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This review may contain spoilers
FINAL REV
I have this theory: every writer is an exceptionally good storyteller in one particular direction—and not so much in others.
In this series, the development of the story between the two main leads is just perfection. It’s beautifully done, especially in the detailed, emotionally loaded moments.
However, there’s the last episode—where the flaws and gaps begin to show.
If you’re going to include something as intense as time reversal, that’s totally fine—as long as you keep it focused. For example, having two major scenes where the main lead gets shot is already pushing it. But keeping it at that, and not more, was the right choice. A scene like that—being shot and falling down several floors—carries immense visual and emotional weight. The less you repeat something that heavy, the better. And if you do echo it, let it be in a mirrored or symbolic way, not just repetition.
Then it works.
Now, let’s talk about the ending. The entire arc involving the brother of one of the main leads is deeply problematic. His sudden, intense descent into obsession and irrationality—mirroring the main villain’s madness—feels forced and unrealistic, especially at the start of the final episode. It was just too much. (Though, to be fair, by the very end, things harmonized a bit, so I might let it slide.)
If the writers wanted to give the brother some depth, they could have simply gone with:
He wanted the fame.
The power.
The spotlight.
He was jealous.
He wanted to save and protect his mother—and himself.
He wanted to win.
He wanted everything.
Or—he simply went mad.
That’s enough motivation.
THAT IS TRULY ENOUGH.
...but falling in love with his brother? Why that choice?
Less is more—and this episode is a perfect case study. Just a few scratches removed from the script, and it could’ve been truly perfect and balanced.
That said, I do love the core idea. I love the character dynamics. I love the tenderness, the sort-of attraction/devotion/kindness the creators infused into the leads’ relationship. And I love the actors in those roles. They portrayed dedication, devotion, and warmth flawlessly. But I’m also deeply disappointed in the denouement—well, mostly regarding the brother. (See above.)
On the bright side, one thing I am happy about is how short and to-the-point the resolution was. And, for the most part, the characters behaved logically and rationally. There’s still room for improvement—especially when dealing with serious topics that deserve thoughtful, realistic handling. But I’ll give the series credit where it’s due.
And finally—
#ItIsACrime that we never got a proper couple arc for WeinaiJanine.
#JusticeForWeinaiJanine!
*winkwink* Who saw Janine in The Next Prince and went crazy? 😁😁😁
In this series, the development of the story between the two main leads is just perfection. It’s beautifully done, especially in the detailed, emotionally loaded moments.
However, there’s the last episode—where the flaws and gaps begin to show.
If you’re going to include something as intense as time reversal, that’s totally fine—as long as you keep it focused. For example, having two major scenes where the main lead gets shot is already pushing it. But keeping it at that, and not more, was the right choice. A scene like that—being shot and falling down several floors—carries immense visual and emotional weight. The less you repeat something that heavy, the better. And if you do echo it, let it be in a mirrored or symbolic way, not just repetition.
Then it works.
Now, let’s talk about the ending. The entire arc involving the brother of one of the main leads is deeply problematic. His sudden, intense descent into obsession and irrationality—mirroring the main villain’s madness—feels forced and unrealistic, especially at the start of the final episode. It was just too much. (Though, to be fair, by the very end, things harmonized a bit, so I might let it slide.)
If the writers wanted to give the brother some depth, they could have simply gone with:
He wanted the fame.
The power.
The spotlight.
He was jealous.
He wanted to save and protect his mother—and himself.
He wanted to win.
He wanted everything.
Or—he simply went mad.
That’s enough motivation.
THAT IS TRULY ENOUGH.
...but falling in love with his brother? Why that choice?
Less is more—and this episode is a perfect case study. Just a few scratches removed from the script, and it could’ve been truly perfect and balanced.
That said, I do love the core idea. I love the character dynamics. I love the tenderness, the sort-of attraction/devotion/kindness the creators infused into the leads’ relationship. And I love the actors in those roles. They portrayed dedication, devotion, and warmth flawlessly. But I’m also deeply disappointed in the denouement—well, mostly regarding the brother. (See above.)
On the bright side, one thing I am happy about is how short and to-the-point the resolution was. And, for the most part, the characters behaved logically and rationally. There’s still room for improvement—especially when dealing with serious topics that deserve thoughtful, realistic handling. But I’ll give the series credit where it’s due.
And finally—
#ItIsACrime that we never got a proper couple arc for WeinaiJanine.
#JusticeForWeinaiJanine!
*winkwink* Who saw Janine in The Next Prince and went crazy? 😁😁😁
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