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Khemjira is an interesting drama, but one with considerable flaws in editing and execution.
Khemjira is a mystical BL drama with a distinctive historical premise, yet quite uneven in its overall execution. To begin with, its story holds great potential for strong development. Culturally engaging and rooted in Thai traditions, it becomes a true gem that is hard not to admire.
For fans of the supernatural genre—reincarnation, spiritual possession, past lives, and ancient mystical deities—*Khemjira* offers an appealing dish that certainly deserves to be tasted.
Another important point that cannot go unmentioned is the commitment of the entire team to delivering a quality production. This is especially evident in the behind-the-scenes footage shown after each episode.
Unfortunately, in my view, this is where the best aspects of the drama end. I watched it until the very end mainly because of the story itself and, above all, the second couple, Chan and Jet. They completely stole the spotlight from the main protagonists.
With strong performances and chemistry that clearly extends beyond the screen, FirstOne and Tle Matimun portrayed Jet and Chan with mastery, charisma, and that lingering feeling of “wanting more.” Truly beautiful to watch.
On the other hand, the character who should have been the center of attention—Khemjira himself, portrayed by Namping—was a disappointment. Perhaps due to his young age and lack of experience, perhaps because of the way the director shaped his character, or perhaps due to his effeminate mannerisms, he failed to convey sympathy, emotional connection, charisma, or compelling chemistry.
A weak character, overly dependent on others, with an apathetic face and empty or unconvincing expressions, was undoubtedly the worst possible choice for carrying this drama.
His almost nonexistent chemistry with the handsome actor Keng Harit was a missed opportunity. Although Harit himself did not deliver a particularly strong performance—especially considering his potential—his presence in the mildly intimate scenes was appealing. Unfortunately, it simply did not work alongside Namping.
Given Thailand’s tendency to repeatedly pair the same actors across different dramas, I sincerely hope this does not happen with Harit and Namping. Otherwise, their career growth and long-term success could be compromised.
I understand that many viewers may appreciate this casting choice. I do not. Effeminate actors in BL dramas do not appeal to me. My apologies to the fans. That said, my heart remains open—perhaps one day a character like this will win me over.
In conclusion, Khemjira is an interesting drama, but one with considerable flaws in editing and execution. The episodes are excessively long, with oddly paced and unnatural dialogue. Some scenes even become unintentionally comical, with characters staring at each other, seemingly unsure of what to say or how to continue, simply waiting for the “cut” signal.
Do I recommend it? Yes—especially for the secondary couple.
For fans of the supernatural genre—reincarnation, spiritual possession, past lives, and ancient mystical deities—*Khemjira* offers an appealing dish that certainly deserves to be tasted.
Another important point that cannot go unmentioned is the commitment of the entire team to delivering a quality production. This is especially evident in the behind-the-scenes footage shown after each episode.
Unfortunately, in my view, this is where the best aspects of the drama end. I watched it until the very end mainly because of the story itself and, above all, the second couple, Chan and Jet. They completely stole the spotlight from the main protagonists.
With strong performances and chemistry that clearly extends beyond the screen, FirstOne and Tle Matimun portrayed Jet and Chan with mastery, charisma, and that lingering feeling of “wanting more.” Truly beautiful to watch.
On the other hand, the character who should have been the center of attention—Khemjira himself, portrayed by Namping—was a disappointment. Perhaps due to his young age and lack of experience, perhaps because of the way the director shaped his character, or perhaps due to his effeminate mannerisms, he failed to convey sympathy, emotional connection, charisma, or compelling chemistry.
A weak character, overly dependent on others, with an apathetic face and empty or unconvincing expressions, was undoubtedly the worst possible choice for carrying this drama.
His almost nonexistent chemistry with the handsome actor Keng Harit was a missed opportunity. Although Harit himself did not deliver a particularly strong performance—especially considering his potential—his presence in the mildly intimate scenes was appealing. Unfortunately, it simply did not work alongside Namping.
Given Thailand’s tendency to repeatedly pair the same actors across different dramas, I sincerely hope this does not happen with Harit and Namping. Otherwise, their career growth and long-term success could be compromised.
I understand that many viewers may appreciate this casting choice. I do not. Effeminate actors in BL dramas do not appeal to me. My apologies to the fans. That said, my heart remains open—perhaps one day a character like this will win me over.
In conclusion, Khemjira is an interesting drama, but one with considerable flaws in editing and execution. The episodes are excessively long, with oddly paced and unnatural dialogue. Some scenes even become unintentionally comical, with characters staring at each other, seemingly unsure of what to say or how to continue, simply waiting for the “cut” signal.
Do I recommend it? Yes—especially for the secondary couple.
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