I love the vibes of this drama:3
I actually thought of dropping this when I was at 4th episode. But instead of doing that I continued watching it because I wanted to see how Mi-ji’s life would turn out, she was the character I liked the most(: And I did not regret finishing this drama at all. The first few episodes might be boring for me but it just kept getting better. After a few episodes, you could observe many character developments. I liked Ho-su’s character development the best! Not to mention Mi-ji and Ho-su’s moms! They both had distinctive upbringings which was interesting! And also, Park bo young and Jinyoung’s acting was a french kiss(; They acted the characters so well!Was this review helpful to you?
Our Unwritten Seoul: Tears, Triumphs, and Everything in Between
Let me be honest here: my primary reason to watch Our Unwritten Seoul was Park Bo-young. Her dual performance as twin sisters Yu Mi-rae and Yu Mi-ji wasn’t acting, it was borderline sorcery.Her portrayal of Yu Mi-rae and Yu Mi-ji was nothing short of spellbinding. Park Bo-young didn’t simply “differentiate” the sisters, she inhabited them so completely that I often forgot it was the same actress pulling a double duty. It wasn’t just about different hairstyles or wardrobes. It was in the bones of the performance: body language, pacing of speech, vocal pitch, rhythm of breathing. Even her eyes supported the distinction, Mi-ji’s gaze would lock onto you with unwavering boldness, her pupils contracting as if she could pin you to the wall with confidence alone. Meanwhile, Mi-rae’s softer presence lived in subtler shifts of eye contact, in those small, almost imperceptible glances that spoke of someone cautious yet endlessly tender.
It’s rare that you can watch a drama and believe, even for a split second, that an actor has conjured another version of themselves into existence. But Park Bo-young did that to me here. The illusion was seamless not because of clever camera trickery, but because she responded to her “other self” with such organic timing and emotional reciprocity that it felt like both sisters were alive in the same frame. She wasn’t just hitting marks on a green screen, she was listening, reacting, breathing with her own double.
And here’s the thing: my favorite moments in the entire drama weren’t the big melodramatic crescendos or the jaw-dropping reveals. They were the quiet ones, the scenes where Mi-rae and Mi-ji sat across from each other, twin to twin, sister to sister, and just… talked. That’s where the spell truly took hold. Those conversations didn’t just look technically seamless (though they absolutely were); they carried a raw, unfiltered intimacy that made the drama pulse with life. You could feel every ounce of unspoken pain, shared memory, and stubborn love crystallize in those exchanges. It wasn’t Park Bo-young against a green screen anymore. It was two sisters, fully present, breathing the same air.
What makes this sorcery so mesmerizing is that Park Bo-young wasn’t only flipping between characters. She was actively building chemistry with herself. Every tilt of the head, every softened gaze, every flicker of body language was not only in character but also in response to her other performance. She didn’t just double herself; she gave each twin the ability to react, clash, and love in ways that felt utterly real. It’s the kind of alchemy that turns acting into something higher: not performance, but presence. She conjured a sisterhood bond out of thin air and then convinced us it had been there all along.
And while Park Bo-young rightfully commands the spotlight, I’d be doing a disservice if I didn’t tip my metaphorical hat to Lee Jae-in, who played the twins in their teenage years. At just twenty-one, she’s already building a respectable filmography, and you can see every ounce of that experience at work here. Playing one character convincingly is already a high bar, but switching seamlessly between two, and making sure they align with Bo-young’s adult versions, is the sort of acting tightrope that could break a drama if mishandled.
If Park Bo-young was the magician casting spells, Park Jin-young was the grounding force that made every illusion believable. He stepped into Lee Ho-su with his signature calm melancholy, the same quiet intensity many might remember from The Witch. But here, that stillness became something more layered: a man who has been quietly fighting himself since high school, carrying an invisible weight he can’t seem to set down.
What made Jin-young’s performance even more mesmerizing was how much it depended on who Park Bo-young was being in the moment. He had to recalibrate constantly: his Ho-su was tender and supportive, and vulnerable around Mi-ji, but guarded, direct, and restrained around Mi-rae. Watching him adjust his energy depending on which “sister” he thought he was speaking to was an acting masterclass in itself. Their chemistry didn’t just flicker on like a switch; it bent and reshaped itself depending on identity, tone, and circumstance. That’s rare in Kdrama land, where we’ve all seen leads struggle just to make one dynamic believable. Jin-young and Bo-young made two entirely distinct relationships feel alive and breathing.
Here comes my favourite part, plot analysis. The central narrative was a rich exploration of siblinghood, identity, and emotional survival. Mi-ji, bubbly yet insecure, constantly craved recognition beyond being “Mi-rae’s sister.” Her depression arc was heart-wrenching but believable, her forced brightness a shield against relapse. Mi-rae, frail but driven, lived shackled by the weight of self-imposed responsibility – her strongest skill, as she admitted, was “enduring hardship.” The dichotomy of their coping mechanisms was fascinating and devastating to watch.
Mi-ji, the brighter twin, radiates warmth and humor, but it’s a carefully chosen brightness. She isn’t naïve, her cheerfulness is a shield she wields against relapse into the depression she once fought. Every joke, every smile feels like an act of resistance, a refusal to sink again. She survives by creating light, even if it burns her at times.
There’s something quietly heroic about the way Mi-ji navigates life. She is laughter in a room that threatens to collapse under its own silence. She is the friend who cracks a joke when tears are about to spill, not because she can’t handle pain, but because she knows too well what it feels like to drown in it. Her brightness is not denial. it’s defiance. Park Bo-young plays her with that razor-thin balance of someone who is both deeply wounded and fiercely protective of her own healing. Watching her feels like watching sunlight that refuses to dim, even when clouds roll in.
If Mi-ji’s light is born of resistance, Mi-rae’s quiet is born of endurance. With her frail health, Mi-rae learned early on that conserving energy, physically and emotionally, was her safest path. To outsiders, her cold detachment looks like aloofness, but the truth, which everyone around her quietly knows, is that she’s simply hiding her vulnerability behind silence. She carries her emotions inward, pressing them so deep that only Mi-ji, her twin, has ever been allowed to see the unfiltered version of her.
It’s heartbreaking, because her strength is also her cage. Endurance keeps her alive, but it also isolates her, creating a quiet fortress where no one is allowed in. She is always seen but rarely understood, always present but rarely known, except by Mi-ji, who has been both her witness and her refuge. Mi-rae’s stillness becomes a shield, a way to keep pain from spilling out, but it also robs her of the ability to fully live. And yet, Mi-ji isn’t free either, her weapon of choice is forced cheer, the constant laughter and lightness she uses to keep despair from seeping back in. Together, they embody two sides of the same coin: one who refuses to feel in order to survive, and one who overflows with feeling to prove she’s still surviving. It’s a duality that reveals not just their love as sisters, but the ways we all invent fragile methods to keep our own shadows at bay.
As brilliant as the twins were at carrying the emotional heart of Our Unwritten Seoul, it would be a crime to ignore the role the supporting cast played in making this world breathe. A good drama can live off the strength of its leads, sure, but a great drama wraps those leads in a community of characters who feel lived-in, messy, flawed, and deeply human. This drama does exactly that.
Let’s start with Kim Sun-young, because, really, where else could I begin? She plays Yeom Beon-hong, Ho-su’s mother, with such devastating precision that you almost forget you’re watching an actor. There’s a reason she’s been dubbed one of the “S-tier mothers of Kdramaland”, she has this uncanny ability to pull a thread of familial pain and make it unravel right in front of you. Her confrontation scene with Ho-su in episode 11 was nothing short of lethal. No screaming dramatics, no manipulative background swell, just raw, grounded truth between a mother and son who no longer know how to stand on the same side of the line. Kim Sun-young doesn’t just act; she inhabits. Every sigh, every flicker of pain across her face, every pause before she speaks lands with a gravity that forces you to sit in that uncomfortable, heartbreaking space. It’s the kind of scene that doesn’t just move the story forward, it rearranges you emotionally as a viewer.
Jang Young-nam as Kim Ok-hee, the twins’ mother, was another standout, not because she was warm or nurturing, but because she embodied a kind of broken honesty that most dramas shy away from. One of the most gutting scenes comes when she finally admits, with the gentle push of Ho-su’s mother, that she never felt worthy of love from her own mother (the twin’s grandmother), and because of that, she’s never known how to be a mother herself. It was a revelation that cut deep, especially when she confessed that she couldn’t even tell her own twins apart when they were young. Watching her break under the weight of that inadequacy was painful, but what made it truly unforgettable was the way Ho-su’s mother quietly reminded her that perhaps the first step to being loved is learning how to love. It wasn’t some grand, melodramatic revelation, it was two old high school friends, both mothers, sitting in their raw truth about how impossibly hard it can be to raise children while carrying your own scars. That scene didn’t just add depth to her character; it reframed the whole intergenerational trauma of the drama in one intimate, heartbreaking exchange.
Cha Mi-kyung as Kang Wol-soon, the twins’ grandmother, provides the counterbalance to all that generational fracture while hiding her own trauma. She’s the anchor, the tether that kept Mi-ji from fully breaking apart during her darkest moments. In lesser hands, the grandmother role might’ve been just the “wise elder with warm soup and tired proverbs.” But Cha Mi-kyung imbues her with such resilience and grounded strength that she feels less like a stock figure and more like the last bastion of love in a family scarred by absence. She’s flawed, yes, but her presence is steady, and you can feel how desperately Mi-ji clings to that steadiness. The way Cha Mi-kyung delivers even the simplest lines, softly but firmly, wraps around the viewer like a blanket stitched out of both tenderness and grief.
If Our Unwritten Seoul has one glaring flaw, it’s how it mishandled episode 11. Up until that point, the drama had been a masterclass in pacing its emotional blows – every scene landed like a surgical strike, clean, precise, and devastating when it needed to be. But then came the decision to escalate Ho-su’s trauma with his mother so close to the end. And that, for me, was where the whole thing buckled.
Here’s my problem with dropping fresh trauma at episode 11 of a 12-episode run: I’m already spent. The earlier episodes had been so good at threading quiet devastation and tenderness that by the time this “new big emotional reveal” came along, I wasn’t shocked or gutted, I was numb. Not because I didn’t care about Ho-su. Not because the acting was lacking (it was excellent). But because the drama had already overdrawn my emotional account so early in the story. That moment was like the writer handing me one more glass of whiskey after I’d already blacked out at the table. I couldn’t register it. My system had shut down.
It’s not that the subject matter wasn’t moving, it’s that the drama didn’t leave space for it to land. A truly healing drama like this needed its final act to feel like a decrescendo, not another crescendo. The earlier episodes had already wrung us dry with cathartic sadness, grief, and flashes of warmth. By episode 11, what I needed was a gentle descent, a slow unwinding of threads, a soft reminder that even after pain, people find ways to live. Instead, I got a sharp spike, a wrenching escalation that broke the rhythm.
The result? The finale felt uneven. Instead of holding me in its arms all the way to the last note, the show left me watching from behind an emotional glass wall, unmoved where I should have been undone. And that’s the tragedy, because Our Unwritten Seoul was strong enough that it didn’t need that extra push. It could have let me go with warmth, not exhaustion.
The second flaw? Han Se-jin. Was he really necessary?
The problem wasn’t the character design. On paper, Han Se-jin’s goofy, soft-edged charm is exactly the kind of energy that could’ve thawed Mi-rae’s ice. The issue was Ryu Kyung-soo’s casting. He simply couldn’t inhabit that playfulness convincingly within Unwritten Seoul’s carefully muted register. His performance felt forced, like he was reaching for “quirky and lovable” but landing on “awkwardly out of place.” It’s the kind of tonal dissonance that pulls you out of the story rather than weaving you deeper into it. Imagine casting Jet Li to play Mulan, not because Jet Li isn’t immensely talented, but because no matter how hard he tries, the role just doesn’t sit in his wheelhouse. That’s how Se-jin’s scenes felt: mismatched, misaligned, and tonally disruptive. Next to Jin-young’s Ho-su, who delivered restrained nuance at every turn, Se-jin felt like an intrusion.
This left me asking the bigger question: did Mi-rae even need a love interest at all? My answer, bluntly, is no. Her arc wasn’t one that required romance to feel complete. Mi-rae’s journey was about survival, healing, and slowly re-learning how to open her heart to family and to life itself. By forcing a half-baked romance subplot, the writers not only wasted precious screen time, they also cheapened her growth. What could have been a story of a woman reclaiming herself and her agencies became cluttered by an unnecessary distraction.
In the end, Se-jin didn’t balance Mi-rae. He blurred her, he diluted her. And that, more than anything, felt like a betrayal of what Mi-rae deserved.
At its best, Our Unwritten Seoul was a devastatingly beautiful exploration of love, family, identity, and the quiet wars we wage with ourselves. For the first 10 episodes, it soared, driven by Park Bo-young’s once-in-a-generation performance and supported by stellar writing, OST, and side characters. It could’ve been my third ever Perfect 10 drama. Instead, a late-game stumble knocked it down a peg.
But twelve episodes is a tight canvas, and the last-minute stumble -miscasting, tonal misalignment, and pacing that faltered just when it needed discipline – dragged the finish line out of reach. Instead of perfection, we got brilliance with an asterisk.
Still, don’t let that stop you. This is a must-watch. Not just because Park Bo-young performs like a woman possessed, but because beneath the fumble lies one of the most poignant explorations of love, family, and identity I’ve seen in years. It’s an emotional gauntlet, yes, but also a rewarding story about endurance, healing, and the complicated bonds of family
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This review may contain spoilers
Flips the stereotype of identical twin closeness; healing family drama
Review9.5/10 is my rating.
Our Unwritten Soul is a deeply emotional drama that blends romance, family struggles, and the complexities of identity with identical twin sisters at its center. The acting is phenomenal—especially from the actress playing both female leads, Mi-hi and Mi-rae. She captured each sister so convincingly that I never once lost track of who was who.
Mi-hi stood out as a character I really loved. She was kindhearted, thoughtful toward her family and friends, and always trying to support others even when she was hurting. Her warmth made it even harder to watch how her mother constantly criticized her and compared her unfavorably to Mi-rae.
The story tackles family expectations, sibling rivalry, and the ways love can both heal and complicate relationships. At times, it’s heavy and heartbreaking, but it’s never dull. Even the side characters—like the adopted mother whose fierce love for her son was one of the most touching parts of the drama—felt layered and real.
This is a romance at its core, but also a family-centered story that explores how we see ourselves and how others define us. It isn’t a light watch, but it’s beautifully done and meaningful. If you enjoy stories about complicated families, strong character growth, and romance that develops under unique circumstances, Our Unwritten Soul is worth your time.
Spoilers
Mi-rae, though compelling, often came across as selfish. She had Mi-hi take her place at work even though she knew it meant sending her into a hostile environment with bullies and even a sexual harassment situation. Mi-hi wasn’t warned and was told only to “sit quietly,” avoid the male lead, and keep secrets—while Mi-rae, when pretending to be her sister, behaved however she wanted. She ignored their grandmother at first, treated Mi-hi’s best friend who was her ex-boyfriend coldly, and worked the farm with little concern for how her choices would affect Mi-hi’s reputation. It felt unfair and very one-sided.
The relationship between the adopted mother and her son was another emotional highlight. Their eventual heart-to-heart about his guilt—believing he couldn’t call her his true mother—was powerful. I only wish he had told her sooner what he overheard his relatives saying about him being a burden. That moment could have added even more emotional depth.
Some story choices frustrated me. For example, Mi-hi keeping her secret from her romantic interest for so long felt unnecessary; he was proven trustworthy and capable of keeping confidences, so the delay only created avoidable frustration. The grandmother’s death also felt like an oddly placed plot point—it was heartbreaking, but it didn’t meaningfully move the story forward.
As for the ending, it leaned too “soft” for my taste. Mi-hi’s decision to go to school to become a therapist was wonderful, but the delay in marriage felt like it was playing into a modern “independence before romance” trend rather than being true to the heart of the story. A proposal or engagement would have been a more satisfying romantic payoff. Similarly, Mi-rae and “strawberry guy” had clear chemistry when he returned, but the lack of even a confession felt like a missed opportunity.
On the positive side, I appreciated how both sisters grew from the experience and came to understand themselves and each other better. By the end, their relationship was warmer and healthier, and it felt like the beginning of true healing from a mother who had always struggled to show love.
The two single mothers’ friendship—so different in background yet united in strength—was inspiring, and Rosa the poet’s arc was fascinating and uplifting in the end.
Overall, Our Unwritten Soul is a powerful drama with stellar performances and heartfelt themes. I recommend it highly, though it’s not a light or endlessly rewatchable story. It’s heavy at times, but if you stick with it, it rewards you with meaning, emotion, and a memorable exploration of love, family, and identity
Synopsis
This is a 2025 South Korean family drama with 12, 70 minute episodes.
Identical twin sisters Yoo Mi-ji (Park Bo-young) and Yoo Mi-rae (Park Bo-young), have covered for each other their whole lives. When one twin is better at something than the other they tag switch and few people can tell they swapped places. So, when Mi-rae is considering self harm as a result of extreme stress and workplace bullying, her twin Mi-ji determines it is time to switch. While identical in looks the two have always had very different personalities. Mi-ji, is an extroverted free-spirit who cared more about track and field than academics. But, an injury kept her from going on to achieve any greatness in athletics and she is currently living back at home and taking on multiple part-time jobs and piece work. She has remained in their home town of Duson-ri while her introverted by high academic performing twin has moved to Seoul to pursue a career. Mi-rae is stuck in a job that is draining her spirit but has to keep working as the family needs her career income. So, she accepts Mi-ji's offer to switch to give Mi-rae a break from the dog eat dog existence of the salary person. The twins had drifted apart so neither was fully aware of what the other's life was like. Stepping into each other's roles they begin to learn a lot of things they did not know about the other.
As Mi-ji navigates Seoul’s corporate maze and Mi-rae finds solace in the countryside, their ruse not only reveals the conditions of their current existence, but it also unearths things they were unaware of from the past. Mi-ji is joined by Lee Ho-soo (Park Jin-young), a charismatic lawyer with a concealed wound who was her first love her broke her heart. And Mi-rae becomes a business partner with Han Se-jin (Ryu Kyung-soo), a thoughtful strawberry farmer. This is the journey through the heart and minds of two sisters who, by playing the other, learn more about themselves and what happened to their once tight shared twin bond. As they figure a better way forward they discover a way to chart a future that leads to true happiness. the sisters confront love, identity, and the courage to rewrite their futures in a poignant tale of healing and self-discovery.
#OurUnwrittenSeoul
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Worth watching
i was sceptical about watching a melo drama but it turned out to be interesting. although its a bit on the slower side but thats what brings the genuinity. on top of it all amazing cast and acting.The storyline of mirae and strawberry farm owner, unexpectedly was very amusing and the chemistry was great, i wish they would do another drama with more romantic storyline.
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This review may contain spoilers
Our unwitten Seoul
Park Bo Young is in it so there was no way no to watch it.This is rather calm drama, daily type, pretty simple plot but at the same shows perfectly how people can suffer. Eventhougth episodes were pretty long it was so easy to watch.
PBY is amazing here, maybe it is not something totally out of her range - I need to see her playing a villain, but she perfectly shows harder emotions and it was amazing cause she perfectly potrayed two different characters - I am amazed. Her mother was sometimes annoying but at the same time she wanted to be good mother, Grandma was the best! Also PBY's chemistry with everyone was soo good:
- Park Jin Young - so cute, they were really adorable, he gone trough so much and still was so lovely, also his mother is an angel
- Ryu Kyung Soo - OMG why they did not kiss?! they were my fav duo and I wished we got more with them, he was so funny and at the same time adorable and goofy, love him
- Moon Dong Hyeok - yes I know they played friends but they still had great chemistry and I can totally see them playing as couple in other drama
All guys above played great, I love their different personalities, all green flags.
Also I just cannot mentioned her - restaurant owner - love her story.
In general I try to talk more about actors than plot, simply because I do not want to spoil something by acciddent - so story is good, calm, perfect when you need to relax, acting amazing, long episodes (if you prefer short then you can have a little hard time but really worth checking). Yes, just amazing drama.
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Nothing bad nor good
a drama that you can do with or without, but you can still watch it - its a slow paced drama and you can find warmth in it here and there. and as always, park bo young acting is great.P/S. i can't tell if mi rae and se jin is romantically involved or not...feel like they are, but doesn't feel like it at the same time. is it just me confused..?
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cute story about twins
I love the main actress , she is professional, her acting is touchable , she is perfect especially when she cries . She was really good in both characters , the quiet and the funny sisters . The hero was handsome . I love the ideas that were discussed in the drama like sharing our obstacles and troubles with our families, and the real mother who cares and sacrifices for her child not just gives birth . I like how the mother of the hero adopted him and was really nice to him despite his nervous behavior when he was a teenager .Was this review helpful to you?
This review may contain spoilers
So much better than expected!!!
I loved this drama!!!! I love how it portrays difficult family dynamics and how the certain behaviour of people comes from deep pain, sorrow, grief, or trauma.In general I love how things got resolved in the end, not in a fairytale, unrealistic way but it showed how you have to put in some effort in order to succeed. Things won’t change for the better just because you want to.
I want to go through each character that I liked or had certain thoughts of:
1. The twins Miji and Mirae:
I definitely liked Miji more and also could relate to her much more. She was bubbly, energetic and loud. She took care of her grandma and did all kinds of jobs and her dark past made me sad and I could also relate to her a bit.
Tbh Mirae seemed like a very pale character next to Miji, almost boring. Throughout the majority of the drama I really disliked her. When the harrassment happened at work, I tried to feel sorry for her but I was annoyed again!!! like WHYYYY did she suggest to forget about what he tried to do???? Idk but that was soooo strange and kinda unrealistic!!! as a woman, if my colleague starts to harrass me I would cancel every contact with that person, even consider leaving the company!!!! And she just wanted to move on like nothing happened??? I got SO mad at her!!!! The only thing I liked about Mirae was her relationship with Han Sejin, the strawberry farmer 😂
Which brings me to the next character!
2. Han Sejin aka the strawberry farmer:
I loved this guy!!! I already saw him in Lovestruck in the City where he plays an author and I already liked him a lot in that drama! He was actually one of my favorites 😂 And hos character in this drama was amazing too!!! Definitely one of my faves!!!
3. Lee Hosu:
I know he is the Male Lead but somehow I liked the Second Male Lead much more, again 😂 Le Hosu was just ok. I felt sorry for him at some parts especially when he was younger. I didn’t like how he treated his mom, so there were some scenes when I got really annoyed with him because I really liked his mom! She was my favorite character! So I was happy when I watched the scene when his mom comes to Seoul and hits him and then they hug and cry and I cried so much in that scene too!!!! 😭😭😭
which brings me to my next character:
4. Bon - Hong aka Hosu’a mom:
I LOVED this woman so much!!!! Everything she said and did was so touching and sweet and I loved her fighting with Ok-hui 😂😂😂 idk if I am biased or not because she is a Reply 1988 actress but I genuinely loved Bonhong so much!!! Her quotes were my favorite 😂
5. Ok-hui aka the twins’ mom:
At the beginning and throughout the whole drama I was SO annoyed with her!! Her talking aggressively ALL THE TIME put me so much on edge!!!! She is mean to everyone literally! To Bon-hong, Miji, her mother, just everyone!!! I got so fed up with her until the scene she cried on the floor with the real Miji and then cried at the hospital in her mother’s lap. Her story was maybe one of the most heartbreaking and although I still dislike her aggressive side, I got to like her in the end…
7. Kim Rosa aka Sangwol:
Her story was one of the most impressive! I cried so much! The way she protected her friend gave me goosebumps!!! When women love and help each other they can move mountains!!! Her story was such a story! I was so happy she got a happy end so quickly! 🥰 It was so heartwarming!
8. Tae-i and his sister:
I cant really say much about his sister, but I really loved Tae-i!!! As a very minor character he was very well done! I would have liked to see more of him!
9. The grandma:
Once again, a drama with a grandma plot can never disappoint!!! One of my favorite Korean words is the one for Grandma, (halmeoni) because some of my favoritr dramas are the ones that have a kind grandma starting (e.g. Start-up).
I would say this is it for the main characters!
I just love this drama and lowkey want a season 2 just to see Mirae get together with Sejin. Also I feel like the twins are both the main characters but it felt more focused on Miji. So I wonder whether there shouldn’t be a part 2 which focuses more on Mirae 😍
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this drama deserved more love
Given all the reviews, I had to write mine. I will keep it very short. I think the story is great, even better than you might think. The acting is also really good, FL and ML both doing a phenomenal job. Seems very authentic, very natural. The relationship bewtween every characters are so touching, again so emotional. But the very best of this drama is his music, I believe. I almost cried only because of the music, without paying that much attention to the acting, that's saying how good is the music. I don't think any of this is redondant, we got all the answers we want at the end. In a nutshell, if you like identity seeking drama, let's go eyes closed !Was this review helpful to you?
Yin and Yang
This show is brilliant. I love how this show just hurts and heals. It was both painful yet heartwarming.This is the story of two sisters. A story of a culture that expects too much yet gives too little.
Park Bo-young is an amazing actress. No question about this. She played the part of twins like there were actually 2 actresses. You can tell which is which. She acts with such restraint and force, it just works. She's definitely one of my favorite K-actresses. I would watch anything she's in!
This series is 12-episodes short/long, it is engaging and the story is character-driven. The pacing of the story is seamless and does not drag.
If you want a story about empathy, healing, identity, family, and some intergenerational trauma mixed in, this is for you.
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I don't remember anything about the soundtrack, but the story is stuck in my head.
This drama is perfect for those who lost in life that might need a little push to do what you believe is true.
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Very good drama
This was really good but those expecting a lot of romance would be disappointed. For me this is more of a slice of life than a romance.All actors were awesome too. I already like the FL actress but she did so well here especially playing twins. I can really tell the difference between the two.
ML was good too IMO. His acting befits his character and I liked that he isn't the typical ML who is either dour and a bit of a a*hole or an eccentric one who's also a bit of an a*hole (lol). I liked he seems like an actual human being, a bit introverted but understandable given his life.
I also liked that all my questions about the story were answered at the end (maybe one that is not so clear). A bit too much cutesy stuff at the end but that's quite common with kdramas so that's ok.
Also Bun Hong is my bias. She's such a sweetheart and she maid me cry in one of the episodes. She wasn't even acting with overtly drama, just simple delivery but vuta through the bone.
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