Fancy coming from someone who said she gave “constructive” critic while there’s nothing constructive about…
I don't even read all your response as it's just troll crap. These attacks make it a cult. I was giving PP constructive criticism and you, I was just calling you out. To prove the cult behavior. And I succeeded. From this point, I'm not going to respond to you and, so, say whatever you like put me down you troll me. Whatever you like. Weak people belong to cults.
People need to stop having idols as it just turns into a cult. I just deleted my messages as I can see how "cultish" these people are. PP Krit, as much as I criticize you, if I were you, I would be very careful with your followers.
While I appreciate Billkin’s talent, I find that his musical output—much like PP Krit’s—feels somewhat one-sided. By this, I am referring to the overt emphasis on specific sexual identities. Whereas PP Krit’s branding heavily pushes a specific image of homosexuality, Billkin’s work often feels like a constant effort to prove his heterosexualness.
In PP Krit’s music and persona, I perceive certain narcissistic traits—the image of a 'Gay God' who is entitled to whatever he desires. Conversely, as a gay male, I find it difficult to relate to Billkin’s content because it so aggressively centers on cisgender female romantic interests. Given that both rose to prominence through BL series, it is disappointing to see their music become so rigidly gendered. I believe music is most powerful when it remains universal; by moving away from strictly gendered narratives, artists allow cisgender, non-binary, and queer audiences alike to truly see themselves in the art. - ผมชื่นชอบผลงานของบิลกิ้นนะ แต่ผมรู้สึกว่าทิศทางดนตรีของเขา—รวมถึง PP Krit—มันดู 'สื่อสารไปในทางเดียว' มากเกินไป ซึ่งสิ่งที่ผมหมายถึงก็คือเรื่องของอัตลักษณ์ทางเพศ ในขณะที่การนำเสนอของ PP Krit พยายามผลักดันภาพลักษณ์ของเกย์อย่างหนัก แต่ในทางกลับกัน งานของบิลกิ้นกลับทำให้ผมรู้สึกว่าเขาพยายามพิสูจน์ความเป็น heterosexualness (ความเป็นชายแท้) ของตัวเองอยู่ตลอดเวลา
Is like something is wrong with ur 🧠.Pp is very popular, he's so nice, down to earth and gorgeous, he actually…
@AnnieCPP this stops now. Your nonstop insults and threats cross the line into harassment, and I refuse to participate in your toxic behavior any longer.
Is like something is wrong with ur 🧠.Pp is very popular, he's so nice, down to earth and gorgeous, he actually…
Oh, look who’s still here, clinging to this thread like it’s the only thing in your sad little life. Your vow to ‘end this’ reads like the hollow promise of someone who’s already lost. Keep dredging up insults—every time you do, you prove how obsessed and talentless you really are. You’re so desperate for attention you’ll haunt this page for years, tossing around profanity like it’s a power move. Newsflash: it isn’t. It’s the only weapon you’ve got because you can’t win on facts or maturity. So do us both a favor—find a hobby, learn how to spell, and grow the hell up. Until then, your threats won’t scare me; they’ll just advertise how small your world is.
Just remember and keep in mind that this is Mick's first and last BL role, he needed something to get into this…
From what I’ve seen in both Mick and Win’s work, it’s clear that Mick is still fresh in the industry, and that’s totally fine—everyone has to start somewhere. As for the critique of his acting, I actually think Mick does a great job. His character comes across as someone who’s academically driven and socially withdrawn, which isn’t about lacking chemistry—it’s a portrayal of a specific personality.
To me, those traits strongly resemble characteristics often seen in individuals with functioning autism. As someone who’s been professionally diagnosed, I can recognize a lot of the subtle cues. So, I don’t see this as poor acting—I see it as a thoughtful performance that may reflect a neurodivergent perspective. That’s something we rarely see portrayed with nuance in BL, and I think Mick deserves some credit for that.
Episode 2 had to much villain crap. I guess the writer wants the viewers to work up to much anger. haha. I'll watch a few more episodes before determining if I want to continue watching the series or not.
I didn't expect to enjoy the series as much as I did. The 3 arc's were built into one series very seamlessly.…
When you mention 'the 3 Arcs,' you're talking about three separate couples, each with their own story. The first couple's story is told at the beginning, the second couple's in the middle, and the last couple's towards the end. Two characters—one from the second couple and one from the last—are brothers (Yotha and Faifa). The character Arc isn't connected to the other stories. So, why not just call it 'three stories in one series,' since all these stories end up intertwining as the series unfolds?
In PP Krit’s music and persona, I perceive certain narcissistic traits—the image of a 'Gay God' who is entitled to whatever he desires. Conversely, as a gay male, I find it difficult to relate to Billkin’s content because it so aggressively centers on cisgender female romantic interests. Given that both rose to prominence through BL series, it is disappointing to see their music become so rigidly gendered. I believe music is most powerful when it remains universal; by moving away from strictly gendered narratives, artists allow cisgender, non-binary, and queer audiences alike to truly see themselves in the art.
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ผมชื่นชอบผลงานของบิลกิ้นนะ แต่ผมรู้สึกว่าทิศทางดนตรีของเขา—รวมถึง PP Krit—มันดู 'สื่อสารไปในทางเดียว' มากเกินไป ซึ่งสิ่งที่ผมหมายถึงก็คือเรื่องของอัตลักษณ์ทางเพศ ในขณะที่การนำเสนอของ PP Krit พยายามผลักดันภาพลักษณ์ของเกย์อย่างหนัก แต่ในทางกลับกัน งานของบิลกิ้นกลับทำให้ผมรู้สึกว่าเขาพยายามพิสูจน์ความเป็น heterosexualness (ความเป็นชายแท้) ของตัวเองอยู่ตลอดเวลา
ในพาร์ทของ PP Krit ผมสัมผัสได้ถึง narcissistic traits (ลักษณะของการหลงตัวเอง) ผ่านบทเพลงของเขา ในภาพลักษณ์ของ 'Gay God' ที่ต้องได้ทุกอย่างตามต้องการ ซึ่งในฐานะที่ผมเป็นเกย์ ผมเข้าไม่ถึงคอนเทนต์ของบิลกิ้นที่พยายามเน้นย้ำแต่เรื่องผู้หญิง (Cisgender) อย่างรุนแรง เราต่างรู้ดีว่าทั้งคู่โด่งดังมาจากซีรีส์วาย แต่มันคงจะดีกว่านี้ถ้าทั้งสองคนไม่แบ่งแยกเพศในผลงานเพลงและมิวสิกวิดีโอของตัวเอง ผมเคยฟังเพลงที่ศิลปินถ่ายทอดความรู้สึกออกมาได้โดยไม่ต้องระบุเพศ ซึ่งการทำแบบนั้นจะช่วยให้ทั้งกลุ่ม Cisgender และ Non-binary สามารถเข้าถึงและเชื่อมโยงกับดนตรีของพวกเขาได้มากกว่า
this stops now. Your nonstop insults and threats cross the line into harassment, and I refuse to participate in your toxic behavior any longer.
https://www.instagram.com/nanuall/reels/?hl=en
To me, those traits strongly resemble characteristics often seen in individuals with functioning autism. As someone who’s been professionally diagnosed, I can recognize a lot of the subtle cues. So, I don’t see this as poor acting—I see it as a thoughtful performance that may reflect a neurodivergent perspective. That’s something we rarely see portrayed with nuance in BL, and I think Mick deserves some credit for that.