Good actors, poor everything else
This is another case of the Chinese actor being abused, forced to acting inside a terrible script and likewise directing .
Up to episode 30 or so there was still some action, but after that both scriptwriter and director gave up.
So, instead of action, we get repetitive scenes of one main character after a another speaking to themselves or their helpers, at best, describing action, instead of inacting it.
We also get some beautiful sound tracks, that are used and abused on full blast in each and every episode so that actors voices are almost always covered up.
Then you have the complete nonsense of characters having a conversation in one set and then continue it in another set, or even a different season. You know, the kind of different one cannot escape from noticing, since the dialogue starts in sunny, golden fall and ends, a few lines down the road, in bitter snowy winter.
You know the kiss of death came to the scriptwriter when he or she uses and abuses the "by the way" introduction of dialogue.
That came about by the same time with the other signs that imagination and professionalism were slowly dying.
Anyway, the real history seems far more interesting than the made up plot of two women obsessed with killing the third, as their perceived rival .
Up to episode 30 or so there was still some action, but after that both scriptwriter and director gave up.
So, instead of action, we get repetitive scenes of one main character after a another speaking to themselves or their helpers, at best, describing action, instead of inacting it.
We also get some beautiful sound tracks, that are used and abused on full blast in each and every episode so that actors voices are almost always covered up.
Then you have the complete nonsense of characters having a conversation in one set and then continue it in another set, or even a different season. You know, the kind of different one cannot escape from noticing, since the dialogue starts in sunny, golden fall and ends, a few lines down the road, in bitter snowy winter.
You know the kiss of death came to the scriptwriter when he or she uses and abuses the "by the way" introduction of dialogue.
That came about by the same time with the other signs that imagination and professionalism were slowly dying.
Anyway, the real history seems far more interesting than the made up plot of two women obsessed with killing the third, as their perceived rival .
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