This review may contain spoilers
Solid Acting, Strong Start, But Too Many Cliches and Bad Storytelling
This had a strong start, and made me have a more positive view of Cheng Lei (I am now more inclined to watch anything that he's in), but it got annoying enough that I had to drop it for several reasons:
1. Amnesia for too long
- By the end of episode 23, there is still 0 sign of the ML retrieving any of his memories. Am I really supposed to see all his character development, and all the CP's relationship development, occur while he's living a lie?
2. Too much fluffy, G-rated flirting and cliche romance scenes
- They really put every cliche flirting and dating scene in here - we got festivals, fireworks, shooting stars, embracing under the moon, gifting a hair pin, drunken confessions/kisses, blah blah blah. And when he's not acting jealous or possessive he's always just hugging her - and that's it. Like really?? You are both 2 grown adults in a society where people marry so quickly that they don't even bother to meet face to face before the wedding, and here you are prolonging courtship with no desire to seal the deal? Promise marriage? Make plans for the future? I am unconvinced that you are not a couple 8 year olds in a grown person's body.
3. The "couple gets together just for one of them to die" cliche
- I was honestly pleasantly surprised that Qiao's character got such a quick back story, love confession, and solidified DTR so early on in the series. I should've known that this was only because she needed to be killed off soon as a plot catalyst, so they had to accelerate this couple's timeline for dramatic effect. But this cliche happens far too often, a side character finally finds their OTP, only for them to die right before they can get their happily ever after.
4. Bad guys are just archetypes with no depth/regard for human life + clear disqualifications for becoming monarchs
- The SML's older brother is blatantly evil and unfit to be a prince (or the King, as he is aspiring to be). He literally steps on other humans (even his brother, the Crown Prince) for use as step tools, he openly threatens, harasses, and extorts the FL and others, throwing his weight around and abusing his power. Anyone who actually behaved like that could not expect to become a monarch in China without facing a total mutiny and hostile takeover immediately within the first couple years of their reign. I find this to be the part of Chinese period/costume dramas that are one of their biggest weaknesses - poor, one-dimensional villain writing. Every villain is either cartoonishly evil the whole time, or they are constantly battling between being good or being evil, and that is the only thing keeping them from being so unreasonably evil throughout the whole series. They don't know how to execute a villain who is consistently evil, true to their character, yet subtle about it. Subtle in a way that would still allow them to function and have power in a logical society. An example of this would be the villain in the K-drama "My Love From the Star", the bad guy is bad news from the start - like murderously bad, sociopathically bad - but he doesn't blatantly behave in a way that would make you question how he has any followers, any social power, and is not reasonably detained at all times.
5. SML setup to have a villain arc due to misunderstandings
- I'm dropping it at episode 23 so I don't know if the SML does truly turn bad and partner with the enemy, but the writing is on the wall. Just at the right moment when the SML mistakenly thinks the FL has betrayed him, the enemy propositions him with an offer her can't refuse. I thought they might have actually gone in a good direction with the SML, after seeing him take on the ML as his tutor on "how to be a Crown Prince" and them building a friendship and brotherly bond through that. I hoped that maybe the FL/M/SML could end on friendly terms, supporting each other and having each other's back in this politically scheming world. But of course, in C-dramaland a little misunderstanding, lack of communication, and some exacerbated resentment over not getting the girl you love, is enough fodder to fuel a villain arc that is worse than any other villain we've seen in the story thus far.
6. Unrealistic life of a Female General
- Sure, you can convince me that there may be female militia in this fictionalized yet still highly patriarchal world. But wait, you expect me to believe that they live in a world where there is only one female soldier in the army as far as far as the eye can see, and not only is she not harassed or bullied or unaccepted, but she is elevated to the highest position in the military as the General, every man in the military takes order from her, and there are no complaints but instead undying loyalty and submission? Anomaly of anomalies, how am I supposed to digest this without batting an eye and assume this is normal circumstances and not just plot armor that completely spits in the face of consistency?
7. Choppy editing, and storytelling
- There were several scenes that seemed to come literally out of nowhere with no explanation or context, that had me as a viewer questioning if I accidentally skipped something, or jumped ahead in the episode. One example is when we are in a scene with the FL and ML, and when it ends with just jump to a scene where we are in the military camp and there is a bunch of chaos and running around and a bloodied guy being dragged off after interrogation, and then in the midst of the chaos a few spies sneak into a room to steal a map. And this is so early in the show that you can't immediately recognize the face of the guy being dragged away, or the layout of the military camp, and most of the actors in the scenes are extras, so it has you thinking "where exactly are we, and why did this happen"? Scenes later, you get a flashback of the FL telling her soldiers a master plan she had to trap the spies in her camp by causing fake chaos and asking one of her right hand men to pretend that he was beaten up on suspicion of collusion. But this should not have been shown as a flashback, this scene literally should've jsut taken place before the military camp chaos scene. Because there was no build up to it, it's not like they had been talking about rooting out the spies right before the scene, it was very out of nowhere, and having the plan revealed later added nothing to the plot. It was just bad storytelling and terrible scene transitions. There was another scene later on when the SFL's clinic gets burned down, and she is morning her assistant for a couple episodes, but they cram all of the assistant's scenes into flashbacks at the scene at the fire after he is already dead. The audience had no relationship with him whatsoever but it seemed like the writers realized to late that they needed to give context as to why we should care about his passing, so they crammed every line of dialogue and fond moment with him into all the SFL's memories in a single scene. Overall, the screenwriter does not seem to think through the storytelling cohesively, going from one major plot point to the next without setting up the entire story as a whole to corroborate what's going on at each moment, and the entire production suffers because of it.
1. Amnesia for too long
- By the end of episode 23, there is still 0 sign of the ML retrieving any of his memories. Am I really supposed to see all his character development, and all the CP's relationship development, occur while he's living a lie?
2. Too much fluffy, G-rated flirting and cliche romance scenes
- They really put every cliche flirting and dating scene in here - we got festivals, fireworks, shooting stars, embracing under the moon, gifting a hair pin, drunken confessions/kisses, blah blah blah. And when he's not acting jealous or possessive he's always just hugging her - and that's it. Like really?? You are both 2 grown adults in a society where people marry so quickly that they don't even bother to meet face to face before the wedding, and here you are prolonging courtship with no desire to seal the deal? Promise marriage? Make plans for the future? I am unconvinced that you are not a couple 8 year olds in a grown person's body.
3. The "couple gets together just for one of them to die" cliche
- I was honestly pleasantly surprised that Qiao's character got such a quick back story, love confession, and solidified DTR so early on in the series. I should've known that this was only because she needed to be killed off soon as a plot catalyst, so they had to accelerate this couple's timeline for dramatic effect. But this cliche happens far too often, a side character finally finds their OTP, only for them to die right before they can get their happily ever after.
4. Bad guys are just archetypes with no depth/regard for human life + clear disqualifications for becoming monarchs
- The SML's older brother is blatantly evil and unfit to be a prince (or the King, as he is aspiring to be). He literally steps on other humans (even his brother, the Crown Prince) for use as step tools, he openly threatens, harasses, and extorts the FL and others, throwing his weight around and abusing his power. Anyone who actually behaved like that could not expect to become a monarch in China without facing a total mutiny and hostile takeover immediately within the first couple years of their reign. I find this to be the part of Chinese period/costume dramas that are one of their biggest weaknesses - poor, one-dimensional villain writing. Every villain is either cartoonishly evil the whole time, or they are constantly battling between being good or being evil, and that is the only thing keeping them from being so unreasonably evil throughout the whole series. They don't know how to execute a villain who is consistently evil, true to their character, yet subtle about it. Subtle in a way that would still allow them to function and have power in a logical society. An example of this would be the villain in the K-drama "My Love From the Star", the bad guy is bad news from the start - like murderously bad, sociopathically bad - but he doesn't blatantly behave in a way that would make you question how he has any followers, any social power, and is not reasonably detained at all times.
5. SML setup to have a villain arc due to misunderstandings
- I'm dropping it at episode 23 so I don't know if the SML does truly turn bad and partner with the enemy, but the writing is on the wall. Just at the right moment when the SML mistakenly thinks the FL has betrayed him, the enemy propositions him with an offer her can't refuse. I thought they might have actually gone in a good direction with the SML, after seeing him take on the ML as his tutor on "how to be a Crown Prince" and them building a friendship and brotherly bond through that. I hoped that maybe the FL/M/SML could end on friendly terms, supporting each other and having each other's back in this politically scheming world. But of course, in C-dramaland a little misunderstanding, lack of communication, and some exacerbated resentment over not getting the girl you love, is enough fodder to fuel a villain arc that is worse than any other villain we've seen in the story thus far.
6. Unrealistic life of a Female General
- Sure, you can convince me that there may be female militia in this fictionalized yet still highly patriarchal world. But wait, you expect me to believe that they live in a world where there is only one female soldier in the army as far as far as the eye can see, and not only is she not harassed or bullied or unaccepted, but she is elevated to the highest position in the military as the General, every man in the military takes order from her, and there are no complaints but instead undying loyalty and submission? Anomaly of anomalies, how am I supposed to digest this without batting an eye and assume this is normal circumstances and not just plot armor that completely spits in the face of consistency?
7. Choppy editing, and storytelling
- There were several scenes that seemed to come literally out of nowhere with no explanation or context, that had me as a viewer questioning if I accidentally skipped something, or jumped ahead in the episode. One example is when we are in a scene with the FL and ML, and when it ends with just jump to a scene where we are in the military camp and there is a bunch of chaos and running around and a bloodied guy being dragged off after interrogation, and then in the midst of the chaos a few spies sneak into a room to steal a map. And this is so early in the show that you can't immediately recognize the face of the guy being dragged away, or the layout of the military camp, and most of the actors in the scenes are extras, so it has you thinking "where exactly are we, and why did this happen"? Scenes later, you get a flashback of the FL telling her soldiers a master plan she had to trap the spies in her camp by causing fake chaos and asking one of her right hand men to pretend that he was beaten up on suspicion of collusion. But this should not have been shown as a flashback, this scene literally should've jsut taken place before the military camp chaos scene. Because there was no build up to it, it's not like they had been talking about rooting out the spies right before the scene, it was very out of nowhere, and having the plan revealed later added nothing to the plot. It was just bad storytelling and terrible scene transitions. There was another scene later on when the SFL's clinic gets burned down, and she is morning her assistant for a couple episodes, but they cram all of the assistant's scenes into flashbacks at the scene at the fire after he is already dead. The audience had no relationship with him whatsoever but it seemed like the writers realized to late that they needed to give context as to why we should care about his passing, so they crammed every line of dialogue and fond moment with him into all the SFL's memories in a single scene. Overall, the screenwriter does not seem to think through the storytelling cohesively, going from one major plot point to the next without setting up the entire story as a whole to corroborate what's going on at each moment, and the entire production suffers because of it.
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