LR was shot in the leg in episode 15. I'm sure TE would know how to take advantage of that wound. Also, TE took…
Ahhh!!!! That's not the point!!! And it's not hope anyway making the gun shot. When I look at this scene from beginning to end, it's very successful in terms of the poetry, and the various meanings put into it. You even have the defeat of the bad guy, symbolized by the arrival of the red balloons and all that! But in order for poetry to reach its goal, you need a story that will hold up! We're in a drama, otherwise we might as well read a book of poems.
The scene is aesthetically/philosophically successful, but totally failed for the "mind-blowing" aspect. And to manage to place this scene at all costs, the screenwriter had to miss out on any coherence. So she can place any aesthetic scene, with a mickey poem, anytime, for no reason!
For this scene to stand, it was really necessary to work on the context, to define the rules of fantasy, and to include the inevitable events that lead to this scene. That's the basis of a script! If you don't do that, well it's simple, anyone can tell anything, and I assure you that you'll find lots of people a hundred times more talented than this writer to do that.
Also, it's totaly impossible to get immersion in this drama, so bad is the narrative all along. I already explained 100 times. If you don't understand what you see, you are put out of immersion. You need to rewatch, analyse, go on blog, thinks more after. No immersion in the drama itself. When you see things without context or coherence, you also get out of immersion immediatly. It's not new, it had been like that in all cinema history.
LR was shot in the leg in episode 15. I'm sure TE would know how to take advantage of that wound. Also, TE took…
You only gave me a philosophical explanation that goes with the scene, not something that explains the facts. So, you yourself as a fan of the drama, you don't know what happened. It's a pity that I understand things more, when this drama has exhausted me, it's getting on my nerves, and just seeing it again makes me nauseous.
So, no, it's not the pretty "flower of hope" that's behind the gun's operation. And on the other hand, as I parodied it on another blog: "What could be more poetic than the power of a flower to shoot and kill an unarmed guy, when it was so easy to smash his face with a teakwoondo high-kick anyway".
I'll leave you to figure out the real explanation, because I'm sure you love doing that. And I'm also sure you'll find several. And, yes, that's how it works. The screenwriter doesn't need to give an explanation, the spectators try to do so by speculating on almost nothing, then end up in logical dead ends when their theories collapse against each other.
LR was shot in the leg in episode 15. I'm sure TE would know how to take advantage of that wound. Also, TE took…
And why the gun fire ? Interresting question, because here cause and effet isn't show in a clear way. There is the usual mess. Flashback scene but you don't know it's a flashback. Situation splited with other disturbing thing so you loose track. And anyway nothing clear and certain. You can imagine what you want.
This scene was never intended to be consistent with SF laws. It's an aesthetic and cool scene, with a slightly poetic or philosophical meaning. The writer is just saying "it has to happen that way because it has a good hit power". I have nothing against that. But in this case, the script has to be solid to allow the audience to believe what they see, and there has to be enough evidence of what's happening, why or how. Here, the result: it becomes Disneyworld.
A plot-hole I hadn't seen, among many others.It would be worth making a list of all the plot-holes, they are numerous…
Here's an ultra-known rule when it comes to screenwriting. It's about building a good villain. I can't remember everything, but at least this part comes to mind: - A good villain must exceed the hero's abilities. That's why the hero becomes a hero, because he manages to overcome a serious challenge. But Lee Lim really fails at everything! He gets caught stupidly in the forest? What's the occasion? He had a serious lead. When he got the flute and opened the portal, I finally thought something interesting was going to happen. That he was going to get in, that he'd achieved his goals, and that things were going to get worse. I have no idea how it's going to get solved, but you just have to think of a scenario. But no, in the end, there's nothing there at all. And anyway, there wasn't enough time left for that. It would have had to happen a few episodes earlier, at least.
Writers by now should know that time-travel messes up the whole story because they set some rules for the world,…
Doopleganger thematic mess up the drama far more. But I'm agree there is no evident plot-hole for this, it's more how it made drama unreadable, splitted and overloaded. Well, no evident plot-hole, except the origins one : two worlds far different make it impossible to get systematic DNA doopleganger.......
I think it's slightly implied here that LG cheated, and didn't come back when he was supposed to.The story is…
It doesn't make sense to say that you're away for a weekend when you're time traveling. Lee Gon could easily go on a sightseeing trip with Tae Eul for months. When he returns to his starting point, not even a second has passed... And if I'm told that he can't do that, then it makes the most sense, let me know when the drama clearly explains, or allows us to guess with certainty how the time travel system works, with what universal laws, what precise rules, and whether all these rules are consistent (of course, I can already say that they are not consistent with the little we see).
BTW, just another plot hole I realized.When TE and LR went into the time space world. LR could have easily gone…
A plot-hole I hadn't seen, among many others. It would be worth making a list of all the plot-holes, they are numerous as soon as you think a little about what happens, depending on the dynamics of cause and effect that the drama established as certain. The main concern is that the drama avoids as much as possible to state anything certain, leaves the spectator in the blur as much as possible, and that a lot of information is hidden for good.
For example, to hide the plot-hole you're quoting: you never see the characters enter or leave the in-between world. The scene you're quoting contains a lot of other plot-holes, some of which are easy to detect. And that adds up to a lot of other things about the temporal process. Which makes Episode 16 terrible.
If you have the courage to review the drama, I think it becomes possible to find other plot-holes. Episodes 14 and 15, that's for sure. Concerning the mess of episodes 1 to 10: there are very few inconsistencies related to what happens, movement of characters, chronology. But as the fantastic processes are regularly hidden or mysterious, nothing is certain about that.
K-Drama 
1 
where ?
And it's not hope anyway making the gun shot.
When I look at this scene from beginning to end, it's very successful in terms of the poetry, and the various meanings put into it. You even have the defeat of the bad guy, symbolized by the arrival of the red balloons and all that!
But in order for poetry to reach its goal, you need a story that will hold up! We're in a drama, otherwise we might as well read a book of poems.
The scene is aesthetically/philosophically successful, but totally failed for the "mind-blowing" aspect. And to manage to place this scene at all costs, the screenwriter had to miss out on any coherence. So she can place any aesthetic scene, with a mickey poem, anytime, for no reason!
For this scene to stand, it was really necessary to work on the context, to define the rules of fantasy, and to include the inevitable events that lead to this scene. That's the basis of a script!
If you don't do that, well it's simple, anyone can tell anything, and I assure you that you'll find lots of people a hundred times more talented than this writer to do that.
Also, it's totaly impossible to get immersion in this drama, so bad is the narrative all along. I already explained 100 times. If you don't understand what you see, you are put out of immersion. You need to rewatch, analyse, go on blog, thinks more after. No immersion in the drama itself.
When you see things without context or coherence, you also get out of immersion immediatly. It's not new, it had been like that in all cinema history.
So, no, it's not the pretty "flower of hope" that's behind the gun's operation. And on the other hand, as I parodied it on another blog: "What could be more poetic than the power of a flower to shoot and kill an unarmed guy, when it was so easy to smash his face with a teakwoondo high-kick anyway".
I'll leave you to figure out the real explanation, because I'm sure you love doing that. And I'm also sure you'll find several. And, yes, that's how it works. The screenwriter doesn't need to give an explanation, the spectators try to do so by speculating on almost nothing, then end up in logical dead ends when their theories collapse against each other.
Interresting question, because here cause and effet isn't show in a clear way. There is the usual mess. Flashback scene but you don't know it's a flashback. Situation splited with other disturbing thing so you loose track. And anyway nothing clear and certain. You can imagine what you want.
This scene was never intended to be consistent with SF laws. It's an aesthetic and cool scene, with a slightly poetic or philosophical meaning. The writer is just saying "it has to happen that way because it has a good hit power". I have nothing against that. But in this case, the script has to be solid to allow the audience to believe what they see, and there has to be enough evidence of what's happening, why or how.
Here, the result: it becomes Disneyworld.
- A good villain must exceed the hero's abilities. That's why the hero becomes a hero, because he manages to overcome a serious challenge.
But Lee Lim really fails at everything!
He gets caught stupidly in the forest?
What's the occasion?
He had a serious lead.
When he got the flute and opened the portal, I finally thought something interesting was going to happen. That he was going to get in, that he'd achieved his goals, and that things were going to get worse. I have no idea how it's going to get solved, but you just have to think of a scenario.
But no, in the end, there's nothing there at all. And anyway, there wasn't enough time left for that. It would have had to happen a few episodes earlier, at least.
It's endless... If you want to avoid plot-hole in this drama, it's not the screenwriter work, it's yours.
But I'm agree there is no evident plot-hole for this, it's more how it made drama unreadable, splitted and overloaded.
Well, no evident plot-hole, except the origins one : two worlds far different make it impossible to get systematic DNA doopleganger.......
If you want to loose time watching it, it's up to you.
Anyway who care about what others says ?
Lee Gon could easily go on a sightseeing trip with Tae Eul for months. When he returns to his starting point, not even a second has passed...
And if I'm told that he can't do that, then it makes the most sense, let me know when the drama clearly explains, or allows us to guess with certainty how the time travel system works, with what universal laws, what precise rules, and whether all these rules are consistent (of course, I can already say that they are not consistent with the little we see).
It would be worth making a list of all the plot-holes, they are numerous as soon as you think a little about what happens, depending on the dynamics of cause and effect that the drama established as certain.
The main concern is that the drama avoids as much as possible to state anything certain, leaves the spectator in the blur as much as possible, and that a lot of information is hidden for good.
For example, to hide the plot-hole you're quoting: you never see the characters enter or leave the in-between world.
The scene you're quoting contains a lot of other plot-holes, some of which are easy to detect. And that adds up to a lot of other things about the temporal process. Which makes Episode 16 terrible.
If you have the courage to review the drama, I think it becomes possible to find other plot-holes. Episodes 14 and 15, that's for sure.
Concerning the mess of episodes 1 to 10: there are very few inconsistencies related to what happens, movement of characters, chronology. But as the fantastic processes are regularly hidden or mysterious, nothing is certain about that.
This drama won't survive.
The Tourist: Temporary Visitor.
:-D
...
(last joke before to go)
Then be disappointed, because it's worse than what you imagined.
Future queen is not queen anymore.
:-D