K-Drama 
There are times when all we want is for someone to truly listen to our story. And sometimes, we come across a song that feels like it’s telling that story for us. Welcome to Your Personal Taxi—a special ride where music plays alongside memories, and your story is met with a listening ear. This isn’t just any car—it’s a personalized classic, and there’s something quietly mysterious about it. Passengers with ordinary yet extraordinary lives step in to share personal stories, along with the songs that carry their emotions. (Source: BCWW) ~~ Adapted from the webtoon “Personal Taxi" (개인적인 택시) by Mose Lee (이모세). ~~ Release dates: 2026 (Episode 1-4 premiere | Festival) || Oct 1, 2026 (TV) Edit Translation
- English
- Русский
- Français
- Deutsch
- Native Title: 개인적인 택시
- Also Known As: Gaeinjeogin Taegsi , Personal Taxi
- Director: Jun Chang Geun
- Screenwriter: Kim Joon Mo
- Genres: Music, Life, Drama
Where to Watch Your Personal Taxi
Subscription (sub)
Cast & Credits
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![Cha Tae Hyun in Your Personal Taxi Korean Drama]( "Cha Tae Hyun in Your Personal Taxi Korean Drama")
Cha Tae HyunKo Myeong SeokMain Role -
![Nam Joo Yeon in Your Personal Taxi Korean Drama]( "Nam Joo Yeon in Your Personal Taxi Korean Drama")
Nam Joo Yeon[New girlfriend] (Ep. 1)Guest Role -
![Woo Hyun Jun in Your Personal Taxi Korean Drama]( "Woo Hyun Jun in Your Personal Taxi Korean Drama")
Woo Hyun Jun[Yeon U's boyfriend] (Ep. 1)Guest Role -
![Lee Chan Yong in Your Personal Taxi Korean Drama]( "Lee Chan Yong in Your Personal Taxi Korean Drama")
Lee Chan Yong[Yeon U's ex-boyfriend] (Ep. 1)Guest Role -
![Shin Kang Kyun in Your Personal Taxi Korean Drama]( "Shin Kang Kyun in Your Personal Taxi Korean Drama")
Shin Kang Kyun[Old man playing chess] (Ep. 1, 4)Guest Role -
![Song Won Su in Your Personal Taxi Korean Drama]( "Song Won Su in Your Personal Taxi Korean Drama")
Song Won Su[Old man playing chess] (Ep. 1, 4)Guest Role
Reviews
Two Episodes Were Enough
I only watched two episodes, and that was enough for me.Personal Taxi has a concept that could have been interesting: combining slice-of-life drama with music as an emotional thread, all within the intimate space of a taxi.
Its structure is essentially anthological, with a different passenger and story in each episode. The driver becomes the connecting point as his regular customers share small fragments of their everyday lives, often accompanied by music.
On paper, it works.
In execution, the narrative is so anemic that calling it boring almost feels generous.
These are everyday stories with barely any dramatic arc, meaningful conflict, emotional development, or perspective that gives those experiences any real weight. Characters arrive, talk, do a few ordinary things, and leave.
No satisfying closure. No meaningful message. No emotional impact.
Things simply happen.
Literally, nothing happens.
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