The Midnight Romance in Hagwon

A slowwwwwww burn

So this drama requires one big thing from its audience: patience.

It starts out slow; a lot of the early episodes are focused on establishing setting — the competitiveness of and within academies, how it clashes with public schools, etc. We see our main female lead, a star academy teacher, get caught up right in the middle of it, and its only after all of this do we get a little glimpse of an interaction between her and the male lead. It looks like a lot of people had already dropped the drama by then, and those people missed out — the chemistry between them is FANTASTIC.

But I don't blame them. The unfortunate truth is that the academy setting and plot just...isn't that interesting, despite how well-written it is. We've seen similar themes in other dramas — pressure on students, overbearing parenting, backstabbing coworkers — and honestly, those dramas were right to do it with more flair and flamboyance. While I appreciate how down-to-earth and realistic the conversations and lessons are (There are some that are truly heartwarming, like seeing a teacher rediscover her passion), there's really only one A-plot, and it really does start to drag. There's only one thing going on; we're spending too much time on it when I'd rather be with the main leads, or even getting more depth for our second leads, who end up really underdeveloped.

The melodrama-style editing doesn't help the slowness; while the melo vibes of the show really work towards the drama's favor when we're just spending time with our leads and watching fall in love and be in love, it also means we linger on the other academy-centric moments, and I find myself zoning out when an academy lecture scene about the history of Korea (or something) goes on for ten minutes, or even if the antagonists are having some really long, drawn-out conversation.

By the end, it feels like the main plot is a little underwhelming for how much time we spent on it, and I wish we'd spent more time just seeing our main leads happy or even just doing something different, something that's not lecturing or eating dinner (lol).

Honestly though, the main leads are absolutely golden. The chemistry is amazing, I love love love the communication and the tension between them, and their little flashbacks were so cute. It's crazy that they're the the main leads and it still feels like they didn't get enough screentime together. We just needed this drama to be a little more romance and a little less everything else.

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There ought to be a law...

If either the word "romance" or "love" are in the title, call me crazy, but I think that should be the focus. This is the first show in a long time that every day I remember that I'm not finished with it yet. It wasn't grabbing me, that's for sure.

Story: Here is where I think the problem was. Instead of romance we get hours' worth of a cautionary tale regarding the Korean education system. It would have been very interesting if it had been interspersed throughout the drama, but it was the focus and it went on too long. The romance was underbaked and felt like more of an afterthought to me. I didn't care for the FL character - she was so condescending to her boyfriend! When she said, "Look at me and listen to what I have to say. Focus." I wanted to smack her. He was so caring toward her, but he was an afterthought to her. There were quite a few scenes in her house or in one of the lecture rooms where it was so dark you couldn't see what was going on. Boring ending (though I did like the proposal, and those are the prettiest rings I've seen in a long time.)

Acting/Cast: The strength was here, that's for sure. The leads were great, I thought the second couple were very cute, and I loved the bar owner and his wife. Standouts for me: Kim Jung Young as the VP and Seo Jung Yeon as the director. I've seen both of these ladies in numerous works, and they played completely different parts here and were so wonderfully unlikeable. And the director's gray hair was fabulous. My favorite was Kim Song Il as Pyo Sang Sub - a world-weary teacher with an unyielding character. Truly, everyone did a great job.

Music: Oh, my heavens I hated the song at the beginning and end of every episode (Open to page 64) - it gets into your head like an earwig and takes up residence, and not in a good way. A couple of episodes had overly dramatic music that didn't go at all.

Rewatch value: I barely got through it once!

I will say, as I'm in the minority in my thoughts, give it a try and decide for yourself.

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Part endearing part aggravating

The male character is endearing - his zest, drive, and heartfelt portrayal of his character are what lifts the show. Unfortunately, the protracted and frequently boring storyline regarding the actual running of the academy, together with the unprofessional conduct, and competitive behaviours - all take away from the overall charm.
I guess at the end of the day what really was a turn-off was yet another portrayal of an archaic, face-saving, and frequently harmful society. Destroying someone's career on the basis of them dating another adult - well, that doesn't make for compelling storytelling, it just makes one aggravated.
It is a sweet, slow-burn romance that touches the heart. It is also a slow and frequently frustrating watch.

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A refreshingly sassy KDrama, critically reckoning with the South Korean education system (and love)

“The Midnight Romance in Hagwon” promises a love story with its international title - and that's what we get. Jung Ryeo-won and Wi Ha-joon are creating the relatively adult, authentic aura of a tender but complicated love relationship between a former graduate and his former tutor. Yet, the two are more than a couple. Today, as teachers, they inspire each other to teach didactically creative. And in doing so, they also inspire their students.

Thus, the KDrama, which in the original means something like “The Graduate”, basically offers more than a romance. It is rather a quite critical reckoning with the South Korean education system. The criticism: It's less about education than about grades -and a lot of money is involved in getting good grades. The students learn the correct answers to their questions. They therefore receive any effective support outside of school, mainly in the tutoring academies, provided their parents can afford it. However, there is one thing, the students don't learn: how to ask the right questions. They don't learn to question or get to the bottom of something. They know their material they have to memorize and what formulas they should be able to apply. Everything else is not part of the entrance exam or a prerequisite for qualifying for admission to one of the three large SKY universities. It has to be Seoul National University, Korea University or Yonsei University (S, K and Y), if anyone in South Korea is to become something...

"The Midnight Romance in Hagwon" aka "The Graduate" takes stock of the prevailing, dubious, even misleading values of a society, still trying to convince the people that they have to obsessively achieve something in order to be valuable of some sort.

When it comes to the academy teaching staff, it is about tailor-made exam preparation, courting parents an acquiring new students. Looking to the right or left, seeing a student as an individual human being with dreams and needs, let alone respond to them? Oh my! Whether it's students or scandals, it's never about the people. It's always about the money. A lot of money. The competition is enormous. The South Korean education market is a lucrative economic engine that is humming along happily.

This KDrama offers a wonderfully staged, emotionally sensitive and vivid approach to these issues, using the fate of various ambitious, highly motivated teachers who would like to try something different, but are not allowed to. They are surrounded by elitist parents who are ready to do anything for the glorious future of their beloved, dearest offspring. They are also surrounded by fiercely competitive academies that are just waiting for someone to make a mistake, because then those protégés can easily be poached and their own coffers start ringing instead...

What a refreshingly sassy KDrama, dealing with all those issues...

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comfort drama material

things that i loved about this series...
- the main characters (not only them as a realistic couple but also them as an individuals)
- chemistry was chemistryng
- the acting (i've followed leads' works for years and i'm so happy that they got cast together)
- the setting (as a casual contemporary cdrama viewer, i don't mind when drama focuses more on occupation than romance)
- the cinematography and editing (ahn pan seok has magical hands)
- proposal scene (most of the "noona" genre dramas have open endings or leads barely make up so this was refreshing)
thing i didn't like that much
- just a little bit too much focus on some of the side characters (some of their scenes could've been cut)

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An Office Romance Wrecks Havoc on the Fragile Career of An Elite Educator

Interesting insight into the elite education field for high schoolers in Korea. Though the FL was very good at what she did her approach, at times, could be off putting. The ML being brought onboard predictably stirred things up and inevitably led to the FL being humbled a bit but it was growth her character needed .

Though the show did a good job at capturing the atmosphere of the elite Korean education system the story wasn’t deeply engaging. There wasn’t anything compelling about the FL standing outside a door waiting for the ML to finish his teacher’s entry exam, watching him do a mock lecture or watching administrators and teachers try and outwit each other to become the next *star* educator at the school. It’s difficult to make a series centered around the classroom interesting, which is why this show struggled to capture this viewer.

The romance wasn’t enough to make up for what was missing in the main story. The leads chemistry wasn’t great, just passable. Their love story was okay. It was a little icky that the ML had a thing for the FL back in high school when she was his teacher. She gave in to his advances almost immediately. It would’ve been more realistic had she resisted his romantic overtures given their past teacher/student relationship, not to mention the risk to her career, for which she’d worked very hard to find extraordinary success.

Overall, this was okay. After I finished the last episode I realized there was nothing memorable about this show. Is it worth watching? Depends on the viewer, but honestly not to me. Is it worth a rewatch? Absolutely not.

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Mismatched writer and director makes for a mediocre melodrama.

Beautifully directed in Ahn Pan Seok's signature style, but unfortunately the writing isn't on par with the production. While APS often chooses dramas with a strong thematic narrative over detailed characters or complex plots, MRIH didn't developed any of those elemnts. Newbie KDrama writers usually work for years as uncredited assistants before they shop their own scripts and this one probably should have stayed an assistant a while longer.

Something in the Rain and One Spring Night (APS's previous works) are middle-class societal issues slice of life with melodrama romances. They primarily tackle how parental abuse primes women to accept abuse in the workplace and their romantic relationships, which creates a cycle. The FL is saved by the love of the ML, but he's an unsuitable partner and they have to conquer trials, tribulations and villains to be together.

Classic melodrama, close curtain.

MRIH doesn't deviate much from that formula - embattled hagwon tutor FL trapped in a career-life crisis until first student (and of course, first love) ML shows up to free her - but puts more focus on issues in lieu of romance. Which is perfectly fine, if the writer does a good job at meaningfully addressing those issues.

So what critique does MRIH offer?

That education should focus on students... without any realistic means to do that.
That authority in education is the enemy... without any exploration of how or why.
That teachers should be good teachers... which just circles on back to the first point.

It leaves a lot to be desired in depth and subtlety, especially compared to similar dramas that tackle education issues. The plot that attempts to reinforce those themes is equally lacking - it's mostly petty office politics blown exponentially out of proportion with some makjang circumstances and farcical villains to match.

The lack of a strong narrative would be understandable if the relationships and personal struggles of the cast took a central role instead, but every side character speaks with one expository voice - the writer's. And the writer is only concerned with one thing - hammering their message home over and over and over.

There's really nothing else to distinguish MRIH except the romance, which isn't particularly compelling unless you're into the student/teacher taboo. ML is a manic pixie dream boy - impulsive, devoted and with minimal development outside of facilitating FL's journey to personal fulfillment. FL suffers from Mature Female Lead Syndrome - so well rounded there's no edge to her personality. Together, they're unmemorable except for the florid bodice ripper romantic interludes that occur with regrettable regularity.

UPDATE: Having now finished the drama, I stand by all the assesments in this review.

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A cry from the heart about the current state of arts education in Korea

Ahn Pan Soek always chooses to highlight a social issue in his dramas and essentially this drama explores the current state of arts education in Korea with a romance blended in. If you hope it’s the other way around you will not only be disappointed, but probably miss the point entirely. Having said that, the romance that does unfold is beautifully written, directed and acted. And the lesson in arts education is a rallying cry to bring it back to life and reveal it’s passionate, emotional heart.

He likes to find writers who can reveal both the underbelly and the heart and here he has collaborated with yet another subtle and mature writer, Park Kyung Hwa. She only has one other credit to her name which is delighting in the rating of 7.1 on the MDL richter scale. Obviously not earth shaking. Unfortunately there are no reviews, so I have no idea why it was rated so low. But here she is ably proving herself to be a typical Ahn Pan Seok collaborator with a nuanced and obviously well-informed script. She manages to highlight the different responses made by each character in pressure situations and handles the character development well, giving the viewer enough verbal information to follow along with the complex internal emotional landscapes that she is playing with. The emotional games that get played out in the final two episodes are especially good.

The pacing is very even and focuses on slow studies of people’s reactions. The life lessons learned here are not on a romcom level, they are difficult questions around the intersection between ethics and ambition, and, compassion and competition, requiring some thought and sensitivity to follow and appreciate. It really takes off about two thirds of the way through, at a point where often a drama flags.

The characters are closer to realistic so have good and bad about them, but are not exaggerated. For some they might be too ordinary, but I think that the actors do a good job at showing the hidden undercurrents and the depth is there if you look for it. At the start the FL makes some quite unprofessional moves and the ML bludgeons his naive way ahead. But this slice of life story leads you through the realistic steps that will change both their minds and their attitudes. At times there’s a moral superiority at work which might be a little difficult to swallow. But this is dramaland after all and the antagonists are kept within the bounds of credibility.

As with other Ahn Pan Seok dramas, the love story at the heart is sensitively portrayed. High five to Jung Rye Won and Wi Ha Joon who have great, believable chemistry. The uncertainty and awkwardness of the beginnings of intimacy are beautifully brought out. And the bedroom scene is such a joy. Full of warmth and naturalness. Ahh Pan Seok and his crew obviously manage to create an environment on set that allows the actors to feel comfortable and easy, so that their laughter and intimacy seem more real.

The supporting cast is a panel of very familiar faces if you are an Ahn Pan Seok stan. All of them are good and there are no two-dimensional cardboard cut-outs. As for Seo Jung Yeon’s hair, it is a sculpture in itself. It’s got enough product in it to hold up the Sydney Harbour Bridge and she wears it with impressive style. Who needs Medusa when you’ve got her death-stare boring into you from across the desk.

Overall the drama is a damning indictment of the Korean arts education system and the forces that keep it on the straight and narrow, where free thinking and self-learning is sacrificed to conformity and examination grades. In terms of thinking it creates more of the same, rather than individuals who can think outside the box and move in unique directions.

The majority of my working life was spent in “western” universities and I watched them change in order to accommodate the rote learning styles of the many countries whose students provide the financial survival of western education, once political policies turned them into businesses. Much has been lost in the process.
A PhD was once an entirely original piece of research in a field not previously studied. It required breaking new ground in an area carved out by the scholar. Now it has often become being included in someone else’s research programme to write papers and includes taught courses. Many students flounder if they are not told exactly what to do and how to do it.

Gone is the education in imaginative and original thinking and the confidence to explore academic freedom. This was the actual purpose of an arts education. But the drama reveals how that is undermined, such that the student never gains this skill, but only learns to parrot what is thought by someone else. At one point the character Lee Jun Ho (Wi Ha Joon), in his battle to teach differently, says “The smart ones… understand it will become an asset of their lifetime.” The whole essence of this thinking is carefully revealed in Episode 12 and it is explicitly delineated in step by step terms like a cry from the heart.

I won’t elaborate on, imo, how self defeating it is to push children in this way to rote learn so that they can get into a university (Seoul National) which is currently (June 2024) ranked at 62 on the THE scale of global universities, 14th in Asia, with an arts and humanities ranking of 176-200. (https://www.timeshighereducation.com/world-university-rankings/seoul-national-university) That’s indicative of a good university, but nothing exceptional. Children who get into the top university in the world - Oxford University - do not study in this way or for such punishing and unsustainable hours. Go figure…

Where Ahn Pan Seok and I completely part company is the music. My musical taste is pretty eclectic and I’m willing to embrace almost anything if it’s good. But banal and bland, predictable and pedestrian - nah. It’s not even as though you can just ignore it as background noise, tbh it’s often so cheerfully twee it attracts the ear. How he can be so subtle in his directing, yet have such naff taste in music is beyond me to understand. I’ve never watched a drama of his where the repetitive songs have not annoyed the hell out of me in every episode. Look, I’m sure there are people out there who love them, but I’m simply not one of them.

What I do like about his approach to music though is that he doesn’t always use it. His directing and the quality of the acting allows him to sometimes let emotional scenes play out without having to manipulate the viewers’ responses. They are good enough to stand on their own and silence is the thing that adds poignancy. Then immediately afterwards he’ll use something with brass and percussion at max reverb that wouldn’t sound out of place in a Marvel movie. What can I say…

As I have experience in the field and care very much about education I was probably able to read the message more thoroughly than most and as a result I really enjoyed this drama.

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disgusting story, miscasted lead

1. Problematic Teacher-Student Dynamic
The show’s central premise is not only morally unacceptable but also poorly executed. The teacher-student relationship crosses a clear ethical line as the characters are shown being physically intimate on multiple occasions, making their actions both inappropriate and deeply concerning. This goes beyond mere suggestion or ambiguity and sets a harmful example, normalizing exploitative dynamics rather than addressing the serious consequences such relationships would have in real life. The significant age gap only adds to the discomfort, and such portrayals risk being a bad influence on viewers.

2. Unrealistic Character Development
The script’s portrayal of the teacher is inconsistent. Initially, she is shown as an overworked professional with 15-hour workdays and no time to spare. However, as soon as the student enters the picture, she miraculously finds time to constantly hang out with him. Even without romantic tones, this behavior is unprofessional and unrealistic for someone in her position.
The female lead is framed as educated, kind, and composed, yet her actions contradict this characterization. Instead of maintaining boundaries, she spends time with a rude, unskilled student who has no manners and no teaching experience. She even shares her resources and guidance with him, despite the fact that they are supposed to be competitors. These decisions make her seem inconsistent and poorly written.

3. The Male Lead is miscasted
The male lead is a glaring weak point in this drama. His character is rude, arrogant, and lacks both the skills and qualities needed for his role. It’s hard to believe that someone with minimal effort and training could perform as a teacher. Furthermore, his constant stalking and pestering of the female lead are framed as endearing but come off as creepy and inappropriate.
The casting choice for the male lead is also questionable. His demeanor and appearance might suit a gym teacher, but he doesn’t convincingly embody a Korean literature teacher, which undermines the credibility of the story. His portrayal exaggerates the character’s rudeness and makes him even more off-putting.

When the inevitable scandal breaks out, his true colors are revealed. Rather than taking responsibility or attempting to protect the woman he claims to love, he refuses to quit his job or even deny the allegations. Instead, he selfishly allows the female lead to face the brunt of the fallout on her own, exposing his arrogant and self-serving nature. It’s hard to root for a character so blatantly egotistical and manipulative.

Final Thoughts
"The Midnight Romance in Hagwon" had an opportunity to explore complex themes, but instead, it promotes an unrealistic and problematic narrative. With inconsistent characters, a morally questionable premise, and poor casting, this drama falls flat and leaves a bad aftertaste. Unless you’re curious about how not to handle sensitive topics, this show is skippable.

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Captivating premiere, Realistic education plot. Plus, heartwarming romance!!

The midnight romance in hagwon is captivating, the school and academy setting made it more interesting. And that's not all, the argument of seo hye jin and the school teacher on the multiple choice question made it more realistic.

There are many teachers out there who simply can't accept they made a mistake, especially when that mistake is being pointed out by an academy teacher or a student. When students tells some teachers about a question having more than an answer in the options given, they'll refute them by saying "I've already told you this is the only answer for the question". And they'd be more infuriated should the student mention that his/her academy instructor proved her right.
Humans learn from their mistakes, but some believe their mistakes should be covered just because they feel their pride would be hurt. And that's exactly what this teacher tried to do.

And honestly, school teachers and academy instructors perform the same duties but in different manners, I guess. school teachers teaches according to the national curriculum while academy teachers teaches a bit beyond curriculums. But all in all, both of them teach and impact knowledge, isn't it?

This drama is indeed very promising, with excellently executed plots. I'm excited to see more captivating episodes to come!!!

The romance between the two leads is both heartwarming and believable. The chemistry between the actors is undeniable, and their interactions are both funny and touching.

The writing is sharp and witty, with a good balance of humor and pathos. The dialogue is natural and believable, and the characters' emotions are conveyed with authenticity.

The acting is superb, with all three leads delivering nuanced and emotionally resonant performances. The actors bring the characters to life and make them feel like real people.

Finally, it picked up when it reached episode 12. What can I say? I've got to say I love how mature the relationship of both leads are. They understands each other. Although I think the story could have been summarized with 12 episodes, rather than the 16. Besides that, it's still a good watch. It's a mature drama I'd recommend.

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