1we met
I really wanted Lee Jung-jae to kill it in something outside of Squid Game, and while this wasn't a disaster, it definitely felt like a bit of a slog. The setup isn't even bad on paper. You have an aging actor tired of being typecast as a detective who just wants to do a rom-com, paired with a reporter who gets stuck covering him. It should have been a sharp look at the industry, but it just felt a little exhausted from the start.I actually liked that it felt adult for once. It didn't rely on forced skinship or some rushed, fake romance to keep things moving, which was refreshing. But that just makes the male lead's behavior even weirder. He spends half the time throwing literal toddler tantrums, and it’s so jarring. It is hard to fully buy into a "mature" dynamic when one half of the couple is acting like a child.
The writing is a bit of a waste for a cast this good. I adore Lim Ji-yeon because she usually brings so much intensity to her roles, but she is just kind of stranded here. It’s like she is acting in a prestige drama while everyone else is in a sitcom. The only person who actually got the assignment was Jeon Sung-woo. As Director Byeong Gi, he was a total standout and honestly the only person who felt like a human being in this mess.
And I'm not here for the "oppa is too old" or "not hot" complaints. That is just shallow noise that ignores the real failure of the show. The problem isn't his face or his age; it's the fact that the script is a total mess. One minute it's trying to be a serious political thriller and then it jump-cuts to some slapstick about a fake detective show. It tries to talk about fame versus reality but stays so surface-level that it ends up feeling a bit mid.
The final episode was actually one of the better ones, which I appreciated. It finally felt like things were coming together, even if it took too long to get there. Ultimately, there is nothing here that I really hate. It isn't offensive or unwatchable. The real issue is that there is just nothing here to really love. It’s a fine watch, but it feels like a waste of some of the best actors in the business because it never gives you a reason to be obsessed with it.
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A K-drama that tries to please two audiences... and failed both.
THE IDENTITY PROBLEMNice to Not Meet You achieved something rare: completely dividing its audience not through controversy, but by trying to be two different things at the same time.
On one side, viewers born before 2000 found a nostalgic embrace - childish but "adorable" male protagonist, exaggerated physical comedy, chaste romance, conflicts that resolve magically. It's My Name is Kim Sam-soon (2005) with a 2025 budget.
On the other, the generation of The Glory and Squid Game expected what the synopsis promised: adult satire about the entertainment industry, mature protagonists, romance with real depth.
The result? A technically impeccable series that delivers nostalgic sitcom when half the audience expected sophisticated contemporary drama. And this dissonance explains its median score and reviews ranging from "adorable" to "frustrating waste of talent."
This is why the protagonists most likely have age differences.
PART 1: WHEN THE PERFECT MACHINE CHOOSES THE WRONG PROJECT
1.1 Studio Dragon empire in crisis
Studio Dragon isn't just a production company - it's the factory of excellence that redefined K-dramas. When you watch Crash Landing on You, The Glory, or Queen of Tears (24.9% audience record), you're seeing their signature: high-fidelity cinematography, sophisticated sound design, meticulous art direction.
But 2025 revealed a critical problem: revenue fell 30.3% in the first quarter after failures like When The Stars Gossip (50 billion won wasted). Nice to Not Meet You followed the pattern: premium cast, inflated budget, sky-high expectations... and disappointment.
What both reveal: technical capability doesn't compensate for lack of creative curation. Studio Dragon can do anything technically, but they're making mistakes in choosing what to do.
1.1 Kim Ga-ram: The wrong director for the wrong project
Kim Ga-ram became a respected name with Nevertheless (2021) - 10 episodes of pure raw intimacy. Her trademark? Close-ups of hands almost touching loaded with tension, micro-expressions captured in silences, chemistry so natural she confessed to "getting confused whether it was improvisation or script."
Her declared philosophy: "I want to convey the desperation and bitterness of romance that actually happens in real life, not fantasy." She's a master at capturing intimate vulnerability.
Now imagine this director cast for: physical comedy with characters running around, protagonist throwing childish tantrums, slapstick-based humor. It's like hiring a zen minimalist chef to do all-you-can-eat barbecue - technically capable, but completely outside their genius.
1.2 The promise that became something else
The synopsis sold: "National actor versus combative journalist in battle of egos in the world of celebrities." This promises cynical exploration of the entertainment industry - social satire, commentary on fan culture, the psychological price of fame.
What was delivered? Romantic comedy where entertainment is just aesthetic backdrop. The characters could work in any corporate office without changing the essence of the story.
This dissonance between promise (intelligent satire) and delivery (generic sitcom) is the original sin. Everything after - casting, direction, tone - suffers from this fundamental indecision.
PART 2: CHARACTERS ON PAPER VS. CHARACTERS ON SCREEN
2.1 The protagonist who never grows
On paper, Lee Jung-jae's character is fascinating: actor who achieved fame, became reclusive, was rediscovered by accident. Now wants to be taken seriously, not for money, but for external validation. Psychologically rich - artist who lost touch with his creative roots.
In practice? He acts like a spoiled teenager for 12-14 of 16 episodes. When contradicted, he screams. When he wants attention, he creates exaggerated drama. Without real narrative justification for this immaturity - he simply acts this way because sitcom requires "childish but cute" male protagonist.
The promised arc never completes organically. We don't see real internal transformation, just change because episode 15 demands it.
2.2 The contradictory protagonist
Lim Ji-yeon's character should be an unstoppable force: award-winning investigative journalist, unjustly banned, forced to cover entertainment. Combative, focused on justice, doesn't bow easily.
But: the script reveals she's his "secret fan." A tough journalist who exposes corruption... is a fangirl who collects photos? This contradicts her complete psychological profile and undermines the power dynamic. Instead of two equals colliding (generating respect that turns to love), we have imbalance where she secretly admires him from the start.
2.3 The dynamic that doesn't work
On paper: emotional man versus analytical woman = heated but intelligent debates, attraction through mutual respect, growth where he learns depth and she learns flexibility.
In practice: The reviews devastate: "They never interact properly," "Chemistry works better as enemies than lovers," "Childish behavior dominates."
The fundamental problem: opposite characters need to respect each other to generate romance. When one acts like a spoiled child for 14 episodes, there's no basis for real admiration.
PART 3: THE STRUCTURE THAT WALKS IN CIRCLES
3.1 All episodes with zero progression
Studio Dragon has a formula for 16 episodes that normally works: Act I (1-4) establishes world, Act II (5-12) develops with midpoint twist in episode 8, Act III (13-16) delivers climax.
Nice to Not Meet You theoretically follows this. In practice, it's following a perfect recipe with wrong ingredients.
The Missing Episode 8: Structurally, episode 8 should be the most important moment - revelation that changes everything, where we see the relationship in a completely different way, where stakes double. Here? Nothing changes fundamentally. The series "floats" without a backbone.
Delayed Progression: What should happen in episode 8 only happens in episode 12. The romantic progression is 4 episodes late, leaving Act III without time to resolve anything significantly.
3.2 Narrative Circularity
Recurring critiques: "The story keeps stopping," "Little progress," "They waste two episodes."
Episodes 5-8: "Fight → almost understand → fight again"
Episodes 9-12: "He tries to approach → she retreats → he tries again"
No layers being added. It's the same pattern on loop. Compare with Hometown Cha-Cha-Cha where each episode adds a real layer: distrust → respect → friendship → attraction → love. Linear progression that advances.
3.3 The filler problem
The script has content for 10-12 episodes, but was inflated to 16 with:
- Unnecessary flashbacks (showing scenes from 2 episodes ago)
- Irrelevant subplots (secondary characters with excessive time)
- The same dynamic repeated dozens of times
30-40% of screen time is spent on content that doesn't serve the main arc. And without deadline or temporal urgency, the script procrastinates development because "it has 16 episodes to fill."
PART 4: PERFECT TECHNIQUE SERVING THE WRONG STORY
4.1 Dialogue and tonal schizophrenia
Screenwriter Jung Yeo-rang is a specialist in light family dramas. Nice to Not Meet You requires sharp industry dialogue and intelligent romantic banter - outside her zone.
Result: functional dialogue that moves plot, but without real depth. When protagonists fight, it's generic: "You're annoying" / "You too." There's no insight, no revelation of conflicting values.
Worse: devastating tonal inconsistency. The series changes tone every 15 minutes - slapstick comedy → serious drama → sweet romance → back to comedy. The audience doesn't know how to feel because the series doesn't know what it wants to be.
The comedy depends on physicality (slapstick, people falling) instead of verbal wit. When a series does this, it usually means the screenwriter doesn't trust their ability to write intelligent humor. And putting Lee Jung-jae (intimidating presence from Squid Game) making faces is a waste of real dramatic talent.
4.2 Beautiful visuals but soulless
Visually: impeccable. Color palette uses intelligent contrast (entertainment = warm tones, journalism = cold tones). Polished set design, smooth cinematography.
But: execution is too clean. There's no emotional texture, no visual risks. Everything looks like an advertising campaign - beautiful to look at, empty to feel. Compare with Nevertheless (same director) which had intentional grain, deep shadows, close-ups overflowing with tension.
4.3 Sound Design: The only clear victory
Varied OST (rock, pop, indie) well curated. Spatial and immersive sound design (chaotic newsroom vs. silent apartment). Studio Dragon delivers technical quality.
Problem: no track becomes memorable beyond context. Crash Landing on You had songs that became cultural phenomena. Here, they're pleasant but forgettable.
4.4 Actor direction: Talent limited by choices
Lee Jung-jae: Reviews say "he can't act vulnerability." But this is false about his abilities. In Squid Game he delivered layers of desperation, shame, determination. The problem? He's being directed for slapstick comedy, not his forte.
Lim Ji-yeon: Is carrying the series. Understands the assignment and delivers consistently. In The Glory she played a sociopath; here she plays nerd perfectly. But even she is limited when dialogue doesn't offer real depth.
FINAL DIAGNOSIS
1. Casting Dissonance: Kim Ga-ram (micro-focused intimacy) directing slapstick comedy with large cast = fundamental creative casting error.
2. Script Without Courage: Family drama screenwriter writing industry satire = lack of real depth about the world it portrays.
3. Cast as Marketing: Lee Jung-jae cast because Squid Game made him a star, not because he was right for comedic role = waste of dramatic talent.
4. 16-Episode Syndrome: Contract requires 16, script has content for 10-12 = frustrating filler.
5. Tonal Schizophrenia: Tries to be slapstick comedy + serious drama + sweet romance + satire = masters none.
Nice to Not Meet You didn't fail from lack of talent - it failed from lack of courageous decisions:
- Didn't have courage to be pure comedy
- Didn't have courage to be acid satire
- Didn't have courage to make 10 episodes instead of 16
- Didn't have courage to cast a comedic actor
- Didn't have courage to give real intimacy to the couple
Result: 16 episodes trying not to offend anyone, satisfying no one.
WATCH IF:
- Born before 2000 and want nostalgia for classic sitcoms
- Want television comfort food without emotional commitment
- Are unconditional fan of the cast
- Prefer chaste romance without physical intimacy
- Like physical comedy more than intelligent dialogue
AVOID IF:
- Expect mature romance with real development
- Want intelligent satire about entertainment
- Have little patience for stagnation
- Need mature protagonists
- Hate filler and wasted time
- Grew up with The Glory, Queen of Tears, Squid Game
Although the series is classified as a "romantic comedy," it can actually be understood more as a satire of how the Korean film industry operates behind the scenes.
SUPERIOR ALTERNATIVES
Mature romance: Queen of Tears (2024), Crash Landing on You (2019-2020)
Well-made sitcom: Hometown Cha-Cha-Cha (2021)
Kim Ga-ram at her best: Nevertheless (2021)
Lee Jung-jae at his best: Squid Game (2021)
Industry drama (done right): Start-Up (2020)
Nice to Not Meet You isn't a bad series - it's a series out of time and without identity. If released in 2010, it would be cute. In 2025, after Squid Game and The Glory elevated K-dramas to cinematic art, it feels like expensive regression.
It's beautiful to watch. Pleasant to hear. Empty to feel.
The legacy won't be quality or lack thereof, but a lesson about creative courage. In a world where global audiences are ready for bold K-dramas, choosing the safety of generic sitcom is the riskiest choice.
Because in the end, no one remembers the middle ground. No one quotes mediocre dialogue. No one passionately recommends "okay, I guess."
Nice to Not Meet You, with its millions spent and wasted talent, will be remembered only as "the one that could have been special... if it had chosen to be something real."
A SENTENCE THAT SUMMARIZES THE PROGRAM
Although the series is classified as a romantic comedy, it is actually a satire of how the South Korean television industry operates behind the scenes.
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Tried to like this drama
ML was mis cast, he could have passed as FL father, no sexy chemistry at all . Second Leads were more interesting.ML constantly screaming his lines with no the FL.
ML seemed desperate to be likable and funny but seemed like he wasn't into this role
ML was mis cast, he could have passed as FL father, no sexy chemistry at all . Second Leads were more interesting.
ML constantly screaming his lines with no the FL.
ML seemed desperate to be likable and funny but seemed like he wasn't into this role
ML was mis cast, he could have passed as FL father, no sexy chemistry at all . Second Leads were more interesting.
ML constantly screaming his lines with no the FL.
ML seemed desperate to be likable and funny but seemed like he wasn't into this role
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Why Nice to Not Meet You is the Success We Didn't Expect
If you’ve been keeping up with the K-drama scene lately, you know that Nice to Not Meet You was basically the talk of the town, and for a lot of different reasons. It just wrapped up its run, and honestly, it left a much bigger impact than I think anyone expected when the first teasers dropped. I think the reason this drama ended up a standout, despite its rocky start, is that it is a drama that breaks prejudices. It’s a powerful reminder that we often decide who people are before we even know them. The core message is clear: love and human connection aren't limited by age or public image.When it comes to the acting, it’s really a masterclass in how to handle a risky pairing. Rather than playing it safe, the lead actors leaned into the awkwardness, making the performances feel incredibly grounded despite the plot's sitcom-style chaos.
After years of intense, high-stakes roles like in Squid Game, seeing him in a rom-com was unexpected, but it worked shockingly well. He played Im Hyun-jun with this weary, I’ve seen it all energy. He didn't just act like a star; he acted like a star who was bored with being a star. He was brilliant at portraying a celebrity's toddler tantrums while keeping the character likable. His eyes did most of the work. You could see the genuine panic when he was recognized in public and that soft, almost nostalgic longing whenever he spoke to his anonymous Soul Inside partner. He portrayed Hyun-jun not as a suave hero but as a slightly out-of-touch man seeking a real connection.
I must say, she had the more challenging job. She had to transition from a serious political reporter to a chaotic entertainment journalist without making it feel like a caricature. She brought a sharp, prickly intensity to Wi Jeong-sin that we loved in her past villain roles (The Glory), but softened it with incredible comedic timing. Her portrayal centered on the internal battle. She portrayed Jeong-sin as someone physically pained by having to care about celebrity gossip. The way she gradually let her guard down, moving from "I hate the man but fangirl the TV character" to "I’m becoming a fan of the man," was subtle and didn't feel like she lost her edge. She proved she’s just as good at making you laugh as she is at making you fear her.
Of course, I cannot write this review without addressing the age gap controversy. When the casting of Lee Jung-jae (52) and Lim Ji-yeon (35) was announced, the internet had thoughts. Some people were downright nasty about it, acting as if older men aren't allowed to fall in love or that this doesn’t happen in real life. However, the drama totally flipped the script. Instead of ignoring the age difference, the show leaned into it. It portrayed a mature, adult romance that didn't rely on youthful tropes. It focused on two professionals in their respective fields dealing with midlife crises and career fatigue. By the time the finale aired, the ratings proved the haters wrong. It consistently topped its time slot, hitting peaks of over 5% to 6% (solid for a cable rom-com) and dominating the Top 10 lists on Prime Video internationally. People stopped seeing the age gap and started seeing the characters, and that is what success looks like.
Finally, I have to talk about the supporting cast, who made the show that much more enjoyable. Jeon Seong-woo, as the writer/director, Park Byeong-gi, was a highlight. He was often the only rational person on screen, and his deadpan reactions to the leads' drama were comedic gold. Then there was Choi Guy-hwa. His chemistry with Lee Jung-jae as the long-suffering manager was perfect. He portrayed a manager's loyalty with the perfect mix of exhaustion and genuine affection.
In closing, what made Nice to Not Meet you shine is the brilliant performances; the actors took a script that could have been a "so-so" rom-com and turned it into a genuine character study. By choosing to be authentic rather than pretty, Lee Jung-jae and Lim Ji-yeon proved that talent and chemistry have no age limit. They didn't just play the characters; they humanized the entire industry. I highly recommend this drama to those who are open-minded and are interested in a genuinely good work of fiction. It challenges you to look past the surface and appreciate the storytelling for what it truly is.
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얄미운 사랑 promises an enticing blend of “annoyance-to-affection” romance, set against the high stakes of celebrity and media. If you’re ready for a relationship that begins with friction and power play rather than instant chemistry, this will be a fun ride.
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This review may contain spoilers
Easy to Enjoy
Nice to Not Meet You is exactly what it promises to be; simple, ridiculous, and easy to enjoy. It’s the kind of drama you can comfortably watch weekly without overthinking anything. Silly, uncomplicated, and a mature rom-com at its core, which honestly feels like a win these days.Seeing Lee Jung-jae in a romantic role after many years felt unusual, but he fit the part better than expected. His portrayal of Lim Hyeon-jun was honest and grounded, and the clear differentiation between Hyeon-jun and Kang Pil-gu was one of the drama’s biggest strengths. Kang Pil-gu, in particular, stood out. His storyline felt intense and layered, almost like watching a different genre altogether, at times reminiscent of Jang Hyuk in Voice. The contrast between the two characters added much-needed depth to the narrative.
The entire Kang Pil-gu drama-within-a-drama concept was genuinely fun. Watching a kdrama being filmed inside a kdrama added a playful meta element, and the action scenes were surprisingly engaging. These segments injected energy into the show and made it feel more dimensional than a standard romcom.
Lim Ji-yeon’s performance felt flat, especially in the cuter, lighter moments. This was disappointing given how strong she has been in past projects like The Glory and The Tale of Lady Ok. It reinforced my belief that romcoms are among the hardest genres to pull off
The romance itself was the weakest aspect of the show. The main couple lacked chemistry, and the noticeable age gap made their interactions feel awkward rather than romantic. The romance being a slow burn was a relief, as it spared us overt romantic scenes. Truly, thank god for small mercies.
Ironically, Lee Jung-jae shared better chemistry with Seo Ji-hye in their limited scenes together. Their natural rapport and camaraderie were far more convincing, making it easy to wish they had been the main pairing instead. As we have seen in her past works, Seo Ji-hye excels in rom-coms, carrying the exact kind of composed warmth and emotional ease that a mature romance like this requires. Her presence highlighted what the main romance lacked and reinforced how different the show might have felt with her as the female lead.
But Seo Ji-hye felt underutilized, as did Kim Ji-hoon and Oh Yeon-seo. All three are capable performers, yet their characters lacked substance and narrative purpose, making their presence feel like wasted potential rather than meaningful support to the story.
One of the highlights was Director Byeong-gi; unhinged, obsessive, and hilariously committed to achieving perfection. His willingness to fully embrace the absurdity of pretending to be Lim Hyeon-jun led to some of the drama’s funniest moments. Lim Hyeon-jun’s mother was another standout, equally chaotic and entertaining. These characters brought back the vibe of classic, over-the-top rom-coms and elevated the show’s overall tone.
The villain storyline was forgettable and failed to leave any real impact, but it also didn’t detract significantly from the viewing experience.
Overall, Nice to Not Meet You succeeds because it understands its own limitations. It commits fully to its absurd premise and finds strength in character-driven humour, becoming more endearing the longer you sit with it.
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Lim Hyun-joon (Lee Jung-jae) is a veteran actor best known for repeatedly playing the same relentless detective. Tired of being boxed into that role, he longs to prove that he can shine in romantic or melodramatic parts. Wi Jeong-sin (Lim Ji-yeon) is an award-winning political journalist who, after a major scandal, is reassigned to the entertainment beat… exactly where she crosses paths with Hyun-joon.
This drama presents a fresh premise that blends a critique of the celebrity world with the classic rom-com trope of clashing personalities. Lee Jung-jae surprises in a lighter, more comedic register, revealing an unusual yet charismatic side of himself. The series offers tender moments, meta humor, and gentle social commentary on how the industry shapes public images and egos.
The chemistry between the leads didn’t fully click for me; there were moments when they seemed uncomfortable with each other. I also feel the drama would have benefited from fewer episodes, as some scenes and situations drag on longer than necessary.
For me, Nice to Not Meet You is more of a comedy than a romance , a romantic comedy with a satirical soul.
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Mid 50 to 40 age gap NOT anything to lose your rockers over
Yes I read the age cap criticisms before show had a date release. I don’t know why I decided to play it anyways. It’s been a riot, cast did a great job, enjoyed the relationships. To me, it’s a gem.Mind you this had lots of room for improvement. There’s a shortage of meaningful extensions to some of the characters, underdeveloped if you will. Second lead couple was minimally effective yet they were part of the big hype. Now that I’ve admitted that, let me give you why this was super cute.
First, people please cut the cast some slack on age inferiority. These are very grown adults by today’s standard. He’s late fifties, she’s early forties. I would let you think as you like if for instance a famous coach in his seventies and gf in early twenties cuz that can mess with the mind (actually none of us has business with anyone’s relationship but just saying) . The point is, when Cupid draws its arrow, who are we to say what we want. Let it be.
I give so much credit to the cast, especially Lee Jung Jae. Whatever reason he chose this project, good on him. A bucket list fulfillment? Check n check. His character is goofy, almost like a silly teenager once he fell. Who says a grown man can’t be like that when he’s awkwardly finding his footing to woe? Who? It was endearing! There isn’t a formula on how to act when you fall in love so in this drama, to see an overgrown man just ‘falling’ on his feet practically to get the woman was so cute. There was nothing cringy about it, it came late for him and watching him makes you want to root for him. On top of that, his character as a star is so many people. You get to a point in your career where you start trimming and plan for exit. I did a lot of pondering as his character is very relatable to the point I’m at.
Besides him, I think the rest of the cast are fun, did so good that they helped to keep me engaged. I especially enjoyed the manager of male lead; their relationship. Wonderful veterans in this drama…as well as up and coming actors as well.
Ending was fine. Didn’t expect any lovey dovey as female lead was clueless to the very near end so not surprised at how it ended. It’s fine.
On low rewatch cuz there’s too many dramas to see. I’d just like to encourage everyone to give the cast a chance as this is quite fun and cute. Thanks
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Solid Watch
Lol...........what can I say? I don't think there's too much to complain about with this piece. It was highly entertaining with many good scenes of laughs that didn't all feel forced or expected. I loved the constant bickering. The leads meshed well together but also carried their own scenes very well. The supports did their jobs.If anything, the serious bits in the drama actually deter how well the dramas comedy could've been on its own but I don't feel it diminishes the piece all that much. It just made me impatient to see the leads on screen together because whether it was suppose to be awkward or a fight, it just worked. Everyone should give this a view~
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This review may contain spoilers
An Enjoyable Drama That Unfortunately Lacks
I decided to watch this show to see what Lee Jung-jae would do outside of Squid Game, and I can’t lie when I say I liked it! The unfortunate thing about it is that nothing here really stands out as amazing.The story is enjoyable, and I liked the Kang Pil-gu sequences as well. You find yourself rooting for these characters and their happy endings. One of the things I disliked was how Jeong-sin was really dismissive and almost clueless a lot of the time. She likes him, but fails to show it a lot of the time.
I think the last few episodes are definitely the strongest. Things become more solidified and you understand what’s really going on. The first half was a bit of a drag. Hyun-jun isn’t the most lovable character out there. But in the end, I think their chemistry works nicely, aswell as the other couple between the CEO and the main lady. I really enjoyed Hyun-jun’s sidekick, Ji-sun, too. He was probably my favorite.
Overall, a nice watch that fails to stick out as anything truly meaningful. No heavy complaints, but not anything to write home about.
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না দেখলেই মিস ?
যদি আপনি কমেডি ড্রামা সাথে রুমানটিক ফিল পছন্দ করেন। তাহলে এই ড্রামাটা আপনার জন্য। ড্রামাটা দেখার সময় আপনি হাসবেন ১০০%নায়ক নাইকার খুনশুটি, ঝগড়া, প্রেম দেখেও হাসতে হবে আপনাকে।
এতো জটিল কেনো গল্প নাই এই ড্রামাতে।
ফিল গুড করাবে এটা সিউর।
আমি যেহেতু অনগয়িং দেখেছি এই ড্রামা।
প্রতি সপ্তাহে অপেক্ষায় বসে ছিলাম কখন আসবে নতুন এপিসোড।
অবশেষে বলবো, ২০২৫ সালের ভালো ড্রামা গুলো মাঝে একটা ড্রামা হয়ে থাকবে আমার জন্য।
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This review may contain spoilers
Superb acting chops - enjoyed it very much
**I never know what is a spoiler and what isn't. I'll try my best not to give away important information - but one never knows.***While I do understand that a portion of viewers may not have been on this ship, I didn't feel the rom in rom-com was central to this series. But as reality has it relationships are as diverse as they are many and I appreciated the unwieldy and awkward spirit to this pairing. It felt intentional and very spot on to me. I found it a refreshing part from the usual suspects of very young girl meets 3 years older oppa. Which is all good and fine, I'll always ship for young people in love with my tired, old heart :D Nevertheless, I was surprisingly on board with this, despite it swimming against the stream.
Anyways, I enjoyed the acting, which I think was nuanced and precise. Acting an actor acting and navigating the boundaries between the season actor's self and the act is not an easy feat, but LJJ nailed it. WJS is an amazing little stubborn lump of a tenacious, competent and sharp journalist without falling into a one dimensional cliché. Smart and tough women are also human with all the trimmings and frailty. The comedic timing was spot on and I found myself enjoying plenty of happy chuckles and a number of belly laughs in between.
SLs and supporting caracters make a drama for me and I was so pleasantly surprised to absolutely LOVE Seo Ji Hye as Chief Yun. She totally surprised me with her hilarious little touches and mannerisms and her roll was unexpectedly delightful. I'm adding everything she's ever been in to my watchlist :D Scene stealer. Another enjoyable character was writer/director Park who exuded depth and silliness all at once, like it was the easiest thing ever. I enjoyed everybody else too, but these stood out for me.
All in all oh so enjoyable and I hope the regrettably low rating of 7.4 won't stop you :D
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