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Per Aspera ad Astra (2026)

星河入梦 ‧ Movie ‧ 2026
Per Aspera ad Astra (2026) poster
8.1
Sua Avaliação: 0/10
Avaliações: 8.1/10 de 33 usuários
# de Fãs: 528
Resenhas: 2 usuários
Classificado #66045
Popularidade #14862
Fãs 33

O estudante do ensino médio Zhang Qi Meng, concentrado na preparação para os exames, é retirado da sala de provas por um estranho chamado Irmão Biao, que quebra a janela. Ele então recebe uma informação chocante: seu mundo é apenas um programa de metaverso virtual. Na realidade, Qi Meng é um astronauta em hibernação e, naquele momento, um desastre se aproxima rapidamente da nave espacial em que se encontra… (Fonte: Inglês = kisskh || Tradução = kisskh) Editar Tradução

  • Português (Brasil)
  • 中文(简体)
  • Русский
  • English
  • País: China
  • Tipo: Movie
  • Data de Lançamento: Fev 17, 2026
  • Duração: 1 hr. 52 min.
  • Pontuação: 8.1 (scored by 33 usuários)
  • Classificado: #66045
  • Popularidade: #14862
  • Classificação do Conteúdo: Not Yet Rated

Elenco e Créditos

Resenhas

Completados
Lyubov Petrovna
9 pessoas acharam esta resenha útil
Mar 5, 2026
Completados 0
No geral 10
História 10
Acting/Cast 10
Musical 10
Voltar a ver 10

The film is worth watching and rewatching

In this sci-fi blockbuster, Dylan Wang plays an astronaut named Xu Tianbiao. The plot revolves around a virtual dream system called "Sweet Dreams," which allows people to create their own worlds, but it's fraught with danger. Dylan takes on over 15 different roles in these dreams, from a warrior to a gangster. The film is captivating in its cinematic dynamism, and Dylan has an excellent sense of camerawork. In scenes where reality around him collapses or changes color (like a kaleidoscope), his movements make the action believable, even if it's purely visual. The contrast between "image" and pain is palpable, as you see an incredibly beautiful background, but Dylan's face reflects rage or despair. This dissonance compels you to keep watching, wanting to understand why the hero feels so miserable in such a beautiful world. When he fights in a space where there is no up or down, it looks like an expensive art object. The sheer scale of the film is a joy in itself. Dylan conveyed his character's loneliness through his facial expressions as digital reality crumbles around him. The scene where the character realizes he's just code in the system was the most emotional, revealing his soul, not just his face. With a cold, almost lifeless gaze, Dylan managed to convey his natural charisma and warmth, becoming a frighteningly beautiful instrument of the system. The actor demonstrated his ability to play abstract states.
The film is worth watching and rewatching for its fantastical narrative, beautiful visuals, music, acting, and thought-provoking content.

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Completados
theVirginian
4 pessoas acharam esta resenha útil
Fev 19, 2026
Completados 2
No geral 8.0
História 8.0
Acting/Cast 9.0
Musical 7.0
Voltar a ver 7.0

A fun watch with a traditional Chinese ending

Go see this movie!

This movie was in enjoyable to watch. The story starts very creatively and it’s really nice to see how creative they were with the different dreamworld. Lots of computer generated action and events, but to a high-quality the actors all do a great job the characters have realistic, chemistry, and good character development. It is a gripping story that starts out fun and it becomes very serious. The traditional Chinese ending is not bad, but I felt undercuts the creativity of the earlier part of the story. The end is very good, very well acted and emotional. As a long time movie watcher though. I give more points for not falling into tropes.

Go see this morning and enjoy the Chinese industry. I keep making creative movies like this.

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Detalhes

  • Título: Per Aspera ad Astra
  • Tipo: Movie
  • Format: Feature Film
  • País: China
  • Data de Lançamento: Fev 17, 2026
  • Duração: 1 hr. 52 min.
  • Classificação do Conteúdo: Ainda Não Classificado

Estatísticas

  • Pontuação: 8.1 (avaliado por 33 usuários)
  • Classificado: #66045
  • Popularidade: #14862
  • Fãs: 528

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