Yeom Jung Ah will reportedly lead a new K-drama by Love Next Door director Bien que mère célibataire, Lee Ji An était prête à tout pour que sa fille, Hyo Ri, ait tout ce dont elle avait besoin. Aujourd'hui étudiante en médecine, Hyo Ri comment à se rebeller contre sa mère. Un jour, Hyo Ri prend un camping-car et part seule, s'arrêtant dans une ville de bord de mer où elle rencontre Bo Hyeon, un cultivateur de fleurs expérimenté. Il vit avec son père célibataire, l'architecte Ryu Jeong Seok, qui se trouve être le première amour de Ji An. Cette coïncidence marquera-t-elle le début d'une histoire d'amour, et la rennaissance de vieux sentiments ? (Source : Anglais = Viki || Traduction = kisskh) Modifier la traduction
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- Italiano
- Titre original: 첫, 사랑을 위하여
- Aussi connu sous le nom de: Cheot, Sarangeul Wihayeo , First, for Love
- Réalisateur: Yoo Je Won
- Genres: Comédie, Romance, Vie quotidienne, Famille
Distribution et équipes
- Yeom Jung AhLee Ji AnRôle principal
- Park Hae JoonRyu Jeong SeokRôle principal
- Choi Yun JiLee Hyo RiRôle principal
- Kim Min KyuRyu Bo HyeonRôle principal
- Kim Sun YoungKim Seon Yeong [Ji An's best friend]Rôle Secondaire
- Yang Kyung WonYun Tae O [Surfing Club owner]Rôle Secondaire
Critiques
Healing happens quietly, almost imperceptibly, in daily life and in togetherness
Love, Take Two is different. No grand gestures, no dramatic twists. Instead: women holding one another because no one else will. Mothers, daughters, friends—bound by necessity and by choice.What makes the series remarkable is its healing quality—not only for the characters, but also for the viewers. The relationships in Love, Take Two grow slowly, leaving space for vulnerability and allowing old wounds to be touched gently, without being torn open. Healing happens quietly, almost imperceptibly, in daily life and in togetherness.
Ji‑an, the mother, is no heroine. She is tired, wounded, and yet present. Hyo‑ri, the daughter, runs—not away, but toward herself. And in between: a village that heals and helps without prescribing therapy. Among surfboards, tomatoes, and empty houses.
The men in this story also deserve attention. They do not compete with the women, but meet them as equals. Their roles are finely attuned to the women’s lives, complementing and supporting without pushing themselves to the forefront. Often it is small gestures, understanding, and mutual respect that shape the dynamics between characters. A coexistence emerges in which differences do not divide, but enrich.
The series does not tell us how to live. It shows how to survive—and how, in the process, one slowly learns to breathe again. Grounded. Beyond clichés. It conveys that healing need not be spectacular or final—sometimes it is simply the quiet act of moving forward, of enduring together, of sharing moments that bring comfort.
This KDrama stands out for its calm narrative rhythm. It has its own pace. It forgoes excessive drama and instead leaves room for genuine emotion—for grief, tenderness, and the subtle tones that often lie between the lines of dialogue.
In the end, it is not a conventional love story. It is a story about loving—despite everything. Carried by women who, against all odds, chart the path forward, and by men who, in their own unique way, become part of that journey. It is precisely this quiet harmony and the careful, almost invisible healing that make the series so special.
Worthwhile and valuable.
A "Healing" Slice-of-life That's Worth Watching
This is a slice-of-life drama that doesn’t necessarily heal you, but it makes you wish for everyone to heal, physically and emotionally.I went into it with low expectations even though I’d been waiting for it, but surprisingly, it turned out to be a wonderful watch.
When Lee Hyori finds out she’s seriously ill, she drops out of med school and runs away to the countryside to rest. Her mom follows her there, determined to take her back… and that’s where the mother–daughter story begins. Their relationship isn’t the best at first, but over time, watching them slowly mend and grow closer is truly heartwarming.
There’s also romance woven in: Ryu Jeong seok, Lee Jian’s first love, and Ryu Bo hyeon both live there, and each develops a love line, one with Jian, the other with Hyori. It might sound complicated, but it never feels awkward or forced. This isn’t a rom-com, though; it’s more about found family, quiet healing, and the kind of emotions that sneak up on you until you suddenly find yourself in tears.
I especially loved Kim Sun young’s character, she was funny when needed, but also a deeply supportive friend to both Jian and Hyori. She brought so much warmth and chaos to the story.
The romances were also beautiful: Bo hyeon and Hyori were absolutely adorable together, and Jian and Jeong seok had their own lovely journey. But more than anything, I loved watching all the characters grow, little by little.
This is the kind of drama you sit back and relax with, only to realize you’ve been moved to tears. Even though they squished in some annoying drama, It is ruly worth giving a chance.
























