ltspada

Great Action Movie

9/10 is my rating. This is a South Korean drama with 20 episodes (60 minutes/episode). Lee Yoon-Sung (Lee Min-Ho) was raised to seek revenge for his father who was killed by his own country men upon the order of five high ranking officials. His adopted father, who was the only surviving member of the elite troup that was targeted by the officials, raises Yoon-Sung as a key player in his revenge plot. As part of that plan Yoon-Sung attends an elite United State technological institute and excels enough to be hired as a telecommunications expert at the Blue House in South Korea. Yoon-Sung encounters Kim Na-Na (Park Min-Young), at the Blue House where she works as a body guard. His adopted father warned him to never fall in love as his "mission" would involve a lot of blood shed in his adopted father's mind. Yoon-Sung has his own way of doing things though.

Spoiler 🚨 I really liked the action in this movie. City Hunter reminded me of Batman maybe or James Bond. His character was extremely well developed and you understood his motivation in the things that he did. The romance between him and Kim Na-Na character was sizzling but very tragic. My heart broke for both so many times throughout I nearly lost count. I read that Lee Min-Ho does his own stunts and that made his performance as an actor all the more amazing. Everyone in this drama acted very well and the characters were well developed and evolved as you would expect based on the happenings. I read that the romance was left up in the air and some even wondered if City Hunter was still alive or if she was seeing a ghost. That would have bothered me if he would have died but I read a summary of that final episode from the producer/writers and they said he was not a ghost. So the ending is not sad the romance just doesn't wrap up in a happily ever after. You have to decide, for yourself, if them seeing each other a year after the final big action - if that means they will be together or not. So if you are in it for the romance you might be disappointed by that. I think it is still more than worth it to watch it for the suspense and action.

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Will cause you to re-think zombies

9/10 is my rating. This is a 2020 South Korean fantasy television series that has 12, 60 minute episodes.

Kang Min-ho (Choi Jin-hyuk) wakes up in the area of a hazardous waste dump with no memory of what happened to him or how he got there. More startling is he discovers he is not fully dead or alive - he is a zombie. To determine how he came to be in his current condition he knows he has to be able to "blend in" with humans so he slowly and persistently trains himself to walk, talk and act like a human. To cover his monstrous looking skin, he uses CC monster cover cream to the extent he should buy stock in the company. After witnessing the murder of private detective Kim Moo-young, Min-ho adds another mystery to his list and assumes the detectives identity so he can solve the mystery of his past. Gong Sun-ji (Park Ju-hyun) runs into Min-ho by chance and, mistaking his intentions, winds up "injuring" him. To pay damages she insists on becoming his part-time assistant not realizing her new boss is a zombie. Her skills as a former investigative journalist make her a useful asset for Min-ho as the two team up to solve not only the crime surrounding his death but also other cases as they come in the door.

Spoiler alert** I really like the way they portrayed the zombie in this series. All of the other zombie genre I have seen, with only one other notable exception, the zombies were mindless brain seeking monsters. The fact that he remained aware that he was once human and worked to blend in with humans made it a very unique and interesting take on zombies. I never would have thought a zombie could be sexy but then again when you have someone like Choi Jin-Hyuk playing a zombie, it was a foregone conclusion. He was somewhat of a mopey zombie but not in a bad way. It made it funny that he could reflect on being a zombie and regret not being human. Some found the FL annoying but I really thought her persistence was the only thing that would have gotten her through to him. And she grew as a character because she learned that her quick judgements of people were not always correct and I noticed she did that less as the series went on. Although I really liked it, it seemed like after they solved the "santa" case there was a logical end. I really thought we might be on the last episode and had mistaken how many episodes there were. This made me think they likely made some pilots and that is where it would have ended if the show was not popular. They extended it nicely, I wouldn't say seamlessly but definitely nicely. The ending was a bit nebulous and it was clear they left it open for a second season. It was good because the relationship between the two leads hadn't built to the level of romance making sense - it would have seemed sudden. On the flip side it leads me to wonder if there is any chemistry there. I mean I can't yet really picture them together but that could be it is early it what could be their romantic relationship. I usually feel bad for second guy but in this one I didn't because it was clear his timing was way off. You can't wait that long to decide you like someone as more than friends or that friendship becomes set in stone often for one or the other. I also felt his relationship with the female police officer was just building and likely that would continue on in a future episode. Even though the ending was less than I would have liked the whole circumstances surrounding the zombie were compelling enough that I rate this high and recommend it. If there is a second season I would likely re-watch the first and that in and of itself is telling as I rarely re-watch any.

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Particularly relevant in times of contagion - Good, keeps you watching

7/10 is my rating. This is a 2013 South Korean pandemic film. It is written and directed by Kim Sung-su. A deadly and extremely virulent flu breaks out in a suburb of Seoul. A container full of illegal immigrants is discovered in the course of rescuing traffic accident victims. A sole survivor escapes into the city. A smuggler and the infected immigrant are the source of a quick spread of a virus that kills at a high rate within 32 hours. The city breaks into chaos as evidence of virus ridden individuals is everywhere. Officials respond with quarantine and martial rule. Dr. Kim In-hae (Soo Ae) is a doctor on the front line of the virus. She is also a mother who is solely responsible for her young daughter, Kim Mi-reu (Park Min-ha). Coincidentally In-hae was in the accident that involved the illegal immigrants and was saved by Emergency worker Kang Ji-goo (Jang Hyuk). Ji-goo later delivers In-Hae’s purse to her daughter and finds Mi-reu staying alone while her mom is dealing with the virus. When Mi-reu contracts the virus, In-hae is forced to choose between the actions of a mother and those if a doctor containing a pandemic. Ji-goo finds himself enamored with the feisty and courageous doctor and her intelligent and kind daughter and helps to protect and assist them in the middle of social unrest.

Spoiler 🚨 I enjoyed this movie and it was particularly relevant as we all struggle to deal with the coronavirus. Though sensationalized and exaggerated it revealed the varying way people and authorities deal with an aggressive yet invisible threat. Some lose their humanity and start seeing fellow human beings as disease vectors. Atrocities occur as those who are able to suspend their humanity take dire action in the name of containment. Others maintain their caring and it sets up conflict between the two.

I liked this movie as it showed the range of human response in a pandemic. I also thought the depiction of conflict in dual roles causes. It was horrifying to see someone cough and slow motion magnification of the aerosol spray and the range and number of people it would “ hit”. Most of the acting was really good, particularly the leads, but there was room for improvement with the supporting cast. Overall good and entertaining.

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Unpopular opinion here but I prefer heart warming romance and happy endings over harsh reality

This is a 2019 South Korean romantic comedy drama with 16, 60-73 minute episodes. Also known as Mellow is My Nature.

6/10 is my rating. First I provide a unique synopsis then review

Synopsis

This is a story centered around three female friend who are roommates and one of their brothers.

Lim Jin joo (Chun Woo hee) is fresh out of a tumultuous seven year relationship when a script she is writing finally catches the attention of an up and coming director. Finding intrigue in his particular brand of sarcasm, Jin joo falls for the Director, Son Beom soo (Ahn Jae hong). Relatively fresh out of a failed 7 year relationship, her feelings for Beom soo ignite while reworking the script for a 16 episodes drama. Having met his match, Beom soo reciprocates her feelings. Since fate has a sense of humor, it turns out her ex boyfriend, Kim Hwan dong (Lee You jin), is the assistant director and she has to work with him in order to get her big break.

Lee Eun jung (Jeon Yeo been) is still grieving the sudden loss of her fiancé, Hong dae (Han joon woo) to cancer. Her grief is so severe that she suffers persistent complex grief disorder and sees and talks to her departed fiancé as if he were still there. Her younger brother, Lee Hyo bong (Yoon Ji on) has continued living with Eun jung after she attempted suicide and her two friends form part of the team that live together and watch over Eun jung. Hong dae invested in a documentary Eun jung directed and she achieved wealth and success as a result of that project.

Hwang Han joo (Han Ji eun) was the school beauty who was conned in love by a man who was not good at committing to anything. She married him after an unexpected pregnancy but they quickly divorced, Now her three close friends and roommates are helping her raise her young son, Hwang In-kook (Seol Woo Hyung). Her role with the marketing and production department is to ensure the production meets the product placement advertisements that were agreed to. She later is promoted to a producer position.

Review

Based on other reviews, some people really liked this or at least enjoyed it. For me it’s one where I’m trying to figure out what people might’ve liked about it. I guess if you really like pure dramas with very little comedy and you want it to be reality based, then you might enjoy this one. I watch dramas to escape reality so I don’t want or need things to happen exactly as they might in reality. Give me the well-developed happy endings that’s what I want. I was interested in the story throughout most of it although there was nothing super exciting or any huge plot twist or anything like that. The characters were interesting and it was a slice of film industry life. Where I really lost interest in it was towards the ending when it became obvious things were not going to end the way I hoped they would. Sort of a soft ending in that things were wrapped up just not completely or well. In my opinion I would not watch it again nor would I highly recommend somebody else watch it. However, if you particularly like any of the actors, they did very well and the script was written well for what it was

Spoilers

Lim Jin joo (Cho Woo hee) was not a very likable character. In the relationship with Kim Hwan dong (Lee You jin) I thought she was wrong in the arguments a majority of the time. It appeared she picked fights with him for no apparent reason. She really wasn’t different with Son Beom soo (Ahn Jae hong) but he didn’t fight back. He more joked her out of it. I think they were trying for her just being a unique personality who could not match well with just anyone. They tried to portray that some some of the roughervaspects of her personality were due to being that element that made her an edgy writer. This was supposed to lead tona determination that the only one that could handle her was another quirky person such as the somewhat edgy Director. I got where the writers were going with it but I just found her very abrasive and not very likable. I still rooted for the romance a little bit which was why the way they never really fully got together was annoying. They were dating, although still having frequent fights, but nothing much else like a solid long term commitment which was not a very satisfying ending.

Lee Eun jung (Jeon Yeo been) was just a sad case the entire time. I hoped the drama would take the turn that she found new love in Kim Ah-rang (Ryu Abell) a fellow director but that never fully happened. There were some hints they might meet up abroad but nothing definite. She was working on her complex grief but was still imagining Hong dae (Han joon woo) enough it was clear she had not fully let go. So there was no resolution to her grief and we did not get to see her happy in a new relationship.

Hwang Han joo (Han ji eun) says she is ready for a romance and there is all this build up between her and her subordinate, Chu Jae hoon (Gong Myung) and it seems headed for romance. But nope. Instead he seems to get back with his crazy ex, Ha yoon (Mi ram) who they portray as the victim in their very tumultuous relationship when everything I saw it looked like she was the aggressor. But that was an overall trend in this film that no matter how wrong the female appeared, she was in the right, and the man was the wrong one. Then, in the end, she is dating some guy she met at a club who we barely knew anything about. Why did I care she had some random romance? I wanted her with her cute assistant who seemed like her other half. Instead he is back with his personality disorder ex and she is with some rando.

Jung Hye-Jung (Baek Ji won), who was Jin joo’s former boss turned rival script writer has this whole flirtation going with Sung In-Jong (Jung Seung gil) and there is even a bit of a love triangle for awhile. So this leads you to expect she will quit being such a horror with her work and get with In jong who seems to mellow her sharp personality. But we do not know what happens as tge writers just drop that story and there is no outcome with all that build up.

There were a couple of side romances that got very little screen time that were cute but not central enough to carry the story. Eun jung’s younger brother, Lee Hyo bong (Yoon Ji on), marries his partner and moves out because his sister is finally well enough he no longer has to be on suicide watch. Probably the cutest romance of the show was between Lee So min (Lee joo bin) and her manager Lee Min joon (Kim Myung joon) as they had been friends and it was obvious he felt more for her. So them realizing their feelings and getting together was heart warming,good friendships can stand in for love,

Overall it felt like the writers wanted to convey a proposal is not necessary for a happy ending, good friendships can stand in for love, and strong independent women do not need a man. A disappointing surprise for me to find in a Korean drama.

#BeMelodramatic #MellowIsMyNature #HanJiEun #JeonYeoBeen #AhnJaeHong #ChunWooHee #HanJoonWoo #YoonJiOn #SeolWooHyung

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If you don’t mind sad content and are fond of the separation trope…

7.5/10 is my rating. This is a 2023 South Korean Historical romance drama with 21, 60-90 minute episodes. It was originally divided into two parts: Part 1 with ten episodes and Part 2 with eleven episodes. So some say there are two seasons but there is only one season sometimes divided in two parts..

First I provide a Unique Synopsis then review.

Synopsis

Lee Jang hyun (Namkoong Min) is not the type of serious, respectful and honorable noble Yoo Gil chae (Ahn Eun jin) is used to encountering. He is a bit of what we would call these days, a lady’s man but also a “player.” He falls hard for the spirited Gil chae who, as the prettiest girl in her small community, has her pick of suitors. Of course the only guy she is interested in, Nam Yeon joon (Lee hak joo), is in love with her best friend. Kyung Eun ae (Lee da in), Gil chae’s best friend would do about anything for her friend except give up the guy they both love. Eun ae knows Gil chae really just wants Yeon joon because he is not interested and that the roguish Jang hyun is actually a better match for her friend. Eun ae both kind and wise and knows that Jang hyun is actually a very kind and capable man who deeply cares for Gil chae. But Gil chae is slow to recognize her own feelings and does not believe Jang hyun’s feelings are sincere. He has also clearly stated he is against marriage something any noble lady would scorn. Through war and the aftermath the two suffer many missed opportunities and Gil chae weds another man. Despite this, they both have each other firmly in their heart. Korea is suffering as the defeated party under a faction of China and the people are suffering by being impoverished, persecuted, killed and enslaved. Is there any hope for these two who seemed destined to be together?

Review

I do not like sad shows. If you like sad then you would definitely like this more than I did. I actually looked up the ending and it said it ended happy enough so I went with that. But what I didn’t understand is, it may end fairly happy, but it is sad all over the place throughout. Why? Well it is loosely based on true events where there was this Josean king who became paranoid and did a lot of horrible things as a result. And the royals were always trying to poison each other. That is why food tasters were common in many countries among the royalty. It was good for what it was. Wonderfully acted, the filming was amazing, and it was interesting throughout. So, understand that my ranking is based mostly on the fact that it had sad threaded all through it. I would not watch it again because it made me too down. I would recommend it to people that like historical and do not at all mind sad content.

Spoilers

I read that it ends with him losing his memory but that he remembers events around her. But they are together. That is true and that is the way it is nearly to the very end. But, in the last few minutes, he fully remembers her it shows his gaze becoming more steady and he says her name and looks her right in the eyes. So he does fully remember her. But two things about that. I personally hate the amnesia trope in general. And he has not one but two separate periods of amnesia. And, since it ended that way, we don’t know if he remembered any of the other people in his life.

Yeon joon was just an annoying character to me. I guess that wanted you to think Gil chae’s love for him in the beginning was completely juvenile and ridiculous. He was never a character I admired as he was so sanctimonious and it shadowed and influenced everything he did. He was never as thankful to Jang hyun for protecting him during the war as he should have been. If he told Gil chae about that in a “he is my life safer” type way she might have admitted her feelings for Jang hyum sooner. But I think there was a part of Yeon joon that liked having Gil chae romantically interested in him.

Gil chae was really annoying in the beginning. It had a real “Gone with the Wind” sort of vibe as she started as a noble that was very princess like as she was the beauty of the community. Then war breaks out and she goes through serious hardship and has to suffer horribly at the hands of the Barbarians. And it did humble and change her. But then she scorns Jang Hyun and marries the man who lied on the path on the island to basically use her as Barbarian bait. I get that it was Jang hyun’s fault a bit because, even at that point, he did not offer marriage but still you don’t turn your back on someone that has done so much for you and you obviously have feelings for.

Eun au, on the other hand, was such a sweet, humble and loyal person from the beginning, I did not feel like Yeon joon deserved her. The way he treated her when she was asking about being “defiled” by Barbarians made me like him even less. And then when he was a traitor to Jang hyun by leading the soldiers that nearly killed him, I liked him even less. There were just a few moments in the end when he asked Eun au to go with her and if he was still her husband where I think they were trying to show he had come around, but it wasn’t enough. So that wasn’t a sweet side romance.

I thought the Crown Prince and Princess dying was just tragic and unnecessary. Yes that may have been what happened, or close to it, historically but they could have departed and had him live. And then to make the Princess a traitor and even kill the royal heir, just made it Greek tragedy level.

The royal concubine was the evil doer behind most of the tragic events and we did not get the benefit of seeing her taken down. Evil essentially won. And that may have been what happened in the historical event it was drawn from but stories have the opportunity to improve and depart from such things. I suspect the king in the end was the concubines’ son. That was her goal to have her son put on the throne, but that was not very clear.

A large portion of the show was told with the main characters parted by war and other circumstance. I really dislike the separation trope so that being so prevalent and repetitive throughout the series was a serious negative to me. They were apart way more than they were together. Then, they would just get together briefly and either they would have a misunderstanding and go their separate ways, or a tragedy would strike and drive them apart. It was so frequent that the majority of the live commenters were complaining about them mostly being apart.

I guess the ending was supposed to be happy in the house he created to her specifications. But they were always surrounded by so many others throughout that them two alone just seemed very lonely. And it seemed they just planned to live as if dead so that he would not be hunted. But that was sad too. If it weren’t for the mad king and the evil concubine he should have lived out a heroes’ life.

#NamkoongMin #AhnEunJin #MyDearest#LeeDaIn #LeeHakJoo

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Did not enjoy and would not re-watch. It's iconic so perhaps worth the watch for that

7.5/10 is my rating. This is 2016 South Korean TV series with
16, 60 minute, episodes. Hong Seol (Kim Go Eun) is a university student who wants to make it through college with as little drama as possible. That all changes when she notices that her Sunbae, senior, Yoo Jung (Park Hae-Jin) does things that are psychotic in nature. Those around her do not see it and she seems to be alone in noticing his dark actions. Ironically the fact that Hong Seol can see through him causes Yoo Jung to be strangely attracted to her. Yoo Jung is wealthy and used to those around him using him for his money.

spoiler 🚨 I liked elements of this. I found the side romances a lot cuter than the main one. I like the friendships a lot. Now it’s a bit of a spoiler. I found it hard to believe with him as cold and vindictive as he could be that someone with a personality that started out as sweet as Seol would find him attractive. The things he did would fall under a sociopath. I think they were trying to sell that someone with those attributes could change. I really liked the second guy. At first I thought I would be disappointed that she didn’t end up with him but in the long run I decided she changed so much that she became a lot like the main male lead. I understood that he’d been hurt by those closest to him as a child but still could not excuse things like watching as his essentially younger brother was beat up and his hand injured. I know he said some things that weren’t exactly nice but kids say things like that sometimes. And I was really shocked later on when he would do things to get back at somebody that was way beyond what they had actually deserved and Seol seemed OK with it. And after all of that for it to end not really knowing for sure if he ever came back into her life felt like a real waste of time. I mainly just felt sorry for the siblings and the way that they were used and the fact that the father never really loved them as children but was simply using them as playmates for his son. It was a very twisted story way too much for me to like it very much. I probably rate this a lot lower than some others because I’m not super sympathetic with people that treat other people poorly so I couldn’t feel sympathy for some of the characters like I think they expected and that lessened my enjoyment a lot. I also got to where I did not like Seol a lot anymore because the way that she changed and became very cold towards the people in her life was very off putting to me it was almost as if they wanted you to believe she had become a sociopath herself. This is not one I would watch again nor recommend.

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Harsh Reviews a Surprise. One of my favorite tropes and it is relatively rare.

My rating 9.5/10

This is a sweet, compelling story about two people who get thrown together to raise a child that isn’t theirs. The romance feels completely believable, the leads have fantastic chemistry, and the toddler is just adorable. I really appreciated that the show doesn’t make you get super attached to the parents - it's sad but not devastating because you really do not get too attached to them. It’s the perfect mix of heartwarming moments, realistic co-parenting struggles, and slow-burn romance that leaves you smiling by the end. If you love forced-proximity tropes, unique parenting situations, or just good old-fashioned thrown-together romances that feel genuine, this one is an easy recommend. It’s not perfect, but few are, but it is that unique show where a toddler gets a lot of center stage. So, the cuteness alone is worth the watch. The fact that it is a heartwarming romance is icing on the cake. I would watch it again and would recommend it to other fans of these types of series.

Spoilers

I loved how it started with Woo Hyun-jin and Seon Tae-hyung not really liking each other at all. He was also pretty indifferent to baby Seon Woo-ju at first because of his complicated history with his older brother Seon Woo-jin, but he’s still a decent guy at heart, so he steps up to help her anyway. Reluctantly at first and on a case-by-case basis. But then his apartment plan falls through, so he selfishly decides to stick around for the co-living arrangement, and it all fits his opening character so perfectly.

I was afraid it would be sad knowing that the parents die but I appreciated that we didn’t get overly attached to Seon Woo-jin and Woo Hyun-ju before the car accident took them out. Their presence in the story was relatively brief - not enough to get so attached that it feels personal when they die. Instead, it kept the focus on the two leads and little Woo-ju right from the jump. Since we already knew about the baby from the previews and synopsis I wish it would have shown him a bit more with his parents. It made it feel like he just came out of nowhere.

All the characters were super well-developed, especially the little found-family group at Yu-seong Villa. Those apartment complex neighbors really came through in the clutch when the custody/guardianship drama kicked off and people were trying to claim Woo Hyun-jin didn’t deserve to keep Woo-ju. What I thought was kind of odd, though, was that Seon Tae-hyung didn’t also apply for guardianship himself. I kept waiting for some dual-guardianship setup, or for them to realize marriage would make it official. The ending makes it pretty clear they’re together now, which is sweet, but I’m the type who loves a little more permanence—I would’ve eaten up an engagement or something concrete! And her threat of losing guardianship would have been an obvious push toward having a permanent relationship and more settled home environment for Woo-ju. I honestly thought that was where it was going.

The one big thing that bugged me (and I know a lot of viewers felt the same) was how much screen time they gave to the second guy, Park Yoon-seong. They almost built a whole side romance between Woo Hyun-jin and her college senior/first love. I get that she was uncertain and this was her first chance in years to reconnect with someone from her past, but after that much time apart, it just doesn’t track that you’d suddenly catch feelings stronger than the ones for the guy you’re literally surviving daily life and raising a toddler with. It started feeling like a real distraction, and yeah, I was sitting there worried she might actually end up with Yoon-seong for a minute. As a viewer who came for the co-parenting cuteness, I would’ve much rather had more scenes of Woo Hyun-jin, Seon Tae-hyung, and little Woo-ju’s adorable everyday interactions. Every time Woo-ju was on screen I was happy to see him - cute baby fever hit hard! The unnecessary focus on her relationship with her first love, and the duration of it, also came off a bit dishonest because it felt like she was stringing both guys along for a while.

Her almost losing guardianship was crazy yet real. The mistakes Woo Hyun-jin made were totally normal new-parent stuff—not everyone realizes how fast an almost-two-year-old can get into trouble. For someone who had zero experience, she was actually doing an amazing job overall. If anything, she was a little more prone to those accidental slip-ups than Tae-hyung just because she was still adjusting to the “mom” role, but nothing was ever intentional and she was always devastated when it happened. The lost in the mall happens to the best of parents. When you have multiples where it is literally impossible to keep all the babies in sight - that point gets driven home even more. I used to help my cousin with her twins and, when I babysat, I would have to pick a twin at times Both are headed for something, and you are one person. They actually portrayed the child protective agency stuff pretty accurately (at least compared to how it works in the US)—sometimes they come down hardest on the people who are genuinely trying their best. I was surprised the guardianship wasn’t more automatic, especially since Korean dramas usually show moms giving up babies so easily, yet here you have two people who clearly love Woo-ju and are doing everything right, and they still got grilled. They were even nitpicky about the leads working, which felt backwards—like, don’t you want them earning money to support the kid?

The situation with Tae-hyung’s dad, Seon Gyu-tae, wasn’t a huge shock. Crappy parents rarely do a full 180. They took it slow and cautious, which felt realistic, and I liked that Woo Hyun-jin owned up to feeling guilty for pushing Tae-hyung when he should’ve just trusted his own instincts.

The backstory with Seon Woo-jin was played so beautifully. Yeah, Tae-hyung had been giving him the cold shoulder, but the reason was totally valid—he was trying to protect his little brother all along. As a kid who felt abandoned, Tae-hyung’s reaction made complete sense; you’re not thinking logically about hidden motives at that age.

So, my only major criticism is that whole detour into the almost-romance with Park Yoon-seong. It just felt unnecessary given this romance is about four episodes shorter than what used to be traditional k-drama length dramas. I would’ve traded every bit of it for more of the cute trio moments between Woo Hyun-jin, Seon Tae-hyung, and Woo-ju. I couldn’t get enough of those!

Overall, I’d recommend Our Universe to anyone who loves romances with forced situations, unique parenting setups, or “thrown together and slowly falling for each other” vibes. The romance is genuinely cute and heartwarming, the baby steals every scene, and it wraps up happy.

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Moving Family Drama and Interesting Slice of Live Trauma Cleaners

My rating 9.5/10

Move to Heaven is a deeply emotional series that balances heartbreak with profound moments of human connection. Even as someone highly empathetic, I found it more stirring and thought-provoking than overwhelmingly sad, largely because I went in knowing the heavy themes—it allowed me to appreciate the nuance without being blindsided. Tang Jun-sang delivers an outstanding, authentic portrayal of Han Geu-ru, a young man on the autism spectrum. Having multiple autistic people in my life, I recognized and appreciated how faithfully the show captures traits like intense focus, stubborn persistence on certain ideas, and quiet brilliance. It never feels stereotypical; it's respectful and insightful. The evolving dynamic between Han Geu-ru and his uncle Cho Sang-gu (Lee Je-hoon) is one of the show's strongest elements—raw, complicated, and ultimately touching as they navigate grief, family, and personal growth together. Overall, I'd absolutely recommend it to others, especially those who enjoy character-driven stories about healing. It's rewatchable for its emotional depth, and I'd be thrilled if Netflix ever greenlights a second season.

Spoilers

While the series excels in so many ways, the Netflix-typical soft, open-ended finale left some threads feeling unresolved, which kept it from a perfect 10/10 for me. I loved watching Cho Sang-gu gradually warm to his role as guardian and truly come to care for Han Geu-ru as family—it felt earned and heartfelt. However, certain moments that could have fully cemented their bond, like Han Geu-ru openly allowing Cho Sang-gu into his personal space (e.g., his room) or Cho Sang-gu more explicitly acknowledging him as his nephew, never quite materialized in the way I hoped. Those small but powerful gestures would have provided the heartwarming closure their relationship deserved, tying everything up more neatly instead of leaving it ambiguously open for potential future seasons. It's a minor frustration in an otherwise beautiful show, but it did make the ending feel a bit incomplete.

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How to ruin a good drama in the last two episodes

Review

Rating: 6.5/10

The first three-quarters of this drama are genuinely cute and comforting. The workplace chaos is funny, the found-family energy is warm, and the central message—that it’s okay to accept help and stop trying to do everything alone—is lovely and actually meaningful. I was having a perfectly nice time.

Then the final stretch happens and everything I liked about the show collapses. The turn it takes felt so wrong to me that I couldn’t properly watch the last two episodes—I’d already looked up the ending because I had a horrible suspicion where it was going, got confirmed, and then I just skimmed the rest to see how bad the damage was. The drop-off in enjoyment was brutal. Because of that ending, I can’t recommend the drama and I have zero desire to ever rewatch it. What a waste of a promising setup.

SPOILERS

I’m usually against big age gaps in romance, but there are a handful of shows that sold me on one because the chemistry was electric, the life experiences lined up in an interesting way, and it really felt like these two people would be lonely forever without each other.

This drama did the exact opposite of that.

Mei (28) has not one but two attractive, successful, age-appropriate guys who clearly like her and get along great with her. And yet, the second, her 50-year-old housekeeper Nagisa says he might leave, she panics and decides the solution is… marriage. Not because she’s in love. Because she’s terrified of losing the guy who does her laundry and cooks for her. That is not romantic. That’s separation anxiety and codependency dressed up as a happy ending.

You don’t marry someone so they’ll keep cleaning your apartment. Hire another housekeeper (he’s basically a magical unicorn, but they exist) and go to therapy for the attachment issues. Problem solved, no lifelong regrettable marriage required. It’s honestly depressing to watch. It feels like watching Mei self-destruct and drag a perfectly nice man into a relationship that’s wrong for both of them. Imagine them ten years down the line when people assume he’s her dad. Or worse, when she wakes up one day and realizes she married her Mary-Poppins-housekeeper out of pure panic. And yes, I get that older-man/younger-woman pairings are more normalized in some Japanese media, but this drama was clearly marketed to an international audience on streaming platforms. In most of the world a sudden 22-year age-gap romance with zero romantic buildup is not going to land as sweet or aspirational—it lands as uncomfortable and unrealistic. To me it was cringy. They built the relationship up as some kind of found mentor/family type relationship. Maybe that charming older uncle type. And then turned it into some kind of indentured servitude type romance. Mutual I guess. He gets a young troubled wife and she gets a live in domestic engineer and life coach.

The only thing that still gets full points is the mental-health message about not trying to “do it all” and learning to accept help. That part was great. Everything else about the romance destroyed the show for me.

Final score: 6.5/10, carried almost entirely by how pleasant the first 7–8 episodes were. Skip it or drop it before the train wreck—your future self will thank you.

Synopsis

In the bustling world of pharmaceutical sales, the ever-diligent Mei Aihara juggles high-stakes deals by day while her apartment descends into complete chaos by night. On her 28th birthday, enter the enigmatic Nagisa Shigino, an impeccably poised housekeeper with a knack for turning disorder into domestic harmony—and perhaps stirring deeper emotions. As Mei's life gets an unexpected upgrade from this unlikely ally, sparks fly when she crosses paths with the suave Yuta Tadokoro, a competitor whose charm threatens to upend her carefully ordered existence. Blending quirky humor, tender revelations, and the quiet magic of found family, this series explores how a spotless home can sometimes lead to a fuller hear


Air Year: 2020
Number of Episodes: 9
Runtime per Episode: Approximately 57 minutes

Major Characters

*Aihara Mei (Tabe Mikako): A dedicated and efficient pharmaceutical sales rep whose professional prowess starkly contrasts with her messy personal life and social awkwardness.
*Shigino Nagisa (Omori Nao): An eccentric, highly competent male housekeeper who mysteriously appears to overhaul Mei's home, bringing order, wisdom, and subtle emotional support.
*Tadokoro Yuta (Seto Koji): A charismatic and persistent rival sales rep from a competing company, whose flirtatious pursuit of Mei adds romance and rivalry to her routine.
*Suyama Kaoru (Takahashi Maryjun): Mei's loyal best friend and colleague at work, offering comic relief and steadfast encouragement through thick and thin.
*Segawa Haruto (Maeda Gordon): A fresh-faced new hire at Mei's company, eager and optimistic, often providing youthful energy to the team dynamics.
*Matsudaira Shinya (Hirayama Yusuke): Mei's stern yet fair boss, who pushes the sales team hard while navigating his own professional pressures.

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Flips the stereotype of identical twin closeness; healing family drama

Review

9.5/10 is my rating.

Our Unwritten Soul is a deeply emotional drama that blends romance, family struggles, and the complexities of identity with identical twin sisters at its center. The acting is phenomenal—especially from the actress playing both female leads, Mi-hi and Mi-rae. She captured each sister so convincingly that I never once lost track of who was who.

Mi-hi stood out as a character I really loved. She was kindhearted, thoughtful toward her family and friends, and always trying to support others even when she was hurting. Her warmth made it even harder to watch how her mother constantly criticized her and compared her unfavorably to Mi-rae.

The story tackles family expectations, sibling rivalry, and the ways love can both heal and complicate relationships. At times, it’s heavy and heartbreaking, but it’s never dull. Even the side characters—like the adopted mother whose fierce love for her son was one of the most touching parts of the drama—felt layered and real.

This is a romance at its core, but also a family-centered story that explores how we see ourselves and how others define us. It isn’t a light watch, but it’s beautifully done and meaningful. If you enjoy stories about complicated families, strong character growth, and romance that develops under unique circumstances, Our Unwritten Soul is worth your time.

Spoilers

Mi-rae, though compelling, often came across as selfish. She had Mi-hi take her place at work even though she knew it meant sending her into a hostile environment with bullies and even a sexual harassment situation. Mi-hi wasn’t warned and was told only to “sit quietly,” avoid the male lead, and keep secrets—while Mi-rae, when pretending to be her sister, behaved however she wanted. She ignored their grandmother at first, treated Mi-hi’s best friend who was her ex-boyfriend coldly, and worked the farm with little concern for how her choices would affect Mi-hi’s reputation. It felt unfair and very one-sided.

The relationship between the adopted mother and her son was another emotional highlight. Their eventual heart-to-heart about his guilt—believing he couldn’t call her his true mother—was powerful. I only wish he had told her sooner what he overheard his relatives saying about him being a burden. That moment could have added even more emotional depth.

Some story choices frustrated me. For example, Mi-hi keeping her secret from her romantic interest for so long felt unnecessary; he was proven trustworthy and capable of keeping confidences, so the delay only created avoidable frustration. The grandmother’s death also felt like an oddly placed plot point—it was heartbreaking, but it didn’t meaningfully move the story forward.

As for the ending, it leaned too “soft” for my taste. Mi-hi’s decision to go to school to become a therapist was wonderful, but the delay in marriage felt like it was playing into a modern “independence before romance” trend rather than being true to the heart of the story. A proposal or engagement would have been a more satisfying romantic payoff. Similarly, Mi-rae and “strawberry guy” had clear chemistry when he returned, but the lack of even a confession felt like a missed opportunity.

On the positive side, I appreciated how both sisters grew from the experience and came to understand themselves and each other better. By the end, their relationship was warmer and healthier, and it felt like the beginning of true healing from a mother who had always struggled to show love.

The two single mothers’ friendship—so different in background yet united in strength—was inspiring, and Rosa the poet’s arc was fascinating and uplifting in the end.

Overall, Our Unwritten Soul is a powerful drama with stellar performances and heartfelt themes. I recommend it highly, though it’s not a light or endlessly rewatchable story. It’s heavy at times, but if you stick with it, it rewards you with meaning, emotion, and a memorable exploration of love, family, and identity

Synopsis

This is a 2025 South Korean family drama with 12, 70 minute episodes.

Identical twin sisters Yoo Mi-ji (Park Bo-young) and Yoo Mi-rae (Park Bo-young), have covered for each other their whole lives. When one twin is better at something than the other they tag switch and few people can tell they swapped places. So, when Mi-rae is considering self harm as a result of extreme stress and workplace bullying, her twin Mi-ji determines it is time to switch. While identical in looks the two have always had very different personalities. Mi-ji, is an extroverted free-spirit who cared more about track and field than academics. But, an injury kept her from going on to achieve any greatness in athletics and she is currently living back at home and taking on multiple part-time jobs and piece work. She has remained in their home town of Duson-ri while her introverted by high academic performing twin has moved to Seoul to pursue a career. Mi-rae is stuck in a job that is draining her spirit but has to keep working as the family needs her career income. So, she accepts Mi-ji's offer to switch to give Mi-rae a break from the dog eat dog existence of the salary person. The twins had drifted apart so neither was fully aware of what the other's life was like. Stepping into each other's roles they begin to learn a lot of things they did not know about the other.

As Mi-ji navigates Seoul’s corporate maze and Mi-rae finds solace in the countryside, their ruse not only reveals the conditions of their current existence, but it also unearths things they were unaware of from the past. Mi-ji is joined by Lee Ho-soo (Park Jin-young), a charismatic lawyer with a concealed wound who was her first love her broke her heart. And Mi-rae becomes a business partner with Han Se-jin (Ryu Kyung-soo), a thoughtful strawberry farmer. This is the journey through the heart and minds of two sisters who, by playing the other, learn more about themselves and what happened to their once tight shared twin bond. As they figure a better way forward they discover a way to chart a future that leads to true happiness. the sisters confront love, identity, and the courage to rewrite their futures in a poignant tale of healing and self-discovery.

#OurUnwrittenSeoul

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Starts slow but is worth it as it gets very good

9/10 is my rating.



Review

(Scroll down for synopsis and spoilers)



This is a very heartwarming romance that will give romantics the warm fuzzies that we look for in romance dramas. I liked it a lot and would highly recommend it for anyone that likes romantic dramas with some roots in some hard realities. My main critique is it started really slow. I am not, in general, a huge fan of just straight up drama.  Up until about episode 10, I was wondering what people liked about it.  But then it started to get REALLY good and I understand why it was very popular. And I also understood, a little, why that long, seemingly slow lead up mattered. But it was a really frustrating later as it kept flashing back and filling in details. There are few instances where I like stories told as flashbacks. I would rather just get the story in the order it occurred.  A technique that gets overused is to tell a skeleton of the crucial events and then use the flashbacks as the reveals. To me, the character finding out those details could be the reveals. Traveling back and forward in time can easily become disorganized chaos. In this story they use a realer like time line and show, as you travel back and forth, where you are at on that timeline during the cut scenes. That helped. But the fact that was necessary is an indicator of how much the story moved back and forth in time.



Synopsis



This is a 2025 Chinese Romantic drama with 32, 45 minute episodes. It was adapted from a novel by Zhu Yi and has the same title.  The main lead character in this played the brother in another Chinese drama "Hidden Love." There are references to the characters from Hidden Love and even a cameo or so. In terms of timeline this takes place partially, in the flash backs, during the same timeframe as the high school scenes in hidden love but after the main part of the story after high school.





Sang Yan (Bai Jingting) and Wen Yifan (Zhang Ruonan) were a high school couple until a series of misunderstandings drove them apart. Wen Yifan broke up with Sang Yan and they were both heart broken. Eight years later they are living very different lives. Sang Yan wealthy and lives in a nice apartment and is part owner of a popular bar and also a video game programmer. Wen Yifan is trying to break into the news reporting industry. She works for a smaller news program and is trying to get a big story to get more recognition and so she is promoted. Because of her limited economic means, she lives in a very impoverished area. Because she has very little resources and is alone in the world she lives in an apartment with multiple virtual strangers to keep living costs down. Due to her beauty she suffers many unwanted advances and has even been assaulted by unwanted admirers. Wen Yifan has avoided Sang Yan for over eight years but starts to bump into him more frequently and then finds herself in a co-habited rental where she knew she was getting a new roommate but did not realize it was the man she was trying so hard to avoid.



Spoilers



Her mother is among the worst I have seen. Call me vindictive but I was glad she told her just pretend like I was a victim of that serial killer you refused to save me from. Because, really, if she hadn't been a tough victim, that is what would have happened.  It was heart breaking when she called her mother begging her to get her out of the situation and saying she didn't feel safe and her mother basically saying suck it up. If you are that cold to someone, anyone, let alone your own child, you deserve to spend the rest of your life thinking of what you could have done better. She tried with her. FL did. She went to her house when the mom reached out but then her horrible aunt was there.  Her last string of trust was betrayed.  The fact that she did not forgive her made me like the show more.

I am also glad FL did not fall for her half-sister's ruse that she wanted to be close to her. I thought it was all about being able to get in with the ML through her. I loved that about the FL. I give you every chance to be a good human but if you don't take any of them then that bridged you burned is not repairable.  You reap what you sow.

If ever you wanted a ML who would walk through literal fire for the FL this was it. He loved her with a conviction and unwavering determination. Some might say he was "stalking" her.  I would agree if he ever approached her and she indicated she did not want him around.  There can be a fine line between the two. But he was clearing watching out for her. Checking in on her. 

I am not usually a fan of people leaving but, in her case, I totally understood. The treatment she dealt with was both physical and psychological torture. She genuinely thought people she cared about would do better without her. There was no malice in her actions.



#FirstFrost

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A very well done bullying and revenge drama

9.5/10 is my rating. This is a 2024 South Korean psychological thriller drama with 10, 49-64 minute episodes. It is based on a web toon of the same name.

First I provide a unique synopsis then review.

Synopsis

Seong Soo-ji (Kim Ji-yeon) is a military child who has moved around her entire life and thinks she has the new student thing down. But that all changes when she enters an all girl school where the students in her class are playing a very dark game called the Pyramid Game. The “game” creates a stratified hieracrchy where those at the top of the pyramid can order and direct horrific acts of bullying and violence. As a new student, Soo-ji immediately finds herself at the bottom of the pyramid which means she is a target at the outset. Her father told her they would be moving on in about three months which seemed easy enough to survive until she became an unwilling participant of the game. To “win” and put an end to the “game” Seong Su-ji must figure out who started this game and why and among the girls around her, who all seem to be playing roles, who is actually good and who created and is perpetuation the evil “game”.


Review

This is a very well done bully and revenge theme drama.  They mostly skip the romance although there are a few characters where something seems to develop.  If you have read the web toon it sticks closely to that script with a variation at the ending.  The actors they cast fit very well with the way the characters are depicted in the manga.  I highly recommend this to anyone that likes this genre, is a fan of any of the actors, or are looking for something where there is little to no romance.  I would watch it again as it has a lot of depth and complexity.

 Spoilers

 It ends happy with all major plot points resolved.  Two aspects of the ending that I wasn’t as happy with are first, I though they could have easily made the relationship between Jo Seung Hwa (Jo Dong In), the convenience store worker and brother of the student severely bullied, and Seong Su Ji (Bona).  And I seriously disliked they introduced two new characters, twins, whom the school was renamed after, who were suggesting they wanted to play the Pyramid Game.  That was completely unnecessary.  And stupid.  First, you have Seong Su Ji in that class and she would never allow it to even start.  And, the rest of the class has already seen how the game can be stopped.  So, I think that the producers did that to open the door for a second season but a second season does not make sense with the same main characters in the mix. 

 I wish Soo Ji’s father, Sung Hee-Seok (Choi Dae-Chul) would have seen video of teacher Im Ju-Hyung (Choi Sung-won) smacking on his daughter.  We saw him getting arrested, but we could assume that was for the cheating and bribery and perhaps allowing the bullying.  But he should have been called out for the stuff he himself directly did to the students. 

 #PyramidGame #KimJiYeon. #JoDongIn #ChoiDaeChul.

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I have watched over 300 kdrama series at this point and I loved it

10/10 is my rating. This is a 2024 South Korean romantic comedy drama with 16, 60 minute episodes.

First, I provide a unique synopsis and then review


Synopsis

 Go Eun-ha (Han Sun-hwa) is an influencer and web entertainer who has a persona “Sister Mini” with content targeted for young audiences.  She is beloved among her young followers, and they want whatever product placement items she shows.  When a milk product she was promoting lands children in the hospital, it sends Eun ha’s web career into a tailspin.  She offers to go on sabbatical to minimize the damage to the image of the company she works for as well as give herself time to personally recover from what she feels like is her responsibility.  During this volatile time, Eun ha encounters former mobster, and current CEO, Seo Ji-Hwan (Uhm Tae-goo) and his team of ex-cons who run a food company intended to offer ex-convicts a fresh start.  Ji Hwan is enamored with Eun ha and finds her television persona particularly compelling becoming a closet fan of her content.  And most of his closest friends and management team Joo Il-young (Kim Hyun-jin), Kwak Jae-soo (Yang Hyun-min), Jung Man-ho (Lee Yoo-joon), Yang Hong-ki (Moon Dong-hyeok), and Seo Dong-hee (Park Jae-chan) are willing to play match maker to see their mentor and friend find happiness. 

Review

I loved this. One of my new favorites. I have watched over 300, mostly korean, drama series now so I am really picky. I thought the characters were very well developed. The “thugs” were very likable and it exhibited how you can firm a family with people that love and mutually support each other. The friendships and romances were very heart warming. I highly recommend it and will be watching it again.

 
Spoilers

 Il Young and Koo Mi-ho’s (Moon Ji-in) second romance represents one of my favorite tropes.  The playboy who encounters that one girl he just can’t seem to forget.  I liked his friendship with Jihwan and her friendship with Eunha.  They were both very supportive friends and it made sense in their interactions, that ultimately got the main couple together, they would have noticed each other.

 I never felt too bad for second guy, Jang Hyun-woo (Kwon Yul) as he had so many opportunities to romance main girl but had this sort of aloof wait for her to catch the feels that was sure to make him lose out to the far more compelling Jihwan.  I found him very admirable in his support of main girl, and he was a stand-up person in telling Eunha the truth about who Jihwan was as well as his willingness to re-evaluate what he thought about Jihwan. He finally fully let go of her and just wished her happiness even if not with him. He was just a great guy who became a great friend for Jihwan as well.

 I loved the ex-con team.  They were such great friends to Jihwan and I liked the way they did not like Eunha at first but then became her greatest advocates.  Jaesoo calling Eunha “Little Rat” in derision in the beginning then later as a pet name was a cute addition to the storyline.

#MySweetMobster  #UhmTaeGoo  #HanSunHwa  #KwonYul   #KimHyunJin  #YangHyunMin   #LeeYooJoon   #MoonDongHyeok   #ParkJaeChan  #MoonJiIn

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Heartwarming romantic sports drama with coming of age , mystery and small town elements

9.5/10 is my rating. This is a 2023 South Korean coming of age, romantic, sports drama with 12, ~60 minute episodes.

First I provide a unique synopsis then review.

Synopsis

Coming from a family of decorated ssireum players, Kim Baek doo (Jang Dong yoon) becomes disillusioned when he is unable to excel as was expected of him. Feeling the pressure of being viewed as a prodigy, and not living up to his name, Baek doo goes through the motions of retiring. When his “soul mate”/childhood friend, Oh Yoo kyung/Oh Doo sik (Lee Ju myoung) returns after dropping out of contact for years, Baek doo feels re-energized to try again to rise to the top in his sport. Problem is this woman who looks exactly like his childhood friend in form and manner insists she is not Oh Doo sik. She says she is Oh Yoo kyung and appears to be married. Still she will be managing the ssireum team which puts the two in the same circle and gives Naek doo more opportunities to determine if she is actually his friend in disguise. With the team on the verge of collapse, it will take the two of them, the team and supporters to keep the team together. But why is Oh Doo sik really back and why is she pretending to be married?

Note: Ssireum is Korean wrestling sport that began in the Goryeo and Joseon period. Each opponent wears a cloth called a satba (belt) that loops around the waste and thigh. The opponets grab each other’s satba and make whatever moves it takes to get the other’s body, above the knee, to touch the ground.

Review

I really like sports dramas. This one is enjoyable on just the slice of life level and having the opportunity to learn more about ssireum. But it has mystery, romance, family and ftiendships all wrapped into one lovely drama series. I will likely watch it again and highly recommend it to others. It ends well and happy.

Spoilers

The way Baek doo mumbles to himself about all manner of things is cute and makes the character incredibly likable.

Part of the charm of Doo sik was her boyish ruff and tumble nature but I would have liked to see her soften more particularly with Baek doo. The way she smacked him in the head bordered on abusive and I did not enjoy that aspect of her character. She could be a bit cold to him and I thought her reasons for missing both of his matches were ridiculous. When you really care about someone you find a way to show up. Still after all,of that they admitted their feelings and got together at the very end. We got so little time seeing them as a couple, I would have liked a little more.

The big reveal on who the killer was fell flat because we did not get to know him much. I watched with my daughter and we were both like “rice cake who?” So it was not a shocking plot twist like I think they were trying for.

While it ended well it would have been even better to know what they were going to do about her living in Seoul and him living in their hometown. Other than her coming back for a visit, there was no mention of how they planned to manage the distance factor. It was also unclear if Baek doo would continue wrestling.

#LikeFlowersinSand. #Ssireum #JangDongYoon #LeeJuMyoung

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If you can look past the slapstick comedy elements it is a hidden gem rom com

9.5/10 is my rating. This is a 2024 Thai Dystopian Romantic Comedy Series with 6, 63-7 minute episodes.

First I provide a unique synopsis then review

Synopsis

The show is set in a dystopian parallel universe where a virus has resulted in males representing only 1% of the population. The rarity of males has lead to the government raising them from birth in a controlled, secure, and luxurious environment (a gilded cage) called The Farm. Every Four Years a contest is held in the form of an elimination dating game where ladies are able to choose to marry an individual from a group of the young bachelors. In previous games, the contestants were chosen from elite families only but, for the first time, they hold a lottery to choose an average femalecitizen to compete. Darika Chokwithee or “Day” (Belle Kemisara Paladesh) is a hardworking young lady whose life centers around making sure her sister, May (Neen Neennara Boonnithipaisit) who has cancer, gets the best care. Her sister May though has always fan girled over the boys on the farm particularly Son (Blue Pongtiwat Tangwancharoen) who she particularly admires. While Day is busy working a variety of jobs, May focuses on getting as many entries as possible to the lottery. When a miracle happens and May’s entry is chosen, she talks Day into going in her place. Day could care less aboit some frivilous show until she discovers if she wins, and marries one of the men from “The Farm”, she can secure the future for herself and her sister including top quality medical care. But, things are not as they are portrayed and the game has been rigged for the top elite to have their choice of the men. Day’s friend, Valentine (Jane Jaytiya Naiwattanakul) is working with a counter group, and goes to work for the show as the spy inside. Can true love overcome odds so heavily weighed against it?

Review

If ypu can see past some of the siily slapstick aspects around the game show, it is a hidden gem. It can be hard to find a truely feel good romantic comedy like this one. This is cute, not super complex, and ends happily with all major plot elememts neatly resolved. It is short but the number of episodes were enough to tell the story well. I would rewatch it in the future and recommend it as a heartwarming romantic comedy. I could habe done without the boy love and girl love elements but it was not hyper sexualized content in general so it was not a big deal.

Spoilers

The only very slight detractor for me was some of the three stooges level comedy. But it did make me giggle a couple of times as it was so incredibly silly.

Despite the relative light fluff of the main story, there are some deeper messages. What is health and safety without freedom? The men on the Farm are living in the highest level of safety with every luxury but they are not free.

If there was ever a situation like that we can all envision where the elite would likely control it. Natural selection and genetic diversity is what keeps a population strong and healthy. So their “selection” system would be horrible from that perspective. But if you think of inbreeding among royal lines in the past, and the genetic issues that caused, it is not surprising.

Almond’s (Man Trisanu Soranun) fear and decision to stay behind makes sense considering the psychology of a situation like that. It is like opening a cage and the bird or whatever either does not leave or uses it as a home base.

#ReadySetLove #BelleKemisaraPaladesh #NeenNeennaraBoonnithipaisit #BluePongtiwatTangwancharoen #JaneJaytiyaNaiwattanakul #ManTrisanuSoranun

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