Segue le disavventure di un impiegato "usa e getta", Mickey 17. La storia prende il via quando Mickey Barnes vuole lasciare la Terra per andare nello spazio e per farlo firma un contratto per essere un "sacrificabile", cioè un impiegato che può essere inviato a fare lavori estremamente rischiosi perchè in grado di essere "rigenerato" grazie a una stampante 3D, con le memorie intatte fino al momento della sua "morte". Tutto sembra andare come previsto, ma inspiegabilmente le cose si inceppano quando uno dei cloni, il diciassettesimo, sopravvive inaspettatamente durante la colonizzazione di Niflheim, un pianeta ghiacciato. Si ritroverà a fare i conti con Mickey 18, il nuovo clone che avrebbe dovuto prendere il suo posto. (Source: Movieplayer.it) Modifica la Traduzione
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- Titolo Originale: 미키 17
- Conosciuto Anche Come: Miki 17
- Sceneggiatore & Regista: Bong Joon Ho
- Generi: Commedia, Fantascienza
Cast & Ringraziamenti
- Steven YeunTimoRuolo di Supporto
- Daniel HenshallPrestonRuolo di Supporto
- Yang Jin Mo Unknown Job
- Brad Pitt Unknown Job
Recensioni

A great work from Bong Joon Ho
Mickey 17 is a great sci-fi movie, packed with good humor, action, romance and touching moments. It’s a nice picture of humanity and modern society. It’s a good blend of entertainment and politics elements.I had fun watching it, with only me in the cinema. It seems that no one in my town watches this movie. It’s been released in our local cinemas for a week and today is the last day. Anyway, I had the best experience ever!
I love Robert Pattinson’s performance of Mickey. His romance is beautiful as well. Nasha is literally the best female character I’ve seen recently.
It’s also nice to see Mark Ruffalo as a villain. :)
A clumsy dystopian rehash
Crap. From the get-go Mickey isn't likeable and his fake Southern accent is grating. The rest is a formality, without a protagonist it can't succeed: Thought is speech - not in this movie. It's just speech, no thought. No subtlety at all, as blunt as a wooden spoon. Okja meets Snowpiercer meets The Hunger Games, all in the style of the great Terry Gilliam*. Toni Collette plays Tilda Swinton. Ruffalo injects a bit of Trump - TDS personified, about as witty as a SNL skit. And the voice over? No, we don't need a running commentary, neither did Blade Runner. The dialogue becomes increasingly profane and childish (it's never at an adult level at any stage) similar to how stand up comedians fill their set with expletives when the audience isn't laughing along. Finally, Bong's dystopian vision is tedious; a much smarter dystopia is portrayed in films like Children of Men, which examine humanity without the need for clumsy theatrics.(* Yes, a science fiction vision from the 1980s, like Brazil with a cast full of Python-esque art deco caricatures, doesn't sit well when reproduced in 2025.)
TDS: Trump Derangement Syndrome
SNL: Saturday Night Live
Brazil: 1985 film by Terry Gilliam
Children of Men: best dystopian sci-fi film ever made, prophetic.