This review may contain spoilers
THIS IS NOT MADE FOR EVERYONE
I am not saying that you cannot recognise a good drama, or that you lack the ability to appreciate subtle storytelling. That is not the point I am making at all. What I am saying is that this particular drama is meant for a very specific kind of viewer: someone who can perceive and understand the male lead’s inner world. And by understanding, I do not mean simply following the plot or grasping his motivations on paper. I mean having experienced something emotionally similar, something that allows you to feel what he is carrying rather than just observe it.
This is a drama that operates largely on the inside. The male lead’s thoughts, silences, and emotional restraints form the real narrative. Much of what defines him is not spelled out through dialogue or dramatic events, but through the way he exists in the world. If you have never lived with emotional isolation, unexpressed longing, or the quiet heaviness of holding yourself together, it may be difficult to connect with him. Not because the writing is poor, but because the experience it depicts requires a certain kind of emotional memory from the viewer.
Personally, I liked the drama very much based on the five episodes I have watched so far. The pacing felt intentional rather than slow, and the focus on internal conflict felt sincere. I did not feel the need for constant plot twists or loud emotional payoffs, because the drama was clearly invested in something deeper and more restrained. For viewers who are comfortable sitting with silence and ambiguity, this approach can feel immersive and rewarding.
However, if you are going into this drama expecting a light, comedy-heavy romantic experience, this is not for you. It does not function as an easy rom-com, and approaching it with that expectation will almost certainly lead to disappointment. The humour is minimal, understated, and never the driving force of the story. Romance exists, but it unfolds cautiously and quietly, more as an emotional undercurrent than as a central spectacle.
In that sense, the rom-com label attached to this drama is highly misleading. It sets up the wrong expectations and does a disservice to the kind of story being told. This is not a show designed for escapism or casual viewing. It asks for patience, attentiveness, and emotional openness from its audience.
This drama will not resonate with everyone, and that is not a failure. It is selective by nature. For those who can perceive and understand the male lead’s inner world through lived experience, it can feel deeply relatable and moving. For others, it may feel uneventful or inaccessible. Both reactions are valid. But it is important to understand what kind of story this is before judging it. This is not a lighthearted romance. It is a quiet exploration of an inner life, and it deserves to be approached on those terms.
Approach it with empathy and the right expectations, and it may reveal more than you initially thought possible to you.
This is a drama that operates largely on the inside. The male lead’s thoughts, silences, and emotional restraints form the real narrative. Much of what defines him is not spelled out through dialogue or dramatic events, but through the way he exists in the world. If you have never lived with emotional isolation, unexpressed longing, or the quiet heaviness of holding yourself together, it may be difficult to connect with him. Not because the writing is poor, but because the experience it depicts requires a certain kind of emotional memory from the viewer.
Personally, I liked the drama very much based on the five episodes I have watched so far. The pacing felt intentional rather than slow, and the focus on internal conflict felt sincere. I did not feel the need for constant plot twists or loud emotional payoffs, because the drama was clearly invested in something deeper and more restrained. For viewers who are comfortable sitting with silence and ambiguity, this approach can feel immersive and rewarding.
However, if you are going into this drama expecting a light, comedy-heavy romantic experience, this is not for you. It does not function as an easy rom-com, and approaching it with that expectation will almost certainly lead to disappointment. The humour is minimal, understated, and never the driving force of the story. Romance exists, but it unfolds cautiously and quietly, more as an emotional undercurrent than as a central spectacle.
In that sense, the rom-com label attached to this drama is highly misleading. It sets up the wrong expectations and does a disservice to the kind of story being told. This is not a show designed for escapism or casual viewing. It asks for patience, attentiveness, and emotional openness from its audience.
This drama will not resonate with everyone, and that is not a failure. It is selective by nature. For those who can perceive and understand the male lead’s inner world through lived experience, it can feel deeply relatable and moving. For others, it may feel uneventful or inaccessible. Both reactions are valid. But it is important to understand what kind of story this is before judging it. This is not a lighthearted romance. It is a quiet exploration of an inner life, and it deserves to be approached on those terms.
Approach it with empathy and the right expectations, and it may reveal more than you initially thought possible to you.
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