The Story of Pearl Girl

A crying shame.

The Story of Pearl Girl is the story of an intrepid pearl diver's harrowing journey from the despair of a slave farm to the heights of the prosperous Yangzhou jewelry guild. Aided by an erudite nobleman Zhang Jinran and a ruthless and calculating merchant Yan Zijing, Duanwu escapes from the exploitative clutches of the Cui clan. She throws her lot with Yan Zijing, choosing to make her own way in the world as a merchant galley serf over the more certain future of a nobleman's harem. After multiple betrayals and double crosses in the dog-eat-dog culture aboard Zijing's ship, she emerges clear eyed and better equipped to survive a ruthless, avaricious business world. She learns that underneath his merciless facade, Zijing is saving her by teaching her to save herself; that they have a shared past that she has barely scratched the surface of understanding.

Set in a cruel world fraught with treachery, avarice and oppression that belies the ostentatious luxury of the jewelry trade, the narrative is laden with an air of heaviness from start to finish. It is a character story about how one resilient woman fights her way to the top of the jewelry business during feudal China. The characters are well designed with Duanwu and Cui Shijiu as two women who have to fight for their place in a man's world; one who starts with nothing and the other with everything, to lose. Likewise the cynical and realistic Yan Zijing went to the school-of-hard-knocks while the righteous and idealistic Zhang Yiran clearly had an ivory tower education. Both Yan Zijing and Cui Shijiu are consumed by revenge and on opposite sides of a blood feud not of their own making but one's cause is just while the other's is not. I enjoyed watching how these characters, with at times common and at other times with opposing world views interact and react to the situations they are thrown into. Plot wise, the logic holes are evident from the start but for character driven stories, I am very forgiving for as long as the characters stay largely consistent and relatable. But once the characters start to unravel, the issues with the plot are amplified and the entire narrative becomes a mess.

I genuinely enjoyed and was engaged by the first arc of this drama. It is both fascinating and difficult to watch the stunning backdrop of the swashbuckling high seas and the exotic and dangerous Silk Road marred by the unmitigated oppression and cruelty of the ancient world, especially towards women and children. Zhao Lusi's Duanwu is spirited, tenacious and undaunted as she fails again and again until she succeeds. I could understand why Yan Zijing resonated better with her but could also see that she lacked the maturity to appreciate how Zhang Yiran's wisdom and knowledge of the law would aid her later on. These three main characters richly complement each other in their strengths and flaws to make a formidable team when they work together. I didn't mind the romance but I didn't need it and it went a bit abruptly from red flag master-servant to lovers. Nonetheless I was looking forward to it growing and had hoped to see them right past wrongs together. I did not expect it to take a wrong turn down the path of the worst noble idiot trope in recent memory, nor for it to last pretty much until the end of the drama. That is when The Story of Pearl Girl, turns into yet another period drama that starts strong and then inexplicably nosedives at the mid-point and never manages to recover.

After the convoy arc, a traumatized Duanwu re-emerges as Su Muzhe, a detached, gently sad and bland character who Disney princess cries almost every other episode. Lusi's vapid and weepy interpretation of the role lost me as much as her Duanwu engaged me. Duanwu would have gotten angry and demanded an explanation from Zijing or plotted revenge. I was baffled by the Su Muzhe who manages to coldly co-exists with him in the same city, moves on and focuses on business, vowing to live a good life nonetheless. This is so out of character it is almost impossible to reconcile Su Muzhe with Duanwu. I rooted for the feisty Duanwu of the first half who dares to love and dares to hate. The passive aggressive Su Muzhe who only dares to cry turns what could have been a terrific story into a crying shame. The narrative meanders into maudlin sub-plots about boring and poorly acted tragic side characters. Gratuitous crying scenes have diminishing impact, no matter how good the actor is at them. Long before the drama ended, I was bored by Su Muzhe's endless pity parties and stopped caring for her. Su Muzhe is not the kind of role that plays to Lusi's innate strengths and charisma. I hope she avoids taking on such characterisations in the future.

The other narrative mistake was to separate the three anchor characters at the same time so many of the early supporting roles are transitioned into new ones, forcing the audience reinvest in new characters all over again. Yue Yunxiu is a boring, flighty character that has no chemistry with Su Muzhe and fails to shore her up in the same way Kang Ju lifts up Yan Zjijing. The entire business partnership between the women lacks flair and pizazz; I can't imagine any joy in shopping for jewelry at an establishment run by such a dolorous pair. The narrative makes a lame attempt at comedy too late in the game and it is largely left to actors that lack Lusi's fantastic comedic timing. Even when the three friends join hands again, their dynamic is not the same and Duanwu never reemerges.

As for the romance, it stagnates even after they reunite and never blossoms into a full blown relationship. I would have liked to see them seize the day and live in the moment in a way that gives us something really worth crying over. Instead all we do is watch them mourn what could have been. It is incredibly unfair to Muzhe because Zijing refuses to move forward but yet can't set her free either. I wish they both chose differently but since they did not, the way their romance ends is fitting. I respected Zijing's choices especially in the end but I think Su Muzhe's victories were all hollow and I hoped she would find Duanwu again within herself but she never does. I enjoyed how Liu Yuning portrayed Yan Zijing's darkness and complexity but after the best first arc, he is too quickly whitewashed and sidelined. Even though the final arc is all about his justice, he doesn't get to do that much as the hidden villain is too obvious to the audience early on and most of the antagonists are so dumb they pretty much outed themselves.

Zhang Yiran is the best of friends and that rare character that does the right thing even when its the wrong thing for himself. While Duanwu didn't fit in to his world, he may eventually have been able to console Su Muzhe and I wish they had left that door open just a crack. As for Cui Shijiu, this character caught and held my interest from start to finish as a result of Xie Keyin's bold screen presence and her husky and earthy vocals. Her character is flawed, not that smart or especially well written but Xie Keyin embraced her flaws in such a relatable way and conveyed the role so compellingly that I cared about her and did not drop this drama because I wanted to know how her story ends. She and Zijing are both characters that choose revenge over love but only one of them lives to regret it.

The biggest issue with the storytelling is that it tries to incorporate too many themes and archaic ideas of what an independent and empowered woman is supposed to be. The writers bend the plot and characters in ways that don't make sense or is out of character in order to force certain themes and outcomes. This is not a good way to tell a story. Both Duanwu and Zijing's characters are thrown under the bus just to prove that a woman can make it on her own in business during feudal China. We watch allegedly smart villains kill off characters with no motive other than for dramatic impact and shock value. But what makes me really mad is that it is another scratch on the surface empowerment story written by misogynists with a thinly veiled and insidious message about the fate of women who dare to try to make it in a man's world. A true empowered woman would seize second chances and live well in the true and full sense and meaning of the term rather than to wander aimlessly as a shadow of their former selves.

This was a heavy journey from start to finish that does not end in satisfactory way and the ending contains some really questionable messages. There is no payoff for all the suffering, no one gets a great ending and promises to live well were not kept. In the name of both Madame Eight and Shrimpy, I dare not rate this more than 7/10. It is not a drama I recommend unless you are a die hard fan of either of the lead actors and are able to enjoy anything they are in.

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The Story of Pearl Girl is Trully Masterpiece

The drama was truly outstanding, an unforgettable experience from start to finish. It combined a gripping story with exceptional performances that brought each character to life in a way that felt raw and real. The cinematography was breathtaking, with stunning visuals that drew you into each scene, making every moment feel immersive and vivid. The soundtrack was equally impressive, perfectly matched to the emotions of each scene, heightening the drama and adding depth to the storytelling. Overall, the film was masterfully crafted, leaving a lasting impact and reminding viewers of the power of great cinema. It’s the kind of movie that resonates with you long after the credits roll.

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ABOUT THE ROMANCE....

Touted as a female-centric drama, The Story of Pearl Girl tells the story of Duanwu's journey from slave girl to entrepreneur. It is a story of hope, perseverance, and resilience. Zhao Lusi's portrayal of the growth of her character from one whose actions came from desperation for freedom to one who uses her prosperity to help other women was captivating. Lusi as a versatile actress is well known. I am not part of any one fandom and have several other actresses I enjoy watching, but I have to say that I cannot imagine another actress in this role. She was outstanding!

One expert in the field of TV and communications noted that "the drama opens up a new direction for the transformation of female-oriented dramas... as there is an awakening of women's consciousness, shifting from a desire to watch love stories to that of watching business dramas. " Well, not me. As much as I enjoy an interesting business drama, I enjoy love stories more. For more details such as expert feedback, background, production, and all things The Story of Pearl Girl please see Frost-edelweiss' companion piece. Just copy and paste the following link or you can find it in discussions at the top of the TSOPG forum. https://kisskh.at/discussions/zhu-lian-yu-mu/131556-the-story-of-pearl-girl-companion-piece.


Romance....

I felt the tension between the leads long before they got together. Lusi and Liu Yuning's chemistry captivated me in such a way that I have never wanted so much for a happy ending. Their relationship did not start with love at first sight...even though I saw a l flicker of interest in Yan Zi Ying's eyes when he saw the beautiful Duanwu in her pearl dance. Their earlier relationship was not one of equality and YZJ was not the gentle hero. You might even find him cruel and unyielding at first but you will come to understand him. The relationship developed at a steady pace. Duanwu's quick mind allowed her to keep up with YZJ. It was obvious he found her fascinating and smart. And little by little he gave in to her wishes. But he also allowed her to learn and to grow on her own. I don't know at what point he realized he loved her, but watching this big tough man fall in love to the point her closeness unnerved him, was endearing in itself. I am unsure if it was character or actor, but the way YZJ held Duanwu's hands, smiled at her, and simply engulfed her in his protective arms melted my heart. And perhaps it wasn't just him, but the chemistry between Lusi and Liu Yuning that made it so special. Viewers have to see for themselves, but anyone who has watched Lusi before will not be surprised. This is my second drama with Liu Yuning as the ML and I find myself loving him the more I watch him. And yes, there are kiss scenes...special kiss scenes...special to their unique chemistry.

While TSOPG is said to NOT be romance centered, it was the love...the chemistry... between YZJ and Duanwu that held me captivated. To me, their relationship was the center. Meeting YZJ, set off a series of events that led to Duanwu's character growth. There were times he watched her fail, and times he helped her. Watch for those little quirks of his lips whenever she succeeds. You will see that he fell first. Duanwu was too busy trying to achieve freedom. I felt the romance every time the leads were together. There is a separation after episode 18, but it doesn't last long and even before the misunderstanding is cleared up, they still see each other. There was never a doubt that YZJ still cared for Duanwu. The lull in their relationship allowed for the FL to grow in her efforts following the ideals of female empowerment. Yes, the plot was interesting and it was gratifying to see Duanwu's resilience and intelligence result in her success as an entrepreneur. BUT it was the chemistry of this couple that had me so invested in this drama that I had ONE WISH! Both Duanwu and YZJ suffered many losses. I wanted them to be happy at the end.


The Ending (SPOILER)

I have no regrets watching The Story of Pearl Girl. It was a beautiful journey. And beautifully performed. Zhao Lusi and Liu Yuning went beyond expectations. While Duanwu and Yan Zi Ying were able to achieve goals and take fate into their own hands, there were some things they could not change. It was heartbreaking to see the dignity in their acceptance that YZJ was going to die. He decided to leave as he did not want her to see him die. He wanted so much to be with her, so it was heartbreaking to see his selflessness even as he cried. It was heartbreaking to see the composure that Duanwu held together for so long fall apart as she asked him not to leave her. But it was beautiful to see the way they were in their last scene. It was when they finally faced the truth together. YZJ didn't have to hide his health from Duanwu, and she no longer had to pretend she didn't know while doing everything she could to help him. Only then did they share their pain. I like to think perspectives changed once it was all in the open. Perhaps YZJ did not leave Duanwu behind. She wished to see the world with him and she told him. She might have convinced him to let her go with him. We don't know how much of an open ending we can see this to be, but knowing Duanwu, she had always been able to sway YZJ to see her way at some point. We do know at the end, that she declined the position as head of the guild so she could travel. Some might say the gradual build-up to finally facing the truth together, sharing the pain, and then shifting to Duanwu receiving recognition for her accomplishments was beautifully done.


But.... I detest sad endings. And I detest open endings. Good for those who feel the ending works for them. Even though I see how beautifully it was done and appreciate the performances of both Liu Yuning and Zhao Lusi I still need to ask, "Wèishéme?" Why? Why couldn't they have had their happy ending? Why must we watch 40 episodes of ups and downs, be dragged for almost 22 episodes hoping for the cure only to find it was hopeless? And why did they make this couple so loving that we feel invested in their outcome? They deserved their happiness. We deserve our happiness! His death was not necessary to show female empowerment or that Duanwu could do this on her own. She had already proven her resilience and capabilities. I gave TSOPG 10s for everything except rewatch value which I put as 9 at first. Then I changed it to a 10 after writing this review because I miss them. Needless to say, I have already rewatched the final episode several times looking for answers. My heart aches and it is hard to move on. They made me love them ....


Liu Yuning sings the OST "Only Wish." Visit Peachey Blossom's The Story of Pearl Girl Full OST video: https://youtu.be/oNvhO0pbO-4 to listen to Liu Yunings beautiful voice. The lyrics show life and death are two extremes of life's journey. We don't always get our wishes because some things are beyond our control. The following are some lyrics that stood out for me in terms of the drama.

Floating life is like a boat , ferrying the sorrows and joys of the world.
I hope this fateful entanglement is half regret and half hope
...the splendid memories will stain your eyes
...the bitterness of the world is still accompanied by dreams.
...I'll be moored on the other side of the river for the rest of your life, watching

The message here is in life there is good and bad. But may you always remember the good times. Even if there are sorrows, there are joys. The joyful memories will never go away. They are worth it. And this is what I have to say about watching this drama. Yes, it has a sad ending or an open ending as you might see it to be. Like the leads, I didn't get the ending I wanted but it doesn't negate the beauty in this drama or all that went into this amazing production. It is a 10 for me. And it is a beautiful journey you should see if only for once.

It is worth it.

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An Emotional Rollercoaster Worth Riding

This drama grabs you from the first scene and refuses to let go, keeping your heart racing long after the credits roll. It’s the kind of story that leaves fingerprints on your soul.

Duan Wu: She’s a force of nature. Fierce, street-smart, and unshaken by challenges—yet there’s a vulnerability in her innocence about life beyond the pearl farm. She’s the girl who punches first and figures out the rest later, and honestly, it works. Hardworking and fearless, but not invincible, her flaws make her real and relatable. Watching her grow into someone even stronger, someone more aware and mature, yet still kind at her core—it’s a transformation so raw and profound, it’s like witnessing a pearl form under pressure.

Yan Zi Jing: Oh, the layers. He’s sharp, complex, and burdened by a past that’s as heavy as it is painful. Living in the grey areas of morality, he’s ruthless when he has to be but still clings to shreds of humanity, refusing to lose himself completely. He’s the guy who looks ridiculously good while taking down enemies and even better while side-eyeing the FL’s stubbornness. A total tsundere, he pretends to be indifferent but sees her in ways that matter. His evolution? Breathless. Watching him rediscover his humanity and love is mesmerizing.

Zhang Jin Ran: The unsung hero. Kind, optimistic, and oh-so-easy to root for. He’s the guy who holds up the light in a dark world, even when it flickers. His hero complex might annoy some, but it’s laced with such genuine care that you can’t help but adore him. His journey from idealistic to grounded is realistic. Honestly? One of the best-written second leads.

Antagonists and Villains: Deliciously dark and grey. The kind that get under your skin, making you rage one second and admire their complexity the next. A perfectly woven balance of evil and intrigue. With a few wicked redemption arcs thrown in.

Acting: Zhao Lusi’s growth as an actress is evident; she’s more captivating than ever here. Her abilities are stronger, more powerful, and stable throughout the drama. She’s mesmerizing, with her emotions hitting you like tidal waves—raw, beautiful, and unrelenting. First time watching Liu Yuning, and he’s impressive—he brings believable subtle emotions and totally owns a tortured, morally grey character that is borderline red flag. His quiet intensity and tortured eyes carrying so much weight, you feel it in your chest. And Tang Xiaotian? Solid and nuanced, keeping his character compelling without overshadowing.

Plot: Fast-paced and brutally real. It’s a story that isn’t afraid to dive into the shadows—exploring slavery, resilience, and redemption with unflinching honesty. The imagery is vivid and unforgettable, lingering like a bittersweet echo. At its heart, it explores the unbreakable bonds of family—the ties that anchor us, but also the ones that weigh us down when love and revenge collide. It’s about a love so deep and unwavering it defies logic, carving through pain and misunderstandings to prove that sometimes, love is not just a feeling but also a choice. Betrayals cut like knives, their sting magnified by the trust that preceded them, and redemption feels hard-earned—messy, imperfect, and profoundly human. This isn’t just a tale of good versus evil; it’s a reflection of life’s grey areas, where the lines between right and wrong blur, and every choice carries a price.

Chemistry: Fire. Between the Duan Wu and Yan Zi Jing, it’s charged with simmering heat, the kind that makes you lean closer to the screen. And with the Zhang Jin Ran, it’s tender and heartwarming. Even the bromance between Yan Zi Jing and Zhang jin Ran was heartwarming. Lusi and Yuning’s connection, obvious and through the roof. Yuning's eyes are so expressive and matches Lusi's intensity. Their height difference? Dreamy. Their comfort with each other brings every romantic scene to life in a way that feels seamless and positively electric.

Cinematography & OST: A feast for the senses. Stunning visuals set the tone, and the music? Hauntingly beautiful, amplifying every emotion.

In short: This drama doesn’t just tell a story—it pulls you into its world, holds your heart hostage, and leaves you grateful for the experience. Watch it. Feel it. Love it.

PS:
The ending made every moment precious and worth it. A Walk to Remember left a lasting impression on me, but The Story of Pearl Girl takes it a step further, its finale is unforgettable. Duan Wu and Yan Zi Jing were dealt some of the harshest cards in life, yet they played them with fierce determination. They didn’t just survive, they lived and loved with all they had, defying every hardship thrown their way.

In the end, their dreams weren’t just fulfilled; they were brought to life in each other’s embrace. Their time together may have been fleeting, but it was luminous, filled with memories that eternity itself couldn’t erase. Their story showed something profound: life is brief, fragile, and unpredictable. But in the moments we do have, we can choose to love deeply, live boldly, and create something timeless. Duan Wu and Yan Zi Jing didn’t just exist - they made every second count.

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too long & unsatisfactory

I'm starting to lose patience with these big, high production shows that prove to be nothing more than celebrity vehicles. So much so that I'll not bother with a detailed critique. If I have to sit through 40 episodes I'm going to have expectations. A long show calls for complexity and depth, and while Pearl Girl has the backdrop for these elements, the show itself basically doesn't rise much above this: a single arc of a love triangle, introduced early, following the 3 characters as they run into each other from town to town. The main couple discovers their briefly touched upon pasts are intertwined as they both get caught up in a whirlwind of revenge and the show then devolves into an endless bloodbath. By the half way point, I suddenly realize there's no real 2nd or 3rd F/M leads or arcs. The only significant secondary arc follows the embattled cross-dressing daugther of a competing merchant family, who is a villainous opponent but unfortunately not that smart. In the 2nd half of the show the ML who was so dominant in the beginning then takes a head-scratching back seat to the FL, until he literally fades away. Sloppy editing left loose ends as well.

I think Zhao Lusi's career has been so much on fire for the last 2 years, to the point where I feel she is now over exposed. Her acting skill is limited, as is Liu YuNing's, and it's not interesting to watch them try to fulfill the same roles, the same way, over and over.

In looking back overall, the show had some entertaining moments but I basically sat through to the finish only out of curiousity for the ending.

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A MERMAID'S TEARS

Bold, compelling, intriguing... The Story of Pearl Girl is weaving a tale that you certainly do NOT want to miss!

2024 hasn't been donating the best Cdramas so far with few exceptions.. but I'm glad this came along. A pretty decent watch!

Everyone sees the beauty of pearl. They view it with admiration of it's beautiful and excellence but no one seems to know what people go through to get it. Even setting their lives on the line for it. The motto thus being: Dive or die. And so Duanwu emerges from the many pearl divers of this land with the mantra "I want to change my fate" taking on the brave role of working towards it.

A Captivating journey is woven, our female lead steps forward, taking every STEP POSSIBLE to obtain that freedom, even if it's to put her life on the line for that freedom.

The Plot is RAW, A POWERFUL AND EMOTIONAL narrative of a slave girl on a quest for true freedom and redemption. Sailing on a journey of the ups and down on the harsh business world dominated by cunning Men. It's an interesting adventure that draws you in an intimate attachment to our female character, Duanwu. The flow of the plot is Smooth. It's just right for what Is needed. Her development so far is natural, raw yet appealingly driving. It's a powerful plot focussed on our female lead's journey in a quest for redemption where she walks up the ladder of the business world and capturing the power at the top. And Fights to keep it.

Duanwu isn't ONLY a smart Witty girl who works with her brain to scheme and conquer. She IS PHYSICALLY FIT! our girl can fight! She can beat up scumbag men, she can kick ass YASS now that's something you don't see always for such female lead set-up. She isn't afraid of physical actions, she takes risks and slays at it!

The characters in the show are truly compelling. Not all though but the mains are truly something to look forward to. Zhao Lusi has my damn jaws on the floor with the execution of her character. Honestly she did better than expected. She engrossed herself into the role and perfectly embodied the character so well that you could See DUANWU in her. It's no wonder she Fought for this drama and role (since 2022 or so) ( she said she loved the character so much) and I can see how she's perfectly bringing the role to life. I'm honestly impressed.
Our male lead is a complex character worth of study alongside another drama I find interesting, The tomboy. She is certainly a grey interesting character that's always worth being on the lookout for.
Our tomboy ( forget her name haha) is a lady on a quest to make her stand in a toxic male dominated business world. And she is gonna do Anything for that.
The characters here are complex and interesting. Well... Except the 2nd lead who is ..well predictable goodie boy lol ( all righteous) I sorta find his character... dull. But let's see if he gets better I guess.

But Amidst his full character I think the two male leads add value to the female leads journey. Our male lead teaching her on the harsh realities of the business world and harshly training her for it. While the 2nd leads takes her on a morally correct ethics of life. A perfect blend.

Cinematograohy wise, This drama is decent for the genre. It isn't flashy as for a fantasy but for a historical drama of Such category, it's pretty nice. And the UNDERWATER SCENES WERE CHEF KISS. I can't believe it was filmed in a real life water! Excellent! No wonder it was so realistically done. Beautiful.

The Ost of this drama is suiting for the concept of the drama. not by best lineup of Ost but it's actually decent. Especially the Opening theme.

If you're contemplating if you should watch this drama, I'd recommend you check out the first two episodes. Ep1 captivated me at the go! So I believe these two episodes are enough for you to judge. Although I'm confident it'll hook you. You should check clips and see if the genres are something that you'll like, if so then I think you'll love this. It's gripping indeed and overall worth the time.

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Great first half but loses its steam (and my attention) in the second half.

1st half - 8.0
2nd half - 7.0

I already lowered my expectations for “The Story of Pearl Girl”, yet I am still somewhat disappointed. This is a well-produced drama with beautiful costumes, decent sets and cinematography. I don’t think objectively this is a bad drama, but I lost my connection to the leads in the middle of the drama, and was unable to regain my attention in the second half.

“The Story of Pearl Girl” has an exciting start. The story of our female lead’s struggle to leave the pearl farm might not be realistic, but at least it’s interesting. Time spent on the ship and Duan Wu’s climb from the bottom of the crew to being a partner-in-crime are well-paced and exciting. The first half is able to balance Duan Wu’s story and Yan Zi Jing’s revenge plot pretty well.

Although the chemistry between the leads is not sizzling, at least they have some interesting and fun scenes together in the first half. I also enjoy the friendships of the crew members and especially Duan Wu’s tight bond with young Xia Mi/Little Shrimp. The first half has a good balance of angst, suffering, adventure, and humor. There isn’t anyone too irritating in the drama and the leads are all quite smart.

Unfortunately, the heartbreaking mid-drama episodes came much earlier than expected. After that, everything goes downhill. The leads are separated for way too many episodes when they’re off to their own adventures. The little chemistry that they had, disappeared in the second half, and was never recovered. Well, at least I never felt their chemistry anymore. During this time, the focus shifted to Duan Wu’s business plot. The male lead becomes a wallflower or an unimportant supporting character. The drama loses the balance of revenge excitement and business shenanigans. Eventually, it also loses my attention all the way until the end. The downfall of the villains in the last couple episodes is very anti-climatic. I expected more, when revenge is such a big focus in this drama. The last episode should elicit a lot more emotions from me because of the lead couple, but I think I felt more for the secondary couple, Cui Shi Jiu and Zheng Zhi Heng.

The general acting of the cast isn’t too bad. I don’t think this is Zhao Lu Si’s best role. I still like her more in “Love Like the Galaxy”. But she’s good enough. The same could not be said for Liu Yu Ning. He lacks screen presence and charisma as a male lead. His acting also seems to have regressed from when I last saw him in “Heroes” (2024) where he acted alongside two very strong male leads. He’s still not very good with romantic scenes, and seems to be best when he’s with his band of brothers/bromance, such as in “A Journey to Love” or “Heroes”. The second male lead, Tang Xiao Tian, is a more experienced actor and it shows. There’s a scene when they’re side by side digging through the soil, and you could see the difference in their acting when displaying the same emotions. Fortunately, the rest of the supporting cast deliver solid acting.

I am not sure if I would fully recommend “The Story of Pearl Girl” to everyone. My criticisms are very personal due to me never recovering the interest after it’s lost in the middle of the drama. Normally, I would have rated a similar drama an 8.0. But if you are a fan of Zhao Lu Si, it’s worth checking it out. Her acting is still solid and she looks beautiful with different hair/makeup and costumes.




Completed: 12/19/2024 - Review #528

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Needed more CEO shooters

There are already over 100 reviews of this drama so I’m going to focus mostly on the class politics of The Story of Pearl Girl. It’s the fatal flaw of this drama and, oh boy, there’s a lot to chew on.

Before I get to that, a quick note on the gender politics. I hard agree with PeachBlossomGoddess who identifies bad gender politics as one of the key flaws at play. Indeed, I was incredibly worried when the ML strayed into Overbearing CEO* territory for a few episodes. Fortunately, the writers didn’t fully pursue that angle, but did ultimately undermine the FL’s fiery spirit in other ways (as PeachBlossomGoddess’s review describes in more detail).

What I think killed The Story of Pearl Girl was its frustratingly contradictory class politics. Now, I promise I’m not about to call the FL a class traitor like I did to Wei Lingyou in my review of Yanxi Palace**. However, what started as a strong underdog narrative for Duanwu in the first half of the drama, collapsed in the second half. Let’s consider the good part first, shall we?

For me, the highlight of the first 18 episodes is the condemnation of the Lawful Good character (don’t worry, we’ll get to ep 18 in a jiffy). This Lawful Good character is embodied by government official Zhang Jinran who believes that, if everyone simply followed the law, then all would be well. Of course, he fails to realise that it takes a high level of privilege – particularly class privilege – to act within the confines of the law.

Our ML, Yan Zijing, is quick to point out that while Zhang’s intentions may be good, his methods are crap: “Mr Zhang, you have a heart to save others but lack the power to do so.” Our FL, Duanwu, backs up this critique of the Lawful Good approach and tells Zhang, “You’re a man on top. You don’t understand how we [the bottom class] are.” This makes perfect sense. After all, even though Duanwu has escaped slavery as a pearl diver, she still struggles to survive. This clap-back at Zhang’s character is incredibly refreshing given the ‘Good Governance’ narrative*** tends to be heavily promoted in most Chinese costume dramas.

However, before the pivot point of ep 18, there were a couple of red flags that things were about to go astray. First, is Cui Shijiu. Shijiu is the daughter of the Cui family that owned the pearl farm on which Duanwu was enslaved. She starts out as a cruel Girl Boss but, after several twists and turns, ends up in a sticky situation. It’s at this point she likens herself to Duanwu. “How am I different from her?” Shijiu says, “Both of us struggling in this world, just trying to grasp our own fate.” Ummm gurl… one of you was a slave, and the other was the master. You cannot get more different than that. Unfortunately, her line of thinking crops up later in the drama (and I’ll get to that below).

The second red flag was Yan Zijing’s appraisal of Duanwu as she works her way up the (metaphorical) ladder on his trade ship. He remarks of her quick progression, “She wants to stand on her own…Many people in this world are stuck in misery, yet don’t want to lift a finger.” Other than the fact this sounds like the ‘dole bludger’ narrative that comes from the lips of conservative politicians, this assessment also misses many factors. One: Yan Zijing doesn’t acknowledge that Duanwu has a lot of natural talents that can be commercialised. i.e. you need more than effort alone. Two: pretty privilege. Big time.

And then finally comes episode 18. This is when the underdog narrative dies. It dies alongside a big handful of characters: all are Duanwu’s lower class friends. She also loses Shrimp, the only character left from her pearl farm days. By killing off all these characters in the Desert Ambush scene, the storyline also effectively severs Duanwu’s class roots. Henceforth, she joins the class of Small to Medium Enterprise owners (read: merchants) and realises her individualistic Girl Boss ambitions.

And…so what? Well, Duanwu enters the jewellery business. And she does so without blinking, which is surprising given she knows that pearls are the aquatic equivalent of blood diamonds. She is fully aware of the cruel supply chains on which she relies to create her jewellery. Yet, they are never mentioned. They are kept entirely off-screen. As far as we know, the pearl farm continues on the same, likely under different management after the fall of the Cui family. All the while – or at least after their brief separation – Yan Zijing pats her on the head and tells her what a good little Girl Boss she is.

I was still interested in seeing what would happen with Cui Shijiu after going through a whirlwind of ups and downs. Her story was a lot more interesting, embracing the complexities of a villain you can’t help but feel for. Near the end of the drama, Shijiu and Duanwu forge an unlikely alliance where Shijiu finally recognises Duanwu as her equal. Purely because she’s her commercial equal. A fellow Girl Boss. Duanwu even refers to Shijiu as her “confidante” and the chumminess between these two leaves a real bad taste in the mouth.

And that bad taste is what The Story of Pearl Girl ends on. Thank god Liu Yu Ning looks good in purple, cos that was the only redeeming feature of this drama.

===

* I use the term “Overbearing CEO” the way Geng Song does in his fantastic article on Chinese workplace dramas, found here: https://www.euppublishing.com/doi/full/10.3366/mclc.2023.0031

**My Yanxi Palace review, ‘Wei Yinglou is a class traitor. Change my mind.’ https://kisskh.at/profile/TheUnhinged/review/305311

*** I talk about the ‘Good Governance’ narrative more in my review of The Double: https://kisskh.at/profile/TheUnhinged/review/392435

PeachBlossomGoddess’s review: https://kisskh.at/profile/PeachBlossomGoddess/review/408704

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The show starts off strong but ultimately loses momentum as it progresses

On paper, this drama has everything I look for: a compelling story centered on character development, female relationships, and political intrigue rather than just romance. It starts off with great promise, drawing the viewer in with its strong foundation. However, as the story progresses, it becomes stalled by repetitive obstacles thrown in the protagonist's path, which ultimately saps the momentum from an otherwise intriguing narrative.

The first few episodes were absolutely thrilling and deeply moving—they even brought me to tears. The show tackled heavy themes like sexual violence with sensitivity, delivering a female-focused narrative that made me root for the main character with all my heart. The developing friendships and romances were equally compelling, filled with chemistry and emotional depth.
I’ve always loved stories about women overcoming adversity to build their own businesses, as seen in New Life Begins. However, in this case, the story begins to lose its spark in the second half. The intrigue fizzles out as repetitive obstacles are thrown at the protagonist, making the narrative feel stagnant. The show would have greatly benefited from fewer episodes and tighter storytelling in its latter part.
By the time the tragic ending unfolded, my emotional connection to the characters had waned due to the overly drawn-out plot. Finishing the show felt like a chore, as each new conflict added little to the overall progression of the story. While it had incredible potential, the lack of narrative focus in the second half sadly undermined its impact.

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Live Each Day to Its Fullest, Don't Take Anything or Anyone For Granted & Be Mindful of UFOs

What a beautiful, multilayered journey with very complicated characters! I was watching this for LYN and I can say despite what I think is an OE/SE for his character and those that loved him, it is his best acting to date. Obviously the reunion with ZLS after TLB was something special to see, but this drama was about the realism of life, business and revenge more than romance. It reminded one to live life to the fullest, not to take anything for granted, & always be mindful of UFOs.

Pros: Favorite character for me was LYN as YZJ; each drama of his that comes out is such an improvement over the last and I'm so proud of just how much he gave to this character. Starting out living only for revenge as a morally grey merchant of the west. You really didn't know what his motives were at beginning other than he had a deep grudge against a ruthless bandit leader named LK, his gang of thugs, and two families the Cui's and Zheng's. He was super intelligent, filthy rich, and his plans always included contingencies. It was only when he met DW played exceptionally well by ZLS who herself was struggling just to live a moment at a time as a slave pearl diver (btw though it looked beautiful underwater, free diving is hard as hell and without proper equipment it's even more difficult, so serious props to ZLS for doing all of those scenes herself. Though for safety reasons, they should have hired a professional certified free diver) in some beyond deplorable conditions and her bargaining her life over a pearl just to get herself free and sneaking herself and a little boy named "shrimp" onto YZJ's boat that the seemingly ruthless merchant, started teaching her everything he knew about the pearl and jewelry business as a whole. He didn't just take her in slave and whatnot, but because the woman she thought was always torturing her in the cave was actually her mother (YZJ’s mom’s maid and best friend since childhood) and she taught her accounting and was particularly strict with her because she wanted her to live and her something priceless in her possession that with her dying breath she gave to DW; a blood-pearl that became an essential piece of this entire story. Turned out that the pearl made YZJ recognize DW as the daughter of his family's chief jade carver and who was slaughtered along with his own family when he was a boy as he watched them murdered by the bandits sent by the Cui and Zheng families and three (Xu, LK, & PY) other sinister and powerful figures behind them so they could take the entire jewelry business in different places over as well build the mastermind's power. Meanwhile, YZJ was imprisoned, tortured, and poisoned for 8 years until he escaped with another young boy KJ who later became his best friend and most trusted aid/guard.

I won't go into the entire story because then what would be the point of watching? But that's the essential original connection between YZJ and DW. SML or ZJR traveled undercover and had initially fallen for DW but because of their totally different worlds, he had no chance with her and instead opted to become the best friend and fellow investigator alongside the other two later on. What struck me was that ZJR, Xu, and PY had the same Shifu and were brother disciples but only ZJR was upright and just while the other two were corrupt and murderous. The three of them (YZJ, DW, ZJR) made for a great team. YZJ was the one who relentlessly taught DW how to stop being easily trusting and naive and how to be ruthless when need be. He also taught her the basics of martial arts and how to use a short sword. He saw her passion, will to live and taught her how to stand on her own two feet and rely only on herself which became essential in many situations. In the meantime, she taught him to open his heart and learn to love. She wasn't afraid to call him out on his bullshit and that was new to him. She was warm and caring and stood up for anyone that was being bullied but unlike him who hid that deep within himself, she wore it on her sleeve towards the people she cared for like ZJR, shrimp, Loud, accountant Wei, Yunxia, and the others she met both on the convoy and off of it (like Lady Wu who was her sister for life, though after their stop in Guangzhou, other then through letters, they never saw each other again). Because of that, he started to open up more to her and care/be protective of her. He recognized that they were kindred spirits in a sense.

Their love developed gradually; there were several occasions that she saved him and that's when he told her about being poisoned and that it was almost impossible to cure even more so when the only witch doctor that could cure it was killed by LK when she was also kidnapped but everything was put to the ultimate test during the ambush of the convoy when just about everyone was murdered as those bandits infiltrated the convoy so you couldn't tell who was good and who wasn't. All of it was done by someone YZJ considered to be a brother but all he wanted was the blood pearl. DW went through her lowest period because she lost everyone (with shrimp dying in her arms) and thought YZJ had tried to kill her when in reality he had shot the poisoned arrow that was aimed at her out of the way but his arrow did hit her which all things considered wasn't bad. She also didn't know that it was KJ that arranged for her to be saved by the migrating tribes.

Them reuniting in Yangzhou, the last place they would be together for this series and just how many emotions went into that. The betrayal she felt, the pain at knowing the truth but going the noble idiocy arc route that he decided to shoulder everything himself. Everything was so raw and beautiful; whether you laughed or cried. It was in Yangzhou where YZJ brought the last of the original male Cui family down with his own work. Bringing down the Zheng family proved to be more difficult and dangerous as more evil figures started to pop up as well as the original instigators of the first and second massacre; and this is where YZJ, DW, ZJR (who the entire time was conducting his own investigation with the occasional secret help of both YZJ and the emperor) plus their guards and employees came together.

CSJ started as a morally grey snob who because though she didn't have it easy, her life wasn't impossible compared to what DW went through, so I didn't pity her and wished she had less screen time though they were determined to show her for a while like that before she finally started going through really hard life threatening things that towards the end made her realize just how misguided and wrong her behavior her entire life had been and she finally came together with DW on several occasions especially towards the end to bring down Zheng big bad himself.

The emotions displayed by our leads especially during their best or absolutely worst times really made this storyline whole. The real antagonist here was YCWY aka LK (played very well by his actor); an absolutely rotten to the core human being ruthless beyond measure; even though Prince Ying (PY) was the mastermind; he was just a loud mouse in comparison. And the absolute heartbreak of the ML when in episode 39 he found out the truth, was hard to describe. Though most of us had guessed around the time the ambush happened at the sanctuary as how would bandits perfectly disguise themselves as convoy guards just as YZJ was to set out to meet ZJR and together they'd eradicate the bandits. YC knew of this plan as the master of the sanctuary; he killed the witch doctor, kidnapped DW, then set up the ambush just to get the blood pearl. And many people in the comments didn't understand how someone as smart as YZJ couldn't put two and two together. But when you go back and think about it, he was shot himself by at least three arrows, also sliced with a blade and that pesky poison, the man was barely alive. After which he was scared for DW and when he made it to Yangzhou he had to get back to work with what to do next. He couldn't just put all of that aside and think. So when that reveal happened, he was dumbstruck. He considered this man his brother because YC had done everything in his power to gain his trust and support him including financially but this was the same monster that imprisoned, tortured, and poisoned him for 8 years. I do wish they had lingered longer on his emotions upon reveal; because of just how raw they were. For once he realized how devastating this revelation was both for himself and DW. But he was just a kid when they met again and LK had reinvented himself as YCWY a sanctuary owner for merchants "hiding from the bandits." Which was brilliant for the antagonist.

Ok let's talk about that ending as it goes both in the pros and cons for me. YZJ and especially DW had exhausted all avenues in search for an antidote, his body was breaking down day by day, we saw it. LYN played a man dying of a slow acting poison brilliantly. YZJ had decided to leave and KJ had made all of the preparations for his passing and for all of his money to go to DW. That last scene he was officially in as DW was begging him not to go was heart wrenching; you could tell in his eyes that he was fighting with himself about that decision because he couldn't bear to leave her. After that scene we saw a shooting star (LYN's UFO came to get YZJ) and then next scene DW (who's wearing YZJ's ring and is visibly upset as she talks about not sharing moments with people who couldn't be with them) wins the competition and is appointed Guild head but turns it down and gives it to CSJ who's more appropriate for the position. DW then spends the next 40 years traveling the desert as a merchant as she wanted though we never see her face.

My thoughts on it is that he did leave after giving her the ring which was something he never took off even when he was held captive in the first arc and she rescued him; so it had very special meaning to him and by giving it to the most important person in his life was his way of letting her know that they belonged to each other. But the competition was only 2 or 3 days after we saw him last so he couldn't have passed away so quickly. I think after the competition, she left and met up with him and they spent some time together before he indeed passed away and KJ joined her in the traveling caravan. So to me it's an OE/SE. If he had died immediately, KJ wouldn't have left at all so that wouldn't have made sense as YZJ was his whole life and DW was I guess his sister in law so he would spend the remainder of his days guarding her no matter what. But in this situation, I have no problem with the ending at all.

Everything else was beautiful; costumes (though could've done without the Rapunzel braid for DW), sets, CGI on point, great OSTs & BGMs, and awesome fight scenes.

Cons: After that larger than life pros section, this section is small because my biggest issues were with editing and writing ie production. The second arc had the most problems as it seemed scenes were cut into something and you would get a whiplash. I really wish the noble idiocy arc didn't last for 10 episodes though their paths crossed all the time and almost right away he was secretly helping her. KJ should have stepped up sooner as he was the best wingman ever. But there were many inconsistencies like where did YZJ and KJ find such a luxurious horse and carriage in the middle of the desert after the ambush that had them hiding in caves and with traveling caravans? There was never any recording of time passing especially when you had multiple people walking around a grand desert alone all Willy-Nilly like they were in their own backyard; that legitimately looked absurd. Then the absolutely ridiculous part of first a kidnapped Yunxia, then DW, and then maybe 5 minutes after the first two escaped, ZJR coming to the same inn in the middle of nowhere woods. And he's back hot on their trail to find them yet in an actual town, they miss each other by literal steps. Suspense of disbelief deployed.

Towards the end when they were running the glass business there were times when you weren't sure whether you were looking at a flashback or real time because of the way the shots kept jumping back and forth. I was very confused. The ending, I wish they rounded all of the important people out better not just left them hanging and had actually shown YZJ leaving and how much time passed between that and the competition where everyone was pretty much just left there. Even DW who supposedly traveled on a merchant caravan for 40 years wasn't shown but just a bunch of people covered in black garb on horses and camels with goods looking like Ringwraiths in the desert with an older woman's voiceover being the old DW. This way, that same UFO returned and picked up DW too! It was a bit sloppy. It should have been much tighter and satisfying, even if did become an SE. I'm fine with those, just tighten up the writing and editing.

Would I recommend it? Regardless of some sloppy and loose writing here and there, I absolutely would. This was a realistic live every moment to it's fullest and don't take life or those you love for granted story and it was rich, layered, lush, complex, and absolutely beautiful. Don't pass it by just because it has an OE/SE. It deserves the praise.

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