It's really "slap & kiss", not even one second between. lol.Red lipsticks are crazy flashy.Two main actresses…
It doesn't make sense: Mrs Mam buys a tie from Pheera, the husband of Sida's friend, even though she's seen the tie (twice already). So when her husband wears it, she'll recognize it and know where it came from. Mrs. Nam doesn't have a brain (or the scriptwriter).
It's first lakorn I watch so I chose this one because it's famous. Production is good enough, quality picture, and people say it's an outrageous drama, what I'm looking for.
I'll wait to watch more to know if I like the story or not, but about screenplay, ouch! it's quite bad. Clearly, it's probably more a general problem than just this drama. Thai dramas seem light years behind korean ones.
Dialogues on the noze, repeating previous things many times, bad expo thought scenes dedicated for that, where characters says what the other already know. It's sound unatural and fake. Confrontation scenes should be a highlight, but instead fall into obvious lines (that you should just delete before a better version of the script) and sounding phony like hell.
ML and FL are good actors, but some other are so caricatural. It's cheap and 90s mexican telenovelas like.
Flashback and situations without depth, ultra-simplistic, or just to show the mother is bad and does bad things. Impossible to trust anything and it's hard to sympathize. It's like a trash adult story was told to children. Cringe!
There are also the background music badly used. Suddenly, a character stares and there is a big noisy music to end the scene, out of place, and stopping abruptly in the worst way or to boot: it transitions into a different scene, cutting the music by another one. Scenes transitions are terribles. I often get the feeling: not much happens, but we put a stressing BGM for artificial stress.
The guy looks like a puppy and I'd prefered someone more manly. But ok, I'm here for the writing quality, and I guess the writers will tweak it a bit to adapt to the actor.
You can read 3 first episodes of W season 2, visual screenplay, on my blog: https://w-two-worlds-season-2.blogspot.com/ Then you'll have an idea what they became in real life. Further episodes also have content about their new life (it's in flashback, so to not loose screentime and tell something only when it's important for W2 main story). For example in episode 6, when they have financial problems. But the main story isn't about to show their new life (it's just a side effect), there is a whole and bold new plot, and danger even more important than in season 1.
it’s on my list but i’m afraid that it maybe aged poorly. would you still recommend this ?
Good dramas never age. If you want definitive proof of that, watch Sandglass (1995), a kdrama with a raw energy you won't find in any drama of recent years.
This drama is undoubtedly the best I have ever seen. Many viewers struggle to finish it because it leaves them…
I see many people are pissed off, because FL does bad things, she's toxic, etc. But it's what motivated me to start the drama. And also because the extra-cute actress Shin Sae Kyeong, and it's one of her best role. She has a vague gaze, quite opaque about feelings, perfect to make men mad. I'm at episode 8, so for now, there is nothing too bad, it took time to set the situation. I can see character motivations and what could go wrong and why, what they really need. The low rating is certainly because people are angry, not because it's a bad drama.
The production's Uno reverse card in the 11th hour because the LEAD actor Choi Jin Hyuk had made a prior engagement(fan…
Yes, about episode 42 or something like that, the drama looses its power. It was an amazing drama until this point. After, it's clear the writer deviates from her well planned story. That she has to write quickly, and use woobly scenes, dialogues sounding fake. The writer still focus on emotions and dramatic moments but the plotlines needed for that are too far-fetched or with a very weak narrative logic. It often goes in circles.
The drama is unbalanced: weak scenes about secondary characters for example. And great scenes like this one, episode 23, 56:00. Unlike makjang dramas pulling twists out of a magician's hat, like unexpected birth secret, this one starts by showing all the secrets, then plays on dramatic irony and moments of revelation. So the story is well planned. It's just there are fillers to complete that.
In a way, I care more about the antagonist than the protagonist. Min Jung is an interesting character, and wonderfull acting from Lee Yoo Ri. Of course, she does bad things but when you read between the lines: She suffers much more than Bo-Ri, she has more terrible problems. Her scenes is what I'm always waiting for.
The script is quite weak during the second part of the drama, but still provide nice twists. However there are clumsy or repetitive scenes, without lot of dramatic impact.
Comedy hits many times but sometime miss. It's quite over-the-top, but so silly that I find it funny. Actress work is amazing. It's a "hidden gem" kdrama, like "Cheat on me if you can". Low budget but excellent script and execution. I rec it: just watch episode 1, and you'll probably be hooked. Then be more hooked with each episode, and you watch them like peanuts.
Excellent drama. Comedy with smart lines. Good-feeling. Emotion coming from healing and happy moments. Strong thematics about marital life and difficulty to be parents. It's a long time I wanted to watch something like that.
This is the work by the same screenwriter of The Nukdu Flower! A masterpiece! Exactly how an action political…
Yes, the screenwriter is awesome, and to boot, pairing with director Jung Dae-Yun, one for the best. Just two of them with this good pitch, I think this drama will be excellent.
Red lipsticks are crazy flashy.
Two main actresses (sisters) are pretty.
Just found a plot-hole (among dozen probably), see spoiler below:
I'll wait to watch more to know if I like the story or not, but about screenplay, ouch! it's quite bad.
Clearly, it's probably more a general problem than just this drama.
Thai dramas seem light years behind korean ones.
Dialogues on the noze, repeating previous things many times, bad expo thought scenes dedicated for that, where characters says what the other already know. It's sound unatural and fake.
Confrontation scenes should be a highlight, but instead fall into obvious lines (that you should just delete before a better version of the script) and sounding phony like hell.
ML and FL are good actors, but some other are so caricatural.
It's cheap and 90s mexican telenovelas like.
Flashback and situations without depth, ultra-simplistic, or just to show the mother is bad and does bad things. Impossible to trust anything and it's hard to sympathize. It's like a trash adult story was told to children. Cringe!
There are also the background music badly used. Suddenly, a character stares and there is a big noisy music to end the scene, out of place, and stopping abruptly in the worst way or to boot: it transitions into a different scene, cutting the music by another one. Scenes transitions are terribles.
I often get the feeling: not much happens, but we put a stressing BGM for artificial stress.
It's also get the guiness record of "I meet you by chance in a elevator". ^^
https://w-two-worlds-season-2.blogspot.com/
Then you'll have an idea what they became in real life.
Further episodes also have content about their new life (it's in flashback, so to not loose screentime and tell something only when it's important for W2 main story). For example in episode 6, when they have financial problems.
But the main story isn't about to show their new life (it's just a side effect), there is a whole and bold new plot, and danger even more important than in season 1.
Because in the drama, ugh! her hairstyle is terrible.
But it's what motivated me to start the drama.
And also because the extra-cute actress Shin Sae Kyeong, and it's one of her best role.
She has a vague gaze, quite opaque about feelings, perfect to make men mad.
I'm at episode 8, so for now, there is nothing too bad, it took time to set the situation.
I can see character motivations and what could go wrong and why, what they really need.
The low rating is certainly because people are angry, not because it's a bad drama.
It was an amazing drama until this point.
After, it's clear the writer deviates from her well planned story.
That she has to write quickly, and use woobly scenes, dialogues sounding fake.
The writer still focus on emotions and dramatic moments but the plotlines needed for that are too far-fetched or with a very weak narrative logic. It often goes in circles.
"I'll find you in the pits of hell and psychotically love you!"
And great scenes like this one, episode 23, 56:00.
Unlike makjang dramas pulling twists out of a magician's hat, like unexpected birth secret, this one starts by showing all the secrets, then plays on dramatic irony and moments of revelation.
So the story is well planned. It's just there are fillers to complete that.
Min Jung is an interesting character, and wonderfull acting from Lee Yoo Ri.
Of course, she does bad things but when you read between the lines:
She suffers much more than Bo-Ri, she has more terrible problems.
Her scenes is what I'm always waiting for.
However there are clumsy or repetitive scenes, without lot of dramatic impact.
It's quite over-the-top, but so silly that I find it funny.
Actress work is amazing.
It's a "hidden gem" kdrama, like "Cheat on me if you can".
Low budget but excellent script and execution.
I rec it: just watch episode 1, and you'll probably be hooked.
Then be more hooked with each episode, and you watch them like peanuts.
- It rains, share an umbrella.
- Rescue girl about to fall/be hit by a car/be splashed.
Emotion coming from healing and happy moments.
Strong thematics about marital life and difficulty to be parents.
It's a long time I wanted to watch something like that.