him. They both needed the calm warmth and unconditional emotional support the other provided. There were moments that gave me second-hand embarrassment, but it was filled with that perfect mix of laughs and swoon-worthy moments.

While their romance had its ups and downs, I do think the pacing of their relationship was a bit fast. But considering the 19-minute episode length, it’s understandable.

Overall, this was a pleasant surprise. Though it has its flaws mainly with pacing and some ambiguous character intentions, it still managed to keep me hooked with its great chemistry and decent comedic moments.
If you're looking for something light and fun, I’d definitely recommend it! It’s the kind of show that’s better binged rather than watching one 20-minute episode a week.

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Boys are in love... and they actually "talk" talk!

This drama was peak serotonin for me. A sweet, high school coming-of-age romcom, full of puppy love and fluff with no melodrama or forced angst. Also, this is an example of what happens when actual teenagers play teenagers. It added a layer of authenticity that helped me root for the characters.

What really stood out to me is how all the couples handled communication. Misunderstandings happen, but here they were not milked for the drama and dragged on forever. They actually talked, listened and sorted it out with no unnecessary angst, no soap opera twists, but just a bunch of teenagers who accepted and acknowledged their flaws and moved on happily.

Our two main couples :

Shane & Kit were giving the textbook opposites Attract. Shane was more of a dependable, observant and academically driven type who always had a plan in his head for his future. While Kit was spontaneous, flirty and more emotionally transparent than Shane.
They both balanced each other. Kit taught Shane to loosen up a bit and Kit discovers the comfort of being seen. They did argue and stumble but that is what made their dynamics feel real. It was just two flawed people trying to figure each other out and meet in the messy middle. These two absolutely have my heart! <3

Kim & Mon, on the other hand, felt like they were cut from the same cloth and got along well from the start. The romance between them felt sweet, soft and very gentle. Kim was such a spark with his earnestness and openness and while Mon, though initially a little reserved, gradually let down his guard. They were more fluffy and fairytale-ish compared to Kit and Shane.

All four of them have their own insecurities as they should and I think the drama did a good job of expressing that. It might not be the most mature way to handle things when I view it through an adult lens, but as teenagers, their small disagreements and emotional responses made sense.

While the drama gets a lot right, it’s not without flaws. Some of the conflict especially toward the later episodes started to feel a bit repetitive and recycled.  They did quickly resolve the issues but it was always the same. If I had to give an example, it would be how Kim struggled to express his feelings or communicate his thoughts to Mon, which ended up causing tension and misunderstandings between them. If they wanted to me to root for them, I needed more.

Another issue I had was that we didn't need a fourth couple here. Tar and Per looked absolutely forced to me on the romantic front. I always saw them as best friends who teased and irritated each other but at no point did I look at them and think, “Ah yes, romance is brewing". It felt like the writers just threw them in like, “Why not? Everyone gets a love line!”

While I wasn't too sure about the teacher's romance, but they completely grew on me. They were surprisingly wholesome together. With Tan's awkwardness and Nat's understanding, their bond felt very sweet and you could see they respected each other a lot.

Acting-wise, I feel everyone did a good job across the board. The younger cast members in particular, were impressive and I really hope they’re given more substantial roles in the future to fully showcase their talents.

Overall, this was much better than I expected. It was like a sweet blueprint of teens navigating their life with love, dreams and changes around. While the script is nothing out of the ordinary and it does feel like it plays a little safe but the charm here is that it never loses its tone or tries to be something it's not.
I would definitely recommend it if you are looking for something angst-free and fluffy.

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Familiar Faces , Fading Plot But still seated for Haiba Jin's extra charm!

The consistency from season 1 to season 2 was there ! Haiba Jin was still unhinged and charming and Mikoto retained her endearing awkwardness!
The romance was again handled delicately but took bolder steps this season while still maintaining "that" boundary. I did enjoy their interactions and the ensuing frustration.
One of my favourite moments were when Mikoto put Haiba Jin in his place whenever he had saucy ideas. *grins*

But that's it! Lesson 2 felt stagnant. Nothing much was explored!
The characters were still the same as last season! While the story did progress it felt like it was treading familiar ground!!
I do see Haiba Jin being vulnerable in front of Mikoto but it was very briefly touched upon. Maybe I expected a deeper exploration.

Also the side characters storylines were completely undeveloped ! Mikoto's brother's story arc felt completely incomplete and rushed. Honestly I couldn't make myself care for any them.

For me , season 2 felt like a fan service , a follow up to high standards that was set by 1st season!

That said, I loved the acting of both the leads and was totally digging their undeniable chemistry!
The intro song was very catchy!! Also I felt the quality of shots was improved!

Overall , the season 2 is still enjoyable and binge-worthy but when you put it beside season 1 , it sort of loses its shine!
Would still recommend it 100%!

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A dozen tears, a dozen hope, a dozen letters and reasons to piece yourself back together!

Twelve letters and I are definitely in a toxic relationship. It made me feel sad, mad, happy, and then mad again with ugly crying and somehow left me immensely happy at the end.

If I dissect the premise, it reads like those retro-time travel fanfiction. It all starts with Ye Hiatang from 1991, finding a mailbox and somehow connecting with Tang Yixun of 2026 (Thanks to the orange cat delivery system). Letters were exchanged and so was hope, exhaustion and pain! Somehow it was both cheesy and haunting.

It was more about vibes and feels rather than major plot twists because once you figure out the time travel /fantasy aspect of it, it becomes fairly predictable. But it didn't take anything away from the story because somehow I was able to predict actions but not the consequences.

This is the story of Haitang, who somehow makes her way till the very end despite all the harsh realities surrounding her. From the first frame, I never mistook her for being fragile. She was resilient but tired. Imagine living with an abusive father like that. She is a victim of adults failing her, but she isn't the one to give up. You will feel sorry for her at times, but then you will wipe your tears seeing her get up everytime and bounce back.

Tang Yixun isn't your "knight in shining armour" either. Our debt collector is messy, chaotic and has demons of his own to deal with. But I didn't like him because he was trying to fix things for Haitang, but he was just being there and treating her like she mattered.

I did feel it was very convenient for him to be there whenever Haitang was in trouble, and their connection initially felt fast-paced, but then their love wasn't built on grand gestures or cute things. It grew out of shared pain and trauma. Maybe it really is easier to open up about what breaks you when the company is right and they get it. They were just right for each other. Not perfect, but just right, and they need to be bubble wrapped and protected at all costs.
All they wanted was a family, and they did get one.

Coming to antagonists, forget scary monsters when you have a father like Ye Yibo. Cruel, controlling and violent. At one point, he felt like a cage that Haitang can't escape. But he was let go too easily and too many times. I know 1991 wasn't a progressive time but being free of assault charges that easily was kind of annoying.
We have another set of villains too, making life difficult for the Billiards gang. They went a little overboard with their involvement but I wasn't bored.

But not everyone around them was shady and selfish. The little found family that Yixun has with Li Cha Dong and Zhang Hao was adorable. It was the rainbow hiding in the storm's aftermath. Both their love stories were also tiny escape from the drakness. Both for them and us. I wouldn't mind a spin off for them specially Cha and Tan Xin.

The adults (children) in 2026 were also key players here. Both Yu Nian and Sheng Cheng
brought different things to the table. They both were in search of their parents and to find answers as to what happened but I feel both of them went a little too overboard with emotions at times. But again, the position they were in, the panic and frustration is understandable.
I think they grew on gradually. Somehow even with all the bickering and disagreements , they were there for each other.

Acting-wise, the leads Zhou Yiran and Wang Yinglu nailed their roles. Zhou Yiran was spot on with his "protective but never overbearing" portrayal of Yixun. I cried when he cried and I smiled when he did! Wan Yinglu, as Hiatang, also did a great job. What made her exceptional was the whole hollowed-out-of-life vibe in emotional scenes.
The supporting cast also did a great job because I hate some of the characters to the T, and like they say, if you hate a character, the actor did a good job.

Cinematography was the real MVP. It was just so Pinterest-y. The whole '90s vibe was spot on with those strong colour grading and nostalgia vibe. The clear contrast between the past and present kept everything visually distinct and easy to follow.

Lastly, the flaws… If I am being real, my eyes were way too glossy to list them all out, but here we go. The pacing in the last four episodes did feel a bit rushed. The coherence slipped here and there and at times it was hard to piece everything together. That said, it picked up almost immediately after. Maybe a couple more episodes would have helped the story breathe better but then again, the title is Twelve Letters, so twelve episodes it is.

Also, they did ended it pretty neatly but did leave with some questions. But it was more like an invitation to imagine.

Overall, I did love it from start to finish. It was like a heartbreak wrapped in hope. Will I recommend it? OF COURSE. But don't go in expecting the fantasy element to woo you or expecting this to be fluffy romance because it is everything but that. It will wreck you most beautifully. I also strongly recommend a box of tissues with it. (You will need it. Trust me)

Thank you for reading my review! I know it feels more like an emotional blabber but this is exactly how I felt throughout. I hope you enjoy and suffer (lol) this drama as much as I did :))

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Sweet and hollow as a marshmallow!

I am almost as disappointed as Mark was by how this drama turned out to be.

Now, there are two kinds of “no plot fluff” dramas. One that wraps you up in cozy, feel-good vibes and makes you feel warm. And then there is the other kind where it is so sugary, overloaded with sweetness and cliches, it gives you a sugar crash (metaphorical). This lands in the 2nd category for me.

The drama is light and fluffy, but it leans so far into cliche and surface-level storytelling that it forgets to offer anything remotely substantial. It started out promisingly with fun banter and a playful tone but quickly spiraled into repetitive campy comedy that we have already seen so many times.

Instead of staying in its fluff lane, the drama tried to juggle too many arcs with little to no payoff.
Romance? Check.
Jealousy arc? Check.
Family drama? Check.
Emotional growth? Well… it tried. Kind of. But none of it landed properly.

By the time we reached the last four episodes, it felt like someone had cut the script into pieces and taped them back in the wrong order. The editing was choppy and a bit incoherent.

Chemistry-wise, I will give credit where it’s due. The leads did have sparks and with a better script, I believe they could have delivered something memorable. But this script gave them so little to work with.
Still, their playful interactions and NC scenes were done tastefully well. Those moments did bring a silly smile to my face despite everything bland going on.

Another bright spot was Jimmy as Captain. He swooped in with such charm and even though he brought the classic jealous second lead trope, it somehow worked for me. He gave the show the energy it desperately needed.

I also enjoyed the OSTs here. Make me smile is my favourite from the lot!

In the end, this was a classic case of "style over substance", like a perfectly rich cake but when you cut into it, it's just air and disappointment.
Recommended If you are looking for fluff and fluff alone, this might scratch that itch. But don’t expect anything more than a cute smile and a lot of filler.

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The curse was gone, but messily and realistically. Though the journey was far from perfect!

The storytelling is in a very classic Hwang Daseul style—delicate and nuanced.
The drama dives deep into the complexity of trauma, self-discovery, guilt and love through the journey of DoHoe and Ju Yeong.

DoHoe's journey is filled with pain and inner conflicts, much of it rooted in the toxic environment created by his abusive father who runs a Taekwondo gym. Several moments conveyed the inner struggles of characters with small but very significant details.
Because of his toxic upbringing,he is someone who struggles to confront his past and doesn't allow or think worthy of himself to heal. His inability to face his wounds is both heartbreaking and frustrating at the same time. As a result, his relationship with Ju Yeong is complicated by unexpressed emotions, the trauma that was never addressed and the weight of the past that neither of them can escape even after 12 years.

Ju Yeong was the emotional anchor that kept Dohoe from drowning by constantly reaching out and putting in more effort despite the hurt and confusion Dohoe threw at him. There were few brief moments of comfort amidst that frustrating yet realistic push-and-pull dynamics between them. JuYeong often compromised trying really hard to bridge the emotional gap that DoHoe can't seem to cross. The imbalance does seem unfair but at the same time, their love story is portrayed as both beautiful and painful showcasing how even when people are deeply flawed and overwhelming, sometimes the connection between them can be profound and will last.

The chemistry between the actors was undeniable and their emotional journey felt raw and authentic. It mirrors the complexity of moving past trauma and being in a relationship when both of them are carrying their own and shared emotional baggage.

While the narrative is filled with emotional highs and lows, the pacing felt rushed throughout. The rapid shifts in the character arc without addressing their actual issues in detail left me craving for more. I wanted to understand them better. It felt like there was so much more beneath the surface, a whole world which just didn’t have enough time to really explore.
While the supporting cast like Hyean Ho added a new layer to the story, I am still a bit unclear on the mysterious circumstances surrounding his and Dohoe's past. They introduced him for bigger purposes, but his character felt very undeveloped.

And my biggest gripe was the editing. It seemed choppy and confusing. There were many scenes that missed the mark and their meaning relevant to the story because of this.

Overall, while the drama isn't without flaws, it keeps you hooked with its nuanced portrayal of love and healing. It's a powerful attempt at exploration of how our pasts shape us and impact our future decisions.
Sometimes addressing those past ghosts is the first step towards healing. Definitely recommend.

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L'air du temps - The Flow of Time

The movie is Japan-Taiwan co-production that takes us on a journey of Jimmy who after experiencing failures in his adult life embarks on a soul-searching quest to rediscover and meet the love of his youth.
While the story itself may not be groundbreaking and unique, the narration is compelling and engaging. From the afterglow of that first love to the monotony of being a 36 year old guy, the movie effectively captures it all.

The movie explores the theme of self discovery and the importance of taking a break. Sometimes taking a break can provide clarity and a fresh perspective on life. Also sometimes detours can lead us to where we need to be!
The color contrast made it easier to differentiate between present and past scenes. The flashback scenes color tones have certain warmth to it reflecting happy memories while the present scenes were more sombre and grey to fit the melancholy vibe.

The cast delivers believable performances. Greg Hsu as Jimmy, a lost soul who evokes sympathy at times and then his energy in the flashbacks to his youth is convincing. Kiyohara Kaya as Ami does a decent job, though she could have been a bit more expressive. Michieda Shunsuke, as Koji, captures the chaotic spirit of an 18-year-old that is both charming and inspiring in his own way!

The cinematography is stunning. Some locations are so beautifully shot that they make me want to take a trip to Japan soon.

While the ending is somewhat predictable, it still has enough engaging elements to keep you sailing through.

Overall, this was a visual treat with few valuable life lessons on the way along .

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The ship didn't just sink, it imploded under the weight of its own melodrama and bad writing!

The central plot of the drama revolves around trauma and its handling, set against the backdrop of a war zone in Eastern countries. However, it failed to evoke any emotions in me and just felt bland and boring.
The only saving grace, which is why it even gets a 6, is thanks to Benjamin and Saxin, who helped me sail through all 38 episodes of this aesthetically pleasing mess!

For a drama where trauma is the main plot, there was no real sense of warmth, depth or emotional resonance.
At first, it gave off the impression of aiming for something deep and thoughtful, but it quickly lost its way. The plot meandered aimlessly, leaving what should have been powerful moments feeling strangely flat and forgettable.

FL Song Ran was supposed to be a reporter, but she spent more time doing everything except her actual job. It was hard to believe how she was just wandering around and taking pictures in a war zone army base, it just felt completely out of place. Most of the time, all I saw was her trailing behind the male lead.

ML Li Zan's character left me with mixed feelings. I appreciated how the show portrayed his trauma and the denial he was stuck in, it felt raw, real and authentic. However, as time went on, it seemed like his reluctance to open up was more about convenience than anything else. The constant addition of trauma without any real growth or resolution made it feel like there was no light at the end of his tunnel.

I am a fan of both the actors, but I just couldn’t feel any chemistry between them. Maybe it was because their romance developed in so many illogical situations like having a heart to heart conversations on the bomb site before even getting medical aid , that it felt hard to buy into.

Most of the drama was set in a war zone, but the seriousness , urgency and consequences of it were largely missing throughout especially in the first half. The logic was often flawed and there were many instances that could have been fixed if they paid a little attention to detail. For example, why were people moving so freely in the war zone? Why were people just lying down and hugging when there had been a bomb blast only minutes before and why couldn't they do that in hospital to make more sense ?

When it comes to handling PTSD, don’t get me wrong - they did attempt to show the real vulnerabilities, denial and the struggles people face after being in such a traumatic environment. However, the portrayal became a repetitive cycle, with no significant character growth. It doesn’t make sense to me that after 8 episodes of dealing with the issue, there was still no real development.
You would expect them to be open and communicate with each other, especially after everything they’ve been through together. But no, we are still stuck in that non-communicative phase, where life-threatening and life-changing decisions are made without even informing the other person.
In real life, while PTSD can have long-lasting effects, people do tend to make progress over time, whether in small steps or through moments of realization. The drama's absolute refusal to allow characters to experience this type of growth feels unrealistic, as it disregards the possibility of healing and moving forward.

At one point, the hero complex from both of them actually diminished the impact of those serious scenes!

Acting wise both the leads did a good job with what was given to them. Chen Zhe Yuan can act and time and again, he shows that! Liang Jie did a great job too but CZY stole the stage when vulnerable scenes were on the screen!
The emotional scenes were executed well ( the man cries so pretty) but the problem wasn't the acting but the writing!

Now coming to the good part, Benjamin and Saxin ! This was a perfect enemies to lovers trope! The constant bickering , the eye contacts , the jealousy, the unwavering trust and support for each other was just the chef's kiss.If the drama had focused more on them or given them even half the screen time, I would have rated it much higher.
Censorship wants you to think it is brotherhood, but they ain't fooling us. Initially I thought it was me who was on team delusion, but they kept hinting us that we weren't wrong. They know what they are doing ! They know we know what they are doing ! Everything is out there yet still between the lines. We need a masterclass so that we can have those shelved dramas out !

I want to keep this review spoiler free but let's just say the ending was just bizzare and lazy writing. It was as if they ran out of ideas to how to make this mess right which they made, grabbed the nearest piece of paper, scribbled something random, and called it a day.

Overall, this drama was incredibly disappointing and fell flat despite its ambitious premise. It seemed to aim for something grand, but ultimately, it failed to deliver. The plot lacked depth and the pacing dragged, making it hard to stay engaged. It was a slow burn with little payoff, leaving much to be desired and leaving me feeling bored.

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