Polaris (2025)

A MISSED OPPORTUNITY - A Storm of Potential, Washed away by Weak Execution

BIG BUDGET, TOP STARS, BUT HALF BAKED EXECUTION

Tempest drama is just another typical spy espionage thriller drama, boasting top stars, strong production crew and reputed director, screenwriter with big elements America, South Korea, North Korea, Mercenaries, International-Spies, Secret Agents everything looks solid right but it only on the story board and ultimately feels like a half-baked cake.

As a big fan of spy espionage thrillers; I had some good expectations for this drama, especially from one of my favourite director KIM HEE-WON but the execution fell down. While the story feels fresh compared to previous spy thrillers, the plot is poorly developed.

This really drama’s biggest drawback is instead of leaning into the genre’s elements – conspiracies, betrayals and psychological mind games it turns into chaebol-family conflicts in midway, slowing the pace and weaking the narrative drive.

Good at
• Initial episodes.
• Production design.
• Acting.

Major disappointments
• Underdeveloped plot.
• Midway focus heavily on family conflict rather than espionage.
• Forced romantic subplot.
• Lost momentum in maintaining real suspense and tension.

Technical aspects 6/10

Bad editing, the editing feels sloppy in some episodes. Scenes cut and jump too quickly, breaking the actual flow of the story narration and making it hard to connect to the scenario. Soundtrack and background score feels off but in early episodes it was on the track. Average Cinematography.

ACTING 7/10

One word- Underutilized talent of acting power houses JUN JI HYUN & KANG DONG WON, I loved acting and they portrayed roles perfectly but unfortunately the script doesn’t give their characters enough depth or opportunity to showcase their full range. Their characters becoming average in this context is a sign that writing failed to maximize their potential. Same goes to supporting actors they also given good performance according to roles.

Final thoughts—

Kim Hee Won is one of my favorite Korean directors; her making style is always best according to the story. She has delivered some acclaimed different genre works like—Vincenzo, Little Women, Crowned Clown, and Queen of Tears (the making style). Tempest feels like one of her weakest works. She missed bringing her mark - powerful characterizations in this drama.

Also, Screenwriter Jung Seo Kyung created a powerful story but failed to build the strong characters with enough depth. Also, instead of focusing on the story's key aspects evaluation, the narration shifts midway into a romantic track just when it should have taken sharper turns.

Some viewers may enjoy that romance subplot, but the as for storytelling aspect of this is a complete failure. Ok, let's take this as "the screenwriter approached the romance plot because they tried to create a dynamic relationship between the main leads and for a strong climax," but it backfired. Even the family conflicts sidelines the core story, and the plot twist also shows no impact.

Technically it is some appreciable - dark atmospheric tone, some well executed action scenes along with the alignment of the US-KR story setup and actors costumes. Even if the makers have a big budget and top stars and the best crew, sometimes the content is kingmaker. When makers fail to polish their strong potential into compelling content, the results inevitably fall flat. A story should be given what it really demands, forcing - in unnecessary elements only ruins it.

Leia Mais

A ride that lost its spark halfway in

This is purely my personal take after following this drama from start to finish.

If I had to sum it up in one word? Ambitious. That’s the strongest impression the drama left on me. With a massive budget, a star-studded Chungmuro lineup and even some international cast members, this drama feels like it wanted to bite off more than it could chew.

To be fair, the beginning was quite promising. The pacing worked, the intrigue kept me curious, even if things were already starting to feel a bit tangled. But the further it went, the harder it was to keep up. The political plot grew unnecessarily convoluted, conflicts felt rushed and half-resolved, characters lacked proper development, and the editing often came off choppy. There were scenes that jumped so abruptly from one to another that I literally found myself thinking, “Wait, how did we get here?”

As someone who genuinely enjoys the spy/espionage genre, my expectations were sky-high the moment Kang Dong won and Jun Ji hyun were confirmed as leads. His long awaited small screen comeback paired with her star power? That alone could’ve sold the show. And honestly, it did, for the first few episodes. But beyond that… not so much.

The drama repeatedly lost momentum. Tension would build nicely, only to fizzle out because of clumsy execution. Storylines were dangled like they’d pay off, but then they just dissolved into thin air. Throwing in the US and other international politics only muddied the waters further. Personally, I think the show would’ve worked better had it stayed focused on the North–South conflict.

By the time it reached the endgame, everything was a blur, plot holes left gaping, resolutions that never landed, and twists that were far from memorable. The writers seemed overly confident in trying to compress such a complex political narrative into 9 episodes. The result? Half-baked. Maybe if they’d gone the traditional 16–20 episode route, the story could’ve actually breathed.

Even the romance between Munju and Sanho suffered a downgrade. At first, I really liked their dynamic-mature, grounded, no unnecessary fluff. But as the story spiraled, their chemistry started to feel out of place. Politics were a mess, yet they still found time to act lovey dovey in high-stakes situations. Honestly, it felt awkward and tone-deaf.

On the acting front? No complaints whatsoever. The entire cast delivered solid performances, even the supporting actors. I particularly respect the senior actors who gave a genuine effort with their English lines and accents. But no matter how strong the performances, weak writing will always drag the whole thing down.

I get that the writer might’ve been going for “realism” and sure, politics in real life are messy, complicated, and rarely tied up neatly. But at the end of the day, this is still fiction. It doesn’t have to be dumbed down, but it does need to be watchable. This drama leaned so hard into being “realistic” that it forgot to be engaging.

Overall? Nothing remarkable, outside of that train scene in episode 3, there’s barely anything that stuck with me, Definitely not a drama I’d ever rewatch.

And Kang Dong won? Please, for your next project...just give us a rom-com with Kim Taeri.

Leia Mais