PS. When I read the other comments, I find it surprising: Thanos was one of my favorite characters because of his over-the-top charisma, and Game 3 was the only installment I truly enjoyed. It’s amusing that people are complaining about the two elements that I actually liked the most. Unsurprisingly, I just don’t get it.
Squid Game remains as overrated as Strong Woman Do Bong Soon—if it weren't for Choi Seung Hyun, I might not have bothered with season 2 at all. The first season dragged on with unimpressive games, many of which felt recycled from Japanese productions, and featured a number of irritating characters. Unfortunately, season 2 kicks off with a slow start as well. While the games have improved somewhat, they still don’t quite hit the mark. I was taken aback by how many familiar faces appeared in this season. Beyond my fondness for the actors, the fast-paced storytelling keeps things engaging. There are also bits of micro-conflicts that provide some depth. I found several characters to be quite likable and intriguing. However, my initial assessment hasn’t changed: the series doesn’t live up to the hype and suffers from excessive pacing issues and predictable plot twists. There are definitely more thrilling shows out there. But as expected, I thoroughly enjoyed Choi Seung Hyun and Park Sung Hoon; both brought a refreshing energy to an otherwise repetitive storyline.
I had been putting off watching "Kill Boksoon," even though I consistently heard nothing but good things about it. The idea of a mother juggling the life of a contract killer didn’t particularly grab my interest. In my younger days, I found the concept of "Mr. & Mrs. Smith" appealing, but I thought it fell flat in execution. However, after visiting a cinematography exhibition at the Korean Film Museum, where I was wowed by the creative camera angles, I decided it was time to give the film a shot. And I must say, it was worth it.
The performances across the board are convincing, the action sequences are entertaining, and the CGI is impressively creative. The humor surprisingly hits the mark, even with the underlying drama—something you’d expect from South Korea. That said, the film does lean on a few typical clichés seen in numerous other Korean productions, such as over-the-top yakuza characters, questionable familial dynamics among the villains, and love at first sight. And, naturally, since it’s a Netflix release, there’s some queer representation tossed in to present a more progressive image of South Korea than might actually be the case.
Although the movie does drag in some parts, it manages to keep viewers engaged, delivering an emotional rollercoaster throughout. This is largely thanks to the outstanding performance of the lead actress, who fully embodies her character. All in all, I still don’t feel the need for a sequel.
I only clicked play because I trust KWB with its projects. Before watching I didn’t knew anything about the movie except it’s located in the action genre. The story offers the typical genre mix with goofy comedy, heartfelt relationships, action scenes and serious topics like child abuse, observation of criminal offenders and death. The wild package might seem wild but it worked for me. The personal growth of KWBs character wasn’t a surprised but actually well done. At times I was confused about the legality of the martial arts inspectors actions. The movie shines a light on the question how to deal with released sexual offenders. In the process you get presented a mix between desperate guilttripping vessel owners and the ones who can’t wait to repeat their crimes. In the context it makes sense to demand a Better uniform for the probation officers under the circumstances but it could also be rated as propaganda. Personally I don’t want to think too much of it considering its comedic genre. But I understand people that can’t get over this message.
With this cast, I felt compelled to give the series a shot. For long stretches, it truly sweeps you off your feet with its cuteness and charm. It’s undeniably enjoyable, but as the plot unfolds, more and more issues and confusing conflicts arise, keeping the main characters apart far too often. I found that quite disappointing. Rather than a slow burn, I would have appreciated more moments featuring the couples together. Then there’s the second couple in the story, who I struggled to pin down. Was I impressed or underwhelmed? Did their storyline really make sense? And as for the third subplot, it barely held my interest. Overall, I can say that while the drama entertained me and was perfect for binge-watching, it didn’t really bring anything new to the typical romance genre.
Low-budget crime investigation thriller with rapid scene cuts, pervasive overacting, and a dull plot heavy with Chinese propaganda. You might enjoy it, but I realized quickly that it's not my thing.
I was really looking forward to watching the movie because I absolutely love the original novel "The Peerless Proud Twins" by Gu Long. The latest drama adaptation is also one of my all-time favorite shows, so my expectations were quite high. Since I don't usually enjoy the Hong Kong vibe, I tried to temper my excitement. Overall, the Wuxia had a charming and dreamy atmosphere with fantastic actors, beautiful costumes and settings, and the classic wire-action sequences that I adore. However, the story felt quite loosely adapted from the original novel, often taking its own direction. At times, I couldn't even see the connection to my beloved novel and drama. The humor was a mixed bag – some innocent jokes landed well, but the vulgar parts felt completely unnecessary and outdated. The villain's story seemed rather tame and rushed. The biggest change was transforming the two male twins into an orphaned female and the real son, creating a love story. This change was a tough pill for me to swallow; it turned a great Wuxia story into a cliché love-driven plot, which I think wasn't necessary given the excellence of the source material. As I mentioned at the beginning, the film felt quite outdated and included a lot of politically incorrect elements. Despite this, I managed to sit through the two hours because I'm partial to the main story and I appreciated the lead actors' performances. Overall, it was an entertaining watch, but not a great one. Therefore, I'm giving it a nicer rating than it actually deserves.
An emotionally intense revenge drama depicting the anguish of a father grieving after his only daughter is raped…
I acknowledge the reality of the increase in juvenile crime and their disregard for the legal system. Nevertheless, I am staunchly opposed to the idea of imposing the death penalty on minors, which contradicts my beliefs entirely. Despite the severity of the situation, it is important for everyone to uphold their sense of humanity and denounce the death penalty. Consequently, the political agenda failed to resonate with me, and I will not entertain the suggestion, as it does not align with my principles.
1 
The performances across the board are convincing, the action sequences are entertaining, and the CGI is impressively creative. The humor surprisingly hits the mark, even with the underlying drama—something you’d expect from South Korea. That said, the film does lean on a few typical clichés seen in numerous other Korean productions, such as over-the-top yakuza characters, questionable familial dynamics among the villains, and love at first sight. And, naturally, since it’s a Netflix release, there’s some queer representation tossed in to present a more progressive image of South Korea than might actually be the case.
Although the movie does drag in some parts, it manages to keep viewers engaged, delivering an emotional rollercoaster throughout. This is largely thanks to the outstanding performance of the lead actress, who fully embodies her character. All in all, I still don’t feel the need for a sequel.