Collection of TUS enjoyer (Fans) sharing their cutie reviews 🥰 I will leave it here ⬇️😉 Spotted! Part 8
The TV series "Xiaoyao" has been over for over a month, but my heart is still immersed in that fairytale world, unable to calm down. As the first ancient costume fantasy drama I watched in its entirety, it brought not only amazement but also a profound shock.
Its production quality is impressive from the start: director Xu Jizhou ventured into the fantasy world for the first time, and lead actress Tan Songyun, after 20 years in the industry, made her debut in this genre, bringing both talent and charisma. The special effects are from the team behind "Ne Zha" and "The Wandering Earth," with visual effects that are both poetic and sharp. Furthermore, Zhao Liying's fleeting appearance as the Immortal Lord of the Broken Dream adds a touch of brilliance to the painting. Such a lineup already destined it to be extraordinary. What impressed me most was the narrative ambition of "fate as a cycle."
The Möbius strip setting, the three lifetimes of Xiao Yao and Hong Ye in different places, cause and effect cycle, all interlocked. Only when the foreshadowing converges and the cycle closes do we realize that everything was already destined—that kind of chilling epiphany resonates in my mind for a long time. Using the "Eight Difficulties of Life" as its framework, the film unfolds eight volumes depicting the world of humans and demons. Eight interconnected stories, centered on birth, old age, sickness, death, unfulfilled desires, attachments, separation from loved ones, and enduring resentment, depict the struggles of all beings searching for the Jade Spring.
Humans yearn for immortality, demons aspire to reach the heavens, and this spring, no longer a mythical secret, has become the embodiment of desire itself. Every obsession is revealed here; every tear seeps into the earth, forming new legends.
The director's profound skill is evident in the character development. "All beings suffer, all sentient beings endure hardship," and even the so-called "villains" are transformed by the torrent of fate. Characters whose personalities change under the influence of events all embody different facets of humanity.
For example, Dahlia's transformation wasn't deliberate but based on her peony-like nature. Seeing Xiao Yao being admired by others made her jealous, echoing the poignant saying, "Your friends want you to be happy, but not better off than them." Similarly, Bingzhu, as a demon-slaying guard, was loyal to the emperor's orders and relentlessly slayed demons, yet after being betrayed by his comrades and sharing life-and-death experiences with Xiao Yao, he chose a different path. His choice wasn't about good or evil, but rather the inevitable collapse and reconstruction of an individual amidst the upheavals of the times.
Ultimately, the soul of the entire drama lies in the reinterpretation of the word "freedom." "If the heart is free, where is not freedom?" This freedom is not about indulging in unrestrained desires, but about guarding one's true self amidst the chaos of the world. Hongye, as the lord of all demons, had been a demon twice, and his heart had already been given to the demon race. On his wedding day, dressed in fiery red, he scattered into stardust—sealing the Jade Spring with his own body, severing the source of conflict, and giving the demon race a glimmer of hope.
The title of "Demon King" was never an honor, but a chain. His lifelong pursuit of freedom ultimately led to his martyrdom. True freedom, it turns out, is not escaping the shackles, but knowing they are there and still choosing to walk with them. In contrast, Xiao Yao, born human, is bound by the blood of a demon; a half-demon, she develops human emotions amidst the mundane world. Her freedom is never about carefree coming and going, but about finding harmony amidst inner turmoil—between human etiquette and demonic nature, between worldly indifference and the call of her heart, she stumbles out a third path. Hong Ye's martyrdom is a tragic act of divinity; Xiao Yao's struggle for survival is a glimmer of humanity. She doesn't save others, only herself—and this becomes another kind of freedom: recognizing the prison of her identity, yet still choosing to bloom her own flower in the cracks.
Director Xu Jizhou stated before the series aired that he wanted to present the audience not just with a story, but with a Chinese fairytale aesthetic. As the scroll of *Xiaoyao* slowly unfolds, we finally understand what he meant—it's not a Western-style fantasy world, but a dream rooted in the mountains and seas of the East, imbued with the fabric of classical Chinese culture. Canyons across the country become the backbone of the Valley of Ten Thousand Demons; the colorful Danxia landforms become the Thousand-Year Mountain, telling tales of millennia past; the Water Curtain Cave of Huangguoshu Waterfall becomes the Water Curtain Cave of Wangyuetai, showcasing the daily lives of the demon race.
In this world, there are bizarre and wondrous realms, and also delicate and subtle emotional flows, truly creating a dreamlike and beautiful world. It doesn't seek to escape reality, but rather, on the bones of reality, it grows spiritual flesh and blood—making us believe that the mythical beasts of the Classic of Mountains and Seas, the spirits of Tang and Song legends, may have truly brushed past us under the moonlight.
*Xiaoyao* uses magnificent fantasy as its pen, yet it writes down the most profound truths of humanity. Through the eyes of demons and the tears of humans, it dissects the fruit called "desire"—its core is not immortality or supernatural powers, but our obsession with and questioning of "self."
The characters in the drama often sigh, "Life is short, so we must act according to our current feelings." This statement seems carefree, but upon closer examination, it hides the sharp edge of reality. Because the "present" is often bound by the delusions of the "future"—we are always chasing after the elusive prospect of immortality, yet letting the happiness within our grasp slip through our fingers; we fantasize about eternal beauty like a mirage, forgetting that what we should be recognizing most in the mirror is our true self in this moment.
Thus, the most painful yet clear-headed self-revelation follows: "What I envied, minded, and resented was all myself." It turns out that all the pursuit of external circumstances, all the contemplation of others, ultimately returns to the inner self, reflecting the shadows and desires we have never accepted.
True freedom is not about transcending the mortal world, but about understanding that immortality is an illusion, beauty is a mist; only by recognizing "why I suffer, why I seek," can we live each fleeting moment in our short lives without being enslaved by delusions. Demons crave a thousand years of cultivation, humans seek immortality, but what truly traps all beings is never the distance to the Jade Spring, but the insatiable well within their hearts. The brilliance of *The Wanderer* lies in its use of illusion and sword energy as mirrors reflecting reality—showing us how to reconcile with our own delusions on our brief journey through life. Thank you to director for this work. - Cat's Tail Grass Kevseven
my guess is that, because it's not really about justice. The Yuli spring itself isn't just a source of power,…
Exactly 💯 You're stating that facts. For me, Both Hongye and Xiao Yao suffered from it. And Should blamed for these are those selfish and greedy people and demons for only wanted power.
TUS fans watch this⬇️ Visual Effects Behind The Scenes
The stunning visual effects in "Xiaoyao" are breathtaking, with lifelike depictions of natural landscapes, lakes, and seas, as well as various creatures, creating an immersive experience. The film's Chinese-style fairytale world offers viewers a beautiful visual feast. Very, very high quality. Absolutely outstanding! The special effects are a rare sight in Chinese TV dramas. You guys are awesome!😮🤭👍💕
Collection of TUS enjoyer (Fans) sharing their cutie reviews 🥰 I will leave it here ⬇️😉 Spotted! Part 7
I've finished watching "Xiaoyao." In my opinion, the ending is a happy one, with the timeline restarting when the male and female leads' feelings are at their purest. The relationship between humans and demons is a fundamental setting in Chinese fantasy. Although Xianxia dramas have been overdone, we shouldn't abandon them. "Xiaoyao" uses a dual structure of episodic detective stories and a main plot of mystery-seeking, adding a realistic depth and human tenderness to the Xianxia framework. Xiao Yao and Hong Ye have unusual backgrounds and identities, but their love, hate, greed, and anger reflect the suffering and emotions of all beings.
Frankly, for Xu Jizhou, as a male creator, to write such an emotionally nuanced original script, my assessment is: very good. Moreover, the cinematography is not overly dramatic, making most of the actors look quite good.
At the beginning of filming, many people said it was like "Inuyasha," jokingly referring to several long dramas with similar demon settings as "Inuyasha 101." But after watching "Xiaoyao," there's no connection. Instead, it solidly establishes a world-building and several pairs of human-demon character relationships, which became an unexpected surprise.
Who would have thought that "Xiao Yao" has already been over for 22 days? Its long-tail performance is solid! With an 11-day fast-release format and zero promotion, it managed to firmly hold onto viewers thanks to its quality and the actors' strength. Tan Songyun's ability to carry a drama is truly irreplaceable! May "Xiao Yao" continue its steady progress and hold on! 💪💕
As a hit drama series at the beginning of the year, "Xiaoyao" led in various data during its broadcast and maintained a strong long-tail performance, garnering excellent reviews and popularity. However, we also want to maintain an objective stance and clarify that in any scenario involving comparisons of "Xiaoyao's" data with other dramas, a clear note must be added: "[11-day rapid broadcast scheduling mode]." The broadcast cycle is much shorter than regular dramas, and data is released in a concentrated manner, making direct horizontal comparisons with regularly scheduled dramas unfair.
PS: If you see any content directly comparing "Xiaoyao's" data with other dramas, please make sure to clearly explain that "Xiaoyao" uses an "11-day rapid broadcast scheduling mode," which is completely different from the broadcast rhythm of regularly scheduled dramas. This crucial information needs to be actively disseminated; otherwise, data comparisons will lose their objectivity and fairness. Let more people understand this difference and avoid unfair judgments. - Pumpkin girl seven
Who would have thought that "Xiao Yao" has already been over for 22 days? Its long-tail performance is solid! With an 11-day fast-release format and zero promotion, it managed to firmly hold onto viewers thanks to its quality and the actors' strength. Tan Songyun's ability to carry a drama is truly irreplaceable! May "Xiao Yao" continue its steady progress and hold on! 💪💕
It will interesting to see what her February schedule will look like. Hopefully she'll attend some new year celebrations…
True and for us to hype it or just be curious of what character she'll be acting soon. Or maybe they don't want to give us melon just dropping it in unexpected day
I respect your review and like some of your insights but you don't have to compare them with other drama. Different storyline, genre and different chemistry. But have its own charms and uniqueness.😉 I hope you don't find it offensive
3 
来自 谭松韵今天吃饱没 的微博 https://m.weibo.cn/detail/5261142240526438
https://m.weibo.cn/detail/5261141850194797
https://m.weibo.cn/detail/5261136131787895
They look like twins 😍
P.s. Teacher He was also guest reunion with SS. I always noticed SS most of her variety show(guest) teacher he also present. Love their friendship
https://x.com/archiveshenyue/status/2017459925492875504?t=rymCocc4d20WSXEerdfxRQ&s=19
Spotted!
Part 8
The TV series "Xiaoyao" has been over for over a month, but my heart is still immersed in that fairytale world, unable to calm down. As the first ancient costume fantasy drama I watched in its entirety, it brought not only amazement but also a profound shock.
Its production quality is impressive from the start: director Xu Jizhou ventured into the fantasy world for the first time, and lead actress Tan Songyun, after 20 years in the industry, made her debut in this genre, bringing both talent and charisma. The special effects are from the team behind "Ne Zha" and "The Wandering Earth," with visual effects that are both poetic and sharp.
Furthermore, Zhao Liying's fleeting appearance as the Immortal Lord of the Broken Dream adds a touch of brilliance to the painting. Such a lineup already destined it to be extraordinary.
What impressed me most was the narrative ambition of "fate as a cycle."
The Möbius strip setting, the three lifetimes of Xiao Yao and Hong Ye in different places, cause and effect cycle, all interlocked. Only when the foreshadowing converges and the cycle closes do we realize that everything was already destined—that kind of chilling epiphany resonates in my mind for a long time.
Using the "Eight Difficulties of Life" as its framework, the film unfolds eight volumes depicting the world of humans and demons.
Eight interconnected stories, centered on birth, old age, sickness, death, unfulfilled desires, attachments, separation from loved ones, and enduring resentment, depict the struggles of all beings searching for the Jade Spring.
Humans yearn for immortality, demons aspire to reach the heavens, and this spring, no longer a mythical secret, has become the embodiment of desire itself. Every obsession is revealed here; every tear seeps into the earth, forming new legends.
The director's profound skill is evident in the character development.
"All beings suffer, all sentient beings endure hardship," and even the so-called "villains" are transformed by the torrent of fate. Characters whose personalities change under the influence of events all embody different facets of humanity.
For example, Dahlia's transformation wasn't deliberate but based on her peony-like nature. Seeing Xiao Yao being admired by others made her jealous, echoing the poignant saying, "Your friends want you to be happy, but not better off than them." Similarly, Bingzhu, as a demon-slaying guard, was loyal to the emperor's orders and relentlessly slayed demons, yet after being betrayed by his comrades and sharing life-and-death experiences with Xiao Yao, he chose a different path. His choice wasn't about good or evil, but rather the inevitable collapse and reconstruction of an individual amidst the upheavals of the times.
Ultimately, the soul of the entire drama lies in the reinterpretation of the word "freedom."
"If the heart is free, where is not freedom?" This freedom is not about indulging in unrestrained desires, but about guarding one's true self amidst the chaos of the world. Hongye, as the lord of all demons, had been a demon twice, and his heart had already been given to the demon race. On his wedding day, dressed in fiery red, he scattered into stardust—sealing the Jade Spring with his own body, severing the source of conflict, and giving the demon race a glimmer of hope.
The title of "Demon King" was never an honor, but a chain. His lifelong pursuit of freedom ultimately led to his martyrdom. True freedom, it turns out, is not escaping the shackles, but knowing they are there and still choosing to walk with them. In contrast, Xiao Yao, born human, is bound by the blood of a demon; a half-demon, she develops human emotions amidst the mundane world. Her freedom is never about carefree coming and going, but about finding harmony amidst inner turmoil—between human etiquette and demonic nature, between worldly indifference and the call of her heart, she stumbles out a third path. Hong Ye's martyrdom is a tragic act of divinity; Xiao Yao's struggle for survival is a glimmer of humanity. She doesn't save others, only herself—and this becomes another kind of freedom: recognizing the prison of her identity, yet still choosing to bloom her own flower in the cracks.
Director Xu Jizhou stated before the series aired that he wanted to present the audience not just with a story, but with a Chinese fairytale aesthetic. As the scroll of *Xiaoyao* slowly unfolds, we finally understand what he meant—it's not a Western-style fantasy world, but a dream rooted in the mountains and seas of the East, imbued with the fabric of classical Chinese culture. Canyons across the country become the backbone of the Valley of Ten Thousand Demons; the colorful Danxia landforms become the Thousand-Year Mountain, telling tales of millennia past; the Water Curtain Cave of Huangguoshu Waterfall becomes the Water Curtain Cave of Wangyuetai, showcasing the daily lives of the demon race.
In this world, there are bizarre and wondrous realms, and also delicate and subtle emotional flows, truly creating a dreamlike and beautiful world. It doesn't seek to escape reality, but rather, on the bones of reality, it grows spiritual flesh and blood—making us believe that the mythical beasts of the Classic of Mountains and Seas, the spirits of Tang and Song legends, may have truly brushed past us under the moonlight.
*Xiaoyao* uses magnificent fantasy as its pen, yet it writes down the most profound truths of humanity. Through the eyes of demons and the tears of humans, it dissects the fruit called "desire"—its core is not immortality or supernatural powers, but our obsession with and questioning of "self."
The characters in the drama often sigh, "Life is short, so we must act according to our current feelings." This statement seems carefree, but upon closer examination, it hides the sharp edge of reality. Because the "present" is often bound by the delusions of the "future"—we are always chasing after the elusive prospect of immortality, yet letting the happiness within our grasp slip through our fingers; we fantasize about eternal beauty like a mirage, forgetting that what we should be recognizing most in the mirror is our true self in this moment.
Thus, the most painful yet clear-headed self-revelation follows: "What I envied, minded, and resented was all myself." It turns out that all the pursuit of external circumstances, all the contemplation of others, ultimately returns to the inner self, reflecting the shadows and desires we have never accepted.
True freedom is not about transcending the mortal world, but about understanding that immortality is an illusion, beauty is a mist; only by recognizing "why I suffer, why I seek," can we live each fleeting moment in our short lives without being enslaved by delusions.
Demons crave a thousand years of cultivation, humans seek immortality, but what truly traps all beings is never the distance to the Jade Spring, but the insatiable well within their hearts.
The brilliance of *The Wanderer* lies in its use of illusion and sword energy as mirrors reflecting reality—showing us how to reconcile with our own delusions on our brief journey through life. Thank you to director for this work.
- Cat's Tail Grass Kevseven
Visual Effects Behind The Scenes
The stunning visual effects in "Xiaoyao" are breathtaking, with lifelike depictions of natural landscapes, lakes, and seas, as well as various creatures, creating an immersive experience. The film's Chinese-style fairytale world offers viewers a beautiful visual feast. Very, very high quality. Absolutely outstanding! The special effects are a rare sight in Chinese TV dramas. You guys are awesome!😮🤭👍💕
@TiangongYicai : #TVSeriesXiaoyao# #VisualEffectsBehindTheScenes# #TanSongyun# #HouMinghao#
Tiangong | Visual Effects Series
Once you enter the world of martial arts, you embark on a journey of exhilarating adventures 🪵Tiangong Yicai's Weibo video
来自 天工异彩 的微博 https://m.weibo.cn/detail/5260862866589482
some clips for her
来自 Bewith·Seven 的微博 https://m.weibo.cn/detail/5260766073850890
来自 Only_Seven谭松韵 的微博 https://m.weibo.cn/detail/5260766350673802
来自 初小姐seven 的微博 https://m.weibo.cn/detail/5260777780152259
来自 炫一口糖_想吃谭松韵做的饭版 的微博 https://m.weibo.cn/detail/5260779860267818
Spotted!
Part 7
I've finished watching "Xiaoyao." In my opinion, the ending is a happy one, with the timeline restarting when the male and female leads' feelings are at their purest.
The relationship between humans and demons is a fundamental setting in Chinese fantasy. Although Xianxia dramas have been overdone, we shouldn't abandon them.
"Xiaoyao" uses a dual structure of episodic detective stories and a main plot of mystery-seeking, adding a realistic depth and human tenderness to the Xianxia framework. Xiao Yao and Hong Ye have unusual backgrounds and identities, but their love, hate, greed, and anger reflect the suffering and emotions of all beings.
Frankly, for Xu Jizhou, as a male creator, to write such an emotionally nuanced original script, my assessment is: very good. Moreover, the cinematography is not overly dramatic, making most of the actors look quite good.
At the beginning of filming, many people said it was like "Inuyasha," jokingly referring to several long dramas with similar demon settings as "Inuyasha 101." But after watching "Xiaoyao," there's no connection. Instead, it solidly establishes a world-building and several pairs of human-demon character relationships, which became an unexpected surprise.
🥳 Hope the Filming will went smoothly!
来自 Serendipity_谭松韵 的微博 https://m.weibo.cn/detail/5260757661123652
11-day fast-release format and zero promotion, it managed to firmly hold onto viewers thanks to its quality and the actors' strength. Tan Songyun's ability to carry a drama is truly irreplaceable!
May "Xiao Yao" continue its steady progress and hold on! 💪💕
However, we also want to maintain an objective stance and clarify that in any scenario involving comparisons of "Xiaoyao's" data with other dramas, a clear note must be added: "[11-day rapid broadcast scheduling mode]."
The broadcast cycle is much shorter than regular dramas, and data is released in a concentrated manner, making direct horizontal comparisons with regularly scheduled dramas unfair.
PS: If you see any content directly comparing "Xiaoyao's" data with other dramas, please make sure to clearly explain that "Xiaoyao" uses an "11-day rapid broadcast scheduling mode," which is completely different from the broadcast rhythm of regularly scheduled dramas.
This crucial information needs to be actively disseminated; otherwise, data comparisons will lose their objectivity and fairness. Let more people understand this difference and avoid unfair judgments. - Pumpkin girl seven
11-day fast-release format and zero promotion, it managed to firmly hold onto viewers thanks to its quality and the actors' strength. Tan Songyun's ability to carry a drama is truly irreplaceable!
May "Xiao Yao" continue its steady progress and hold on! 💪💕
来自 好时巧克力官方微博 的微博 https://m.weibo.cn/detail/5260127223155329
Me? I'm always visiting this group every day and notices fans check in and getting more and more fans😂