The Story of Pearl Girl (2024)

A dazzling start, a disappointing dive

The Story of the Pearl Girl initially captivated audiences with its stunning visuals, a compelling female protagonist, and an exploration of societal constraints. However, the narrative loses its focus in the latter half, diluting the impact of what the characters had created till the western region arc.

The early episodes are a visual feast, particularly the underwater sequences that showcase the arduous life of Duan Wu, a pearl diver. Her life as a pearl diver had been difficult, but she never lose hope of having a shop of her own. Her journey allow her to met new people along the way, such as merchant Yan Zijing and Noble Zhang Jin Ran. The drama was enjoyable to watch, and there was a balance between the quest for revenge and for romance to blossom between Duan Wu and Yan Zijing.

Unfortunately, the end of the western region arc and the start of the Yangzhou arc derails the well written narrative. The excessive number of new characters and subplots introduced in the Yangzhou arc diluted what kept the story interesting in the first place. The focal point of the later part of the drama was on the FL and her Jewelry shop, and how she pit her wits against other shop owners in Yangzhou. While they try to link it back to the main plot (which involved the ML), it was quite weak and the change in focus resulted in the ML's airtime (and the romance between the FL and ML) to be reduced.

The conclusion of the drama was slightly bizarre, and there were questions unanswered, which made it disappointing.

Rosy shines as Duan Wu and Su Mu Zhe. As Duan Wu, she is a spirited and resilient woman who defies societal norms. She is someone who will do whatever it takes to protect herself and those around her, which Rosy delivered through her acting. At the latter arc, when the name change from Duan Wu to Su Mu Zhe, she delivered perfectly all the heart-wrenching scenes.

Liu Yuning also delivered a compelling performance as Yan Zijing, a complex character who sworn to revenge against those that wronged his family and later as someone who wants to protect Duan Wu/Su Mu Zhe. Yuning's emotional performance throughout the drama, particularly in the latter half (even with the reduced airtime) is impressive and was what that got me through the end of the series.

As this wasn't the first drama that Rosy and Yuning acted as a couple, I find that their chemistry was great and they were very comfortable with each other in the show. I personally do wish there were more opportunities to show their romance in the drama (especially at the latter arc), where the romance was almost non-existent.

I personally like the OSTs of this drama, particularly the song performed by Liu Yuning which further enhances the emotional depth of the drama whenever I hear it.

Despite the story plot that didn't manage to sustain its interesting level, The Story of Pearl Girl is still a great drama, which I recommend those with the time to give it a go.

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too long & unsatisfactory

I'm starting to lose patience with these big, high production shows that prove to be nothing more than celebrity vehicles. So much so that I'll not bother with a detailed critique. If I have to sit through 40 episodes I'm going to have expectations. A long show calls for complexity and depth, and while Pearl Girl has the backdrop for these elements, the show itself basically doesn't rise much above this: a single arc of a love triangle, introduced early, following the 3 characters as they run into each other from town to town. The main couple discovers their briefly touched upon pasts are intertwined as they both get caught up in a whirlwind of revenge and the show then devolves into an endless bloodbath. By the half way point, I suddenly realize there's no real 2nd or 3rd F/M leads or arcs. The only significant secondary arc follows the embattled cross-dressing daugther of a competing merchant family, who is a villainous opponent but unfortunately not that smart. In the 2nd half of the show the ML who was so dominant in the beginning then takes a head-scratching back seat to the FL, until he literally fades away. Sloppy editing left loose ends as well.

I think Zhao Lusi's career has been so much on fire for the last 2 years, to the point where I feel she is now over exposed. Her acting skill is limited, as is Liu YuNing's, and it's not interesting to watch them try to fulfill the same roles, the same way, over and over.

In looking back overall, the show had some entertaining moments but I basically sat through to the finish only out of curiousity for the ending.

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Worth Watching!

What can I say? Usually, I don't write reviews but this drama is an exception. I suddenly had the urge to write this review so here it is.

The Pearl Girl, DuanWu has an amazing character development. And not just DuanWu, I would like to commend the resilience of every women in this drama. It was very inspiring.

The flow of the story is wonderfully crafted. Every arc is a real trigger for a roller coaster of emotions. However, I don't know what to feel when it ended. I felt like I could watch more of them. I still can't believe that I quickly finished watching it. Those 40 episodes didn't feel like the plot was draggy(if that's even a word haha).

Overall, it's a worth-watching drama with a beautiful OST, and perfect cast.

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Lackluster

This show was a little disappointing for me since it was one of my most anticipated dramas of the year and I adore the cast. For me this came off pretty underwhelming and didn’t really stand out from other dramas in this genre.

The Good

Amazing cast lineup. This show had a good range of decent traffic stars that can draw you in to want to watch. I wouldn’t say everyone was a good choice but most of the top players have decent enough acting skills to overshadow those who weren’t as outstanding. I also enjoyed the take on pearl diving as this was an unfamiliar concept to me and I appreciated how they tied it to the jewelry business. Lastly, the OST was good.

The Bad

The story was weak and couldn’t keep my attention. The writers/producers attempted to tell a story about a pearl diver caught up in the middle of the criminal jewelry world and set to take revenge. It’s a good concept but executed pretty poorly. The show was riddled with the same old cliches and plot holes that we see in other dramas in this category. The villain’s motivations were similar to so many other dramas that it became lackluster and unexciting. They also use way too many predictable plot devices to try to stir the audiences emotions but really they just fell short for me as I already saw them coming. Next, the romance up until the 27 episodes I saw was very underwhelming and unnatural. There wasn’t much of a natural buildup or connection between the leads to make me invested or believe they liked each other, especially with his initial treatment of her. Lastly, the production quality was pretty poor which was a little surprising. The CGI was very bad, the fight scenes weren’t the best, the costumes weren’t anything to brag about.

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A Must Watch…

The Story of Pearl Girl is a must watch…a well developed storyline, amazing acting, beautiful cinematography, excellent cast, and overall, top notch production.

Initially, I wasn’t sure what to expect with the plot. But after watching the first few episodes, the series is much more than I imagined and now I’m hooked. I’m half way through the series and am so glad they were approved for the 40 episodes - allows for a well developed storyline.

Zhao Lusi is an amazing actress. I have enjoyed watching her in other dramas , but her skills in this one is next level. Her ability to tell the story of her struggles and resilience through all her different emotions is incredible. The underwater scenes with her diving for pearls is exquisite. Liu Yuning’s acting as the ML is also impressive. His imposing stature and strong overall presence make him suitable for the role. The chemistry between the two leads is overflowing. They are very comfortable acting with each other. The cast are all great actors.

The cinematography from the underwater images to the desert scenes are mesmerizing. The costumes are captivating. The OST beautifully matches to the production. This series has been top tier so far…

Update: Have watched the drama mutilple times
The fast paced first half reflects the difficult life, struggles, and resilience of DuanWu (Zhao Lusi) as she attempts to escape the world of pearl diving; the more moderately paced 2nd half focused on the storyline of how DuanWu learns to build her jewely business in the midst of many challenges. The dedication and effort to deliver the strong performances is truly commendable. This is different than your typical storyline. Highly recommend.

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Needed more CEO shooters

There are already over 100 reviews of this drama so I’m going to focus mostly on the class politics of The Story of Pearl Girl. It’s the fatal flaw of this drama and, oh boy, there’s a lot to chew on.

Before I get to that, a quick note on the gender politics. I hard agree with PeachBlossomGoddess who identifies bad gender politics as one of the key flaws at play. Indeed, I was incredibly worried when the ML strayed into Overbearing CEO* territory for a few episodes. Fortunately, the writers didn’t fully pursue that angle, but did ultimately undermine the FL’s fiery spirit in other ways (as PeachBlossomGoddess’s review describes in more detail).

What I think killed The Story of Pearl Girl was its frustratingly contradictory class politics. Now, I promise I’m not about to call the FL a class traitor like I did to Wei Lingyou in my review of Yanxi Palace**. However, what started as a strong underdog narrative for Duanwu in the first half of the drama, collapsed in the second half. Let’s consider the good part first, shall we?

For me, the highlight of the first 18 episodes is the condemnation of the Lawful Good character (don’t worry, we’ll get to ep 18 in a jiffy). This Lawful Good character is embodied by government official Zhang Jinran who believes that, if everyone simply followed the law, then all would be well. Of course, he fails to realise that it takes a high level of privilege – particularly class privilege – to act within the confines of the law.

Our ML, Yan Zijing, is quick to point out that while Zhang’s intentions may be good, his methods are crap: “Mr Zhang, you have a heart to save others but lack the power to do so.” Our FL, Duanwu, backs up this critique of the Lawful Good approach and tells Zhang, “You’re a man on top. You don’t understand how we [the bottom class] are.” This makes perfect sense. After all, even though Duanwu has escaped slavery as a pearl diver, she still struggles to survive. This clap-back at Zhang’s character is incredibly refreshing given the ‘Good Governance’ narrative*** tends to be heavily promoted in most Chinese costume dramas.

However, before the pivot point of ep 18, there were a couple of red flags that things were about to go astray. First, is Cui Shijiu. Shijiu is the daughter of the Cui family that owned the pearl farm on which Duanwu was enslaved. She starts out as a cruel Girl Boss but, after several twists and turns, ends up in a sticky situation. It’s at this point she likens herself to Duanwu. “How am I different from her?” Shijiu says, “Both of us struggling in this world, just trying to grasp our own fate.” Ummm gurl… one of you was a slave, and the other was the master. You cannot get more different than that. Unfortunately, her line of thinking crops up later in the drama (and I’ll get to that below).

The second red flag was Yan Zijing’s appraisal of Duanwu as she works her way up the (metaphorical) ladder on his trade ship. He remarks of her quick progression, “She wants to stand on her own…Many people in this world are stuck in misery, yet don’t want to lift a finger.” Other than the fact this sounds like the ‘dole bludger’ narrative that comes from the lips of conservative politicians, this assessment also misses many factors. One: Yan Zijing doesn’t acknowledge that Duanwu has a lot of natural talents that can be commercialised. i.e. you need more than effort alone. Two: pretty privilege. Big time.

And then finally comes episode 18. This is when the underdog narrative dies. It dies alongside a big handful of characters: all are Duanwu’s lower class friends. She also loses Shrimp, the only character left from her pearl farm days. By killing off all these characters in the Desert Ambush scene, the storyline also effectively severs Duanwu’s class roots. Henceforth, she joins the class of Small to Medium Enterprise owners (read: merchants) and realises her individualistic Girl Boss ambitions.

And…so what? Well, Duanwu enters the jewellery business. And she does so without blinking, which is surprising given she knows that pearls are the aquatic equivalent of blood diamonds. She is fully aware of the cruel supply chains on which she relies to create her jewellery. Yet, they are never mentioned. They are kept entirely off-screen. As far as we know, the pearl farm continues on the same, likely under different management after the fall of the Cui family. All the while – or at least after their brief separation – Yan Zijing pats her on the head and tells her what a good little Girl Boss she is.

I was still interested in seeing what would happen with Cui Shijiu after going through a whirlwind of ups and downs. Her story was a lot more interesting, embracing the complexities of a villain you can’t help but feel for. Near the end of the drama, Shijiu and Duanwu forge an unlikely alliance where Shijiu finally recognises Duanwu as her equal. Purely because she’s her commercial equal. A fellow Girl Boss. Duanwu even refers to Shijiu as her “confidante” and the chumminess between these two leaves a real bad taste in the mouth.

And that bad taste is what The Story of Pearl Girl ends on. Thank god Liu Yu Ning looks good in purple, cos that was the only redeeming feature of this drama.

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* I use the term “Overbearing CEO” the way Geng Song does in his fantastic article on Chinese workplace dramas, found here: https://www.euppublishing.com/doi/full/10.3366/mclc.2023.0031

**My Yanxi Palace review, ‘Wei Yinglou is a class traitor. Change my mind.’ https://kisskh.at/profile/TheUnhinged/review/305311

*** I talk about the ‘Good Governance’ narrative more in my review of The Double: https://kisskh.at/profile/TheUnhinged/review/392435

PeachBlossomGoddess’s review: https://kisskh.at/profile/PeachBlossomGoddess/review/408704

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