W two worlds Season 2 sc

Now her voice is broken. Also, she went to far in her downfall and should now have wisdom. I don't think she needs or want to be top star again. But maybe she could be motivated by becoming agency director, to help young talents like Mok Ha.

I feel small in front of so good writing. Even if my story style isn't the same.
Mok Ha character acting+writing: awesome in this ep3.

Yeah. In this drama, the writer has the mission to make audience cry at least once each episode for something that is a mix of pain and happyness.

Always has been.

I can feel it's a drug. 🤒

Drop it then. 🙂

So predictable.

aAah, the "various artists" calamity. I've got hard time to find some musician names. And these guys are indeed excellent. That plus another curse: great music from the drama isn't on the record with others, or have a singer version instead of the BGM. Then, I have to note which episode and timecode to listen to it again. 😖

It's out of topic, but I like the words in your profile. Also you specify you like BGM. Ditto, and people confuse it too much with OST. A friend made a topic about that:
https://kisskh.at/discussions/korean-music/48257-favourite-background-instrumental-music-from-k-dramas
I don't participate much these days for lack of time. And alas, lot of links where broken due to painful YT policies.

I just speculate on the hypothesis. Please, don't say me what is in the trailers. I do my best to never watch them and avoid spoilers.
He could be Bo Geol, but there is still a mystery about why he's so distant.

There are things I don't like in this drama, but it's more related to too much characters or too much time for boring side-plots.

Someone pointed out: it's not feminism, quite the opposite, it's a matriarchy parody. It's why it's so excessive about the way superstrong females are abusive, and it's somewhat funny.

But they also pay consequences: mother and grandma are impossible to live with, they made their husbands fly away, their couple were a disaster. Mother make her son takes dangerous pills, all guys call her a Tyran. And I don't expect grandma "love story" to succed.

I see a pattern in my spaghetti.

Episode 1 set-up a VERY strong relationship.
But it's true: not a love-story!!

No. Just ONE work, Start-up. AND even there, it's not the same situation.

Great dramas often produce a magic we don't want to quit.
So we can rewatch many times and enjoy to stay in the drama universe.
Even when everything is then predictable during a rewatch.
Maybe we also enjoy to see it was better than what we saw first time.

I don't remember where I've got that, probably a book or article about screenwriting, or maybe it was about trailers, teasers or spoilers:

A study was made on different ways to tell a story, and find out audience prefer predictability or at least an enough predictable stability. Using surprise and being in the unknow cause lot of stress. So people are more interested in the "how and why it will happen?" than the "what will happen?".

A script is a lot about that: when give the information to the audience? Depending of the situation, what way is the more effective to produce the best emotion?

For example, episode 1, just before the title, we have a voice-over of Mok Ha and Ki Ho. They tell how differents they are, then they tell that soon the will become close. It's a teasing. It's not a voice-over happening now, but from their future self.

Bo Geol feels guilty because he have something to do with Ki Ho death.

The first episode mostly show scenes you can't predict, and you are shocked about the truth and it deeply moves you. Just trust the writer. Even on a plot you predict, the writer will create so intense scenes that you don't know where you live anymore.
Plus, want to watch unpredictable drama? Watch W. https://kisskh.at/16589-w

I insist, it's what I get from many viewers: they all want to know so much things about the mysteries. And about mysteries no longer mysteries: how it will turn out?! I think yourself say that too! You can't understand many points. So why? How?

I'm here to watch great writing, and until now, it's all I saw. It's not about the end and the final spot you expect (or think it's the real one), but about how we get here.

Maybe I have an instinct of a serial makjang killer. 🤓

Way too many side plots, and can be boring ones like mother and mr bread, or the endless scenes of grandma with barista, now dancing on a bridge, while not much move at the core.
What's a pity, clownish moments and biggest stupidities remains what is best in this.

I don't buy anymore any romance in this and ship Namsoon with no-one.
Boyfriend should just do what is asked for:
breeding and support his daughter-bearing sperm in its sprint to the egg.
Should be done while mother and grandma watch the process and check everything is ok.