My always fav Chinese drama since 2020 till now always rewatching them whenever I miss this family and the trio. Guy's let's watch again again and again😅🤭
The TV series "Xiaoyao " (逍遥) , starring Tan Songyun (@谭松韵seven) and Hou Minghao , achieved a Maoyan popularity score of 9521.91 in January, becoming the champion of the January 2026 "Romance drama popularity chart! #MaoyanJanuaryDramaPopularityChart
January 31,2026Hou Minghao - Livestream of H&MThe host asked, "Do you have any prospects for your life…
I love how Hou minghao stated that "Although Hongye made a sacrifice, he eventually returned to the beginning and was with his beloved Xiaoyao!" It healed our hearts TUS fans🥺❤️🩹
The host asked, "Do you have any prospects for your life or any spoilers about small breakthroughs in your life?
HMH- elaborated on his answer by mentioning two recently aired dramas, and saying that the best thing about being an actor is experiencing different lives through different roles. When mentioning another work, HMH mainly talked about the character's career path and her agreement with his sense of justice.
But when mentioning Xiaoyao, the emphasis was on "Although Hongye made a sacrifice, he eventually returned to the beginning and was with his beloved Xiaoyao!"
Let's go back to the two points we just discussed. Connecting them, HMH is an experiential writer, and in "Carefree," he emphasized the romantic storyline.
Combined with the host's question about small breakthroughs in life, HMH answer was actually a double entendre. He was both promoting the recent hit drama as a breakthrough and her relationship with XY as a small breakthrough in life—just something he couldn't say explicitly, so he used the drama to express it.
I wonder if everyone gets my point! I'm already dizzy from sweetness😵 - Haxzicing
Hou minghao talks about Xiao Yao (TUS) - "If you always hold warmth in your heart and open your arms to this world, you will eventually have a very beautiful ending of your own." "In the very end, he returned to the beginning of the story and was with his beloved Xiao Yao." "I think everyone has their own best ending." "You can always find the answer that suits you best."
Ps. Even Hou Minghao stated that "The Unclouded soul" was still a "Happy ending" not Sad or Bad ending that some people talking about🤭
Collection of TUS enjoyer (Fans) sharing their cutie reviews 🥰 I will leave it here ⬇️😉Spotted!Part…
I really liked it! The scenery was beautiful! The music was great! Even the props were very well done! The male and female leads both acted exceptionally well! It's a work that I can watch many times and discuss and think about a lot. - Love mist
Collection of TUS enjoyer (Fans) sharing their cutie reviews 🥰 I will leave it here ⬇️😉 Spotted! Part 9
- What's truly terrifying are never insects or plants; they follow the laws of nature, the principles of all things. Their toxicity is simply their way of survival. What the world doesn't realize is that the real poison lies in the human heart. The human heart is the perfect vessel for nurturing evil, allowing it to grow unchecked, fueled by boundless greed.- Chen jiyao
thanks for sharing; I saw this other one on XYunjie is with so many familiar faces, all old acquaintances!Ahhh,…
Yes because they're familiar with each other in the past. Didi and Songyun had guest in two Variety shows 2017 and 2022 and they're quite get along with like an old acquaintance. Glad they're still the same like a friend. I've watch their variety shows.
Collection of TUS enjoyer (Fans) sharing their cutie reviews 🥰 I will leave it here ⬇️😉 Spotted! Part 8
The TV series "Xiaoyao" has been over for over a month, but my heart is still immersed in that fairytale world, unable to calm down. As the first ancient costume fantasy drama I watched in its entirety, it brought not only amazement but also a profound shock.
Its production quality is impressive from the start: director Xu Jizhou ventured into the fantasy world for the first time, and lead actress Tan Songyun, after 20 years in the industry, made her debut in this genre, bringing both talent and charisma. The special effects are from the team behind "Ne Zha" and "The Wandering Earth," with visual effects that are both poetic and sharp. Furthermore, Zhao Liying's fleeting appearance as the Immortal Lord of the Broken Dream adds a touch of brilliance to the painting. Such a lineup already destined it to be extraordinary. What impressed me most was the narrative ambition of "fate as a cycle."
The Möbius strip setting, the three lifetimes of Xiao Yao and Hong Ye in different places, cause and effect cycle, all interlocked. Only when the foreshadowing converges and the cycle closes do we realize that everything was already destined—that kind of chilling epiphany resonates in my mind for a long time. Using the "Eight Difficulties of Life" as its framework, the film unfolds eight volumes depicting the world of humans and demons. Eight interconnected stories, centered on birth, old age, sickness, death, unfulfilled desires, attachments, separation from loved ones, and enduring resentment, depict the struggles of all beings searching for the Jade Spring.
Humans yearn for immortality, demons aspire to reach the heavens, and this spring, no longer a mythical secret, has become the embodiment of desire itself. Every obsession is revealed here; every tear seeps into the earth, forming new legends.
The director's profound skill is evident in the character development. "All beings suffer, all sentient beings endure hardship," and even the so-called "villains" are transformed by the torrent of fate. Characters whose personalities change under the influence of events all embody different facets of humanity.
For example, Dahlia's transformation wasn't deliberate but based on her peony-like nature. Seeing Xiao Yao being admired by others made her jealous, echoing the poignant saying, "Your friends want you to be happy, but not better off than them." Similarly, Bingzhu, as a demon-slaying guard, was loyal to the emperor's orders and relentlessly slayed demons, yet after being betrayed by his comrades and sharing life-and-death experiences with Xiao Yao, he chose a different path. His choice wasn't about good or evil, but rather the inevitable collapse and reconstruction of an individual amidst the upheavals of the times.
Ultimately, the soul of the entire drama lies in the reinterpretation of the word "freedom." "If the heart is free, where is not freedom?" This freedom is not about indulging in unrestrained desires, but about guarding one's true self amidst the chaos of the world. Hongye, as the lord of all demons, had been a demon twice, and his heart had already been given to the demon race. On his wedding day, dressed in fiery red, he scattered into stardust—sealing the Jade Spring with his own body, severing the source of conflict, and giving the demon race a glimmer of hope.
The title of "Demon King" was never an honor, but a chain. His lifelong pursuit of freedom ultimately led to his martyrdom. True freedom, it turns out, is not escaping the shackles, but knowing they are there and still choosing to walk with them. In contrast, Xiao Yao, born human, is bound by the blood of a demon; a half-demon, she develops human emotions amidst the mundane world. Her freedom is never about carefree coming and going, but about finding harmony amidst inner turmoil—between human etiquette and demonic nature, between worldly indifference and the call of her heart, she stumbles out a third path. Hong Ye's martyrdom is a tragic act of divinity; Xiao Yao's struggle for survival is a glimmer of humanity. She doesn't save others, only herself—and this becomes another kind of freedom: recognizing the prison of her identity, yet still choosing to bloom her own flower in the cracks.
Director Xu Jizhou stated before the series aired that he wanted to present the audience not just with a story, but with a Chinese fairytale aesthetic. As the scroll of *Xiaoyao* slowly unfolds, we finally understand what he meant—it's not a Western-style fantasy world, but a dream rooted in the mountains and seas of the East, imbued with the fabric of classical Chinese culture. Canyons across the country become the backbone of the Valley of Ten Thousand Demons; the colorful Danxia landforms become the Thousand-Year Mountain, telling tales of millennia past; the Water Curtain Cave of Huangguoshu Waterfall becomes the Water Curtain Cave of Wangyuetai, showcasing the daily lives of the demon race.
In this world, there are bizarre and wondrous realms, and also delicate and subtle emotional flows, truly creating a dreamlike and beautiful world. It doesn't seek to escape reality, but rather, on the bones of reality, it grows spiritual flesh and blood—making us believe that the mythical beasts of the Classic of Mountains and Seas, the spirits of Tang and Song legends, may have truly brushed past us under the moonlight.
*Xiaoyao* uses magnificent fantasy as its pen, yet it writes down the most profound truths of humanity. Through the eyes of demons and the tears of humans, it dissects the fruit called "desire"—its core is not immortality or supernatural powers, but our obsession with and questioning of "self."
The characters in the drama often sigh, "Life is short, so we must act according to our current feelings." This statement seems carefree, but upon closer examination, it hides the sharp edge of reality. Because the "present" is often bound by the delusions of the "future"—we are always chasing after the elusive prospect of immortality, yet letting the happiness within our grasp slip through our fingers; we fantasize about eternal beauty like a mirage, forgetting that what we should be recognizing most in the mirror is our true self in this moment.
Thus, the most painful yet clear-headed self-revelation follows: "What I envied, minded, and resented was all myself." It turns out that all the pursuit of external circumstances, all the contemplation of others, ultimately returns to the inner self, reflecting the shadows and desires we have never accepted.
True freedom is not about transcending the mortal world, but about understanding that immortality is an illusion, beauty is a mist; only by recognizing "why I suffer, why I seek," can we live each fleeting moment in our short lives without being enslaved by delusions. Demons crave a thousand years of cultivation, humans seek immortality, but what truly traps all beings is never the distance to the Jade Spring, but the insatiable well within their hearts. The brilliance of *The Wanderer* lies in its use of illusion and sword energy as mirrors reflecting reality—showing us how to reconcile with our own delusions on our brief journey through life. Thank you to director for this work. - Cat's Tail Grass Kevseven
my guess is that, because it's not really about justice. The Yuli spring itself isn't just a source of power,…
Exactly 💯 You're stating that facts. For me, Both Hongye and Xiao Yao suffered from it. And Should blamed for these are those selfish and greedy people and demons for only wanted power.
TUS fans watch this⬇️ Visual Effects Behind The Scenes
The stunning visual effects in "Xiaoyao" are breathtaking, with lifelike depictions of natural landscapes, lakes, and seas, as well as various creatures, creating an immersive experience. The film's Chinese-style fairytale world offers viewers a beautiful visual feast. Very, very high quality. Absolutely outstanding! The special effects are a rare sight in Chinese TV dramas. You guys are awesome!😮🤭👍💕
3 
( Eng Sub)
https://x.com/ncybear/status/2017651426353418422?t=1Q4unU3CLQ73NpNDUtK_kQ&s=19
来自 uzizizi1020 的微博 https://m.weibo.cn/detail/5261257313881345
It healed our hearts TUS fans🥺❤️🩹
Hou Minghao - Livestream of H&M
The host asked, "Do you have any prospects for your life or any spoilers about small breakthroughs in your life?
HMH- elaborated on his answer by mentioning two recently aired dramas, and saying that the best thing about being an actor is experiencing different lives through different roles.
When mentioning another work, HMH mainly talked about the character's career path and her agreement with his sense of justice.
But when mentioning Xiaoyao, the emphasis was on "Although Hongye made a sacrifice, he eventually returned to the beginning and was with his beloved Xiaoyao!"
Let's go back to the two points we just discussed. Connecting them, HMH is an experiential writer, and in "Carefree," he emphasized the romantic storyline.
Combined with the host's question about small breakthroughs in life, HMH answer was actually a double entendre. He was both promoting the recent hit drama as a breakthrough and her relationship with XY as a small breakthrough in life—just something he couldn't say explicitly, so he used the drama to express it.
I wonder if everyone gets my point!
I'm already dizzy from sweetness😵
- Haxzicing
Live stream of H&M
Hou minghao talks about Xiao Yao (TUS)
- "If you always hold warmth in your heart and open your arms to this world, you will eventually have a very beautiful ending of your own." "In the very end, he returned to the beginning of the story and was with his beloved Xiao Yao." "I think everyone has their own best ending." "You can always find the answer that suits you best."
Ps. Even Hou Minghao stated that "The Unclouded soul" was still a "Happy ending" not Sad or Bad ending that some people talking about🤭
- Love mist
Spotted!
Part 9
- What's truly terrifying are never insects or plants; they follow the laws of nature, the principles of all things. Their toxicity is simply their way of survival. What the world doesn't realize is that the real poison lies in the human heart. The human heart is the perfect vessel for nurturing evil, allowing it to grow unchecked, fueled by boundless greed.- Chen jiyao
来自 谭松韵今天吃饱没 的微博 https://m.weibo.cn/detail/5261142240526438
https://m.weibo.cn/detail/5261141850194797
https://m.weibo.cn/detail/5261136131787895
They look like twins 😍
P.s. Teacher He was also guest reunion with SS. I always noticed SS most of her variety show(guest) teacher he also present. Love their friendship
https://x.com/archiveshenyue/status/2017459925492875504?t=rymCocc4d20WSXEerdfxRQ&s=19
Spotted!
Part 8
The TV series "Xiaoyao" has been over for over a month, but my heart is still immersed in that fairytale world, unable to calm down. As the first ancient costume fantasy drama I watched in its entirety, it brought not only amazement but also a profound shock.
Its production quality is impressive from the start: director Xu Jizhou ventured into the fantasy world for the first time, and lead actress Tan Songyun, after 20 years in the industry, made her debut in this genre, bringing both talent and charisma. The special effects are from the team behind "Ne Zha" and "The Wandering Earth," with visual effects that are both poetic and sharp.
Furthermore, Zhao Liying's fleeting appearance as the Immortal Lord of the Broken Dream adds a touch of brilliance to the painting. Such a lineup already destined it to be extraordinary.
What impressed me most was the narrative ambition of "fate as a cycle."
The Möbius strip setting, the three lifetimes of Xiao Yao and Hong Ye in different places, cause and effect cycle, all interlocked. Only when the foreshadowing converges and the cycle closes do we realize that everything was already destined—that kind of chilling epiphany resonates in my mind for a long time.
Using the "Eight Difficulties of Life" as its framework, the film unfolds eight volumes depicting the world of humans and demons.
Eight interconnected stories, centered on birth, old age, sickness, death, unfulfilled desires, attachments, separation from loved ones, and enduring resentment, depict the struggles of all beings searching for the Jade Spring.
Humans yearn for immortality, demons aspire to reach the heavens, and this spring, no longer a mythical secret, has become the embodiment of desire itself. Every obsession is revealed here; every tear seeps into the earth, forming new legends.
The director's profound skill is evident in the character development.
"All beings suffer, all sentient beings endure hardship," and even the so-called "villains" are transformed by the torrent of fate. Characters whose personalities change under the influence of events all embody different facets of humanity.
For example, Dahlia's transformation wasn't deliberate but based on her peony-like nature. Seeing Xiao Yao being admired by others made her jealous, echoing the poignant saying, "Your friends want you to be happy, but not better off than them." Similarly, Bingzhu, as a demon-slaying guard, was loyal to the emperor's orders and relentlessly slayed demons, yet after being betrayed by his comrades and sharing life-and-death experiences with Xiao Yao, he chose a different path. His choice wasn't about good or evil, but rather the inevitable collapse and reconstruction of an individual amidst the upheavals of the times.
Ultimately, the soul of the entire drama lies in the reinterpretation of the word "freedom."
"If the heart is free, where is not freedom?" This freedom is not about indulging in unrestrained desires, but about guarding one's true self amidst the chaos of the world. Hongye, as the lord of all demons, had been a demon twice, and his heart had already been given to the demon race. On his wedding day, dressed in fiery red, he scattered into stardust—sealing the Jade Spring with his own body, severing the source of conflict, and giving the demon race a glimmer of hope.
The title of "Demon King" was never an honor, but a chain. His lifelong pursuit of freedom ultimately led to his martyrdom. True freedom, it turns out, is not escaping the shackles, but knowing they are there and still choosing to walk with them. In contrast, Xiao Yao, born human, is bound by the blood of a demon; a half-demon, she develops human emotions amidst the mundane world. Her freedom is never about carefree coming and going, but about finding harmony amidst inner turmoil—between human etiquette and demonic nature, between worldly indifference and the call of her heart, she stumbles out a third path. Hong Ye's martyrdom is a tragic act of divinity; Xiao Yao's struggle for survival is a glimmer of humanity. She doesn't save others, only herself—and this becomes another kind of freedom: recognizing the prison of her identity, yet still choosing to bloom her own flower in the cracks.
Director Xu Jizhou stated before the series aired that he wanted to present the audience not just with a story, but with a Chinese fairytale aesthetic. As the scroll of *Xiaoyao* slowly unfolds, we finally understand what he meant—it's not a Western-style fantasy world, but a dream rooted in the mountains and seas of the East, imbued with the fabric of classical Chinese culture. Canyons across the country become the backbone of the Valley of Ten Thousand Demons; the colorful Danxia landforms become the Thousand-Year Mountain, telling tales of millennia past; the Water Curtain Cave of Huangguoshu Waterfall becomes the Water Curtain Cave of Wangyuetai, showcasing the daily lives of the demon race.
In this world, there are bizarre and wondrous realms, and also delicate and subtle emotional flows, truly creating a dreamlike and beautiful world. It doesn't seek to escape reality, but rather, on the bones of reality, it grows spiritual flesh and blood—making us believe that the mythical beasts of the Classic of Mountains and Seas, the spirits of Tang and Song legends, may have truly brushed past us under the moonlight.
*Xiaoyao* uses magnificent fantasy as its pen, yet it writes down the most profound truths of humanity. Through the eyes of demons and the tears of humans, it dissects the fruit called "desire"—its core is not immortality or supernatural powers, but our obsession with and questioning of "self."
The characters in the drama often sigh, "Life is short, so we must act according to our current feelings." This statement seems carefree, but upon closer examination, it hides the sharp edge of reality. Because the "present" is often bound by the delusions of the "future"—we are always chasing after the elusive prospect of immortality, yet letting the happiness within our grasp slip through our fingers; we fantasize about eternal beauty like a mirage, forgetting that what we should be recognizing most in the mirror is our true self in this moment.
Thus, the most painful yet clear-headed self-revelation follows: "What I envied, minded, and resented was all myself." It turns out that all the pursuit of external circumstances, all the contemplation of others, ultimately returns to the inner self, reflecting the shadows and desires we have never accepted.
True freedom is not about transcending the mortal world, but about understanding that immortality is an illusion, beauty is a mist; only by recognizing "why I suffer, why I seek," can we live each fleeting moment in our short lives without being enslaved by delusions.
Demons crave a thousand years of cultivation, humans seek immortality, but what truly traps all beings is never the distance to the Jade Spring, but the insatiable well within their hearts.
The brilliance of *The Wanderer* lies in its use of illusion and sword energy as mirrors reflecting reality—showing us how to reconcile with our own delusions on our brief journey through life. Thank you to director for this work.
- Cat's Tail Grass Kevseven
Visual Effects Behind The Scenes
The stunning visual effects in "Xiaoyao" are breathtaking, with lifelike depictions of natural landscapes, lakes, and seas, as well as various creatures, creating an immersive experience. The film's Chinese-style fairytale world offers viewers a beautiful visual feast. Very, very high quality. Absolutely outstanding! The special effects are a rare sight in Chinese TV dramas. You guys are awesome!😮🤭👍💕
@TiangongYicai : #TVSeriesXiaoyao# #VisualEffectsBehindTheScenes# #TanSongyun# #HouMinghao#
Tiangong | Visual Effects Series
Once you enter the world of martial arts, you embark on a journey of exhilarating adventures 🪵Tiangong Yicai's Weibo video
来自 天工异彩 的微博 https://m.weibo.cn/detail/5260862866589482
some clips for her
来自 Bewith·Seven 的微博 https://m.weibo.cn/detail/5260766073850890
来自 Only_Seven谭松韵 的微博 https://m.weibo.cn/detail/5260766350673802
来自 初小姐seven 的微博 https://m.weibo.cn/detail/5260777780152259
来自 炫一口糖_想吃谭松韵做的饭版 的微博 https://m.weibo.cn/detail/5260779860267818