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Completed
Memorist
1 people found this review helpful
Oct 7, 2020
16 of 16 episodes seen
Completed 0
Overall 8.0
Story 8.0
Acting/Cast 10
Music 7.5
Rewatch Value 6.0
This review may contain spoilers

A complex suspenseful thrill ride

8/10 is my rating. This is a 2020 South Korean supernatural crime drama with 16, 60 minute, episodes.

Dong Baek/Sung Ju-ho (Yoo Seung-ho) has the power to read living people's memories a skill which is well used as a criminal detective yet has made him many enemies within the police community as there is a fear that who needs the rest of them when he is around. Han Sun-mi (Lee Se-young) profile to the extent that she may as well be able to read people's minds.
At first, she is not a fan of the arrogant, shoot at the hip Dong Baek and even suspects he could be involved in some of the serial crimes she is investigating. After all several of the crime scenes have the trade mark of someone with supernatural abilities. However, the more the two encounter each other in the course of their work, the more they find they have some things from their deep dark pasts in common. And they are not the only one that knows it, the serial killer seems to be using their past to draw them toward someone future event he planned especially for them. Every clue they uncover reveals involvement of very high level public figures and more ties to events that occurred 20 years ago. Can they beat the serial killer at his own game and uncover the mysteries of their past?

The suspense in this was incredible. Had me on the edge of my seat frequently. I really liked the memorist character and found his abilities fascinating. Sun-mi was very talented as a criminal profiler and the interplay between the two was very interesting. They made a great, if at times reluctant, team. There were a lot of characters to keep track of so pictures with names and faces would be a helpful guide otherwise it is easy to lose track of who they are talking about at times. There were a lot of twist and turns and they did a great job of keeping you guessing. I felt like it was so complicated at times I would lose interest. If I had a character map or guide it would have helped. I also wish the rest of the law enforcement community was not so down on Dong Baek as he spent a significant amount of time hiding and skirting to investigate. I love romance so was a little disappointed there was no real romance. I really liked Dong Baek’s partners and the bromance between them was very heart warming. This would be a good one to watch for someone that likes complexity and does not mind or actually prefers it focuses on suspense, thriller and not romance.

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Tale of Arang
1 people found this review helpful
Sep 23, 2020
20 of 20 episodes seen
Completed 0
Overall 9.0
Story 9.0
Acting/Cast 9.5
Music 9.0
Rewatch Value 8.0
This review may contain spoilers

Unique twist on historical romance

9/10 is my rating. This is a 2012 South Korean period romance also known as "The Tale of A-Rang". It has 20, 60 minute, episodes.

Kim Eun-oh (Lee Joon-gi) is not interested in being a Magistrate when he comes to Miryang, a town besieged by ghosts. Eun-oh is tricked by a high spirited virgin ghost, Arang (Shin Min-ah), into becoming the Magistrate and winds up agreeing to help resolve the mystery of her death. Much to his annoyance, as he does not like helping people, particularly ghosts and, most particularly this ghost, Eun-oh discovers something about Arang that compels him to do just that - help her.

Refusing, at first, to call her Arang (which means virgin ghost) Eun-oh instead nicknames her Amnesia/Memory Loss. They quickly determine that Joo-wal, a handsome nobleman, and possibly Arang/Lee Seo-rim's fiance, had something to do with her disappearance. As they search for answers, along the way, they must also avoid A-Rang being captured by the Grim Reapers.

Things in Miryang may be way more horrifying than they seem and the Gods themselves, The Jade Emperor, The King of the Heaven (Yoo Seung-Ho) and Yeom-ra, The King of the Underworld (Park Jun-gy) are watching as events unfold.

I liked the unique angle where she was a ghost and he was someone who could see ghostws. The beginning was a lot of fun because she was a tough and mischievous spirit. The Magistrate was cold and uncaring to start then underwent a high degree of character development that unearthed the gentle caring person he was inside. The evil people in this, the Fairy, and Lord Choi, you wanted to see things turn and go bad for them. The love stories between Arang and the Magistrate and their friends the Shaman and his "slave" were very cute and heartwarming.

Spoiler Alert ** What I did not like was the ending. You knew from quite a long way before the end that she would have to go to Heaven or Hell and would have to leave him. The Jade Emperor made it clear, when he turned her from a ghost back into a human, that her time was limited to three moons. I thought perhaps the Jade Emperor would be so pleased with Arang and the Magistrate for ridding the world of the evil that he would make an exception and allow her to stay alive. I wanted her to be able to live out her life with the Magistrate. Especially since he did not start as a good Magistrate, he was only doing it because of the trick, but then, as his love for Arang started to thaw his character and reveal his true nature, he became something the people really needed. I wanted to see him continue in the role of Magistrate after Arang finally admitted her feelings for him. It took a long while for Arang and the Magistrate to come together as she foolishly was concerned about him loving her and then having to leave him. She thought that it would be more painful that way than for her to reject him. I also hoped the young master was not involved in the murders as much I hoped it would turn out the evil fairy was controlling him. In the end he had done those things for her promise to make him wealthy (he had been a starving child) and just had her wipe his memory so he would not suffer the guilt. When she stopped wiping the memories (to punish him for not doing as she wanted) he had such guilt that he committed suicide and became a Reaper. I wanted to feel sorry for him, and I still did a little, but I could not condone what he had done and the reasons why he did it enough to want to see things go well for him. The Evil Fairy had loved a man and they both died (did not catch how) and when they reincarnated they were brother and sister. They also became immortal incarnations that lived in the heavens, a Reaper and a Fairy. She though wanted to return to being a human and wound up being cast out and having young women killed to steal their energy and possessing the bodies of some in return for favors. I think it was supposed to be a tragedy that painted the evil fairy in a more sympathetic light - but it never made me feel that way. It made for a sad and somewhat creepy (she still had feelings for her "brother") side story. The Magistrate, in the end, went to hell in Arang's place sacrificing himself, before she could stop him, so she could go to Heaven. And this is what I really did not like. Watching the whole story and seeing how the villagers had come to love and rely on the Magistrate, it made me sad that he essentially died in their eyes. The Magistrate also earned the respect and had a touching relationship with his father and you knew, for him, his son died. Arang and the Magistrate's love story continued when they were reincarnated and, as small children, it shows them playing together and her giving him a hard time because he does not remember being the Magistrate or her and she remembers everything. It flashes forward and shows them as young adults and she is still giving him a hard time for not remembering, they are obviously in love, and he basically says why does it matter. However, as much as they pointed out that Arang and the young girl, who died in the place of her love, the young master, were not the same person, the two reincarnated "Magistrate" and "Arang" did not seem like the same people and it felt like they never got to live out their love story. I know reincarnation includes beliefs that people who are close in life may come back to be close but the relationships may be different like a father may come back as a son, etc. I am not a fan of the reincarnation angle for love stories as when individuals reincarnate they may have elements of the previous life - but they are essentially different people. So it is very good and I would highly recommend but would say do not expect too much from the ending.

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Completed
Hit the Top
1 people found this review helpful
Sep 14, 2020
32 of 32 episodes seen
Completed 0
Overall 9.0
Story 10
Acting/Cast 9.5
Music 9.0
Rewatch Value 7.5
This review may contain spoilers

Surprisingly good with a fresh angle on time travel

This is a 2017 South Korean Romantic Comedy’ also known under the titles “Hit The Top” and “Best Punch”.

Lee Hi-Joon (Kim Min-Jae) must hide that he is pursuing music and wants to become an idol from his parents. They think he is studying for the civil service exam like his friend Choi Woo-seung (Lee Se-young) but he is sneaking off to take idol training. What Hi-joon does not know is his real father, Yoo Hyun-Jae (Yoon Shi-yoon) a famous idol, went missing in 1993. The father Hi-joon never knew actually traveled forward in time to 2017. His adoptive father Lee Gwang-jae (Cha Tae-Hyun), used to be Hyun-jae’s manager but had a one sided love for Hi-Joon’s mother whom he married when Hyun-Jae disappeared.

I loved the male lead character so much in this. He started as a very arrogant, seemingly full of himself idol but you could tell that was not who he really was. The time travel component was very interesting and I really had no idea how it would play out. His previous manager and the mother of his son were both very sweet and I liked the non traditional relationship they had. Their little family was touching. I wanted to see them all fulfill their dreams. It was a place I really missed when it was over as I found them all very likable. It ended very well. I recommend this very well done feel good story.

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Witch's Romance
1 people found this review helpful
Aug 31, 2020
16 of 16 episodes seen
Completed 0
Overall 9.5
Story 9.5
Acting/Cast 9.5
Music 9.0
Rewatch Value 9.5
This review may contain spoilers

Title is misleading Sort of like the taming of the shrew

This is a 2014 South Korean romantic comedy with 16, 60 minute episodes.

At the top of her game, Ban Ji-yeon (Uhm Jung-hwa) has everything except for a husband. Her work colleagues not so fondly refer to her “as the witch” as she pulls no punches in the very competitive field of news reporting. Those that cross her path are likely to leave after experiencing her sharp wit and brutal truth telling. Yoon Dong-ha (Park Seo-joon) seems to be Ji-yeon’s complete opposite. With his best friend he runs a part time agency and they do just about any odd job which puts him in Ji-yeon’s path frequently. At 39 Ji-yeon’s mother wants her to get over having been left at the alter by her long time boyfriend, and take the next steps of marriage and children. Dong-ha lost his serious girlfriend under tragic circumstances and, hasa maturity born of tragedy at 25. A twist of fate has Ji-Yeon and Dong-ha not only working together but also next door neighbors. The more Dong-ha gets to know.her the more he sees that “the witch” hides a very caring and nice interior that she takes great pains to hide. Just when it seems Ji-yeon may be able to win over Ji-Heinz and convince her their age gap does not matter her ex-fiancé shows up. He has a story to tell and is determined to get Ji-Yoon back. He is handsome, rich and is now a world renown photographer.

Spoiler 🚨 I was surprised at how much I liked this movie although I should not have been as Park Seo-Joon was in one of my favorites, “Fight My Way”. It was a little bit taming of the shrew in that she seemed pretty vicious on the surface. I thought they were very compelling and sweet as a couple. I also like all of the supporting characters and the friendships were very fun to watch. It was believable to watch her struggles with the age gap and also how she had to work through the feelings she had for her ex fiancé. There was a middle section where it felt a bit frustrating that she was slow to realize her Luke warm feelings for her ex-fiancé and her growing and persistent feelings for Dong-ha. Still I really loved this movie and highly recommend it as an outstanding romantic comedy.

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Madame Antoine
1 people found this review helpful
Aug 30, 2020
16 of 16 episodes seen
Completed 0
Overall 9.0
Story 9.5
Acting/Cast 9.5
Music 7.5
Rewatch Value 9.5
This review may contain spoilers

Hidden gem

This is a 2016 South Korean romantic comedy series with 16, 60 minute, episodes.

Like all good fortune tellers, Go Hye-rim (Han Ye-seul) is good at reading body language, picking up on subtle verbal clues and asking insightful questions. To add an air of mystique to her sessions, she speaks French and pretends to consult with French Queen Mary Antoinette. She even goes by the name Madame Antoine when telling fortunes out of her coffee cafe. Hye-rim is a beautiful divorcee who is putting her daughter through school abroad. Although burned by love before, she is ready to give love another chance.

A serious and handsome research psychologist moves in to the space above Hye-rim and annoyingly sets up a practice he calls Madame Antoine. Choi Soo-hyun (Sung Joon) thinks the woman in the cafe below is a con artist and is determined to teach her a lesson. He has never been in love and believes that women choose men for material reasons and what people consider love is all in the brain not the heart. He performed an experiment on a woman once where he had three desirable bachelors approach her: all handsome but one wealthy, one athletic and a young flower boy to prove she would pick wealth. It worked that time so he plans to repeat it and show the same outcome. Only this time his female participant will be Hye-rim and he plans to play the role of the wealthy bachelor to observe her closely. Things get complicated when the three men start to genuinely have feelings for the beautiful and intuitive Hye-rim and the Doctor struggles to maintain his objectivity.

spoiler 🚨. I was really surprised by how much I like this. I thought from the title in several of the descriptions I read that she would be some kind of silly fortuneteller. She was actually a very intuitive person and even without training a great counselor. Everyone around her realized she had that natural ability. At first I did not like how cold he was until I later understood the reason for it. I had a hard time believing he would’ve so steadfastly stuck to the experiment and I thought he should’ve realized he loved her sooner than he did. There was a point where she turns things on him a bit and what she did was pretty cold although he deserved it. I also did not like how people around her when she broke it off with him were kind of blaming her for how sad he was. He had used her and lied to her so I thought if anything he was the one that should’ve come around. I also thought it was out of character for him to sink to a suicidal level of depression. As a psychiatrist or psychologist I think he would’ve realize the signs of that level of depression and reached out to someone. I also thought he was more narcissistic than to take his own life. So that seemed a bit out of character for him.I did like the way it ended very well but I just wish we had seen him moving toward an understanding of what she meant to him a little earlier rather than just a few minutes at the end. Overall I thought it was a great drama with lots of surprises with the characters and the plot in the side stories were also very cute. Second guy was beyond cute but I understood why the main were a better fit as both had a certain level of emotional damage that helped them understand each other. I recommend this highly as a hidden gem.

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City Hunter
1 people found this review helpful
Aug 30, 2020
20 of 20 episodes seen
Completed 0
Overall 9.5
Story 9.5
Acting/Cast 10
Music 9.5
Rewatch Value 9.0
This review may contain spoilers

Great Action Movie



9/10 is my rating. This is a South Korean drama with 20 episodes (60 minutes/episode). Lee Yoon-Sung (Lee Min-Ho) was raised to seek revenge for his father who was killed by his own country men upon the order of five high ranking officials. His adopted father, who was the only surviving member of the elite troup that was targeted by the officials, raises Yoon-Sung as a key player in his revenge plot. As part of that plan Yoon-Sung attends an elite United State technological institute and excels enough to be hired as a telecommunications expert at the Blue House in South Korea. Yoon-Sung encounters Kim Na-Na (Park Min-Young), at the Blue House where she works as a body guard. His adopted father warned him to never fall in love as his "mission" would involve a lot of blood shed in his adopted father's mind. Yoon-Sung has his own way of doing things though.

Spoiler 🚨 I really liked the action in this movie. City Hunter reminded me of Batman maybe or James Bond. His character was extremely well developed and you understood his motivation in the things that he did. The romance between him and Kim Na-Na character was sizzling but very tragic. My heart broke for both so many times throughout I nearly lost count. I read that Lee Min-Ho does his own stunts and that made his performance as an actor all the more amazing. Everyone in this drama acted very well and the characters were well developed and evolved as you would expect based on the happenings. I read that the romance was left up in the air and some even wondered if City Hunter was still alive or if she was seeing a ghost. That would have bothered me if he would have died but I read a summary of that final episode from the producer/writers and they said he was not a ghost. So the ending is not sad the romance just doesn't wrap up in a happily ever after. You have to decide, for yourself, if them seeing each other a year after the final big action - if that means they will be together or not. So if you are in it for the romance you might be disappointed by that. I think it is still more than worth it to watch it for the suspense and action.

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Zombie Detective
2 people found this review helpful
Jun 15, 2021
24 of 24 episodes seen
Completed 0
Overall 9.0
Story 8.0
Acting/Cast 9.0
Music 8.0
Rewatch Value 9.0
This review may contain spoilers

Will cause you to re-think zombies

9/10 is my rating. This is a 2020 South Korean fantasy television series that has 12, 60 minute episodes.

Kang Min-ho (Choi Jin-hyuk) wakes up in the area of a hazardous waste dump with no memory of what happened to him or how he got there. More startling is he discovers he is not fully dead or alive - he is a zombie. To determine how he came to be in his current condition he knows he has to be able to "blend in" with humans so he slowly and persistently trains himself to walk, talk and act like a human. To cover his monstrous looking skin, he uses CC monster cover cream to the extent he should buy stock in the company. After witnessing the murder of private detective Kim Moo-young, Min-ho adds another mystery to his list and assumes the detectives identity so he can solve the mystery of his past. Gong Sun-ji (Park Ju-hyun) runs into Min-ho by chance and, mistaking his intentions, winds up "injuring" him. To pay damages she insists on becoming his part-time assistant not realizing her new boss is a zombie. Her skills as a former investigative journalist make her a useful asset for Min-ho as the two team up to solve not only the crime surrounding his death but also other cases as they come in the door.

Spoiler alert** I really like the way they portrayed the zombie in this series. All of the other zombie genre I have seen, with only one other notable exception, the zombies were mindless brain seeking monsters. The fact that he remained aware that he was once human and worked to blend in with humans made it a very unique and interesting take on zombies. I never would have thought a zombie could be sexy but then again when you have someone like Choi Jin-Hyuk playing a zombie, it was a foregone conclusion. He was somewhat of a mopey zombie but not in a bad way. It made it funny that he could reflect on being a zombie and regret not being human. Some found the FL annoying but I really thought her persistence was the only thing that would have gotten her through to him. And she grew as a character because she learned that her quick judgements of people were not always correct and I noticed she did that less as the series went on. Although I really liked it, it seemed like after they solved the "santa" case there was a logical end. I really thought we might be on the last episode and had mistaken how many episodes there were. This made me think they likely made some pilots and that is where it would have ended if the show was not popular. They extended it nicely, I wouldn't say seamlessly but definitely nicely. The ending was a bit nebulous and it was clear they left it open for a second season. It was good because the relationship between the two leads hadn't built to the level of romance making sense - it would have seemed sudden. On the flip side it leads me to wonder if there is any chemistry there. I mean I can't yet really picture them together but that could be it is early it what could be their romantic relationship. I usually feel bad for second guy but in this one I didn't because it was clear his timing was way off. You can't wait that long to decide you like someone as more than friends or that friendship becomes set in stone often for one or the other. I also felt his relationship with the female police officer was just building and likely that would continue on in a future episode. Even though the ending was less than I would have liked the whole circumstances surrounding the zombie were compelling enough that I rate this high and recommend it. If there is a second season I would likely re-watch the first and that in and of itself is telling as I rarely re-watch any.

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The Flu
2 people found this review helpful
Oct 27, 2020
Completed 0
Overall 7.0
Story 10
Acting/Cast 10
Music 7.0
Rewatch Value 7.0
This review may contain spoilers

Particularly relevant in times of contagion - Good, keeps you watching

7/10 is my rating. This is a 2013 South Korean pandemic film. It is written and directed by Kim Sung-su. A deadly and extremely virulent flu breaks out in a suburb of Seoul. A container full of illegal immigrants is discovered in the course of rescuing traffic accident victims. A sole survivor escapes into the city. A smuggler and the infected immigrant are the source of a quick spread of a virus that kills at a high rate within 32 hours. The city breaks into chaos as evidence of virus ridden individuals is everywhere. Officials respond with quarantine and martial rule. Dr. Kim In-hae (Soo Ae) is a doctor on the front line of the virus. She is also a mother who is solely responsible for her young daughter, Kim Mi-reu (Park Min-ha). Coincidentally In-hae was in the accident that involved the illegal immigrants and was saved by Emergency worker Kang Ji-goo (Jang Hyuk). Ji-goo later delivers In-Hae’s purse to her daughter and finds Mi-reu staying alone while her mom is dealing with the virus. When Mi-reu contracts the virus, In-hae is forced to choose between the actions of a mother and those if a doctor containing a pandemic. Ji-goo finds himself enamored with the feisty and courageous doctor and her intelligent and kind daughter and helps to protect and assist them in the middle of social unrest.

Spoiler 🚨 I enjoyed this movie and it was particularly relevant as we all struggle to deal with the coronavirus. Though sensationalized and exaggerated it revealed the varying way people and authorities deal with an aggressive yet invisible threat. Some lose their humanity and start seeing fellow human beings as disease vectors. Atrocities occur as those who are able to suspend their humanity take dire action in the name of containment. Others maintain their caring and it sets up conflict between the two.

I liked this movie as it showed the range of human response in a pandemic. I also thought the depiction of conflict in dual roles causes. It was horrifying to see someone cough and slow motion magnification of the aerosol spray and the range and number of people it would “ hit”. Most of the acting was really good, particularly the leads, but there was room for improvement with the supporting cast. Overall good and entertaining.

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Completed
Be Melodramatic
2 people found this review helpful
May 15, 2024
16 of 16 episodes seen
Completed 0
Overall 6.0
Story 7.5
Acting/Cast 7.0
Music 7.0
Rewatch Value 3.5
This review may contain spoilers

Unpopular opinion here but I prefer heart warming romance and happy endings over harsh reality

This is a 2019 South Korean romantic comedy drama with 16, 60-73 minute episodes. Also known as Mellow is My Nature.

6/10 is my rating. First I provide a unique synopsis then review

Synopsis

This is a story centered around three female friend who are roommates and one of their brothers.

Lim Jin joo (Chun Woo hee) is fresh out of a tumultuous seven year relationship when a script she is writing finally catches the attention of an up and coming director. Finding intrigue in his particular brand of sarcasm, Jin joo falls for the Director, Son Beom soo (Ahn Jae hong). Relatively fresh out of a failed 7 year relationship, her feelings for Beom soo ignite while reworking the script for a 16 episodes drama. Having met his match, Beom soo reciprocates her feelings. Since fate has a sense of humor, it turns out her ex boyfriend, Kim Hwan dong (Lee You jin), is the assistant director and she has to work with him in order to get her big break.

Lee Eun jung (Jeon Yeo been) is still grieving the sudden loss of her fiancé, Hong dae (Han joon woo) to cancer. Her grief is so severe that she suffers persistent complex grief disorder and sees and talks to her departed fiancé as if he were still there. Her younger brother, Lee Hyo bong (Yoon Ji on) has continued living with Eun jung after she attempted suicide and her two friends form part of the team that live together and watch over Eun jung. Hong dae invested in a documentary Eun jung directed and she achieved wealth and success as a result of that project.

Hwang Han joo (Han Ji eun) was the school beauty who was conned in love by a man who was not good at committing to anything. She married him after an unexpected pregnancy but they quickly divorced, Now her three close friends and roommates are helping her raise her young son, Hwang In-kook (Seol Woo Hyung). Her role with the marketing and production department is to ensure the production meets the product placement advertisements that were agreed to. She later is promoted to a producer position.

Review

Based on other reviews, some people really liked this or at least enjoyed it. For me it’s one where I’m trying to figure out what people might’ve liked about it. I guess if you really like pure dramas with very little comedy and you want it to be reality based, then you might enjoy this one. I watch dramas to escape reality so I don’t want or need things to happen exactly as they might in reality. Give me the well-developed happy endings that’s what I want. I was interested in the story throughout most of it although there was nothing super exciting or any huge plot twist or anything like that. The characters were interesting and it was a slice of film industry life. Where I really lost interest in it was towards the ending when it became obvious things were not going to end the way I hoped they would. Sort of a soft ending in that things were wrapped up just not completely or well. In my opinion I would not watch it again nor would I highly recommend somebody else watch it. However, if you particularly like any of the actors, they did very well and the script was written well for what it was

Spoilers

Lim Jin joo (Cho Woo hee) was not a very likable character. In the relationship with Kim Hwan dong (Lee You jin) I thought she was wrong in the arguments a majority of the time. It appeared she picked fights with him for no apparent reason. She really wasn’t different with Son Beom soo (Ahn Jae hong) but he didn’t fight back. He more joked her out of it. I think they were trying for her just being a unique personality who could not match well with just anyone. They tried to portray that some some of the roughervaspects of her personality were due to being that element that made her an edgy writer. This was supposed to lead tona determination that the only one that could handle her was another quirky person such as the somewhat edgy Director. I got where the writers were going with it but I just found her very abrasive and not very likable. I still rooted for the romance a little bit which was why the way they never really fully got together was annoying. They were dating, although still having frequent fights, but nothing much else like a solid long term commitment which was not a very satisfying ending.

Lee Eun jung (Jeon Yeo been) was just a sad case the entire time. I hoped the drama would take the turn that she found new love in Kim Ah-rang (Ryu Abell) a fellow director but that never fully happened. There were some hints they might meet up abroad but nothing definite. She was working on her complex grief but was still imagining Hong dae (Han joon woo) enough it was clear she had not fully let go. So there was no resolution to her grief and we did not get to see her happy in a new relationship.

Hwang Han joo (Han ji eun) says she is ready for a romance and there is all this build up between her and her subordinate, Chu Jae hoon (Gong Myung) and it seems headed for romance. But nope. Instead he seems to get back with his crazy ex, Ha yoon (Mi ram) who they portray as the victim in their very tumultuous relationship when everything I saw it looked like she was the aggressor. But that was an overall trend in this film that no matter how wrong the female appeared, she was in the right, and the man was the wrong one. Then, in the end, she is dating some guy she met at a club who we barely knew anything about. Why did I care she had some random romance? I wanted her with her cute assistant who seemed like her other half. Instead he is back with his personality disorder ex and she is with some rando.

Jung Hye-Jung (Baek Ji won), who was Jin joo’s former boss turned rival script writer has this whole flirtation going with Sung In-Jong (Jung Seung gil) and there is even a bit of a love triangle for awhile. So this leads you to expect she will quit being such a horror with her work and get with In jong who seems to mellow her sharp personality. But we do not know what happens as tge writers just drop that story and there is no outcome with all that build up.

There were a couple of side romances that got very little screen time that were cute but not central enough to carry the story. Eun jung’s younger brother, Lee Hyo bong (Yoon Ji on), marries his partner and moves out because his sister is finally well enough he no longer has to be on suicide watch. Probably the cutest romance of the show was between Lee So min (Lee joo bin) and her manager Lee Min joon (Kim Myung joon) as they had been friends and it was obvious he felt more for her. So them realizing their feelings and getting together was heart warming,good friendships can stand in for love,

Overall it felt like the writers wanted to convey a proposal is not necessary for a happy ending, good friendships can stand in for love, and strong independent women do not need a man. A disappointing surprise for me to find in a Korean drama.

#BeMelodramatic #MellowIsMyNature #HanJiEun #JeonYeoBeen #AhnJaeHong #ChunWooHee #HanJoonWoo #YoonJiOn #SeolWooHyung

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My Dearest
2 people found this review helpful
Apr 26, 2024
10 of 10 episodes seen
Completed 1
Overall 7.5
Story 7.5
Acting/Cast 9.0
Music 6.5
Rewatch Value 6.5
This review may contain spoilers

If you don’t mind sad content and are fond of the separation trope…

7.5/10 is my rating. This is a 2023 South Korean Historical romance drama with 21, 60-90 minute episodes. It was originally divided into two parts: Part 1 with ten episodes and Part 2 with eleven episodes. So some say there are two seasons but there is only one season sometimes divided in two parts..

First I provide a Unique Synopsis then review.

Synopsis

Lee Jang hyun (Namkoong Min) is not the type of serious, respectful and honorable noble Yoo Gil chae (Ahn Eun jin) is used to encountering. He is a bit of what we would call these days, a lady’s man but also a “player.” He falls hard for the spirited Gil chae who, as the prettiest girl in her small community, has her pick of suitors. Of course the only guy she is interested in, Nam Yeon joon (Lee hak joo), is in love with her best friend. Kyung Eun ae (Lee da in), Gil chae’s best friend would do about anything for her friend except give up the guy they both love. Eun ae knows Gil chae really just wants Yeon joon because he is not interested and that the roguish Jang hyun is actually a better match for her friend. Eun ae both kind and wise and knows that Jang hyun is actually a very kind and capable man who deeply cares for Gil chae. But Gil chae is slow to recognize her own feelings and does not believe Jang hyun’s feelings are sincere. He has also clearly stated he is against marriage something any noble lady would scorn. Through war and the aftermath the two suffer many missed opportunities and Gil chae weds another man. Despite this, they both have each other firmly in their heart. Korea is suffering as the defeated party under a faction of China and the people are suffering by being impoverished, persecuted, killed and enslaved. Is there any hope for these two who seemed destined to be together?

Review

I do not like sad shows. If you like sad then you would definitely like this more than I did. I actually looked up the ending and it said it ended happy enough so I went with that. But what I didn’t understand is, it may end fairly happy, but it is sad all over the place throughout. Why? Well it is loosely based on true events where there was this Josean king who became paranoid and did a lot of horrible things as a result. And the royals were always trying to poison each other. That is why food tasters were common in many countries among the royalty. It was good for what it was. Wonderfully acted, the filming was amazing, and it was interesting throughout. So, understand that my ranking is based mostly on the fact that it had sad threaded all through it. I would not watch it again because it made me too down. I would recommend it to people that like historical and do not at all mind sad content.

Spoilers

I read that it ends with him losing his memory but that he remembers events around her. But they are together. That is true and that is the way it is nearly to the very end. But, in the last few minutes, he fully remembers her it shows his gaze becoming more steady and he says her name and looks her right in the eyes. So he does fully remember her. But two things about that. I personally hate the amnesia trope in general. And he has not one but two separate periods of amnesia. And, since it ended that way, we don’t know if he remembered any of the other people in his life.

Yeon joon was just an annoying character to me. I guess that wanted you to think Gil chae’s love for him in the beginning was completely juvenile and ridiculous. He was never a character I admired as he was so sanctimonious and it shadowed and influenced everything he did. He was never as thankful to Jang hyun for protecting him during the war as he should have been. If he told Gil chae about that in a “he is my life safer” type way she might have admitted her feelings for Jang hyum sooner. But I think there was a part of Yeon joon that liked having Gil chae romantically interested in him.

Gil chae was really annoying in the beginning. It had a real “Gone with the Wind” sort of vibe as she started as a noble that was very princess like as she was the beauty of the community. Then war breaks out and she goes through serious hardship and has to suffer horribly at the hands of the Barbarians. And it did humble and change her. But then she scorns Jang Hyun and marries the man who lied on the path on the island to basically use her as Barbarian bait. I get that it was Jang hyun’s fault a bit because, even at that point, he did not offer marriage but still you don’t turn your back on someone that has done so much for you and you obviously have feelings for.

Eun au, on the other hand, was such a sweet, humble and loyal person from the beginning, I did not feel like Yeon joon deserved her. The way he treated her when she was asking about being “defiled” by Barbarians made me like him even less. And then when he was a traitor to Jang hyun by leading the soldiers that nearly killed him, I liked him even less. There were just a few moments in the end when he asked Eun au to go with her and if he was still her husband where I think they were trying to show he had come around, but it wasn’t enough. So that wasn’t a sweet side romance.

I thought the Crown Prince and Princess dying was just tragic and unnecessary. Yes that may have been what happened, or close to it, historically but they could have departed and had him live. And then to make the Princess a traitor and even kill the royal heir, just made it Greek tragedy level.

The royal concubine was the evil doer behind most of the tragic events and we did not get the benefit of seeing her taken down. Evil essentially won. And that may have been what happened in the historical event it was drawn from but stories have the opportunity to improve and depart from such things. I suspect the king in the end was the concubines’ son. That was her goal to have her son put on the throne, but that was not very clear.

A large portion of the show was told with the main characters parted by war and other circumstance. I really dislike the separation trope so that being so prevalent and repetitive throughout the series was a serious negative to me. They were apart way more than they were together. Then, they would just get together briefly and either they would have a misunderstanding and go their separate ways, or a tragedy would strike and drive them apart. It was so frequent that the majority of the live commenters were complaining about them mostly being apart.

I guess the ending was supposed to be happy in the house he created to her specifications. But they were always surrounded by so many others throughout that them two alone just seemed very lonely. And it seemed they just planned to live as if dead so that he would not be hunted. But that was sad too. If it weren’t for the mad king and the evil concubine he should have lived out a heroes’ life.

#NamkoongMin #AhnEunJin #MyDearest#LeeDaIn #LeeHakJoo

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Completed
Cheese in the Trap
2 people found this review helpful
Oct 30, 2020
16 of 16 episodes seen
Completed 0
Overall 7.5
Story 7.0
Acting/Cast 8.0
Music 9.0
Rewatch Value 4.0
This review may contain spoilers

Did not enjoy and would not re-watch. It's iconic so perhaps worth the watch for that

7.5/10 is my rating. This is 2016 South Korean TV series with
16, 60 minute, episodes. Hong Seol (Kim Go Eun) is a university student who wants to make it through college with as little drama as possible. That all changes when she notices that her Sunbae, senior, Yoo Jung (Park Hae-Jin) does things that are psychotic in nature. Those around her do not see it and she seems to be alone in noticing his dark actions. Ironically the fact that Hong Seol can see through him causes Yoo Jung to be strangely attracted to her. Yoo Jung is wealthy and used to those around him using him for his money.

spoiler 🚨 I liked elements of this. I found the side romances a lot cuter than the main one. I like the friendships a lot. Now it’s a bit of a spoiler. I found it hard to believe with him as cold and vindictive as he could be that someone with a personality that started out as sweet as Seol would find him attractive. The things he did would fall under a sociopath. I think they were trying to sell that someone with those attributes could change. I really liked the second guy. At first I thought I would be disappointed that she didn’t end up with him but in the long run I decided she changed so much that she became a lot like the main male lead. I understood that he’d been hurt by those closest to him as a child but still could not excuse things like watching as his essentially younger brother was beat up and his hand injured. I know he said some things that weren’t exactly nice but kids say things like that sometimes. And I was really shocked later on when he would do things to get back at somebody that was way beyond what they had actually deserved and Seol seemed OK with it. And after all of that for it to end not really knowing for sure if he ever came back into her life felt like a real waste of time. I mainly just felt sorry for the siblings and the way that they were used and the fact that the father never really loved them as children but was simply using them as playmates for his son. It was a very twisted story way too much for me to like it very much. I probably rate this a lot lower than some others because I’m not super sympathetic with people that treat other people poorly so I couldn’t feel sympathy for some of the characters like I think they expected and that lessened my enjoyment a lot. I also got to where I did not like Seol a lot anymore because the way that she changed and became very cold towards the people in her life was very off putting to me it was almost as if they wanted you to believe she had become a sociopath herself. This is not one I would watch again nor recommend.

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Completed
Sold Out on You
1 people found this review helpful
1 day ago
12 of 12 episodes seen
Completed 0
Overall 10
Story 10
Acting/Cast 10
Music 10
Rewatch Value 10
This review may contain spoilers

Really Surprised at Low Ratings - I enjoyed it Very Much

My rating is 10/10

I am really surprised at so many lower ratings because I have watched over 400 dramas and consider myself quite picky at this point. If you are looking for something that is really more of a traditional drama trope this fits that criteria. If you want a darker theme to the romance this might not be it for you. But if you like comfortable predictability with just enough intrigue to carry you through then this could be a good one. I wasn't expecting some epic love story just a fairly simple and straight forward romance that fit the male being cold but warming up trope well.

There are even some Easter Eggs if you catch them.

This series was exactly what I needed after a couple of disappointing slow-burn Chinese romances. Those often drag for me, but this one delivered a faster pace, lighter tone, and perfect balance of romance and charm that kept me hooked. I loved the premise right away—both leads have genuinely interesting jobs that feel fresh and integral to the story rather than just background.

The character development is strong, their chemistry sparkles naturally, and the romance progresses at a satisfying speed without feeling rushed or stagnant. Matthew Lee and Dam Ye-jin make a wonderful pair, and the rural village setting adds warmth and humor throughout. It's a breezy, feel-good watch with solid production and performances that make it highly rewatchable. I can forgive the 12-episode format here because nothing major felt missing, unlike some other recent shows. If you enjoy fast-paced, light-hearted romances with good workplace elements and heart, I highly recommend Sold Out on You. 10/10—I'll definitely watch it again.

Spoilers

From an American cultural perspective, a couple of minor family dynamics annoyed me. Dam Ye-jin (main girl) came across as pretty mean to her dad for virtually no reason and forgave her mom way too easily. I thought her mom was cruel to her growing up and never believed in her. Such a short simple apology did not feel like an adequate gesture to make up for years of emotional abuse. Same with her "apology" to her dad. First, she waited until after she reconciled with her mom before considering she had treated her dad badly.

I was a bit worried they would not resolve the past harmful cosmetic issue. So, I was relieved that in both key instances, Matthew Lee wasn't responsible for the poor cosmetic outcomes. I wish Dam Ye-jin had received a stronger apology from her Director and better payout since she was right both times.

Some side elements felt unnecessary or underdeveloped. I didn't understand why the sister of the girl with the rash had to become a home shopping presenter—she wasn't a very likable character to me. I know rivalry often makes people act unlike themselves but I did not think she was very nice even when she determined she was not going to be with him. Even after telling him her feelings and getting a soft rejection, she still attempted to sabotage their relationship by essentially telling main girl to go home.

Eric Seo (second guy) was great, though. He pursued Dam Ye-jin in a respectful, low-key way without being pushy, and when he realized he didn't have a chance, he handled it maturely without any vindictiveness. That was refreshing. He would be a good friend in the future, someone you would greet with a smile son your face. I liked that his character was not destroyed. I also liked that his sister, that was so awful to him but also to others, got in trouble for her criminal activity.

The second romance between Dam Ye-jin's friend and the village guy was cute. His arc—being convinced he could never love anyone else after pursuing one girl forever, only to open up—was sweet. His heart told him he liked her before his brain caught up.

I could have done without the third couple (his friend/business counterpart and the coffee shop girl). She felt very cold with zero chemistry, like it was added just to pair everyone off. The same goes for the rushed, unnecessary pairing of the woman who had been so hung up on Matthew with Dam Ye-jin's production assistant (or whatever his role was). That was a weird pair up and I found her pretty unlikable.

There were a lot of fun little details too. Like the cosmetic product Matthew Lee developed looked convincingly genuine, and those white-flowered nuri mushrooms were adorable—I genuinely wished they were real. The rooster scene had me laughing out loud (not sure about the egg mixing confusion, but it worked). Dam Ye-jin's adopted grandma, Song Hak-daek, was an absolute bright spot—warm, funny, and one of the best supporting characters in the show.

So, what were the Easter Eggs? Male Lead was in Business Proposal and K-Pop Demon Hunter and they drop reference to both. Did you or will you catch it? Maybe there were others?

Overall, this was a delightful, comforting watch that hit all the right notes for me. Highly recommended!

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Completed
Our Universe
1 people found this review helpful
Mar 23, 2026
12 of 12 episodes seen
Completed 0
Overall 9.5
Story 9.5
Acting/Cast 7.5
Music 7.0
Rewatch Value 7.5
This review may contain spoilers

Harsh Reviews a Surprise. One of my favorite tropes and it is relatively rare.

My rating 9.5/10

This is a sweet, compelling story about two people who get thrown together to raise a child that isn’t theirs. The romance feels completely believable, the leads have fantastic chemistry, and the toddler is just adorable. I really appreciated that the show doesn’t make you get super attached to the parents - it's sad but not devastating because you really do not get too attached to them. It’s the perfect mix of heartwarming moments, realistic co-parenting struggles, and slow-burn romance that leaves you smiling by the end. If you love forced-proximity tropes, unique parenting situations, or just good old-fashioned thrown-together romances that feel genuine, this one is an easy recommend. It’s not perfect, but few are, but it is that unique show where a toddler gets a lot of center stage. So, the cuteness alone is worth the watch. The fact that it is a heartwarming romance is icing on the cake. I would watch it again and would recommend it to other fans of these types of series.

Spoilers

I loved how it started with Woo Hyun-jin and Seon Tae-hyung not really liking each other at all. He was also pretty indifferent to baby Seon Woo-ju at first because of his complicated history with his older brother Seon Woo-jin, but he’s still a decent guy at heart, so he steps up to help her anyway. Reluctantly at first and on a case-by-case basis. But then his apartment plan falls through, so he selfishly decides to stick around for the co-living arrangement, and it all fits his opening character so perfectly.

I was afraid it would be sad knowing that the parents die but I appreciated that we didn’t get overly attached to Seon Woo-jin and Woo Hyun-ju before the car accident took them out. Their presence in the story was relatively brief - not enough to get so attached that it feels personal when they die. Instead, it kept the focus on the two leads and little Woo-ju right from the jump. Since we already knew about the baby from the previews and synopsis I wish it would have shown him a bit more with his parents. It made it feel like he just came out of nowhere.

All the characters were super well-developed, especially the little found-family group at Yu-seong Villa. Those apartment complex neighbors really came through in the clutch when the custody/guardianship drama kicked off and people were trying to claim Woo Hyun-jin didn’t deserve to keep Woo-ju. What I thought was kind of odd, though, was that Seon Tae-hyung didn’t also apply for guardianship himself. I kept waiting for some dual-guardianship setup, or for them to realize marriage would make it official. The ending makes it pretty clear they’re together now, which is sweet, but I’m the type who loves a little more permanence—I would’ve eaten up an engagement or something concrete! And her threat of losing guardianship would have been an obvious push toward having a permanent relationship and more settled home environment for Woo-ju. I honestly thought that was where it was going.

The one big thing that bugged me (and I know a lot of viewers felt the same) was how much screen time they gave to the second guy, Park Yoon-seong. They almost built a whole side romance between Woo Hyun-jin and her college senior/first love. I get that she was uncertain and this was her first chance in years to reconnect with someone from her past, but after that much time apart, it just doesn’t track that you’d suddenly catch feelings stronger than the ones for the guy you’re literally surviving daily life and raising a toddler with. It started feeling like a real distraction, and yeah, I was sitting there worried she might actually end up with Yoon-seong for a minute. As a viewer who came for the co-parenting cuteness, I would’ve much rather had more scenes of Woo Hyun-jin, Seon Tae-hyung, and little Woo-ju’s adorable everyday interactions. Every time Woo-ju was on screen I was happy to see him - cute baby fever hit hard! The unnecessary focus on her relationship with her first love, and the duration of it, also came off a bit dishonest because it felt like she was stringing both guys along for a while.

Her almost losing guardianship was crazy yet real. The mistakes Woo Hyun-jin made were totally normal new-parent stuff—not everyone realizes how fast an almost-two-year-old can get into trouble. For someone who had zero experience, she was actually doing an amazing job overall. If anything, she was a little more prone to those accidental slip-ups than Tae-hyung just because she was still adjusting to the “mom” role, but nothing was ever intentional and she was always devastated when it happened. The lost in the mall happens to the best of parents. When you have multiples where it is literally impossible to keep all the babies in sight - that point gets driven home even more. I used to help my cousin with her twins and, when I babysat, I would have to pick a twin at times Both are headed for something, and you are one person. They actually portrayed the child protective agency stuff pretty accurately (at least compared to how it works in the US)—sometimes they come down hardest on the people who are genuinely trying their best. I was surprised the guardianship wasn’t more automatic, especially since Korean dramas usually show moms giving up babies so easily, yet here you have two people who clearly love Woo-ju and are doing everything right, and they still got grilled. They were even nitpicky about the leads working, which felt backwards—like, don’t you want them earning money to support the kid?

The situation with Tae-hyung’s dad, Seon Gyu-tae, wasn’t a huge shock. Crappy parents rarely do a full 180. They took it slow and cautious, which felt realistic, and I liked that Woo Hyun-jin owned up to feeling guilty for pushing Tae-hyung when he should’ve just trusted his own instincts.

The backstory with Seon Woo-jin was played so beautifully. Yeah, Tae-hyung had been giving him the cold shoulder, but the reason was totally valid—he was trying to protect his little brother all along. As a kid who felt abandoned, Tae-hyung’s reaction made complete sense; you’re not thinking logically about hidden motives at that age.

So, my only major criticism is that whole detour into the almost-romance with Park Yoon-seong. It just felt unnecessary given this romance is about four episodes shorter than what used to be traditional k-drama length dramas. I would’ve traded every bit of it for more of the cute trio moments between Woo Hyun-jin, Seon Tae-hyung, and Woo-ju. I couldn’t get enough of those!

Overall, I’d recommend Our Universe to anyone who loves romances with forced situations, unique parenting setups, or “thrown together and slowly falling for each other” vibes. The romance is genuinely cute and heartwarming, the baby steals every scene, and it wraps up happy.

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Completed
Move to Heaven
1 people found this review helpful
Jan 27, 2026
10 of 10 episodes seen
Completed 0
Overall 9.5
Story 10
Acting/Cast 10
Music 9.5
Rewatch Value 7.0
This review may contain spoilers

Moving Family Drama and Interesting Slice of Live Trauma Cleaners

My rating 9.5/10

Move to Heaven is a deeply emotional series that balances heartbreak with profound moments of human connection. Even as someone highly empathetic, I found it more stirring and thought-provoking than overwhelmingly sad, largely because I went in knowing the heavy themes—it allowed me to appreciate the nuance without being blindsided. Tang Jun-sang delivers an outstanding, authentic portrayal of Han Geu-ru, a young man on the autism spectrum. Having multiple autistic people in my life, I recognized and appreciated how faithfully the show captures traits like intense focus, stubborn persistence on certain ideas, and quiet brilliance. It never feels stereotypical; it's respectful and insightful. The evolving dynamic between Han Geu-ru and his uncle Cho Sang-gu (Lee Je-hoon) is one of the show's strongest elements—raw, complicated, and ultimately touching as they navigate grief, family, and personal growth together. Overall, I'd absolutely recommend it to others, especially those who enjoy character-driven stories about healing. It's rewatchable for its emotional depth, and I'd be thrilled if Netflix ever greenlights a second season.

Spoilers

While the series excels in so many ways, the Netflix-typical soft, open-ended finale left some threads feeling unresolved, which kept it from a perfect 10/10 for me. I loved watching Cho Sang-gu gradually warm to his role as guardian and truly come to care for Han Geu-ru as family—it felt earned and heartfelt. However, certain moments that could have fully cemented their bond, like Han Geu-ru openly allowing Cho Sang-gu into his personal space (e.g., his room) or Cho Sang-gu more explicitly acknowledging him as his nephew, never quite materialized in the way I hoped. Those small but powerful gestures would have provided the heartwarming closure their relationship deserved, tying everything up more neatly instead of leaving it ambiguously open for potential future seasons. It's a minor frustration in an otherwise beautiful show, but it did make the ending feel a bit incomplete.

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Completed
My Housekeeper Nagisa-san
1 people found this review helpful
Nov 30, 2025
9 of 9 episodes seen
Completed 0
Overall 6.5
Story 6.0
Acting/Cast 7.0
Music 5.0
Rewatch Value 1.5
This review may contain spoilers

How to ruin a good drama in the last two episodes

Review

Rating: 6.5/10

The first three-quarters of this drama are genuinely cute and comforting. The workplace chaos is funny, the found-family energy is warm, and the central message—that it’s okay to accept help and stop trying to do everything alone—is lovely and actually meaningful. I was having a perfectly nice time.

Then the final stretch happens and everything I liked about the show collapses. The turn it takes felt so wrong to me that I couldn’t properly watch the last two episodes—I’d already looked up the ending because I had a horrible suspicion where it was going, got confirmed, and then I just skimmed the rest to see how bad the damage was. The drop-off in enjoyment was brutal. Because of that ending, I can’t recommend the drama and I have zero desire to ever rewatch it. What a waste of a promising setup.

SPOILERS

I’m usually against big age gaps in romance, but there are a handful of shows that sold me on one because the chemistry was electric, the life experiences lined up in an interesting way, and it really felt like these two people would be lonely forever without each other.

This drama did the exact opposite of that.

Mei (28) has not one but two attractive, successful, age-appropriate guys who clearly like her and get along great with her. And yet, the second, her 50-year-old housekeeper Nagisa says he might leave, she panics and decides the solution is… marriage. Not because she’s in love. Because she’s terrified of losing the guy who does her laundry and cooks for her. That is not romantic. That’s separation anxiety and codependency dressed up as a happy ending.

You don’t marry someone so they’ll keep cleaning your apartment. Hire another housekeeper (he’s basically a magical unicorn, but they exist) and go to therapy for the attachment issues. Problem solved, no lifelong regrettable marriage required. It’s honestly depressing to watch. It feels like watching Mei self-destruct and drag a perfectly nice man into a relationship that’s wrong for both of them. Imagine them ten years down the line when people assume he’s her dad. Or worse, when she wakes up one day and realizes she married her Mary-Poppins-housekeeper out of pure panic. And yes, I get that older-man/younger-woman pairings are more normalized in some Japanese media, but this drama was clearly marketed to an international audience on streaming platforms. In most of the world a sudden 22-year age-gap romance with zero romantic buildup is not going to land as sweet or aspirational—it lands as uncomfortable and unrealistic. To me it was cringy. They built the relationship up as some kind of found mentor/family type relationship. Maybe that charming older uncle type. And then turned it into some kind of indentured servitude type romance. Mutual I guess. He gets a young troubled wife and she gets a live in domestic engineer and life coach.

The only thing that still gets full points is the mental-health message about not trying to “do it all” and learning to accept help. That part was great. Everything else about the romance destroyed the show for me.

Final score: 6.5/10, carried almost entirely by how pleasant the first 7–8 episodes were. Skip it or drop it before the train wreck—your future self will thank you.

Synopsis

In the bustling world of pharmaceutical sales, the ever-diligent Mei Aihara juggles high-stakes deals by day while her apartment descends into complete chaos by night. On her 28th birthday, enter the enigmatic Nagisa Shigino, an impeccably poised housekeeper with a knack for turning disorder into domestic harmony—and perhaps stirring deeper emotions. As Mei's life gets an unexpected upgrade from this unlikely ally, sparks fly when she crosses paths with the suave Yuta Tadokoro, a competitor whose charm threatens to upend her carefully ordered existence. Blending quirky humor, tender revelations, and the quiet magic of found family, this series explores how a spotless home can sometimes lead to a fuller hear


Air Year: 2020
Number of Episodes: 9
Runtime per Episode: Approximately 57 minutes

Major Characters

*Aihara Mei (Tabe Mikako): A dedicated and efficient pharmaceutical sales rep whose professional prowess starkly contrasts with her messy personal life and social awkwardness.
*Shigino Nagisa (Omori Nao): An eccentric, highly competent male housekeeper who mysteriously appears to overhaul Mei's home, bringing order, wisdom, and subtle emotional support.
*Tadokoro Yuta (Seto Koji): A charismatic and persistent rival sales rep from a competing company, whose flirtatious pursuit of Mei adds romance and rivalry to her routine.
*Suyama Kaoru (Takahashi Maryjun): Mei's loyal best friend and colleague at work, offering comic relief and steadfast encouragement through thick and thin.
*Segawa Haruto (Maeda Gordon): A fresh-faced new hire at Mei's company, eager and optimistic, often providing youthful energy to the team dynamics.
*Matsudaira Shinya (Hirayama Yusuke): Mei's stern yet fair boss, who pushes the sales team hard while navigating his own professional pressures.

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