The Midnight Romance in Hagwon

Try it you might like it!

It's not as bad as the comments make it seem. I gleefully anticipated this drama since I LOVE Jung Ryeo Won and Wi Ha Joon. Also Wi Ha Joon finally in a romance? I was excited. Then after I saw it was out I almost didn't watch it because of what I read in the comments. SO if you are contemplating, just give it a chance to see how you like it. Don't rely too much on other opinions with this one.

It's a very mellow drama with a very cute romance. If you like Something in the Rain or One Spring Night you'll like this. I didn't know that this show had the same director until I was almost done with the show and was like "That's why it felt so familiar!" I have some complaints about the story and ending but the acting is amazing. I'm big on romance, it's hard for me to watch anything without it lol, so trust me when I say it was great. It also didn't feel that much like a Noona romance, probably because there isn't too much of an age difference. She treated him like her student but he never let that slide since his goal was HER lol. Romance 10/10.

My biggest gripe with the show was the ending. I both liked and disliked Ms. Nam. Ms. Nam alone is a great person and I loved her. It was iffy at the beginning because of how she wanted to compete with SHJ when that wasn't the normal practice at the academy, but she got better and was great. In the end they made me dislike her a bit because that woman gave her the position just because she wanted her and her son to get married. As if they wouldn't get married if she didn't get the position. The ending was not that satisfying because although SHJ decided to leave they never acknowledged all her contributions to the academy and instead were solely focused on mitigating their losses. They should have pursued legal action for those rumors at least. Like "oh, we've sucked you dry, wasted your youth, and let your reputation be destroyed but it's fine since you're leaving." That's not loyalty Shannon. That's not justice. It made me just see the new assistant direct and selfish and self-serving. Everyone just casually hated SHJ just because she was successful and good at her job. She never did anything to them but she was attacked left and right and no one moved to openly defend her, no matter how much she helped them in the past. Just nasty behavior all around.

Anyways, give it a try if you want. I enjoyed it a lot even though the ending irritated me lol.

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Slow paced. Not living up to its potential. I used the fast forward button far too many times.

I am here because I found out we finally have Wi Ha joon as the male lead. The story didn't sound that interesting to me & I feel like this is one of the drama's where you are not sure if they will end up together or not.

Ep 1: The beginning is very slow paced, the characters seemed boring in the beginning. It was somewhere around the 20 minutes mark that things finally started to get interesting. The interactions between the FL & the school teacher was so charged with friction. I liked the way the FL approached it rationally, not a fan of how the school teacher reacted. Have seen that reaction from a few men while having rational conversation. You feel as if you'll get hit for sticking to your convictions. The romance part is a bit slow. But I could see the potential in the final minutes of the episode. They have known each other for a while so there's no instant spark or meet cute that we usually see with other romances. The acting is okay, the story lacks.

Ep 2: The pacing was pretty much the same as the first episode. 20 minutes in and I wanted to drop it, but for some reason I continued. I got to see Wi Ha Joon's pretty smile at the end. I'm sad to say I'm not looking forward to watching the next episodes.

Ep 3: It seems that my patience has been rewarded with some witty communication between the leads. I love the witch and her hairstyle, she looks amazing! Her all black outfit was such a stark contrast to her greyish white hair. She is a character that has made things interesting. This episode has made me look forward to the drama now.

Ep 4: Kinda saw it coming. At least the FL was open to a different style of teaching that would benefit the student the in the long run. Here's to hoping that they'll do better in their next round against the witch. The witch clearly won this round.

Ep 5: It was okay episode with some enjoyable moments. I can't believe they are just going to let the FL go for one mistake. They aren't even giving her the chance to rectify it or work together so that they can come up with a plan. At the same time, I also like the idea of FL working with the white witch! They'll make such a powerful team (Not a fun one like our leads but at least an interesting one)

Ep 6: Finally the romance is here. Even without reading the description of the drama, you are aware that the ML has feelings for the FL. It's not clear whether she pretends to not know about his feelings but she isn't all that surprised when he confesses. The rest of the story was okay, as expected. The white witch didn't get much screen time, I wanted to see more of her.

Ep 7: The problem with the drama is that, it is unable to create that curiosity that has people waiting for the next episodes. I'm sticking around for the two main characters, they are very low key adorable and comfortable to watch. I like that the main characters will be getting together, I am not sure who is against their relationship as shown in the preview. Right now, even the white witch is not enough to keep the storyline from getting boring.

Ep 8: Another sweet episode with the leads exploring their newfound relationship.

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The most interesting thing here is that the word "Midnight" is in the title

Exciting things tend to happen at midnight, right? Full moons come out. Showdowns happen. Interesting creatures of the night emerge to do nefarious things. Partygoers let their better judgments lapse. Sex, drugs & rock & roll!

[insert air escaping from balloon sound effect] That is most certainly not this show, however.

It is easy to identify the work of director Ahn Pan Seok. He casts a lot of the same actors. He inserts a long musical montage in every episode and uses the same song through an entire drama (not a choice that seems wise, but that's his style). The stories do not shy away from realistic adult relationships and very grounded portrayals of middle to upper middle class characters living middle to upper middle class lives. He really likes outdoor scenes that are barely lit. And his antagonists tend to be very one note, very limited characters.

With his previous two outings, "One Spring Night" and "Something in the Rain", he had relatively compelling main characters and charismatic lead actors. Particularly with "Something in the Rain", the presence of Son Ye Jin as the lead elevated the entire enterprise.

"The Midnight Romance in Hagwon" doesn't merely fail to reach the bar set by these prior productions where they excelled, it fails to register in virtually every element.

Main characters? Wi Ha Joon squeezes every possible atom out of the character of Lee Jun Ho, but it's a wafer thin character. He's a nice guy that's smart and clever and easygoing and things seem to work out for him except his friends who like him want to hang out with him when Jun Ho would rather have private time with his girlfriend. That's pretty much that extent of his woes. Jung Ryeo Won's Hye Jin encounters a bit more troubles but is enough of a Mary Sue that they're merely temporary annoyances rather than measurable tension. The two together are fine. Probably the highlight of the entire show is the romantic inexperience and awkwardness the two share.

Antagonist? Looks like the real life version of Vector from "Despicable Me" but without the brightly colored sweatsuit or the zany threats or the odd weapons or the pet shark or anything of interest really. He is, almost literally, a human stick in the mud.

Support characters? So Ju Yeon's Cheong Mi is legitimately a bright spot to the extent that she is permitted to be a presence. And Seo Jung Yeon's just obliterates anyone else on screen as the hagwon ice queen who perhaps eventually ends up being a more colorful antagonist but through eight episodes is more of a mere morally ambiguous plot fulcrum. The rest are so uninvolved that they fail to make any impression of any sort which is a tragic waste of some fabulous talents like Kim Jung Young and Kil Hae Yeon (who had been sensational as the horrifying, deranged mother of Son Ye Jin's lead in "Something in the Rain").

And it's not like if the material had somehow been amended this ship could have been righted. Sure, if some more time had been spent with the students, maybe there's a beat or two of a pulse in a subplot there. But there's nothing particularly engrossing about the day-to-day inner workings of a hagwon or the competition between two of them. So with very little as far as compelling inhabitants of them, there's just nothing but mild mannered, ordinary people with a not that out of the ordinary romance and...

Uh, and...

[cue the crickets sound effects]

Yeah, there's nothing else.

Not recommended.

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Because night time is the right time, to be with the one you love, with the one you love

Korean language teacher Seo Hye Jin (a fantastic and stunning Jung Ryeo Won) is the spearhead of the Daechi-chase Academy, a private after-school institute (Hagwon, in fact) in the Gangnam district of Seoul, dedicated to strengthening and improving the academic development of students of various age levels;
Entirely dedicated to her work, Hye Jin sees her life take a sensational twist when Lee Joon-ho (Wi Ha Joon, outstanding), her former best pupil, reappears. After giving up his career in a major company, he decides to become a teacher at the same school, with unpredicted consequences...

‘Midnight Romance In Hagwon’ is a beautifully delicate rom-com, capable of treating such a complex and burning theme as the articulated Korean school system, undoubtedly competitive and varied in its labirynthic set of rules, dogmas, social conventions and fierce struggles, all aimed at reaching the top of society itself. The drama, at the same time, is capable of touching us thanks to a captivating love story that escapes the banalities of the most predictable and sugar-coated romance, offering us an adult and decidedly structured relationship, also hindered by social conventions, work principles and even methodological differences.

The Daechi-chase Academy represents a kind of working microcosm where, along with the planned teaching structure, there is also a kind of subterranean ‘internal’ infighting within the Hagwon itself, where ‘there are no friends, everyone is in competition’ (summarised, in one of the clever dialogues, by the metaphor of hyenas and the ‘meal’) and where co-workers are ready to take advantage of any weaknesses of their own in order to advance their careers; certain founding principles of Confucianism are always emphasised, both for the role of teachers and for that of students.

Respect for hierarchy and seniority, the importance of teamwork rather than the individual's path, is portrayed, but almost as an antithesis to this, perfecting education and trying to improve oneself is given a central role, apparently individualistic concept, but accepted, as competition with others, for the best grades and for a job, which is also a better one, is a kind of ‘social lift’ necessary to reach the top of the hierarchical ranks of Korean society itself.

So intense is the competition between the different Hagwons (there are so many of them considering the extent of Seoul and its urban areas) that spy-story techniques to snatch secrets and steal each other's best students often reserve more than a few cheap shots to belittle and discredit the competitors.

In this kind of no-holds-barred law of the jungle, where profit and personal enrichment rule, a kind of feud evolves between the Daechi-chase Academy and the Choiseon Academy, led by the infamous Choi Hyung-sun, known as the White-haired Witch.

In this ill-concealed hypocritical society, closed and dominated by exasperated rhythms and widespread frustrations, both on the teachers‘ and pupils’ side, the figure of Seo Hye Jin -stunningly portrayed by Jung Ryeo Won- ends up being overwhelmed by the uncontainable vitality of Joon-ho (Wi Ha-joon, absolutely perfect in a part one couldn't imagine for anyone else);

The teacher Seo leads a methodical (and boring, it has to be said!) life, consisting of 16 hours of work a day, six days a week, with no traces of private life and no personal relationships, except for a couple of friends -he runs a pub, she is a lawyer-, with practically no relations with family members (there is a hint here and there in conversations with colleagues, but nothing more) and, above all, no sex life;

In the first episodes, we find ourselves following this robotic routine of meetings, scheduling, lectures, insights and sad lonely re-entries into an anonymous house that is almost a ‘non-place’ where Hye-jin seems to return just to sleep, which is a bit of a paradigm shift compared to so many beloved dramas where the house is often the focus of events or narrative plot twists.

It will be Joon-Hoo's unbridled and in some ways brazen audacity that will progressively undermine Hye-jin's convictions; not only the certainties of feelings, and here the noona-romance, as mentioned above, avoids the classic loopholes of the typical rom-com, also giving us a moment of extraordinary and very reserved emotional authenticity, but also -above all!?- the preponderant work vicissitudes, dealt with in some of the drama's topical moments, which offer a confrontation-clash of the highest level, where the dilemma over teaching methodologies instils the seed of doubt in the own Teacher Seo:

Whereas Hye Jin applies an almost mnemonic system where the pupil is directed to learn ‘by memory’ certain mechanisms of comprehension and learning, Joon-ho's style is more ‘ thoughtful’ where there is also a quest to convey passion for the literary subject.

Are the students, almost like machines, to learn and that's all, by memorising passages from books, practising calculating the probability of the questions in the tests, evidently ‘forgetting’ everything immediately after the exams, or are they to become passionate about the subject, perhaps with the opportunity (as in the case of Joon-Ho himself) to become the teachers of tomorrow?

It should not be forgotten that the Hagwons are extremely expensive schools, with families prepared to make considerable sacrifices in order to see a bright future for their children; parents demand the best from teachers and the discourse of ‘experimentation’ cannot prevail over the certainty of academic achievements.

The moment the boiling pot of the ‘clandestine’ relationship is discovered, and professional ethics in the workplace are called into question, the stigmatisation of the two teachers begins, victims not only of the oppressive work rules, but also of those previously mentioned founding principles that foment jealousy, hypocrisy and false respectability, where artfully fuelled slander can disrupt anyone's life...

I have already mentioned Jung Ryeo Won's superlative performance; her characterisation of Teacher Seo is so articulate, she has so many aspects, contradictions, weaknesses, but also resilience against adversity, that it is impossible not to be moved by the portrait of a 34-year-old woman who, confronted with the evidence of changes in her life and work, she finds herself rethinking all her principles and values pursued up to that point; that this sort of emotional switch is triggered by the vitality of the young (6 years younger) Joon-Ho is evidence of great narrative script.

There is, in my opinion, a certain affinity with the same emotional mechanisms of the beautiful ‘Encounter’, where youthful fervour, cheekiness and, let's face it, the right amount of arrogance deriving from one's enthusiastic confidence, prevails over a heavy, boring and, I would emphasise, grey ‘comfort zone’ of frozen maturity...

A great Wi Ha Joon, who is also perfectly mature in a very complex role, able to avoid the risk of falling into easy clichés and boring mannerisms, portrays a splendid character who is not afraid to shout his feelings to the world, not only making a breach in his beloved's heart, but, as a novel knight, defending her with his sword in the hardest moments, especially in the last episodes...

Their private, personal moments are beautiful, underlined by sincerely romantic and moving dialogues, almost ‘literary’ but never pedantic, capable of involving and melting even the least predisposed hearts thanks, it is important to specify, to a nocturnal scenario that often finds the two main characters almost ‘isolated’ from the rest of the world and that, at least for me, recalls certain classics of the past…

It has to be said that among the top-notch cast, I personally did not find the character of Choi Hyung-Sun, the so-called ‘witch’ played by Seo Jung-Yeon so interesting; she seemed a bit too caricatural, almost cartoonesque, a bit like Cruella De Vil, a bit like Miranda Priestly, far too mannered in characterisation...

Much better is Kim Jung-Young in the role of Assistant Director Woo, who is able to make her character grow exponentially with the dramatic progression of the story; she is a decidedly interesting character, fuelled by a resentment that has poisoned her life and who, when confronted with the main characters of the tale, reveals all her mediocrity.

I mention the excellent Kim Song-Il in the role of Professor Pyo Sang-Seob; these are those difficult characters, perhaps considered ‘marginal’ in the economy of the story, but which reveal unexpected qualities even with very few lines; his professional ethics, seemingly old-fashioned and mistreated, more for his attitude or his character disposition than for anything else (once again, appearances are mistaken for certainties), is instead surprisingly re-evaluated in the light of the extraordinary free lesson that the teacher offers his pupils; a truly outstanding piece of acting talent!

Personal curiosity: Between the office and the home of director Kim Hyun-Tak (Kim Jong-Tae), a film lover, one notices the framed posters of various films such as ‘Christmas In August’ and my much-loved ‘The Contact’ (with the goddess Jeon Do Yeon).

Of course, the drama is not completely perfect, in my opinion it gets a little lost in some conclusions that are not quite focused, between a catfight that is perhaps liberating (there is a lot of pent-up anger throughout the drama) but quite exaggerated, a second younger couple of low interest that has more of a function of lightening the narrative tension, and even the role of some students, at the beginning quite highlighted, is a little sidelined;
there is also an invasive use of the music, at the umpteenth ‘Open to page sixty four (don't forget about me)’, a bit like Carla Bruni's obsessive cover of Tammy Wynette in ‘Something In The Rain’, your blood pressure goes up a bit, but whatever, the soundtrack as a whole is pleasant and well structured.

As usual, there seems to be a need to make all the pieces fit together for an ideal closure, but nothing changes the magic of the story, which may not appear immediately engaging (the dialogues are definitely articulated and must be followed with a lot of attention) but which knows how to conquer, thanks to the wonderful work of the two main performers; let yourself be carried away by the emotions and you will be adequately rewarded, this drama will win you over!
8 ½

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Little gem

The depth, relatability and maturity of this drama caught me by surprise.
I was expecting a slow pace and insignificant story, maybe with some bullied student achiving some goal. But my bad!

This is a beautiful and really entarteining piece about vocation and service to others in a quite competitive field. The conflicts are so relatable that your emotions are carried by the story without any effort.
The characters have depth and the acting is superb!
And you can see the ML smile a lot, since that would be enough reason for me to watch it. :)

Thats all, just in case you are in need of a good and round drama, this is it.

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If You Like Slow Burn!

I absolutely loved "The Midnight Romance in Hagwon". As a die-hard fan of Ahn Pan Seok’s directing, this drama hit all the right notes for me. The melodramatic feel paired with stunning cinematography showcases Ahn Pan Seok’s signature style perfectly. The OSTs were also top-notch, enhancing every emotional moment.

As a noona romance enthusiast, I was thrilled with the solid, slow-burn romance between Lee Joon Ho and Seo Hye Jin. Although the romance wasn’t front and center all the time, the moments we got were deeply satisfying and well-executed.

The portrayal of academy life and the conflicts between teaching styles in schools and private academies were brilliantly done. The drama beautifully highlights the challenges faced by academy teachers, especially through the character of Seo Hye Jin as she navigates the complexities of teaching ideals.

Overall, "The Midnight Romance in Hagwon" is a gem. It offers a unique blend of romance, drama, and insightful commentary on the education system. Highly recommended for anyone who appreciates nuanced storytelling and well-developed characters.

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A Deep Dive into the Complex World of Korean After-School Academies

"The Midnight Romance in Hagwon" is a captivating drama that portrays the intense pressure students face in South Korea's after-school study centers, along with the fierce competition and high expectations these kids endure daily. It also delves into the complex relationships and power struggles among the teachers.

Seo Hye Jin and Lee Jun Ho's relationship, which evolves from a teacher-student dynamic into something deeper, is central to the story. Their realistic love story, marked by ups and downs, helps us understand them better as individuals. You can really feel the connection between them, which makes them interesting to watch.

Other characters also shine, like Choi Hyung Sun, the formidable "White-Haired Witch," and Woo Sung Hee, whose scheming adds tension to the story. The well-developed characters and their motivations keep the story exciting and full of surprises.

The drama doesn't shy away from showing the harsh realities of the Korean education system and the sacrifices students make for academic success. Yet, it balances this with some funny and sweet moments between the characters.

The cinematography and soundtrack beautifully complement the story.

I really enjoyed "The Midnight Romance in Hagwon," but the ending felt incomplete. Still, it's a compelling watch with strong character development, offering a realistic look at the challenges within Korea's education sector. If you appreciate such stories, this drama is worth your time.

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so boring so far

The aesthetic is beautiful, but the plot is boring. I mean, I don't find it interesting to watch teachers fighting over exam questions.

I'd rather see things progress, like going to therapy, building relationships with students, or something more exciting. Fighting so intensely over something so trivial doesn't make much sense to me.

I don't feel engaged on any level, but I do appreciate the pleasant aesthetic — the wardrobe and lighting are quite nice, to be honest.

I'll keep watching for now, but I'm constantly thinking about dropping it
edit: after 8 episodes I drop it, the drama never gets good or interesting to me

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main lead look so creepy together,

i watched both of them in there dramas and i liked both of them, but seeing them together here , don't look that good at all
ML left his job and says its to earn more money as a teacher but i truth we know he left his job and become a teacher with other motive of seducing his old teacher
while they were teacher and student, they don't look that age gap
FL look much younger with her looks and figure she has mentioned
ML WI Ha Joon was amazing in Little woman and Squid Games,
and i wanted to see him as male lead for sure
the way ML and Fl talk with each other, ML look obsess with Fl in not so positive way but Creepy
he left his job and change career to seduce her, but what if she still just see him as her student... he would become a abusive stalker,, if things do not go as his plan,, ( director would help and thing will go nicely and she will suddenly start seeing him as a boyfriend material
she acted as she is his mother in first 2 ep worrying about him like his job is going to effect her living expenses
then ep3 and she started to act like a 17 year texting her crush
its boring
no chemistry between leads as couple, they look Nice has Co-worker or friends
dark lighting like its Grim

they way this so called Teacher talk about other teacher senior to them, white haired witch
they are not teachers
they are not educated students but training them to get high grades just like how we train our Pets

a new recruit who hasn't even give a single class is on poster with his Crush teacher because he know how to give blow job to Low life director
Leads and director look nasty evil group
director of Dachi chase eat like pig, everyone was talking seriously paying attention to each other, this guy was busy stuffing his mouth with everything he get on his plate like, he hasn't eaten fir whole day... then got ill
drama doesn't have colors

I rated it 5 but the more i watched ep3 more i reduce my rating
ML is moral less obsessive self centered person,
Fl only focus on grades not education itself,
The more the release episodes the more it becomes meaningless
Biased, favouritism
Evil Director showed as some kind gentleman
ML story try to make his parents look wrong for even conceiving him.
come defend your leads in comments if you wish to, I don't give a fish about it...1.5/10

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COMFORT DRAMA

If you're looking for a drama that doesn't have over complicated, difficult plot or any other shenanigans going on, and you want to relax with a slow burning romance, I DEFINITELY DEFINITELY DEFINITELY recommend this drama...We all know, HOW AMAZZZZING our main leads are, but what I wanna talk about is the OST....😭😭❤❤❤❤That legit is one of the best OSTs of 2024...
Besides this, the overall cast is fantastic, I KNOW I KNOW, many of them still need character development, but that's why we're here, to see them become the BEST versions of themselves....
Sooooooo, If you're into such dramas, this drama will surely feel like, "HOME" to you...♡♡♡♡♡♡♡



byeeeeee♡♡♡♡♡♡ (I'll update this after I finish this drama...xoxo)

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