Monster

Are we humans or monsters?

This movie didn't make me cry. But, it left a void in my heart. It pains and it hurts as if someone had stabbed my heart. I wish everyone in this world watches this movie irrespective of who they are. It will give a chance for us to destroy our inner demons and become more humane.
The story is told from three perspectives: Saori is a single mother who finds that her son is exhibiting strange behaviors lately. Her son Minato admits that he was beaten and abused by his teacher Hori. After this arc, we all tend to blame Hori. Then, we get Hori's perspective - he had always been kind to his students and Minato was injured by him accidentally. However, the whole school and press labels him as an abusive teacher and he is fired from his job. At this point, we audience tend to be indifferent towards Hori and think that he deserves to be hated. But, the real story is hidden behind Minato's POV. Minato has a crush on Yori, a boy in his class. Yori is often bullied by his rude classmates for his girly behavior. Minato is in denial because of the society norms and that causes him extreme stress, to the extent that he starts questioning his existence. Yori is always physically abused by his alcoholic single father, who believes that Yori has a disease and that he is a monster with pig brains. Despite all the bullying at school and the abuse from his father, Yori is very optimistic and gentle. The girls around him are always kind, but the boys give him a tough time. This factor alone shows how women are more matured, understanding and have an high degree of empathy within them. Parallel to all three arcs, we see the cold principal of the school. It is said that she killed her grandchild accidentally and let her husband take the fall, who is currently imprisoned. Whether its true or false is left to our own judgement.
I felt the movie was a huge irony in more than one way. In today's date, where social media is a rage, we don't fact-check everything before we draw conclusions. We only hear the narratives we favor. We don't want to listen to the other sides of the story. In fact, we don't even believe there are other narratives. Lets say, you come across a reel about an actor being accused of a hit-and-run. If you like the actor, you will say he's being framed. If you don't like the actor, you will say he deserves jail. And if you don't know the actor, you just ignore the reel, forgetting the reel quickly. There are many cases where innocent people commit suicide because of the hateful comments on social media. If even one life is lost because of our harsh words, aren't we monsters?
Throughout the film, rebirths are often mentioned, mostly by Minato. The ending leaves us hanging with many possibilities. Again, our perceptions come at play here. There are many hidden messages within the movie. For instance, Yori has become immune to the bullying and abuse because he is so much used to it - he doesn't feel anything anymore. This was revealed through a card game with Minato.
The entire cast were amazing, but the performance of the child actors are impeccable. That was Oscar-level acting. It is isn't easy to act in sensitive topics as a child.
Overall, this movie widened my horizons. It was thought-provoking and an eye-opener. No wonder it won so many laurels, including the Cannes festival.

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Absolute Must See...!!!

I've watched A LOT of J-Drama's over the years. This one REALLY hit home with me personally and otherwise. You'll be thrown off at first when starting the film as to what it's about. But as it progresses it turns into a BEAUTIFUL emotional story between two kids and there feelings for each other. I could so totally relate to what they both were struggling with as i did myself when i was about there age maybe a bit older. Everything from the story itself, to the actors, music, and scenery is on spot. Please don't pass up this gem folks. It truly is a tear jerker so make sure you have your tissues ready. I can't emphasize enough it's probably one of THE BEST Asian drama's i've seen in a long while. This is the kind of film or drama series i want to see MUCH, MUCH, more of. 10/10...!!!

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Best Movie I’ve watched this year…

I don’t know how to begin. In the beginning I was not expecting much, thought that was just another school bullying case that gets ignored by the higher ups like in “Silenced - Korea 2011” but oh my gosh… I kept trying to guess things but I was only faced with surprises and every single thing was so so unexpected I watched the last hour with my mouth open jaw on the floor. I could never express how much this movie has changed me.

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An intriguing film that tackles an important issue.

The story is told from three perspectives on events in a young boy's life. It is a "simple" film, but precisely because of this raw approach, it creates several moments of tension and suspense. I believe that knowing the film's central theme in advance took away much of the element of surprise for me, which slightly affected my experience. Despite this, it was precisely the theme that made me interested in watching the film.

I would like to highlight the children's performances, which are outstanding. Overall, it is a great film with multiple messages about different aspects of life, a good pace, and intriguing moments.

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I feel they could have done so much more with a clearer focus. Despite the hype, not impressed.

I wish Minato and Yori appeared more, and would prefer a better ending.

--- Vague Spoilers --

Story: Director tries to put in a few themes, bullying, being different, societal conformity, japanese apologising/taking responsibility culture (even if not at fault), gay treatment therapy, felt a bit too many... Kind of drew the focus away from what (imo) should be the main theme, aka loving the same gender.

There is additional screen time given to the teacher and his lover to characterize him as a good teacher and set his character, but we don't see much of him in the Minato and Yori plot. Why do they have to combine the parent-teacher power dynamic and the Minato-Yori-classroom bullying plots into a single story? It feels like both deal with very significant issues that take a lot of emotions and shouldn't be so easily combined. I can see "What happens if they try to make their relationship official in their class, how do they cope and how do they overcome bulyling?" as one story, and "How does the teacher overcome this scapegoating done unto him, and how to deal with what is alleged vs what is actually true?" as another story with the teacher at the focus.

Ending: Giving an ambiguous ending is fine and all, but it left me feeling unfinished, would prefer an epilogue of Minato moving on or the aftermath, aka any change in classmates behaviour? teacher behaviour? Feels like they shown a spotlight on all the dark issues in the Japanese classroom and society and said "Ok, go think about it" and then left us with it.

Actors: Hinata acted so well as Yori the bumbling silly kid, a lighthearted facade with some dark thoughts, but I wished the characters could have been written with more emotional support -- like they're struggling but how do they come to terms with it. Minato's avoidance is only one part of the "gay panic", what about denial/ trying to like girls, what about acceptance, what about coming out?

--- Spoilers end --

I just feel they could have done so much more with it, and despite all the hype, not impressed. I think they could have done better with a clearer focus rather than so many themes, that only get brought up briefly but are never addressed (characters don't tackle or try to solve).

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monster é um filme que sente.

assistir esse filme pela primeira vez é realmente uma experiência. você começa hipnotizado pela cinematografia, então, aos poucos a crítica é construída e vai de pouquinho em pouquinho explodindo a sua cabeça. é uma daquelas experiências em que o cinema deixa de ser só narrativa e se transforma em sensação.

“who’s the monster?”
as crianças não nascem com medo de quem são. elas aprendem a ter medo – do sentimento, do que pensam, do que amam. aprendem a se moldar pra caber em expectativas. então, acreditam que o erro está nelas, mas, o verdadeiro monstro está no olhar de quem provoca o medo.

que o mundo deixe de ser um lugar onde é mais fácil moldar uma criança ao medo do que abraçar sua verdade. ser lgbt não é algo a se envergonhar.

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A deeply moving piece about identity

I was holding off watching this movie because I thought it was gonna be deeply sad. What I got instead was a movie about the ideals of morals, self identity and the roles families play in our lives.

This movie felt deeply upsetting. Kore-eda carefully layered all these actions that made it feel like he was leading us to a material conclusion only to swerve many times. I expected many things but I was wrong. It was amazed how he played with our preconceived notions of how we view events without any details. I also think this movie is a little bit of a discussion about the harsh culture in Japan about responsibility, even when it's not your fault.

The acting was superb from everyone. I felt bad for everyone by the end. Saori the mother, felt like she was constantly struggling to understand her child. Hori, the good willed teacher who wasn't even doing anything wrong. Someone who did care about his students and tried to be a better person. His girlfriend I think was meant to show his displeasure of the mundane life he had.(If it is to be believed she's from the hostess club). He also being a child of a single parent household demonstrated another aspect of the story I think is overlooked. Someone who is kind and t to help but in the end gets trampled by everyone else.

And Minato's storyline took such a swing that I didn't even realize what was happening at first. I think his realization of his sexuality is what sealed the deal that this movie is simply incredible. When we understand the events leading up to the main story, everything really starts to click. I was impressed with many revelations such as how dirty ended up in his mug and how he was trying to protect Yori.

As usual Kore-eda focused on a lot of character moments that just tell you so much more without having to say it. The act of spreading of I think cheese (?) on toast. Or how Saori did a slight head tilt as she was going up the stairs to talk to the teachers. The careful ironing of Minato's shirt.. all these moments really make a kore-eda film go from good to great.

The music was peaceful and solemn. They lead you into a sense of quiet melancholy.

Just being able to sit and really envelop myself in this movie, I reflected on how the bonds we have shake the foundation of self worth. Minato had no father and to me it felt like he was lost because of it. Yori had a father but he was mainly absent and treated a child who clearly had some sort of ADHD or autism as scum. The parallels of family households where one is present and the other it's fine have profound effects on our mental states. I felt so bad that Yori was being constantly bullied and his only friend didn't even try to stand up for him. The sociatile pressure of keeping up appearances hit harder once the realization of his sexuality came forth.

It reframed all of Minato's actions in a different context and then the story took on a whole other meaning. Same with the title, "Monster." That could mean more so many things in this movie now that I understand. Society, a slur, a responsibility, anguish, self worth.. it really makes you think about how we see each other.

My only main concern is the ending is very abrupt and I don't like that they left a huge thread about what Saori and Hori did after they didn't find the children.

Either then that, this is fantastic.

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