My Only Sunshine

Forget everything you know about "toxic romance."

Don't worry, there's a way to save the series: JUST MAKE FLINT THE VILLAIN, AND HAVE SUN END UP WITH SOMEONE ELSE OR BE ALONE.
Why does Flint keep clinging to Sun all the time? I know that kind of scene is meant to create tension and give us butterflies, but when it happens 5 times in the first few episodes, and it's implied that the protagonists didn't have a history of flirting before, it feels strange. They know each other from the past, when Sun was still in high school and Flint still saw her as a little girl, so it doesn't make sense for her to just start attacking the girl every time she has the chance. It even seems like Flint made some kind of bet or something, because she goes after Sun every time she has a chance, even though there's NO atmosphere for it. And why does Sun always seem to be on the verge of tears? Does she have some past trauma or something? If so, fine, but if it's just to show how fragile the character is around Flint, I didn't like it. In 2 episodes she almost cries about 4 times. Enough already!

Another point I didn't like was Sun explaining herself by saying, "Do you really think I'm that kind of girl?", referring to the fake news that she was seen entering a hotel with a guy. What would be the problem? Couldn't she be dating a guy and go out with him on a date? Please! It's ridiculous for her to say that to Flint as if it were "absurd" for her to go out with a guy. Flint's justification is "You can't tarnish the company's image," so Sun can't be seen going out with a guy, but it's okay if she's seen going home with Flint? It doesn't make sense.

And when Flint keeps interfering in Sun's work? What was that? Please, there's no way to ruin an artist's career more than always having someone behind them, demanding scene changes, script alterations, etc. And the worst part is that Flint believes everyone except Sun. It doesn't matter if the girl says 20 times that she's not dating a guy, Flint always believes others, discredits Sun, and even demands behavior from her that Flint herself doesn't have... Flint is like: "Don't flirt with guys, don't date anyone, don't act in on-screen kisses, don't even let your photographer touch you... but I can do all that with you, even though we're nothing to each other"... But Flint, she already said she's not having a romance with that actor! - "But the actor said he is, and I believe him more than Sun." But Flint, even if she were dating the actor, that's none of your business; it would even be good for boosting ratings for their show! "It doesn't matter! I act as if I'm dating Sun, as if she were mine, so she must obey me, submit to my interference and not talk back... and anyone's word is more important than hers."

And the worst part is that she makes up that she slept with the girl because she was annoyed with Nope! SERIOUSLY? Who's more awful, Nope or Flint? I'm honestly starting to think Nope is a "better" option. How can the show criticize Nope for inventing a romance when the protagonist herself does the same thing?

The only good thing about this show, and what saves it, is the secondary couple!
I wasn't going to say anything, but since it's a sensitive subject, I decided to elaborate: Regarding the "problematic scene," all I have to say is:

* She was crying;
* Pushing the person away with all her might;
* Afraid;
* Asking to stop several times;
* And she says "Yes" at the end because she saw that if she gave in, it would end faster, because there was no way to escape, because Flint wouldn't "hurt her as much," and because she would come out looking "right" in the end.

This is not consent, it's instinct for self-preservation: When we give in to something we know we don't want and that will be painful, but we know that if we don't give in, it will be worse. It doesn't matter if she has feelings for Flint or not, and whoever uses that as an excuse is normalizing marital rape, be careful! Loving doesn't mean having a duty to give in even if you don't want to. If this scene were between a man and a woman, we wouldn't even be discussing it.

And before you say "but that's how it is in real life," "but that's a problematic relationship that will get better later": 1) In what life is this "normal"? In the life of a victim! Because in a RELATIONSHIP this is not normal, and if it is for you, I advise you to see a psychologist urgently. Yes, in real life this happens, and when it does, we call the police, report it, and separate the victim from the abuser. We don't leave the abuser with the victim and say, "calm down, he will improve in the future! Your relationship can still work out." 2) This is not a problematic relationship. A problematic relationship doesn't include a victim and a criminal; it includes two people who have PROBLEMS that can be solved with conversation, therapy, etc. Problems, not crimes. Understand?

It's crazy that in "Call Me By No Name" exactly what's happening now is happening. A woman abuses another woman, but when she reports it to the police, nothing happens because people claim that "this doesn't happen" between women, people don't see it as a "crime" because it's illogical to think that a woman could abuse another out of "malice." It must just be a misunderstanding... So you who are defending this scene are exactly the same as the people who didn't defend the protagonist of "Call Me By No Name"... I never thought I'd see this happening.

Read More

Mdl asked me what is important to know and I'd say: Devi

Classic Thai show which throws a bunch of tropes at the viewers for 97% of the show only to turn around and make the sweetest final episode with emotional payoff. This show feels like a dementia patient’s walking through a garden, the same path over and over but never tiring of it and i can't rate it higher than I have.

(Tbh Starhunter needs to step up it's game tbh, they always have good production values, great actors who definitely have potential, makeup is on point (honestly Dmd and gmmtv need to take notes on this count) nothing looks cheap and in theory their shows should work, but they never do.)

Sun, an actress, has always been in love with the elder sister, Rafah, of her bestie Fey. For whatever mysterious reason, neither she nor Rafah have addressed this or acted upon it until..well until Star hunter made this show? They never address why they were apart then except that Sun was overseas for some years but that doesn't explain much considering how GONE Rafah was for Sun and she'd been in Thailand for years already. It's been 9 years of unrequited crush, atleast give us the reason.

A number of plot points like Sun’s defamation, a sinister Sasaeng, her arguably sinister girlfriend Rafah, exes and all are thrown at us but the resolution is quick, easy and unsatisfactory. As for character development? What's that? Sun’s core personality point is she is a spineless goody-two-shoes and is often on the receiving end of the mattress treatment. Rafah’s personality is being an asshole to most others, clinging to Sun in a borderline psychotic manner and crossing the boundaries of healthy relationships. I love shows that explore toxic relationships but not the immature conclusion presented here.

The second leads are Fey and Peach and they didn't have much of an interesting storyline either–the tropes were also repeated for the couples like the random public kiss, media scrutiny, jealous exes etcetra etcetra.

This feels like a lot of shows back from 2021, a combustion of poorly explored tropes. One could skip twenty minutes and I assure you nothing significant will have happened. At the end of penultimate 7th episode we are yet again exposed to 10 new plot points and bestie I rushed to mdl to check whether episode 8 was indeed the last–fearing that I'd somehow gotten it wrong and it was actually 12 eps. I was not going to sit through five more episodes of this.

I still marginally like this because the actresses had chemistry. There's that one obligatory gl bubble bath scene and the way Rafah was casually moving her hands on Sun during the bubble bath? My brain was screaming! As a negative to Rafah’s possessive hotness is that there's a borderline sa scene, I say borderline because there is dubious consent, which again has little bearing on the plot itself. The show marches along with its other plotlines in tandem.

Should you watch this? If you don't mind the dubcon and are pulled by the magnetism of Atom and Devi, go ahead but really there are way too many good gls airing right now. I'm obviously in a good mood or is that Devi’s magic because I give this a 6 and the verdict is no worse than mind numbingly boring.

Read More

Could have been one of the best...

My Only Sunshine is definitely going to be my biggest disappointment of the year. The series had the potential to be one the best for 2026. The cast has chemistry, it has a fantastic OST and on a technical level, it is one of the best so far this year.

Unfortunately, even with a mostly good story, the series had to go ahead and romanticize sexual assault. Flint apologized to everyone about everything expect for the actual crime she committed when she raped Sun because she "loves" her.

I get it, sexual assault is an unfortunate fact of life, so I didn't have an issue with that scene itself. My issue is that it was then passed off as romantic and made it seemed like Flint was justified in her actions towards Sun.

I could not imagine rewatching this. Such a disappointment.

Read More

Soulless series

The series starts with strong tension and a promising setup, especially in the early episodes, where the chemistry between the leads and the “almost romance” moments create genuine interest. There are also a few entertaining elements, like indirect comedy and the setup of a potential side couple, which hint at a more engaging story beneath the surface.

However, as the series progresses, it quickly loses direction. The story becomes increasingly driven by forced misunderstandings, inconsistent character decisions, and plotlines that are either rushed or left unresolved. Instead of building meaningful emotional depth, the show often relies on surface-level drama and repetitive conflicts.

One of the biggest issues is the lack of believable character logic. Actions and reactions rarely feel natural, and important elements—especially the handling of non-consensual situations—are either ignored or brushed aside, which undermines the entire relationship dynamic. At the same time, antagonists remain one-dimensional and fail to create real tension or impact.

Despite introducing interesting ideas, such as the twin twist or multiple relationship dynamics, the series never fully commits to them. Plotlines appear and disappear without proper development, making the story feel fragmented and unfocused. Even emotional moments that should have had weight end up feeling hollow, as if something essential is missing.

In the end, the series feels like it lacks a clear vision or emotional core. It presents the structure of a dramatic story, but without the depth or sincerity needed to make it work. What could have been an engaging and emotionally driven narrative instead turns into something that feels strangely empty. In the end, it feels like a series without a soul, driven by careless and poorly thought-out decisions.

Read More

My Only Sunshine – one of the most solid GL series right now

My Only Sunshine establishes itself as one of the most compelling GL productions in the current landscape—a series that, even for viewers with limited experience in the genre, clearly stands out through its coherence, pacing, and character construction.

The story avoids the trap of monotony, even if at times it seems to drift into an ambiguous narrative thread. In reality, this ambiguity is carefully calibrated: the knots are gradually untangled, and the transitions remain smooth, without abrupt breaks. Flashbacks are not mere devices, but add emotional depth and provide essential context for understanding the characters’ motivations.

A major point of discussion among fans was the controversial moment in episode 3 involving the character portrayed by Atom (Aphichaya Kamnoetsirikun) as Flint. The audience reaction was immediate, yet the subsequent development proves that Flint is, paradoxically, one of the most fitting choices for Sun.

Atom delivers a challenging performance: a successful businesswoman who appears cold, strict, and inaccessible, yet remains almost impossible to read (there are perhaps only two or three scenes where you can truly guess what she thinks or intends to do next).

Unlike the classic “tough but vulnerable” archetype, Flint offers no clear emotional cues—she does not reveal her intentions through glances or gestures, opening up only slightly in key moments. She is a character that resists transparency, and this opacity becomes, paradoxically, one of the performance’s greatest strengths. When cracks finally begin to appear, the impact is all the more powerful.

In contrast, Mersedese (Siripath Sarakune) impresses in a dual role: Sun, the successful actress, and her twin sister, Ianuarie. The distinction between the two is clear and convincing—from fragility and empathy to toughness and moral ambiguity. The emotional shifts are well sustained, and transitions between affective registers feel natural. The relationship between the sisters becomes a driving force of confusion and dramatic tension, without slipping into excessive melodrama.

The secondary couple adds a significant layer of dynamism. The characters portrayed by Pataravadee Thitivoodtikul (Fey) and Deviyabha Uddhachandra (Peach) function both as emotional support and as a narrative counterbalance. Fey is the anchor—childhood friend, confidante to Sun, and at times the voice of reason for her older sister Flint—while Peach introduces moments of levity and humor without undermining the dramatic stakes.

Another notable strength of the series lies in how it uses secondary and episodic characters. These are not merely decorative presences: they either contribute to thematic development (including subtle social critique) or complicate the plot in an intelligent way, without disorienting the viewer. It’s a rare balance between narrative function and memorability.

From a technical and artistic standpoint, the series shows no major flaws. The script is well structured, the performances are strong, and the pacing maintains engagement throughout. Moreover, it offers an interesting glimpse into the life of a celebrity in Thailand, including the often tense relationship with fandoms and the phenomenon of fan service—a detail that adds both authenticity and contemporary relevance.

Synopsis
Sun, a famous actress, has been in love with Flint since childhood but never found the courage to confess. Years later, the two meet again. Although their relationship is, on the surface, professional, it quickly becomes deeply personal—yet not without complications. Will they manage to stay together?

Main Cast
Siripath Sarakune – Sun / Ianuarie
Aphichaya Kamnoetsirikun – Flint
Pataravadee Thitivoodtikul – Fey
Deviyabha Uddhachandra – Peach

Where to Watch
The series has 8 episodes, each approximately 54 minutes long, and is available on Bilibili.

Verdict
My Only Sunshine is a strong example of storytelling in the GL genre: well-written, well-acted, and carefully constructed. A series that not only entertains but also delivers substance—without excess and without obvious compromises.

Read More