Yeom Jung Ah will reportedly lead a new K-drama by Love Next Door director Lee Ji An is a single mother who has lived firmly with her confidence as her weapon. When she faces difficult situations, she always deals with the problem with her simple character and persistence. There's no such thing as a free lunch to her. Lee Ji An works as a construction site manager, who controls everything that goes on there. Her daughter is Lee Hyo Ri, and she is a medical school student. Lee Hyo Ri is the pride of Lee Ji An's life, and she means everything to her. Things change for Lee Ji An when her daughter begins to rebel, and Lee Ji An's first love enters her life again. Her first love is Ryu Jeong Seok. He is a single father and lives peacefully with his son Ryu Bo Hyeon. Ryu Jeong Seok's peaceful life changes due to Lee Ji An and her daughter Lee Hyo Ri, as they suddenly barge into his life. His son Ryu Bo Hyeon is a young man who has known from an early age what he wanted to do, and he has run a flower farm for 6 years. He is a veteran in the flower farming field, but he begins to have new emotions due to Lee Hyo Ri. She parks in front of Ryu Bo Hyeon's house with a camping car. (Source: AsianWiki) Edit Translation
- English
- Arabic
- Русский
- Italiano
- Native Title: 첫, 사랑을 위하여
- Also Known As: Cheot, Sarangeul Wihayeo , First, for Love
- Director: Yoo Je Won
- Genres: Comedy, Romance, Life, Family
Cast & Credits
- Yeom Jung AhLee Ji AnMain Role
- Park Hae JoonRyu Jeong SeokMain Role
- Choi Yun JiLee Hyo RiMain Role
- Kim Min KyuRyu Bo HyeonMain Role
- Kim Sun YoungKim Seon Yeong [Ji An's best friend]Support Role
- Yang Kyung WonYun Tae O [Surfing Club owner]Support Role
Reviews
Healing happens quietly, almost imperceptibly, in daily life and in togetherness
Love, Take Two is different. No grand gestures, no dramatic twists. Instead: women holding one another because no one else will. Mothers, daughters, friends—bound by necessity and by choice.What makes the series remarkable is its healing quality—not only for the characters, but also for the viewers. The relationships in Love, Take Two grow slowly, leaving space for vulnerability and allowing old wounds to be touched gently, without being torn open. Healing happens quietly, almost imperceptibly, in daily life and in togetherness.
Ji‑an, the mother, is no heroine. She is tired, wounded, and yet present. Hyo‑ri, the daughter, runs—not away, but toward herself. And in between: a village that heals and helps without prescribing therapy. Among surfboards, tomatoes, and empty houses.
The men in this story also deserve attention. They do not compete with the women, but meet them as equals. Their roles are finely attuned to the women’s lives, complementing and supporting without pushing themselves to the forefront. Often it is small gestures, understanding, and mutual respect that shape the dynamics between characters. A coexistence emerges in which differences do not divide, but enrich.
The series does not tell us how to live. It shows how to survive—and how, in the process, one slowly learns to breathe again. Grounded. Beyond clichés. It conveys that healing need not be spectacular or final—sometimes it is simply the quiet act of moving forward, of enduring together, of sharing moments that bring comfort.
This KDrama stands out for its calm narrative rhythm. It has its own pace. It forgoes excessive drama and instead leaves room for genuine emotion—for grief, tenderness, and the subtle tones that often lie between the lines of dialogue.
In the end, it is not a conventional love story. It is a story about loving—despite everything. Carried by women who, against all odds, chart the path forward, and by men who, in their own unique way, become part of that journey. It is precisely this quiet harmony and the careful, almost invisible healing that make the series so special.
Worthwhile and valuable.
A "Healing" Slice-of-life That's Worth Watching
This is a slice-of-life drama that doesn’t necessarily heal you, but it makes you wish for everyone to heal, physically and emotionally.I went into it with low expectations even though I’d been waiting for it, but surprisingly, it turned out to be a wonderful watch.
When Lee Hyori finds out she’s seriously ill, she drops out of med school and runs away to the countryside to rest. Her mom follows her there, determined to take her back… and that’s where the mother–daughter story begins. Their relationship isn’t the best at first, but over time, watching them slowly mend and grow closer is truly heartwarming.
There’s also romance woven in: Ryu Jeong seok, Lee Jian’s first love, and Ryu Bo hyeon both live there, and each develops a love line, one with Jian, the other with Hyori. It might sound complicated, but it never feels awkward or forced. This isn’t a rom-com, though; it’s more about found family, quiet healing, and the kind of emotions that sneak up on you until you suddenly find yourself in tears.
I especially loved Kim Sun young’s character, she was funny when needed, but also a deeply supportive friend to both Jian and Hyori. She brought so much warmth and chaos to the story.
The romances were also beautiful: Bo hyeon and Hyori were absolutely adorable together, and Jian and Jeong seok had their own lovely journey. But more than anything, I loved watching all the characters grow, little by little.
This is the kind of drama you sit back and relax with, only to realize you’ve been moved to tears. Even though they squished in some annoying drama, It is ruly worth giving a chance.
























