↠ As of this day, what made you feel appreciation towards well-written antagonists? Is there a connection to something that concerns you personally?LiN:
I think my answers haven't changed much since I last spoke about similar topics, so I'll just reply to this one.
What I appreciate about well-written antagonists is getting to know a unique perspective and being invited to understand something even if I might not agree with it. I think that's what I like about stories in general. Its also why I like dramas that have a specific theme or topic, because they allow me to learn more about unique things I normally wouldn't get to experience like the behind-the-scenes of manga or how being blind affects a person's daily experience. I've noticed that I usually hate episodic formats, but if I get exposed to lots of unique perspectives, I actually enjoy them (Ikebukuro West Gate Park, Midnight Diner, Don't Call It Mystery).
![]() | I think also, though, that sometimes its just cathartic to see a villain unleash so much anger and frustration. One of the most memorable downfalls of a villain to me is from the Story of Ming Lan where Xiao Qin Shi in screaming with rage as the ancestral shrine burns around her. She was someone who had to hold back so much emotion and acted like the perfect person (though surely she was not) for years. Seeing that suppressed rage come out? Oof my goodness. When a writer can make that outrage feel so rewarding for the viewer and the performance of it that good? Ah... I can't help but appreciate it haha |
A popular villain I also enjoy is Xue Yang. While I can't imagine killing someone over my pinky, learning about his backstory and getting to understand his hidden depths was really interesting. He had this warped sense of relationships that was intriguing. I mean obviously it was scary and toxic, but it was also just such a plot twist when you realized what wasn't being said. He wanted to revive Xiao Xing Cheng because of how deeply he cared about him. And he was incredibly and unbearably lonely without him... I mean... augh straight to the heart! While the method itself isn't relatable (I mean it is fantasy afterall), loneliness and desperation are very human emotions that can help us empathize with a character. Villains often times feel like an opportunity to process and explore negative emotions in a safe way. Well, at least that's what I've read about it in a meta sort of way (some very interesting literature on these things, I'll tell ya!) | ![]() |
Villains often times feel like an opportunity to process and explore negative emotions in a safe wayfiflydramalover:
THANK YOU for your contribution, full of deep insights that might just help me and others to understand their journey on these topics a little better. Your point of view is eye-opening to me, it might just be what made me start my journey as well. The unique perspectives of the antagonists and villains are often what might have felt silenced or overlooked in other parts of the story.
I also think, the better the backstory of the antagonist and the depth of their character traits, the more weirdly understandable they become - the better the TV drama/movie. This must be rooting in the relatability of the entire plot and where we emotionally find ourselves entangled.
I think regarding the dramas on MDL, I often find myself thinking about Wei Wuxian himself. While this might sound a little unituitive, since he is the protagonist and therefore the opposite of an antagonist, he is often framed as a villain. I also find it extremely complicated to draw a line between "good and bad" in series like "The Untamed", or even with a recent drama I started watching called "Si Jin". Wei Wuxian is usually the first to cross my mind because, out of many other perspectives, he would be the opposing figure. Naturally, he was only seeking for justice, for the Jiang Clan, for the innocent. But because of his struggles for justice, he deeply troubled many characters. Yet, he had unyielding support because even though he was opposed by most, he still had a point by pointing out the grieviances of injustice by the never-ending oppression from above. |
LiN:
The name gives it away, so I would say they count, because I always include the moral compass of a mass of characters to refer to antagonists and villains. Who exactly do YOU have in mind?
The 3 protagonists in Penthouse (Shim Su-Ryeon, Oh Yoon-Hee and Cheon Seo-Jin), Chae Young-Rang from Five Fingers, Min Hee-Kyung from Red Shoes, Matthew Lee from Escape of the Seven, Moon Jung-In from Scandal/Snow White's Revenge, Shin Hwa-Kyung from Secrets and Lies, Go Eun-Jo/Hwang Ga-Hun from Miss Monte-Cristo (eventually), etc... that's just a few.
A popular villain I also enjoy is Xue Yang.fiflydramalover:
I think regarding the dramas on MDL, I often find myself thinking about Wei Wuxian himself. While this might sound a little unituitive, since he is the protagonist and therefore the opposite of an antagonist, he is often framed as a villain. I also find it extremely complicated to draw a line between "good and bad" in series like "The UntamedLiN:
In The Untamed, Wei Wu Xian is deemed as the villain by the masses, only because he thinks differently from the masses, and sees beyond the surface, beyond what the masses see and perceive as righteous.
And if Xue Yang has run into Xiao Xing Chen earlier, like how Wei Wu Xian has run into Uncle Jiang when he was a child and had been kindly treated, Xue Yang could have been a better person.. Conversely, if Wei Wu Xian has not run into Uncle Jiang, he well could have been a true villain...
I wrote an essay about the insane villain character trope as used in Korean dramas with Vincenzo, My Demon, and It's Okay to Not be Okay as case studies. If you'd be interested in reading it, here's the Google doc link.
https://docs.google.com/document/d/12K25n2KwLuykGtEbXaHOg4nSrDeJ541U0BUTq5qc9vQ/edit?usp=drivesdk
Elmond_u:
I wrote an essay about the insane villain character trope as used in Korean dramas with Vincenzo, My Demon, and It's Okay to Not be Okay as case studies. If you'd be interested in reading it, here's the Google doc link.
https://docs.google.com/document/d/12K25n2KwLuykGtEbXaHOg4nSrDeJ541U0BUTq5qc9vQ/edit?usp=drivesdk
I feel ya. One of my biggest complaints with Teen Wolf is that many of the villains felt so flat and thus boring (with the exception of season 3b >:3). Understanding a villains point of view can make them more compelling and can even increase the narrative tension if that underlying philosophy plays well with the lead's. My first favorite villain of dramaland was from Faith, and I liked him because I could understand why he was devolving into madness. He had this insatiable greed and loneliness that consumed and confused him. He's far from the standard of excellent villain writing, but he was the first to make me want more from writers of antagonists.
The Story of Ming Lan, as I've mentioned before, has some delicious villains. Each is complex with clear goals they are desperate to achieve. The Story of Yanxi Palace also has some fantastic villains and again part of that has to do with their own narrative archs surrounding their goals and well structed characterization. Love when it's done well. And of course, The Untamed's villains were all characterized to be multi-faceted, though some with more depth than others. It just adds something interesting to the story when we can get more from the villains.
That being said though, there are some villains we don't get much clarity on that are still pretty interesting. Oh My Ghost's villain is really just a malevolent spirit, and we don't learn much about its backstory. Still, I remember enjoying the protagonist's mysterious relationship with him anyway.
On the topic of villains who lacked clarity, I'd like to commend Vagabond. Though we only get a little glimpse of the villain's motives, he's still compelling and interesting because he poses area threat to the protagonist. He's calculating, intelligent and resourceful. Also, I really love the set of villains from The Glory. Unapologetically evil because growing up, they never learned to regard others. Even when they misbehaved as children, rather than reprimanding them, their parents covered up their misdeeds. They're quite simple to understand-just horrible people who act out of line because they've never felt the consequences of their actions- but when you look deeper, you see some complexity to their characters. They're victims of bad parenting, yet too unremorseful to garner any sympathy.
So recently finished Weak Hero Class 2 and liked that the villain had unexpected elements to him, but I was kind of annoyed that we didn't get to see or understand that much. It kind of felt like they wanted to have a new protagonist with Baku in the second half, but only went half way, which meants Baek Ji'ns backstory as the one paralleling Baku ended up not being well developed, instead showing snippets—which were intereating, but I wanted more. Idkk anyone else have thoughts about the villain this season?
That being said though I thought his performance was really good. His choreograph was also super tight and powerful. He was fun to watch on stage (which was why i wanted more!!!)
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