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This review may contain spoilers
A Series Nearly Ruined By the Final Episode!
If I was to compare this series to a 400m track race, I’d say that it got off to an explosive start. It then showed a bit of a loss in pace, got back on track, and then with only 50 meters left, it crashed to the ground and had to crawl across the finish line.
I have been watching TV shows and movies for over 50 years. Perhaps there is nothing so frustrating than investing in a series that drops the ball just before the goal line. As a novelist, I know how challenging it can be to come up with a viable ending to a story. It’s absolutely criminal to come with an ending so silly and contrived that it virtually destroys the entire story.
Baek Sa Eon and Hong Hui Ju are married. Nothing is at it seems as the marriage is only for show. Baek Sa Eon treats her as though she were an intruder in his house rather than as a wife. He’s short and temperamental with her. And it’s obvious that Hong Hui Ju would rather be anywhere else than with Baek Sa Eon. However, due to the family’s past and arrangement, Hong Hui Ju is like a piece of luggage that is passed on from one person to another. She has virtually no say in her life, which is pretty much literal as she’s unable to speak, or so we think.
Baek Sa Eon gets a strange phone call from someone threatening to kill Hong Hui Ju unless he complies with the kidnapper’s demands. He instantly refuses and even bates the kidnapper by telling him to “go ahead and kill her.” We quickly find out that Hong Hui Ju has set everything up herself with the hopes of forcing Baek Sa Eon to divorce her due to the unhappy state of their marriage.
As more of the story unfolds, we discover that Baek Sa Eon isn’t the real son of his family but a stand-in. His “family” has deep, dark secrets that he becomes unwittingly a part of. Hong Hui Ju’s family is no less corrupt as Baek Sa Eon’s father is running for president and needs the support and power of Hong Hui Ju’s family. Instead, Baek Sa Eon was put in place of the real Baek Sa Eon, who was a sadistic murderer even as a child. Baek Sa Eon’s grandfather chose to get rid of the boy rather than attempt to help or rehabilitate him.
Throughout most of the middle part of the series, Baek Sa Eon finds himself falling in love with Hong Hui Ju, or so we’re made to believe until we find out that he’s actually always liked her, despite his contradictory behavior in the first few episodes. Almost laughingly, we also find out that Hong Hui Ju also had feelings for Baek Sa Eon going back to their childhood.
Despite the story being put together a bit piecemeal, it’s the chemistry and obvious feelings between Baek Sa Eon and Hong Hui Ju that keeps the story afloat, thanks mostly to Yoo Yeon Seok and Chae Soo Bin, two exceptional actors. I’ve seen Yoo Yeon Seok in several series, and the man’s a truly gifted performer. From “Mr. Sunshine” to “Hospital Playlist,” he showcases his diversity and his ability to get inside any character he plays. This is my first time watching Chae Soo Bin, and she is simply mesmerizing in how she brings true vulnerability to her character, making you wonder how and why Baek Sa Eon can treat Hong Hui Ju so badly.
As Baek Sa Eon learns more about his family’s history and what they’re plotting, the more determined he becomes to protect Hong Hui Ju as well as trying to rectify what’s happened to her. All of this is done as the real Baek Sa Eon attempts to destroy the imposter, typically by going through Hong Hui Ju, knowing that is where his true vulnerability lies. Never mind that Hong Hui Ju isn’t kidnapped once in this series, but twice! Going to the same “well” twice doesn’t quite work.
The series all but collapses in the final ten minutes of the 11th episode and into the final one as the writing becomes incredibly sloppy and asks the viewer for a lot of suspension of disbelief.
It appears that Baek Sa Eon is killed, although we quickly learn that it isn’t the case as Hong Hui Ju, recovering from her kidnapping, insists that he’s been at her bedside. However, Baek Sa Eon disappears for over six months, leaving poor Hong Hui Ju wondering where he is, what’s happened to him, and also wondering why he won’t contact her. Hong Hui Ju is going through a deep depression waiting for any information that will give her a clue as to where he is.
Finally, a clue comes through, and she finds herself traveling to some country halfway around the world in search of Baek Sa Eon. After nearly being killed by country rebels, Baek Sa Eon saves her and begins admonishing her for showing up. Really?! What did he expect her to do? I was a little surprised that Hong Hui Ju didn’t get angry with him, given his pathetic reasoning. Baek Sa Eon insists that he needed to punish himself for what his family had done to Hong Hui Ju. His logic is so backwards and ludicrous that it invites the obvious question: how does punishing Hong Hui Ju fit into his plans? Because that is exactly what he is doing by disappearing and going off the grid. Did he truly think that she wouldn’t do everything possible to try and find him? Did he never fully understand or realize how much Hong Hui Ju loves him?
Frankly, it made no sense, and it also makes Baek Sa Eon come off as a truly pathetic coward. I didn't feel sorry for him even when he was sniveling like a child. You want to make it up to Hong Hui Ju? Then love her and do your best to make her happy. Instead, he’s actually responsible for bringing her further pain and suffering. His actions are completely counterproductive. I can see Baek Sa Eon being upset and perhaps even overwhelmed by his family’s actions toward Hong Hui Ju, but I couldn’t see him taking it out on her. This is what happens when a writer makes the mistake of going against character for the sake of the plot.
This series would have benefited greatly had it only been ten episodes and avoid the absurd ending that we ultimately got. Even in the last scene, Baek Sa Eon is still terrible at letting Hong Hui Ju know where’s going, forcing her to worry and wonder why she can’t get ahold of him.
Too many inconsistencies and a terrible ending nearly ruined this series. Only the performances of the two leads kept me vested enough to wade through the last episode. A series with such promise and great performances deserved a competent writer who obviously didn’t know the characters as well as we do.
I have been watching TV shows and movies for over 50 years. Perhaps there is nothing so frustrating than investing in a series that drops the ball just before the goal line. As a novelist, I know how challenging it can be to come up with a viable ending to a story. It’s absolutely criminal to come with an ending so silly and contrived that it virtually destroys the entire story.
Baek Sa Eon and Hong Hui Ju are married. Nothing is at it seems as the marriage is only for show. Baek Sa Eon treats her as though she were an intruder in his house rather than as a wife. He’s short and temperamental with her. And it’s obvious that Hong Hui Ju would rather be anywhere else than with Baek Sa Eon. However, due to the family’s past and arrangement, Hong Hui Ju is like a piece of luggage that is passed on from one person to another. She has virtually no say in her life, which is pretty much literal as she’s unable to speak, or so we think.
Baek Sa Eon gets a strange phone call from someone threatening to kill Hong Hui Ju unless he complies with the kidnapper’s demands. He instantly refuses and even bates the kidnapper by telling him to “go ahead and kill her.” We quickly find out that Hong Hui Ju has set everything up herself with the hopes of forcing Baek Sa Eon to divorce her due to the unhappy state of their marriage.
As more of the story unfolds, we discover that Baek Sa Eon isn’t the real son of his family but a stand-in. His “family” has deep, dark secrets that he becomes unwittingly a part of. Hong Hui Ju’s family is no less corrupt as Baek Sa Eon’s father is running for president and needs the support and power of Hong Hui Ju’s family. Instead, Baek Sa Eon was put in place of the real Baek Sa Eon, who was a sadistic murderer even as a child. Baek Sa Eon’s grandfather chose to get rid of the boy rather than attempt to help or rehabilitate him.
Throughout most of the middle part of the series, Baek Sa Eon finds himself falling in love with Hong Hui Ju, or so we’re made to believe until we find out that he’s actually always liked her, despite his contradictory behavior in the first few episodes. Almost laughingly, we also find out that Hong Hui Ju also had feelings for Baek Sa Eon going back to their childhood.
Despite the story being put together a bit piecemeal, it’s the chemistry and obvious feelings between Baek Sa Eon and Hong Hui Ju that keeps the story afloat, thanks mostly to Yoo Yeon Seok and Chae Soo Bin, two exceptional actors. I’ve seen Yoo Yeon Seok in several series, and the man’s a truly gifted performer. From “Mr. Sunshine” to “Hospital Playlist,” he showcases his diversity and his ability to get inside any character he plays. This is my first time watching Chae Soo Bin, and she is simply mesmerizing in how she brings true vulnerability to her character, making you wonder how and why Baek Sa Eon can treat Hong Hui Ju so badly.
As Baek Sa Eon learns more about his family’s history and what they’re plotting, the more determined he becomes to protect Hong Hui Ju as well as trying to rectify what’s happened to her. All of this is done as the real Baek Sa Eon attempts to destroy the imposter, typically by going through Hong Hui Ju, knowing that is where his true vulnerability lies. Never mind that Hong Hui Ju isn’t kidnapped once in this series, but twice! Going to the same “well” twice doesn’t quite work.
The series all but collapses in the final ten minutes of the 11th episode and into the final one as the writing becomes incredibly sloppy and asks the viewer for a lot of suspension of disbelief.
It appears that Baek Sa Eon is killed, although we quickly learn that it isn’t the case as Hong Hui Ju, recovering from her kidnapping, insists that he’s been at her bedside. However, Baek Sa Eon disappears for over six months, leaving poor Hong Hui Ju wondering where he is, what’s happened to him, and also wondering why he won’t contact her. Hong Hui Ju is going through a deep depression waiting for any information that will give her a clue as to where he is.
Finally, a clue comes through, and she finds herself traveling to some country halfway around the world in search of Baek Sa Eon. After nearly being killed by country rebels, Baek Sa Eon saves her and begins admonishing her for showing up. Really?! What did he expect her to do? I was a little surprised that Hong Hui Ju didn’t get angry with him, given his pathetic reasoning. Baek Sa Eon insists that he needed to punish himself for what his family had done to Hong Hui Ju. His logic is so backwards and ludicrous that it invites the obvious question: how does punishing Hong Hui Ju fit into his plans? Because that is exactly what he is doing by disappearing and going off the grid. Did he truly think that she wouldn’t do everything possible to try and find him? Did he never fully understand or realize how much Hong Hui Ju loves him?
Frankly, it made no sense, and it also makes Baek Sa Eon come off as a truly pathetic coward. I didn't feel sorry for him even when he was sniveling like a child. You want to make it up to Hong Hui Ju? Then love her and do your best to make her happy. Instead, he’s actually responsible for bringing her further pain and suffering. His actions are completely counterproductive. I can see Baek Sa Eon being upset and perhaps even overwhelmed by his family’s actions toward Hong Hui Ju, but I couldn’t see him taking it out on her. This is what happens when a writer makes the mistake of going against character for the sake of the plot.
This series would have benefited greatly had it only been ten episodes and avoid the absurd ending that we ultimately got. Even in the last scene, Baek Sa Eon is still terrible at letting Hong Hui Ju know where’s going, forcing her to worry and wonder why she can’t get ahold of him.
Too many inconsistencies and a terrible ending nearly ruined this series. Only the performances of the two leads kept me vested enough to wade through the last episode. A series with such promise and great performances deserved a competent writer who obviously didn’t know the characters as well as we do.
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