Gyeon Woo and Fairy (2025)

Of Gentle Feelings and True Affection: A Tale to Delight the Heart and Enchant the Feelings

I must confess myself entirely governed by the inclinations of the heart when it comes to the subject of Korean dramas. Should a tale so enchant me — if it cause me to sigh with longing, to champion the felicity of the characters, to loathe the villains with untempered zeal, and to yearn most fervently for a romance of tenderness and charm — then, most assuredly, such a drama shall secure a cherished corner in my affections. I am not, by nature, of analytical disposition; I do not dissect performances nor assess the finer points of production. It is the whole, the sentiment, the essence that captivates me. And if the principal romance should stir the gentler parts of my soul, then I confess — my heart is quite entirely won over, without the least hope of recovery.

Head Over Heels ensnared my sensibilities within mere moments of its first episode. I found in Park Seongah a creature of such innocence and ingenuousness, that I could not help but see a portion of myself reflected in her gentle manner. Nay, I envied her. I longed — ardently — to one day know an affection such as hers, kindled in but a single glance at Bae Gyeonuh. Her love was so sincere, so untainted, that I was transported into a reverie, dreaming sweetly of their union.

To witness the blossoming of his regard for her — steadfast, unwavering, and, in time, surpassing even hers in depth — was a source of endless delight. Perhaps it is the influence of my upbringing, steeped as it was in the romantic ideals of fairytales, where noble princes strove valiantly for the happiness of their beloveds, that rendered Gyeonuh’s devotion so very affecting. His every action bespoke his desire to shield Seongah, to ensure her welfare, and I was wholly under the spell of his quiet heroism from the very beginning.

I felt no grievance that the narrative did not extend to the resolution of his familial entanglements. Indeed, I am of the opinion that such individuals were unworthy of his presence, and their exclusion from the tale’s conclusion caused me no dissatisfaction.

The love shared by those two souls awakened in me a longing to one day experience an affection so earnest, so guileless — and, perchance, equally returned.

I have secured the entire drama for my private enjoyment, to preserve it for those occasions when I shall seek the comfort of nostalgia, and to feel once more the delightful tumult of emotions that their romance so exquisitely inspired.

For me, this drama deserves a resounding ten out of ten, for it is no ordinary story that may stir one’s heart to such heights, as did the tender and whimsical love between Seongah and Gyeonuh.

Leia Mais

It's okay but not a must-watch

A fast paced drama that will keep you entertained, but the a bit messy.
The first part was interesting and really well done, but then Bongsu shows up and that's when the show starts derailing. Now I must say that I find Bongsu a very fun character to watch the problem is that the initial story has nothing to do with him. I feel like the first part of the show is about Seong A struggling with being a shaman and having a personal/school life and falling in love with Gyeonu, the unlucky boy that hates shaman and Seong A is trying to save from dying. The second part of the show is about Bongsu and they just forget about Gyeonu's problem.
I just feel like it could be two different stories or maybe a longer drama. And they definitely should have cut-off a few characters, not that I don't like the side characters, but the time used on them could have been used for other things.
The acting was nothing ground breaking but still good and the actors had a quite good comedic timing.

Leia Mais